Guitars... what you've got / what you want

lots of discussion in the Stratocaster vs. Telecaster thread but figured we need something a little more general and all encompassing.

hoping to see lots of gear pics, wish lists, items you're eying, etc.

Have: Jaguar, Jazzmaster, Telecaster Deluxe
Want: big headstock Stratocaster in Olympic white, a Michael Karoli tribute guitar

Really want: Science Earthling (OR120-ish amp) but I don’t see having enough room for a big amp and 2x12.

current wishlist:

– 70s guild s-100 (would take one of the 90s re-issues too)
– ~70s Tele Deluxe natural
– SG standard, any year really, any color but cherry
– Jazzmaster - would love a j mascis or troy van luween sig model

"a Michael Karoli tribute guitar"

whats this?

I have a 2000s Japanese Fender Tele, a Fender Duo-Sonic, a recent custom Squier Classic Vibe 70s Tele, a Jackson Randy Rhoads, an Epi Korina Explorer with upgraded pickups and an Ibanez RG.

I don’t have room for anything else at the moment but would like a Jaguar at some point.

xp - that’s the Stratocaster I associate with him, not an official model or anything.

cool, you gonna try and build one out of parts or something? or did he play a certain year model?

shari thats a good collection which rhoads version do you have? do you play it a lot?

Have:
Gretch country club 1961
Ibanez,dunno but it's black
Hondo, it's a Gibson copy I think, but a good one.

Want:
Nothing really. Maybe a bass.

oh gonna need to see a pic of that gretsch.

i just bought three vintage gretsch's at an estate sale two weeks ago, gonna flip two of them and keep one i think. also got a hondo super strat copy at goodwill a few months back. i'll snap some pics over the weekend.

My Jazzmaster from a stupid angle

https://i.imgur.com/ZGF3Sh6.png

nice, matching headstock? what year is it?

2018, I think - '65 American Vintage Thin Skin from Wildwood. It was B-stock because the Firemist Silver is off but I like it because it's a little more blue.

my collection is disgusting

I forgot one from above because it's currently not playable - Peavey T-60, waiting on a new aluminum neck.

thanks for making this! i have:

- '72 tele thinline reissue c. 2000, natural finish, made in mexico. a few months ago i put the new wide range humbucker reissues in this.

- 2002 taylor 310 dreadnought, no electronics

- c. 2006 classic player strat, also MIM, sonic blue. i got this for a sweet deal because i contacted the craiglist seller from my work email and it turned out we worked for the same company.

- 2005 MIJ '66 jag reissue in lake placid blue. tricked out with duncan antiquties, mastery bridge, and mastery trem before i bought it.

- 2020 FGN (fujigen) neo classic - their take on the goldtop p-90 les paul

wants list changes all the time but currently at the top would be a white blonde 50s spec tele and a late 50s style jazzmaster in sunburst with the anodized gold pickguard.

- my main guitar is a late ‘60s galanti grand prix - a funky weird old Italian guitar i love: https://www.instagram.com/p/CPcDy49hhBl/
- epiphone dot that was my primary guitar for a long time
- alvarez acoustic my dad bought me when i was a teen
- my old beloved but sadly broken vantage semihollowbody lives in the basement. I’d like to get it fixed (something wrong with the wiring or pickups) but haven’t been able to justify spending money on it
- my wife’s ‘90s SG (coral pink) and danelectro bass

i don’t plan on buying any new gear anytime soon bc I’m not playing much. but the dream would be a vintage es-355. most of the other guitars that appeal to me are weird trashy 60s guitars or newer guitars that replicate that aesthetic

I've been given more guitars than I've purchased, and sold or given away more than I have. Currently:

-early 90's Tele Plus+ in natural finish, with the lace sensor pickups. That's my childhood guitar though I had a cheap 'starter' guitar before this one. Weighs a ton and really beat up. I never touch it anymore but I've had it almost 30 years, so can't give it up now. It's identical to the one Dead Meadow guy plays. Well, might have a couple more stickers.

https://www.youtube.com/watch?v=hmxPWo6kBxA

-Danelectro '59 DC. It's a reissue, but an older reissue. I've had it since like 2006.

-a Korean made Saint Blues 61 South with a bigsby

-A 70's Musicmaster bass (no finish, not even clear)

-A Savona AWN-20 violao made in Brazil

-a cheap Yamaha acoutsic/electric 12 string that I also never touch.

I mostly play the Dano (because it's got a super comfortable neck and sounds good unplugged) and the Brazilian acoustic.

Always wanted a butterscotch 52 RI Tele. In 2008-ish I played a 6129T-1962 silver jet in a guitar store in Queens that I've lusted after since, mostly cause it looks amazing. It's basically a duo jet with the silver sparkle. Very much doubt I will ever purchase another guitar, though.

