C/D : De La Soul is Dead ...

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Someone just said it was a great album.

I'm in two minds ... 3 Feet High and Rising was a great album, fresh, full of wide-eyed optimism and invention.

DLSiD has some of their best tracks (Bitties, Oodles of Os, Keeping the Faith), but also some duds. It's the moment when it all starts to go wrong for DLS, when they start copying / pastiching existing styles. When their lyrics become complaints.

And how can you really love something so steeped in disappointment and such a retreat their original stance?

phil jones (interstar), Tuesday, 10 December 2002 00:29 (twenty-two years ago)

i just realized recently that the cassette of Is Dead that i've been rocking in the car since high school is different from the proper CD running order -- missing a couple tracks, and with 'UK version' mixes of Ha Ha Hey and A Roller Skating Jam Named "Saturdays". weird. guess i should get the CD. actually never owned 3 Feet High, though. but i know Is Dead in and out. so i guess i'm one of those perverse souls.

sub-question: was DLS Is Dead's appearance on some 'best of the 90's' lists (Spin's in particular but a few others) just runner-up tokenism when they wanted a Tribe and a De La record but then realized 3 ft High was 89?

Al (sitcom), Tuesday, 10 December 2002 00:41 (twenty-two years ago)

I liked "Ring Ring Ha Ha Hey Hey" (or whatever it was called)....and I generally hate that sorta shit. But hey....a good song is a good song. Thought there were a few too many largely unfunny sketches in between tracks, though. Album's also a bit pompous, when ya think about it.

Alex in NYC (vassifer), Tuesday, 10 December 2002 00:41 (twenty-two years ago)

oh and by the way the aforementioned UK vers. of Ring Ring Ring (Ha Ha Hey) is much much better IMO, search it out if you can. cheesy sax added, and some nice beat switchups under the verses.

also, classic just for Bitties In The BK Lounge. and Hey Love!!

Al (sitcom), Tuesday, 10 December 2002 00:45 (twenty-two years ago)

Does having a few classic tracks make it a classic album?

I'd say if I could have had an EP of Bitties, Oodles of Os, maybe PeacePorridge, Keepin the Faith I'd be happy.

I hate "Ring Ring Ring", because the sentiment spoiled my ideal of De La forever. "Hey Love" is half formed. "Roller Skating Jam" ... your milage may vary. It's good, but for me, doesn't do much more than trade on it's good time disco vibes. You might as well listen to one of the 90s rap versions of Stayin' Alive. "Millie pulled a pistol" is ambitious but a bit overblown and tokenistic on an album with little else in the way social conscience.


phil jones (interstar), Tuesday, 10 December 2002 00:55 (twenty-two years ago)

It's the moment when it all starts to go wrong for DLS

i think this is completely false. i don't get everyone's fixation on 3Feet High. yeah it was different for the time, and i still feel it's amazing, but it's not the end of the road. it sounds a little dated to me.

De La Soul is Dead is one of the best hip hop albums, ever. after this one they still had two amazing albums left in them. it wasn't until Art Official Intelligence that they fell off. and even that one has some winners. I'm super scared to hear their latest, though.

Buhloone Mind State is one of the most abstract, while still being completely catchy and funky, hip hop albums ever made. and Stakes is High (their first w/o Prince Paul, while not as outright weird, is amazingly grown up and has some of the best written lyrics and nicest beats. I think DLS are the most under-recognized lyricists and if they had stopped at Stakes is High, maybe one of the best hip hop groups ever.

JasonD (JasonD), Tuesday, 10 December 2002 00:55 (twenty-two years ago)

Buhloon Mindstate starts OK. "Eye Patch" is terrific. But it gets so dull towards the end. Never followed them to "Stakes is High"

phil jones (interstar), Tuesday, 10 December 2002 01:36 (twenty-two years ago)

De La Soul Is Dead is one of the greatest hip-hop albums of all time for three reasons: 1) Sonic Inventiveness (everything was cutting-edge, Mase's production and beats and samples were not as "crazy" but hit even harder on 3FH&R); 2) Punk Rock Attitude (let's hit back at our critics from the first album and forestall critics of this album); 3) Serious Introspection (looking at self-love and self-hatred, the there-but-for-the-grace-of-God-go-I vibe in the second half of "Bitties in the BK Lounge," family problems in "My Brother's a Basehead" and "Millie Pulled a Pistol on Santa"). And, if pressed, I'd say that 4) would be the great filmstrip-comic book concept.

