have you heard any of this stuff?is it a way out of jungles marginalization?
― gareth (gareth), Tuesday, 26 November 2002 15:35 (twenty-three years ago)
It sounds like a good idea, but how much is this approach different from Hybrid, or circa '98-style LTJ Bukem?
― Siegbran (eofor), Tuesday, 26 November 2002 16:10 (twenty-three years ago)
― Siegbran (eofor), Tuesday, 26 November 2002 16:11 (twenty-three years ago)
― ambrose (ambrose), Tuesday, 26 November 2002 22:25 (twenty-three years ago)
― gareth (gareth), Tuesday, 26 November 2002 22:32 (twenty-three years ago)
If it's the sort of stuff that the artists on the "Trance'n'bass" cd have done before (I haven't actually heard that cd so I'm not sure), the "trance" is more implied than full-on. It's trance'n'bass in the same way that Peshay's "U Got Me Burnin" might be called "house'n'bass", or perhaps less so even. Basically there's an emphasis on hypnotic interlocking synth motifs, but it's not quite as upfront as trance - perhaps more like tech-house or prog-house actually. Also the beats are very smooth and repetitive in order to get a motorik-style glide going. It's probably the style of jungle that takes the whole fast-and-yet-slow aspect to the absolute extreme. I suppose structurally something like LTJ Bukem's "Music" is a good reference point, but this stuff is cooler and more synthetic - definitely a product of the machinic nature of latter-day d&b.
The best track in this style is definitely Lexis's "Destination Unknown", which sounds a bit like The Modernist gone d&b.
― Tim Finney (Tim Finney), Tuesday, 26 November 2002 23:08 (twenty-three years ago)
― toby (tsg20), Tuesday, 26 November 2002 23:09 (twenty-three years ago)
― Tim Finney (Tim Finney), Tuesday, 26 November 2002 23:43 (twenty-three years ago)
it's got an interesting stripped feel to it - sounds like the good dirty minimal trance (still with the tweaky synths though) i hear in my head.
― cooper (cooper), Wednesday, 27 November 2002 02:52 (twenty-three years ago)
Of course it's all a but sophis, the greatest trance n bass will always be early Jonny L stuff, but there was a period when Doc Scott was putting out these end-of-nite tunes, which were awash with that exaggerated melancholy that makes 'Ooh I like it' so good. I seem to remember an Art of Noise remix which typified this sound, and one of System 7.
Sidenote: Has anyone heard 'Blue Skies' by Doc Scott? that track is such a tearjerker.
― nebbesh (nebbesh), Wednesday, 27 November 2002 04:14 (twenty-three years ago)
― RickyT (RickyT), Wednesday, 27 November 2002 12:13 (twenty-three years ago)
― Martin Skidmore (Martin Skidmore), Saturday, 30 November 2002 00:57 (twenty-three years ago)
― DJ Martian (djmartian), Saturday, 30 November 2002 01:37 (twenty-three years ago)