Bob Dylan's Greatest Hits Vol. II

I'm partial to When I Paint My Masterpiece, such a wonderful little tune

someday everything is going to be different, when I paint my masterpiece

a hilarious sentiment coming from a guy who few years previously did bringing it all back home/highway 61 revisited/blonde on blond back to back in 1½ years and who also painted stuff like:

https://upload.wikimedia.org/wikipedia/en/7/77/Bob_Dylan_-_Self_Portrait.jpg

There's so many great songs on here! I'm leaning towards either the lovely 'If Not For You' from my fave Dylan album New Morning, or the absolute classic 'It's All Over Now, Baby Blue'. I'll have to think about it some more.

I liked this LP much more than Vol1.

OK, "Like a" is on there, "Tambo" and "blowing", maybe that's why - a bunch of those were auto-includes.

Argh. Any list with “Mobile” on it, that’s my instant pick, but then “Hard Rain” is the song that vaulted him into the ether.

The version of You Ain't Goin' Nowhere on here with Happy Traum is really lovely.

I think this is the first Dylan album I bought, back in high school.

1. "Just Like Tom Thumb's Blues"
2. "She Belongs to Me"
3. "You Ain't Goin' Nowhere"
4. "It's All Over Now, Baby Blue"
5. "Don't Think Twice, It's All Right"

I should put this in the Things You Learned Embarrassingly Late in Life thread (or, in this case, more like Things That Dawned on You...): the double-negative of "You Ain't Goin' Nowhere," which for some reason I was thinking about the other day.

I love the idea of a comp as as grab bag: hits, unreleased versions, new songs, etc. Neil Young's Decade would follow suit.

ooh yeah, that's a great one

totally agree, this one's super haphazard and awkwardly titled but the selection is v strong

I love "You Ain't Going Nowhere" but I don't like the version on here as much as the Basement Tapes version. Would probably have to go with "Don't Think Twice" or "Tom Thumb's Blues". Hard to pick between them.

Never owned this particular comp, but from the list, I can't not vote for "Tom Thumb."

It's funny and typical that Bob's response to Basement Tapes hype in 1971 was to re-record a handful of the songs over the course of an afternoon, as if that would sate the audience and quell the myth.

I once listened to this and his first Greatest Hits together in chronological order, which didn't show as much drop-off as you might expect. In fact, there's more good post-66 stuff on here than songs that predated that first compilation.

I only really like about half the songs on this, but those I do are a few of the best ever. I'll vote for "Just Like Tom Thumb's Blues" but, if I had to choose one that was previously unreleased, "Down in the Flood".

Three songs on here where Bryan Ferry trounced the originals.

...none of which were actually on his Dylan covers album.

To keep things manageable I'm going to limit myself to the stuff that was uncollected/unreleased at the time: "Watching the River Flow" plus the last 5 tracks. Even at that it's hard! But I'm going with "Watching the River Flow" because I love it and it pointed toward a fruitful (if unpredictable) '70s for him.

throwing a chaotic neutral vote to the mighty quinn; methhead blonde on blonde bob, but for the kids this time. like all dylan it's inspired some highly entertaining covers, many of them with a funky backbeat. i like ramsey lewis' version.

although i have a technical question ― the basement tapes songs here aren't the basement tapes recordings!?

Correct, they were re-recorded in a September, 1971 session.

...and this "Mighty Quinn" recording is live at the Isle of Wight with the Band, from Self Portrait.

lol should've listened before committing to my vote. oh well, chaotic neutral and all that...

a hilarious sentiment coming from a guy who

huh? can you explain what you mean by this?

That live "Tomorrow Is A Long Time" — previously unreleased — is gorgeous, one of the best examples of how great a singer he was in the early days. And it was one of those recordings that got me searching for more live Dylan when I was a kid ... so it's got a lot to answer for.

Rod Stewart has a lovely cover.

so does elvis!

https://www.youtube.com/watch?v=0dRNZZuuR8I

Sorry, I can't get over Bob's guitar being out of tune on that recording. I might prefer Sandy Denny's version.

I love that “When I Paint My Masterpiece” is in his live set these days, its kind of great to hear an octogenarian legend sing this song about how one of these days he’ll get around to doing something really worthwhile.

going with All I Really Want To Do

I love that “When I Paint My Masterpiece” is in his live set these days

this is why I voted for "Watching The River Flow" which he also does, I was blown away when I saw him do it

whoa! mama! can this reeeeeallly be the end??

the importance of this being my first Dylan album cannot be understated

"Baby Blue" slightly over "Memphis", "Quinn", "Maggie's Farm" and "Hard Rain".

baby blue

Went with "A Hard Rain's A-Gonna Fall," one of Dylan's very greatest songs (probably top 5) but it's weird how it landed on Volume TWO when it should've been like the second or third track of volume 1.

