Message Bookmarked
Bookmark Removed
http://www.redbullmusicacademy.com/magazine/best-music-journalism-2014
Poll Results
| Option | Votes |
| John Jeremiah Sullivan, “The Ballad of Geeshie & Elvie” (New York Times Magazine) | 8 |
| Jordan Sargent, “Drake Is the Taylor Swift of Rap” (Gawker) | 2 |
| Saul Austerlitz, “The Pernicious Rise of Poptimism” (New York Times) | 2 |
| “Who Will Survive in America: A Kanye Roundtable” (Rookie) | 2 |
| Masha Gessen, “Words Will Break Cement: The Passion of Pussy Riot” (NPR Music) | 1 |
| Max Pearl, “Work It” (The New Inquiry) | 1 |
| Bill Werde, “On Angela Cheng, Lady Gaga and the Culpability of the Media” (Media.Music.Business.Life) | 1 |
| Herbie Hancock, “The Norton Lectures at the Mahindra Humanities Center” (Harvard/YouTube) | 1 |
| Kris Ex, “A Phony Article Epitomizes Hip-Hop’s Struggling Underclass” (NPR Music) | 1 |
| Phil Hebblethwaite, “Is Record Store Day In Crisis?” (The Quietus) | 0 |
| Michael Dunaway, “James Brown: An Oral History From His Bandmates” (Paste) | 0 |
| Dianna Kenny, “The 27 Club is a myth: 56 is the bum note for musicians” (The Conversation) | 0 |
| Barney Hoskyns, “Johnny Cash on the Gospel” (Tape on Tape) | 0 |
| Mat Honan, “On Death and iPods: A Requiem” (Wired) | 0 |
| “Sample the Funk- 10 Legendary Samples and the Stories Behind Them” (FACT) | 0 |
| Michael Hall, “The Greatest Music Producer You Never Heard Of Is…” (Texas Monthly) | 0 |
| Tony Manfred, “CBS took the Rihanna intro off Thursday night football. CBS lets Chris Brown perform at the Grammys ever | 0 |
| Amanda Petrusich, “On His Way Down: Williamsburg and the Birth of Record Collecting” (Brooklyn Magazine) | 0 |
| Scott Wilson “Why Black Metal Will Save You At the End of the World” (Dazed) | 0 |
| Seth Troxler, “Dance Festivals are The Best and Worst Places in The World” (Thump/Vice) | 0 |
| Derek Thompson, “The Shazam Effect” (The Atlantic) | 0 |
| Snoopman/Unknown “Lorde’s Suppressed Grammy Award acceptance speech (Full Transcript)” (Snoopman News) | 0 |
| Joan E. Solsman, “Attention, artists: Streaming music is the inescapable future. Embrace it” (CNET) | 0 |
| Mona Lalwani, “Go For the Music, Stay For the Holograms” (Medium) | 0 |
| Greg Sandow, “Sandwiched In” (Sandow/ArtJournal blog) | 0 |
| Natalie Robehmed, “The Lyrical Portfolios Of Hip-Hop’s Wealthiest Artists” (Forbes) | 0 |
| Valerie Plesch, “The Solace of Sound” (Roads and Kingdoms) | 0 |
| Caitlin Dewey, “The inside story of a reputation-ruining, idol-killing Internet hoax” (Washington Post) | 0 |
| Lance Davis, “I Stand for Language, I Speak for Truth, I Shout for History” (Adios Lounge) | 0 |
| Grayson Haver Currin, “Why the Summer Music Festival Bubble is About to Burst” (Wondering Sound) | 0 |
| Pitchfork’s The Pitch | 0 |
| Seth Troxler: “Dance Festivals are The Best and Worst Places in The World” (Thump) | 0 |
| Iona Moldoveanu, “What Was It Like Being a DJ in Communist Romania?” (Vice) | 0 |
| Annie Paul, “Parsing Vybz Kartel’s Sentence” (Active Voice) | 0 |
| Jeffrey Renard Allen, Song of the Shank | 0 |
| Naomi Zeichner, “How Young Thug Got Trapped By A $15,000 Advance From A Major Label” (BuzzFeed) | 0 |
| Nick Paumgarten, “Berlin Nights” (The New Yorker) | 0 |
| Luis Manuel Garcia, “An Alternate History of Sexuality in Club Culture” (Resident Advisor) | 0 |
| Slow To Speak, “The Month in House & Techno” column (FACT) | 0 |
| Adam Harper, “The Online Underground: A New Kind of Punk?” (Resident Advisor) | 0 |
| Medium’s Cuepoint | 0 |
| Max Blau, “Jason Molina’s Long Dark Blues” (Chicago Reader) | 0 |
| “Dawn of Def Jam: Rick Rubin Returns to His NYU Dorm Room” (Rolling Stone) | 0 |
| Jon Caramanica, “Viscerally Facing Up to Ferguson” (New York Times) | 0 |
| Jia Tolentino, “A Chat with Dionne Osborne, the Vocal Coach Who Changed Drake’s Style” (Jezebel) | 0 |
| Louis Caldarola, “Nothing Here Now But the Recordings: A conversation with Genesis Breyer P-Orridge” | 0 |
| Derek Thompson, “The Shazam Effect” (The Atlantic) | 0 |
| Joe Muggs, “Return to the Chill-Out Room: When Did Ambient Music Last Have It so Good?” (FACT) | 0 |
| Amanda Petrusich, “Kind of Blue: Hunting for the Source of the World’s Most Beguiling Folk Music” (New York Times Magaz | 0 |
| Michael Hall, “The Greatest Music Producer You’ve Never Heard of Is …” (Texas Monthly) | 0 |
― shmup....smug....shmub....shmug.... (forksclovetofu), Tuesday, 13 January 2015 19:54 (ten years ago)
You must be logged in to post. Please either login here, or if you are not registered, you may register here.