My Middle Name Is Earl - The Official ILM Track-By-Track TOM PETTY Listening Thread

@evelynbaron2004
4 years ago
It was Stan Lynch who said about the album Let me up I've had enough that the title spoke for itself but in this song I don't know if Tom is writing about Stan himself or his first wife; I really like it because it's full out raunchy and he is so fucking pissed off and lets it rip.

Improvised in the studio, Petty sez. He yelled chord changes as they jammed. Another good throwaway.

decent album cut. girl problems used to inspire his best melodies; now we get two-chord vamps. at least it's sprightly, if not full out raunchy.

definitely more proof that he didn't need anyone else to produce his albums for him. sounds great. though there are nine engineers listed for this album. so he needed a little help.

I don't hear "girl problems," I hear, "I've got an album to deliver."

Live version 1992:

https://www.youtube.com/watch?v=XvmAo7nFtR0

cool to learn that "the damage you've done" was improvised in the studio, it def feels that way. band sounds great!

"runaway trains" seems to be going for the "the waiting" and "even the losers" territory but the writing isn't quite strong enough to get there. i like the production tho

Tomorrow: Springsteen's favorite Tom Petty song.

this song was played a lot on WQMF, the AOR station in town, which very often went for shit kicker rock, which did the trick for lots of people in town unwilling to listen to 80s country.

"in town" = louisville

ooh did you get to see squirrel bait a bunch? if so: jealous. that's what i think of when i think of 80s Louisville.

love them so much. they were the bob dylan of grunge rock. nirvana were the tom petty.

yeah this is fine. at least the band sound like they're comfortable in it.. the whole feeling is kind of a good-natured jam in the garage by now-very-seasoned pros. unfortunately, this also means nothing about it really suggests a feeling of damage having been done. the words are serving the same function as the licks, "this is fun to play," I think.

Howie's chorus harmonies are nice.

That live version is amazing - the riff is almost "Satisfaction," but they play it like they're in Endless Boogie. Was that during the Smack Years, or before?

1992, pre-smack

it occurred to me that after this album is the first wilburys album chronologically. you guys are going to have to remind me if we are doing the whole thing or not. then after that tom's first solo album and then back to the heartbreakers.

i know we are only two songs in but it already feels like tom got his personality back after that last album experience.

Wr can talk about "Ladt Night," his solo Wilburys number

Last

Talking about the whole Wilburys album could be fun, and it's where Full Moon Fever came from. But at a minimum, should include "End of the Line," he sings the verses and I've always thought of it as a Petty song. (If just for the way he sings, "when somebody plays/'Purple Haze'".)

I did see Squirrel bait once, in 1986, and was shaking in my 15 year old boots, seeing such a fantastically exciting band comprised of guys from my town, each about four years older than me (one member had known since I was very very young, his parents were friendly with mine)… saw various spin off bands involving searcy and Daughtry very often in the late 80s … while indie rock people look back on that band fondly, there is no question that Slint has utterly eclipsed them in town and probly everywhere else …I note that there is a presently active ILM thread re: David Grubbs' second best known project

i was on a panel with david grubbs once and i decided not to gush and play it cool but those SB albums meant a ton to me when i was a teen. he was very nice. and he knew my friend john armstrong who was also a louisville person. i knew john in philly though.

I'm cool with "End of the Line," another mostly Harrrisong ftr, which you can hear in the chords.

It'll All Work Out

https://www.youtube.com/watch?v=mVEXkLht6hQ

tom discovers zen, mandolins, three-quarter time. pretty nice. no wonder springsteen likes this; it was created in his image.

One of his best ballads.

Yeah lovely little song.

Lovely is the word. As the thread goes on I've come to be fond of all these songs in the "No Second Thoughts" lineage, and this is the most fully worked out. Very pretty arrangement, nice unhurried performance. A welcome return to form.

Forgot about this one. What a great song!

My Life / Your World

https://www.youtube.com/watch?v=uzAkM1-Gdn4

getting his j.j. cale on again like the old days. man, what a difference two years makes. though the chorus isn't a j.j. chorus.

j.j. cale may be too kind? i think we're in don henley / mark knopfler territory. yet it somehow hangs together.

I get Knopfler vibes. He's trying to write another story. Shrewd lyrics.

it has that synth sound in it that i was already tired of by 1986. a korg?

that same sound that new age people loved so much.

scott, I just sent you and email…

I don't mind. You know who did? Benmont Tench, of course.

people should thank the stars if their generation doesn't have a name.

this is great!

https://www.thepettyarchives.com/archives/newspapers/1970s/1978-06-05-villagevoice

that is some of the worst writing I have read in a while, sorry

haha, i love it.

<3

people don't quote george bernard shaw enough these days!

Let Me Up I've Had Enough is a pretty good record, but all the best songs are on side 2

shhh it'll all work out!

i like this record so far. i don't remember any of it which helps actually. it feels new to me. though i know i've played it more than once in the past. i like how it sounds. yeah, it has some of those era-appropriate cliches sound-wise, but it has an openness that i like and i do not miss the overblown iovine or stewart echo chamber effect that creates that dumb faux-bigness. neither one of them was phil spector. (not saying they weren't talented i just think they both went way overboard as the 80s went on. look what jimmy iovine did to my beloved simple minds. i'll give you alive and kicking. right in the snoot! not the 80s, but is there a good book about the making of Bat Out Of Hell? i do love that album and i would love to know where todd began and jimmy ended. and there are some days when i love everything about Making Movies and other days when i think: why does it have to sound like it was actually recorded in a roller rink? he was so in love with that nostalgic happy days rocky horror drive-in teen pop aura/sound and it just kinda curdled on him. thank god he could fall back on being a billionaire mogul.)

Think About Me

https://www.youtube.com/watch?v=5eZDzlGl84o

Nothing major, a good time.

never saw this before. a week before he died.

https://www.youtube.com/watch?v=f4kmZpXGqlw

but yeah "think about me" another reinterpretation of the 60s pop chestnut that TP & HB loved so much. they knew how to it that's for sure. doesn't feel like out and out nostalgia somehow even though it totally is.