I'm not a gearhead or very fussy about guitars and guitar tones but I was into pedals at one time.

I was never one of those guys with 50 different overdrive pedals in search of the perfect tube screamer (at the risk of stating the obvious), more of a Gonkulators and Space Stations kind of pedal freak.

Currently have:
1. Goya classical from the 60s, it was my mother's

2. MIM Stratocaster

3. Squier Thinline Telecaster

4. Yamaha TRBX174 bass

5. Recording King Martin 000 copy

6. Fender mandolin

7. Hora bouzouki

8. Kit ukulele

There are probably a few more in storage but that's what I can put my hands on at present.

Want:

Mandola or octave mandolin

Hollowbody with p90s

Something with just a neck pickup

late 90s gibson les paul deluxe double cutaway, cherry sunburst

late 90s american standard tele, rosewood fretboard, 3 tone sunburst

early 80s ovation acoustic that belonged to my dad and is very special to me so please be nice

always really wanted a jackson randy rhodes or kelly or something.

i would like an es-335 too i guess

this thread is already great--i'm curious about what drove everyone's haves/wants. what motivates someone to get a given guitar is always interesting to me.

I’m dying for a Guild S-300 (not the one with the Dimarzio pickups, the one with the shitty Guild pickups)... in white, if possible.

I have no reason to get another guitar; I already have way more than I can use. But those things look so FUCKING cool, & with the phase-inverter switch I could get the tinny funk tones I want on occasion without any other fuss.

I bought a Guild B-301 a couple of years ago, same body type, roadworn as fuck, a beautiful beast, & I haven’t had any occasion to play it.

I haven’t actually picked up a guitar except strumming a cover or 2 once a month or so since Covid started (except for a couple weeks last fall when indoor gatherings weren’t yet banned, & my keys player & I jammed with a drum machine)

xp I collect Japanese solid bodies mostly, I love how well they’re made and I particularly like getting something a bit cheap or weird and fixing / adjusting until it’s great to play. I also can’t resist something I know to be underpriced compared to its quality. The problem is there’s no endpoint for that kind of process so I have a lot now. Better than collecting cars maybe.

Currently have:

1. 1965(?) Gretsch Corvette, the model with 2 hilotrons. Neck like a baseball bat, fake bigsby only goes down & not up so not super useful for the kind of vibrato you want a bigsby for, lo-output pickups play nicely with my hot little amp (a Tex Bernie CC)

2. Gretsch CVT, the Chinese-made modern version of the Corvette. Neck is wicked, bigsby is great, plays like a dream. Too hot for my amp; I should have just bought a volume pedal instead of the vintage Corvette

3. ESP Hybrid II. Swapped the shitty stock bridge pickup out for a TV Jones & scrapped the neck pickup altogether. Stupid purchase, and it’s a reasonably expensive guitar that nobody wants so I’ll never be able to sell it. It’s nice to play but it’s way more of a lead guitar than a rhythm guitar & I have no chops

4. Gretsch baritone guitar of some description. Was a placeholder for a Reverend Descent when I was in a 2-person band, just drums & bari... band never got off the ground so I don’t have a lot of use for it. Still jonesing for a Reverend Descent tho, for NO GOOD REASON

5. MIM Tele Cabronita. Decent player, lotta raunch. I think I swapped out the stock pickups for TV Joneses? Can’t remember. Didn’t get much stage time since the Corvette(s) came along

6, 7. A couple of shitty cheap Japanese acoustic guitars

Basses:

1. The aforementioned Guild B-301

2. The dumbest purchase I ever made, a 1968/1970 Fender Telecaster bass (one year is the neck, one year is the body but I can’t remember which). Used to belong to Billy Joel’s bassist apparently. Traded a late-70s P-bass plus a whack of cash for this glamourpuss, which looks like a million bucks but just doesn’t have any mojo whatsoever, like dating the most boring model you ever met

Pretty much after I got out of college in the mid 90s, I pretty much have been a gearwhore up til a few years ago, I realized this was nuts. It has taken quite a while to sell off the lot. I actually sold 2 basses, a guitar head, a vintage drum machine and an analog synth today.

I also finalized an order getting this parts guitar put together today, which when it is done I will have 10 instruments (4 basses, 4 electric guitars and 2 acoustics).

guitars...

I got two of other peoples 'failed' parts guitars of fleabay way cheaper than the parts itself would have cost. One is a black 'Gilmour' inspired strat that was wired up all wrong and had a thin neck. I sold the neck off, got a big fat neck made for it. I've had this one a decade now.