Ferry stole that song from Dylan too many decades ago for me to listen to it again.

a hilarious sentiment coming from a guy who

huh? can you explain what you mean by this?

― budo jeru, 13. januar 2025 17:25 (yesterday)

Yeah sure, I guess it's very common for an artist to dream of the day when you'll finally make something really grand, or just as you go along in daily life you might be thinking of some hill you'll climb and when you reach the top you'll see everything clearer

only that's not the case of course, everything just goes on, and probably we already know, nothing much will necessarily change even if we were to really accomplish something extraordinary, as Dylan would later sing, you find out when you reach the top you're on the bottom

and surely Dylan must have known, since he had already painted his masterpiece - in what must by 1971 have seemed like another life, whether it was Hard Rain or Like A Rolling Stone or Visions of Johanna or Baby Blue - he would never paint like that again (although he would go on to do things that were perhaps more personal, perhaps more free or fun, and stuff that you might personally enjoy more, stuff like you get on this compilation or stuff we'll see on Blood on the Tracks or Love and Theft)

and then at the same time - he's taken up painting, and although he'll never be a masterful painter, he certainly has a style of his own, and maybe he thought he'd eventually literally paint a masterpiece?

I doubt it - I think he's joking about the whole idea of masterpieces and painting, but with a sincere and strong undercurrent of wisdom

I love that “When I Paint My Masterpiece” is in his live set these days, its kind of great to hear an octogenarian legend sing this song about how one of these days he’ll get around to doing something really worthwhile.

otm

I like what corrs wrote just above too. Personally I think Bob did indeed only paint his masterpiece in the autumn of 1979, writing the songs that would come to inhabit Saved. Not a popular opinion (and also forestalled by corrs arguing, with reason, that the mid-'60s trilogy was a truly exceptional accomplishment even if later he might make "stuff that you might personally enjoy more")

It's also a sloppy, shaggy dog song about seeking perfection and never finding it. It has a zen quality to it.

otm

I interpreted the song as being sung by a dilettante, someone who liked the pose of "the artist" more than the creation. Like he might never even put brush to paper, much less make a masterpiece.

brush to paper

or canvas, I guess

the importance of this being my first Dylan album cannot be understated

same here

This is the first Dylan album I remember seeing and hearing around the house when I was a kid, and in many ways it's my favorite, the one I most enjoy from beginning to end.

I like how NuNuNu snuck in the assertion that Saved is Dylan’s singular masterpiece.

it's weird how it landed on Volume TWO when it should've been like the second or third track of volume 1.

Vol. 1 was a stop-gap quickie Columbia put together when it wasn't clear when post-motorcycle crash Dylan would be back in a proper studio, and was purposely skewed towards hit electric singles (hence the absence of flops "Can You Please..." & "One of Us Must Know") plus three very popular (and already oft-covered) acoustic songs.

Also, I don't know how much truth there was to it, but at the time Paul Williams was reporting over a few news columns in Crawdaddy that Dylan's contract was almost up after B.O.B. and Albert Grossman was in serious talks with MGM (IIRC), with Williams going so far to report that Dylan had indeed changed labels. So the comp could have started out as a contractual obligation.

Four acoustic songs, actually.

interesting that Dylan himself put vol II together — not sure if he's ever really done that kind of thing since. Maybe he did that Japanese "Masterpieces" collection later in the decade?

This album is sort of like one of the US Beatles albums, The Beatles Second Album maybe.

Oh yeah, what was the deal with Masterpieces?

He wanted to paint one, IIRC

Heh

I started to listen to it once, seemed like a pretty good comp.

Japan, Australia and New Zealand it says.

Some playlists that (mostly) recreate it. Although some songs have gone missing, such as "Rita May."
https://www.youtube.com/watch?v=MNnmhv3u2Pw

Or the Liverpool version of "Just LIke Tom Thumb's Blues."
https://www.youtube.com/watch?v=CL_5amBcS-s

That's the most convincing Cate Blanchett has ever looked like Dylan.

Oh yeah, what was the deal with Masterpieces?

One of Heylin's books goes into detail, but it has to do with the Budokan shows. Apparently when Dylan switched management (to the same guy managing Neil Diamond) and was in dire need of funds thanks to an expensive divorce settlement and an expensive flop (Renaldo and Clara, which he personally financed while it racked up the bills over years of post-production), his new manager made a deal where Dylan would get a high payday doing a handful of shows at Budokan, and to help promote it, he had to agree to a live recording for the Japanese market AND a box set compilation. I think the box set would help promote the shows and then the live album would be like a continuing source of revenue after the shows. It was something completely done by the promoters and/or executives in Japan, and I think it wasn't unique to Dylan either - it was more or less the standard plan they used for bringing high profile acts to Japan at the time.

I don't own it and am not sure I've ever listened to it as a compilation, but it's still impossible. Tom Thumb, Hard Rain, Masterpiece, She Belongs to Me or Don't Think Twice.