The other 'failed' parts guitar was a Warmoth firebird copy body (that they no longer made) that had a single TV Jones Powertron and was painted this ugly white color. I traded a Gibson Flying V (that I had found cheap)and the strat neck to get it repainted and a new neck. The F-bird was a mess as it needed a 'conversion neck'. I got it painted the same color red and the firebird logo from a '74 Transam. It's pretty wicked looking. That said, the neck is not as thick as I was really wanting...so I don't really jive with it like I would like.

The other guitar I have is a 2 Humbucker Tele build that I friend of mine who is a pro luthier put together when he was building out of his house for a few years. It has a pair of Dimarzio zebra humbuckers that I had at one point in a black mexico strat. I've had it also for over a decade now.

basses...

I sold my 78 Pbass and my first year Geddy Lee jazz bass in the past few months. I bought the Pbass for $250 bucks in '91 and a buddy of mine said I paid too much at the time. Could not believe I got $1500 bucks out of GC for the thing...it weighed a metric ton. The Ged I played in the cover band I was in when I first moved to KY.

I got one of those SG reissue basses when they first came out and kinda got hooked on it. I got it and found dirt cheap that Norlin bass I was talking about. Liked the SG one, I ran into one of the guitar of the week sunburst versions - so I got and later on a Thunderbird (Watt/Kim Gordon) that I always wanted. The Firebird is the best 'sounding' bass I got. That said the aircraft carrier case is kinda awkward, so I always dug having the two SG basses. I kinda think humbucker pickups are a bit underrated on basses now. I think they work really well in a trio setup.

acoustics...

I got a mid-70s Alvarez acoustic that I have had probably 15 years or so. It's not a particularly 'loud' acoustic but it has a very sweet sound. I got a used Martin Dx... series acoustic and that one I play ALOT. I love the laminate neck, it is so stable. It has excellent action up the neck.

amps...

I got a couple of Mesa Boogies including a 50 Caliber+ head (knicked named the DOOM BOOGIE) and a Single Rectifier head. I also have a 50 watt'68 silverface Bassmen head. Previous owner had it completely gone over. It's killer for recording Bass and with my Ampeg Scrambler reissue pedal - it sounds DEAD on for Jim McCarty's tone on the early Cactus records.

I have:

1997 Japanese John Jorgenson signature "Hellecaster" (heavy as fuck champagne sparkle/gold strat/G&L Comanche style guitar with Z pickups)

White 90s Japanese Jazzmaster

Teal post-2000-seeming Mexican tele

Want:
A tele that's brighter sounding/a bit less of a slog to play (unless they're all like that, I can't even remember)

A Rickenbacker bass (lol)

I'll probably succumb to the siren call of a Jag at some point in my life but my Jazzmaster is very nice to play so no rush

I've got every piece of music gear (minus the $100 drum set with $150 in new heads that lives in the basement) along one wall in the tiny room that has become my wife's home office over the last year; she gets lots of comments during zoom meetings and has to tell the guys (always guys) that she has no idea about or interest in what is going on behind her.

https://i.postimg.cc/HkrLhkqX/IMG-1139.jpg

1. 1981 Tokai Silver Star, modified with a blend pot instead of the second tone knob and a direct out switch because I hate hitting the volume knob all the time by accident. I posted about this earlier in the thread, never wanted a strat but found this one for pretty cheap and wanted white one with a rosewood fretboard and big 70s headstock (Karoli style?).

2. 1974 Gibson SG. I got this last year right before lockdown. It's in decent shape, I love the skinny neck, and I wanted something from my birth year and this was relatively cheap compared to most other options. I replaced all the pots and capacitors and jack which feels sacrilegious but they were all scratchy and loose but I kept the switch. Ian Mackaye and Carrie Brownstein, some Iommi, not really Angus Young.

3. A 2017 Telecaster Deluxe neck on the routed out body of a 1998 MIM telecaster, with P90s. I had built this with Lace Matt Pike humbuckers and the full 'Jimmy Page' wiring with four push-pull pots but learned I don't like humbuckers that much. I didn't really know these guitars existed til 10 years ago or so and I love the weird hybrid bastardized neck/body combo and 'fuck it just route everything and make a giant pickguard' Fenderness of it.

4. 2014 Epiphone 335 Pro with updated pickups and the Jimmy Page wiring (in a semi-hollow for pure masochism). This was the second electric I got and would probably be the first to go if I was to sell any - I like bright as shit guitars and this one isn't, plus the neck is very square feeling. I honestly don't remember why I wanted to get a semi-hollow - probably some sort of No Age / Bob Weir combination.

5. 1971 Yamaha FG 180 - one of the red label / 'Nippon Gakki' ones that seem to be prized. I got this for $100 a pawn shop. It's not as nice to play as some friend's Martins but it's decent enough.

6. 1998 MIM Telecaster neck and pickups on a wudtone finished GFS swamp ash body. This tele, originally with the black body above, was my first guitar, bought new at a guitar center in Phoenix because of Joe Strummer and Buck Owens and Luther Perkins and Pete Anderson. I owned it for years and didn't play much at all until I got back into it in 2013 or so.

I did the body swap and Tele deluxe spin-off a few years ago on a whim one day after staring at the cover of Born to Run for a while. The body was like $60 and is hilariously cheap with four chunks glued together somewhere in Asia with no concern for matching grains or anything - like the back side looks way better and more cohesive than the front. This has a five-way 'super switch' for phase and series/parallel stuff. If I had to only keep one guitar, this would be it.

7. 2015 Squier Jazzmaster with Fender pickups and a new pickguard. - I got this new in Portland a few years ago at a place that had it priced really cheap and gave me a deal on a case with it and I've wanted one for years due to Elvis Costello, Sonic Youth, Television, Dinosaur JR, etc. I always think I don't really like this one, then I play something like 'Divine Intervention' by Matthew Sweet on it and love it again.

8. 2013 MIM 50s Lacquer Precision with a black pickguard. I have a Jazz bass but was always trying to dull it down in the band I play in to fit around the keyboards and the neck felt too skinny so I found this on craigslist for like $200 less than the cheapest ones on Reverb. It's got a huge neck with a 7.25" radius and tiny frets and a red fuzz lined tweed case and I love it.

9. Not shown - a 2003 Squier Jazz Bass that I got for $75 at the guitar center in Seattle; it's being stripped because I hate sunburst and is going to get something like a big dumb gibson mudbucker added to the neck spot along with the existing J pickups.

Other than that it's a 1978 Fender Princeton Reverb (with the 'pull boost' and death cap removed the ground switch converted to a 0/half/normal negative feedback resistor option), a totally stock 90s GK RB400, a recent used 2x10 GK bass cab, and a bunch of cheap or built-from-kits pedals. There's also a Sunn Alpha 6 PA that a friend left at my house years ago because it didn't work but it just needed a new fuse holder. It sounds good as a bass amp but honestly just kind of looks rad.

Honestly I like to build and fix and modify guitars/amps/pedals about as much as I like to play them, if not slightly more. I have zero need and not much room for anything else but things I would be ecstatic to find at a yard sale for cheap:

- fiesta red Jaguar
- rickenbacker bass (lol)
- goldtop les paul
- one of those short scale PJ mustang basses that showed up a few years ago

Have -

Mid Eighties G&L Lynx Bass
Mid Eighties G&L El Toro Bass
1991 Warwick Thumb Bolt On Bass
Aria Electric Upright Bass

EastCoast cheapy Gibson 350 copy
Cheapy Acoustic, from the antique shop around the corner

Want -

Another Warwick (needs researching)
60s Tele Bass
G&L Interceptor bass (w/whammy bar)
Fernandes Tele bass (for project)
Shergold Marathon 6 String Bass (had two at one point, sold them both, instant regret)

Ampwise I have had various Fenders and Voxes but am happy now with just a Blues Junior.

A lot of the time I end up going direct, because of how many instruments I may end up playing on a given evening. Way easier to use a Para Driver or Blonde Sansamp when I may be switching between guitar, bass, mandolin, bouzouki, and electronic drums.

have: lefties

want: more lefties

(want gibson acoustics more than anything)

i'd like to play a bass vi someday

I have:
(an old picture when everything was out)

https://qc-ckb.s3.us-east-1.amazonaws.com/ilx/et_guitars.jpg

1. 1965 Jazzmaster. I've been posting about this one in the Jazzmaster thread.

2. 1975 Telecaster. I've had this since 1984. Unforgiving but sounds fantastic with the AC30.

3. 2005 CIJ Stratocaster XII. Purchased it mostly new from a gray marketer in Costa Mesa and took it everywhere when I was regularly playing gigs at this time. Really nice guitar & stays in tune. Overdue for a pickup and wiring swap.

4. 1999 Am Standard Strat. In 2004 I was shopping for amplifiers and ended up coming home with no amp but the guitar I was trying them out with. I gutted all the electronics, put in a set of 1968 Strat pickups I found on eBay, replaced the pots with push/pull ones for in/out phase switching, and replaced the bridge & tremolo block with a heavy Callaham one. Extremely forgiving and somehow I just naturally play better with it - which is why it's sitting in a closet on the other side of the country rn.

5. 1967 Vox Cheetah. Rescued from a heavy metal supply store in Huntington Beach in 1993. Idiosyncratic and dark sounding. Only sounds its best when it's right on the edge of feedbacking so powerfully that you can feel the glued joints loosen up. At some point I expect it to turn to wood powder in my hands.

6. [not shown] Unknown early 60s electric bouzouki.

7. [not shown] early-00s CIJ JM-66 Jazzmaster. Currently disassembled but will eventually become a "72 Jazzmaster Deluxe" with the CuNiFe WRHB pickup reissues.

I want:

Nothing. Ms. Telecom has two terrific basses (a Musicmaster bass from the 70s and a '62 J-bass reissue from the 90s) so there isn't really anything I want except more time to write and maybe a Bass VI or baritone. Sure, if I had stupid amounts of money I'd love to have an all-original Fender something in Lake Placid Blue or a hollowbody Gretsch.

BTW, we’ll want another of these threads for synths/keys

I have:

1997 Japanese John Jorgenson signature "Hellecaster" (heavy as fuck champagne sparkle/gold strat/G&L Comanche style guitar with Z pickups)

― hiroyoshi tins in (Sgt. Biscuits), Saturday, May 29, 2021 8:09 AM (thirteen hours ago) bookmarkflaglink

holy shit, i remember seeing this guitar in catalogs. can you tell me how you ended up with it? i was looking and apparently there are only like 500 of them. also, this incredible fact from jorgenson's website:

Due to a factory error, the total run of guitars ended up with an extra resistor on the bottom tone control which made the guitar sound as is if the treble was completely rolled off. After getting many enquiries about the tone of the pickups (my personal guitars were prototypes and didn’t have the problem) I finally had the chance to compare a factory model side by side to my own, and was dismayed to hear the difference in tone! Luckily the remedy is very easy, just unscrew the pickguard and clip out the resistor closest to the bottom of the guitar and voila, it sounds as intended! Most players and owners by now have already done this, but I do believe that this error initially hurt the sales and image of the model.

Elvis, there is a synth zone thread

- '72 tele thinline reissue c. 2000, natural finish, made in mexico. a few months ago i put the new wide range humbucker reissues in this.

- 2005 MIJ '66 jag reissue in lake placid blue. tricked out with duncan antiquties, mastery bridge, and mastery trem before i bought it.

― call all destroyer, Friday, May 28, 2021 6:13 PM (yesterday) bookmarkflaglink

would love to see pics of these.

My main guitar is one of those thinline reissues. I plan on installing those creamery humbucker reissues once the guy starts taking new orders again. A couple years ago I got a Trem-King installed on it, which is a lot of fun.

About halfway through a rebuild of a shitty Davison warlock knockoff I got new for 100 bucks a decade ago. Installed a floyd rose bridge and new neck on it. Still have to finish routing a pool, designing a pickguard (gonna install lace sensors), and revamping the electrics.

I've got one of those short-scale Airline Map basses that Eastwood makes. Love her dearly.

I also have an old beater bass that's a hollowbody with no brand name and scratchy electronics but it was supposedly Jenny from Erase Errata's first instrument so I rock out on it occasionally for the good juju. I want plenty more but just don't have the space in our shoebox in SF.

As for wants, I've never played a baritone guitar but have been lusting after that Ronquillo edition of the Rivolta Mondata and regret not pulling the trigger on it before it sold out even though it would've been a foolish financial decision at the time.

here's my gretsch's l-r:
- 2015 Panther Prototype MIJ (center block, hardtail)
- 1995 Brian Setzer 6120-SSU
- 1979 Chet Atkins Country Gentlemen 7670
- 1963 Streamliner 6103
https://i.imgur.com/M2Ccs3d.jpg
got the three on the right at an estate sale a couple weeks back, all are in ridiculously good shape. the binding is usually breaking/coming apart on a lot of 60s gretsch's but this one has no issues. planning on keeping the chet and selling the other two i think. the panther was my parting gift when i left fmic.

Here's that 80s hondo i was talking about. i cant find much info on it but its supposed to be like a kramer baretta. pulled the pickup in hopes it was one of the dimarzio humuckers that were in some early hondos... it was not. it sounds pretty cool tho. $10 at goodwill.
https://i.imgur.com/gIwMqvW.jpg

Here's my list of shame. I could make excuses for any one of them individually, but collectively? no chance.
1950? Unknown parlour guitar
1965 Sadao Yairi classical
1965 Teisco TG-64 guitar
1966 Fender USA Mustang
1966 Mory Jazzmaster
1966 Teisco TB-4 bass
1966 Yamaha SG-3
1967 Morales ZES-300
1968 Höfner Galaxie 175
1969? Canora MIJ classical
1971 Yamaha S-50A classical
1972 Greco TL-350 (shortscale Tele)
1973 Greco TE-500 (Tele Thinline)
1975 Greco TD500 (Tele Deluxe)
1976 Eston (Suzuki) acoustic 12 string
1977 Greco Super Sounds (Strat)
1978 Fender USA Musicmaster
1978 Ibanez Concord acoustic
1981 K Yairi DY-51 acoustic
1982 Squier JV Tele Custom
1983 Squier JV Strat
1983 Squier SQ Tele Custom
1985 Fender Japan Jazzmaster
1985 Fender Japan TL33 Tele
1985 Ibanez Roadstar II bass
1987 Fender Japan TL52 Tele
1988 Fender Japan ST-456
2000? Epiphone Casino MIK
2012 Fender Japan Bass VI

call all destroyer, there was exactly one of those Jorgenson Hellecasters in a music shop in Birmingham (UK) leading up to Christmas 1999, and I basically went all in on getting it via every family Christmas present I was getting and a 12 month payment plan on top. It was actually reduced to £580 just before I bought it but I guess is worth a bit more now. I remember the other music shop across town also had the blue sparkle Jerry Donahue model which I was also kind of tempted by. It's a little more uh elegant looking than mine

People aren't kidding about the muddy tone, didn't get that fixed until a few years later. Once I had it fixed up it plays beautifully though, so easy to get around.

I believe there may have been 500 in the west and 500 more in Japan; mine is 234

that’s so cool. the thing i read said that there were 500 total with 250 staying in japan but either way, very very limited.

Yah I’d never heard of that looks super cool

here is everything except the FGN which is in the other free corner of the room (also observant viewers may see part of my cat as he jumped up while i was taking this

https://i.imgur.com/lPeyCty.jpg

That’s like the exact jag I’d want

i believe ilx user albert broccoli also has this jag!

Definitely feelin the Jag envy

i think the jag is the one fender model where things like the block inlays, neck binding, and matching headstock actually look better than standard fender austerity.

i was just thinking the other day about looking for like a black/white/black 3-ply guard for the tele thinline....it's a rock machine with the new wide-ranges and i'm not sure if the white pearloid is the right spirit. anyone like or hate that idea?

fun collection thanks for sharing. pics always encouraged

Art & Lutherie/Godin/Seagull are some of the best value guitars

My local guitar shop refuses to sell any nylon string guitars. Is there a recommended uk online store that would anyone could suggest?

To the previous poster, I know that there is a seller in Bristol called bristolguitars, he has an Ebay and Gumtree page, he has some decent older classical guitars if that's your thing, I bought one off him so can vouch for reliability.

I've been getting more into nylon string guitars recently. I have two so far:
Prudencio Saez: nothing wrong with it but tone doesn't quite match my taste so selling it on.
Ibanez 355 (1960s era): Has a surprisingly decent tone considering it's an entry level laminate model.

Having a look at a vintage Japanese solid wood classical this week also.

Curvy Sounds, a hidden gem in Newcastle, are also good for classical guitars, from the affordable to the not so affordable. Not sure what they’ve got in stock but they’re lovely so drop them a line.

https://curvysounds.co.uk/

thanks both, I'll check them out

Damn I wish I would have checked this thread. Been wanting a nylon stringed guitar with a more narrow nut and I’m now heading to a vintage guitar shop in Phnom Penh where the dude says he has a bunch of old Yamaha Dynamics. Anyone know much about those? Prob gonna grab one as it seems I can get one for about $300

If you come across an Arai classical (from the 60s, before they changed the spelling to Aria) then grab it, they are generally amazing

i always forget this thread is on ILM, not IMM

does anyone have recommendations for nice-looking guitar racks that can hold like 5-6 guitars? ie something wood that will go ok with home furnishings

Try Etsy, there are lots of ppl on there who do things like that and generally willing to customize. I got a couple of single-guitar stands and a pedal board there. Not very portable but they look cool and Guitar Center Amazon Reverb were in no way involved.

Not sure how I feel about profiling for the most part (not being able to tweak settings, hoping the profiler chose the EQ you'd choose or made so many profiles all options are covered, etc.) but this AC30 capture pack sounds excellent (for free). Neck pickup on my Jazzmaster with the Top Boost volume 5 settings makes me wish I could afford one of those new handwired AC30 reissues.

https://www.tone3000.com/tones/vox-ac30-ch-hyper-accuracy-31267

My bf's brother is a (really good) guitarist who is looking for a "player's guitar", and I sourced a cheap Yairi-shop Sigma from ca. 1974 (a GCS-6, their spruce-top grand concert model). It's in great shape, feels terrific sounds great; I'm going to replace the nut and saddle and see how it does

PSA: if you ever find yourself thinking those Planet Waves auto trim tuners are a good idea, think otherwise.

So they're like locking tuners. I love locking tuners, there's no wrapping around the post, there's no "trust me bro" on the string staying on like vintage fender tuners. You put the string through the post hole, and tighten the back screw. Done. and then you tune up and you're good to go. These freakin Planet Waves ones though.... so what I'm calling the back screw... it's plastic. And the end that's inside the tuner? That (again) plastic bit is what is actually holding onto the string inside the tuner. So, plastic bit, metal string, high tension... those bits start to wear out, or develop grooves etc. So eventually they can't hold the string as well and the string slips. EXCEPT, the Planet Waves ones "helpfully" snip the string as you tune up for the first time, leaving only whats INSIDE the tuner. So if the string slips after it's tuned up, the string is worthless, because now the tuner doesn't have enough slack on that string to grip onto.

I solved this problem originally by over tightening (like big time, like with a wrench) the screw on the back. but I wound up breaking the screw (which is once again, freakin plastic) after a handful of string changes. I replaced the whole tuner with unfortunately the exact same thing just because I'm worried about putting more holes in the headstock on this guitar, well and especially worried of having to do it myself. But someday those shits will be outta there!

Kluson slot-ends are the all-time great tuners. Clip the string 2 inches past the peg, poke end in slot hole, hold finger while you tune. Never slips, never breaks, never fails, you can even detune and pull the string out and then put it back, if you need to do something with the neck. Locking tuners are an illusion, strings stretch and seat, the nut binds, etc.

yesterday a guy showed me an Edwards guitar (a brand name made by ESP LTD for a while) it was an SG but it was remarkably good! definitely a good alternative to a Gibson, great neck

https://www.ebay.com/itm/389289647225

xpost - aren't locking tuners more about being quicker to change strings than tuning stability (i have personally never had locking tuners))

https://eastwoodguitars.com/products/eastwood-etb-wedge?srsltid=AfmBOoqEfaS2itC5XLq5ERutSkGE53OYGPGe_X4At5z8wYn6rYXY1aY5

Eastwood are now doing a Levene/Travis Bean-style wedge series

I mean, you’ll never get something like that new at any comparable price

Bonus, it comes in handy on canoe trips

Oh god I was hyped for the regular body one for a second before I figured out there maple necks painted aluminum?!?!

That’s worse than the worst relic job IMO.

painting the neck silver is so stupid

Autocorrect betrayal

https://i.imgur.com/0ZDSOek.jpeg

Just before Christmas I bought a Squier Paranormal Cabronita Baritone Telecaster. DHL kicked the shit out of the box so I ended up getting a full refund. There are a couple of nasty chips to the paintwork on the back edge of the body, but there doesn't appear to be any structural damage. So a free guitar effectively! My first baritone and I'm really enjoying it. Have mostly been playing it clean or with light OD, but will be fun to see how it sounds as a doom/djent machine.

https://www.guitarworld.com/reviews/squier-paranormal-baritone-cabronita-telecaster-review

Oh that’s so nice. P90s on a baritone? What is baritone tuning, B to B?

I have a “Bass VI” (E to E, Jag claw SC pickups) and I love it.

Oh shit that looks amazing. Score!
The back edge could be cosmetically filled with epoxy and painted black, you'd barely see it.

I think I’ll give that a go at some point, also adjusting the action.
Baritone tuning is a fourth below guitar, so yeah B to B.
I do dig the Bass VI, especially after seeing Doug McCombs playing one with Tortoise recently. Had a go of one in the shop and it’s cool, but definitely a bass, whereas I was looking for something with more of a guitar feel. Seeing Extra Life a while back got me really into the idea of baritone. I can’t shred like Charlie Looker, but I really liked where it sat in the group texture.

Dijon got me playing my Bass VI again, great stuff there

I'd take that P90 Baritone for a drive with a twang sound with some reverb.

They sound cool doubling a bass line in the same octave or an octave above.

Cool trick I saw a pro use to fill a crack and make it less visible was finding a crayola crayon of the same color and melting just a bit of wax into the space. Works better than you might think.

I have a Roland JC-120 that's a terrific amp, sounds great, does the chorus thing that people love, is featured on lots of my favorite albums, and sits unused in the corner of my house. Even if I rarely play it am I going to regret selling it?

idk. I don't like holding on to gear I'm not using regularly. I don't love the JC-120; my full-range amp of choice is the Super Reverb, which I don't own (so big! so heavy!) but I am seeing them everywhere for peanuts and stalwartly resisting the temptation to swap out my Princetons. I need more studio space, first. And a van instead of a coupe.

agree with not hoarding and it’s not like there’s a lack of jc-120s in the world if you ever needed one or had a change of heart.

A real post-COVID truth: the cost of local gear rentals has, broadly, increased by a shitload

thx for the confirmation. Going to unload it then - if you or anyone you know wants a JC-120 formerly owned and used by Marty Wilson-Piper from The Church let me know. It even comes with a road case with "The Church" stenciled on it.

The other amp I'm going to sell is a 2000-or so era Ampeg SR-212RT Super Rocket. It's a big loud one, kinda like a 90s Fender Hot Rod done right but better looking too and with a great reverb. Nevertheless, like the Roland - I don't play it nearly enough to keep around.

Aw, I have fond feelings about the JC-120, and I jave a friend who similarly wants to unload his mostly unused one. But it’s just way too much amp for any situation I am ever likely to be in again.

But I would probably bust a move on a JC-90 if one crops up.

I have similar feels about AC-15s.

i struggle with this with my strat, which is in its case in a closet right now. i am unlikely to find a strat i like better in its price range, and the money i would get from selling it wouldn't really be meaningful to me. but it nags at me that it's going unplayed, for sure.

I have similar feels about AC-15s.

No kidding. I love my Korg-era AC30 TBX and will never, ever sell it but good grief I want a AC15 from the same era

https://www.youtube.com/watch?v=XZwbyH9A5cU

^^ pretty nice video about Tom Verlaine's 1965 Jazzmaster

some great cranky Verlaine stuff in there. love the mythical Starbucks napkin/taunting him over the mystery sounds

was setting my amp and pedal board back up last night and was disproportionately amazed and proud when I plugged in, turned my amp on, strummed a chord and heard actual sound come out of the amp, so definitely empathised with Verlaine needing Rip to set up his incredibly basic five pedal signal chain for him every single night

poor fred smith and his bass!

I mostly use a JC-22 at home, and every time I adjust the volume on it I kind of shudder to think about how loud a 120 gets. Now I want some kind of gear passed on from Wilson-Piper that's less than 70 pounds / 120 decibels!

Question: how do y'all approach getting rid of things that don't have much sale value? I spent a while experimenting with different options before settling on nice guitars that work for me, so now I'm sitting on, like, Epiphones and Squiers I modded or refinished in weird ways, a couple cheap sentimental faves in poor repair, and so on. It feels like I should clean house and just have a few really good ones, but it's hard to imagine getting much out of a Reverb listing that's like "Epiphone Les Paul with cheap foil pickups and weird-looking aftermarket vibrato." I keep looking around for any local kids' program or rock camp that actually needs donations (which seems like the best bet), or trying to suss out whether it'd work to part things out (Epiphone Les Paul with no hardware + cheap foil pickups + great aftermarket vibrato?), but if anyone has better solutions I'd love to hear it.

i just hold on to everything, tbh. i've still got my cheap guitar that went through a practice space fire and has a crack and nonfunctional electronics, though it lives in the storage space. but we have donated some gear to girls rock, the local branch of which has now changed its name to we rock chicago

ill post stuff on craigslist/FB/offerup and just put a really buyer friendly price or also put that im open to trade. ive gotten all kinds of trade offers. ive traded gear for tools that i needed, or art, stuff you might not even think you need but its a fun way to just kinda see what happens. ive had stuff posted for over a year, no rush. also given some stuff to neighbors or kids friends.

Passing stuff on to people is a really cool thing to do. I sent my first looper to a very good friend who went through a big heroin phase and sold all his gear. He’s recovered, works as an EMT and still plays music daily. He makes funny, decent stuff and sends them to me which I find very rewarding

I constantly think back to when I was a teenager with no gear/money, trying to do multitrack recordings with a warped Teisco and a karaoke machine, and really wish I could give stuff to somebody in a similar position! But in 2026 in the kind of town where I'm living, young people interested in this stuff probably have nicer gear than me, so it might take some searching. I remember feeling like I'd won the lottery when somebody let me borrow a cheap multi-effect for a week and I got to use a flanger for the first time; now I've seen teenagers outside the local practice spot carrying nice hardcases and discussing fancy amp demos on YouTube.

I did give one thing to a coworker who's just getting into guitar, though — really fun Squier Cyclone. (In shell pink, which got me in trouble with my daughter for losing the smallest / pinkest one.)

Oh man I feel this. I’m 46 and just hitting my stride musically because I can actually afford gear. I remember being like how the fuck do I get these sounds in my head out to the real world. It wasn’t until I was in my mid 20s that I met someone with a four track. Everything else was recorded directly into a boom box

to really get rid of something just post it on craigslist and price it to move....various flavors of vulture will descend but for a parts guitar you might be able to find a fellow tinkerer who seems cool and will at least do something constructive with it. if you plan to get no more than like, a nice night of takeout sushi out of it you'll be fine.

craiglist still kind of rocks if you hit it right--i recently got a pair of B&W floor speakers for 40 bucks to act as complete overkill in my tiny home office. the dude had them set up to demo for me and blasted latin dance music in his garage for 5 minutes while we chatted.

Cosign on this. The neck and body for my Jazzmaster Deluxe project came from a lucky craigslist posting

beautiful gesture Heez

Picked up a 70s Fresher Mustang copy cheap, to go with my 70s Tomson cheap Mustang copy.
https://i.imgur.com/M6ygbTp.jpeg