More important, though, the bangin' tunes: "A Roller-Skating Jam Called Saturday" has more hooks than a Meadowlark Lemon video tribute, and "Oodles of O's" anticipates a lot of 90's style in its sloppy/tight chorus (Wu-Tang, etc.).

I was teaching jr. high school in NYC when this album came out and all my students were like "Yo, we thought that hippie stuff was wack, but this is the JAM!" Plus, PE had fallen off in a big way, so they were glad that someone else was at least being original. (Other than Das EFX and Onyx, of course.)

I sold Buhloone Mindstate, but Stakes Is High is dope.

Matt C., Tuesday, 10 December 2002 01:41 (twenty-two years ago)

better than '3 ft high...' - fact.
shame is that the youth remixes of the singles aren't on there bcause
he did all 3, and they pish on the orgnls.
could go on and on about how much i love the youth remix of 'saturdays' - they play it at 'funkademia' in manchester evry saturday and it's so popular they *turn down the vocals* durin the chorus so evry1 can sing along which they do very loudly week in week out.

it was a ridiculous thing to do though agreed, basically tell the
new found audience that they could stick their daisy age vibe that THEY CREATED THEMSELVES up their arse.
it's an all time classic example of what steve lamacq talks
about in his book in
'10 things your favourite bands do to piss you off'
- slag off the previous record after you've virtually
sold your soul to it.
it wrecked their career and flow completely.
dissing 'evry harry dick and tom with a demo in his palm'
on the comeback single was about as wilfull a destruction of
a bands' following as u could get.
the f*ckin talking bits that u were meant to
read along with were a pain also despite their intentions to make
a mockery of hammer et al.
great tunes though.
'keepin the faith' i mean u can't argue with that.

they didn't get as good again say i until
'AOI: bionix' and by the way
speaking of which where is part 3, cause they promised it a year ago.

piscesboy, Tuesday, 10 December 2002 01:53 (twenty-two years ago)

"Why do I feel so good today? Could it be the music? Could it be my breakfast? Or could it just be the fact that I HATE EVERYONE, DAMMIT, that's gotta be it."

Classic x 10.

My name is Kenny (My name is Kenny), Tuesday, 10 December 2002 01:56 (twenty-two years ago)

I was just listening to the CD version. And its so different to the cassette i had as a kid.

And i still feel that its a better album than 3 feet high. (which is just a little tooo simplisitic> childish or something...

dlsid does have some dud moments - those skits? they really could go.

Savin All My Love 4 u (Savin 4ll my (heart) 4u), Tuesday, 10 December 2002 02:22 (twenty-two years ago)

"'keepin the faith' i mean u can't argue with that."

agreed, a classic

"My Brother's a Basehead"

don't remember this. Maybe it wasn't on UK release.

"2) Punk Rock Attitude (let's hit back at our critics from the first album and forestall critics of this album);"

Can't say I've ever really thought of this as a punk attitude.

phil jones (interstar), Tuesday, 10 December 2002 02:57 (twenty-two years ago)

I'd put this as one of the top three albums of the genre. What makes it classic? An amazing sense of self-awareness. Their unwillingness to sell out to Tommy Boy's desires. They recognize the hip-pop stuff at one end of the spectrum and the self-destructive impulses addressed on "Afros." Social commentary via "Millie" & "Basehead." Party jams like "Saturdays" & "Ring Ring Ring." The most amazing thing about the record is that its inventiveness isn't buried a blinding layer of wackiness. Each song/skit is humourous, intelligent, wistful/bitter, and enjoyable. The rhymes are crisp, effective, and the production matches it at each step. Perfect.

JS Williams (js williams), Tuesday, 10 December 2002 04:34 (twenty-two years ago)

it's their best album (closely followed by Bionix)

Jeff W (Jeff W), Tuesday, 10 December 2002 10:03 (twenty-two years ago)

it bears mentioning that the album title is of course a total dud.

Al (sitcom), Tuesday, 10 December 2002 11:28 (twenty-two years ago)

I agree that this is the best De La Soul album I've heard, followed closely by _Stakes Is High_. (I've never owned _3 Feet High..._ but I've heard it. It's good, but even at the time I thought it was overrated and inferior to the Tribe album.)

Dan Perry (Dan Perry), Tuesday, 10 December 2002 14:32 (twenty-two years ago)

I said it was classic, and I'm not backin' down. 3 Feet... has some moments, to be sure, but ...Is Dead is pretty much all-the-way-through classic (which most hiphop albums never are).

hstencil, Tuesday, 10 December 2002 14:38 (twenty-two years ago)

Hell, most albums of any genre aren't all-the-way-through classic.

Dan Perry (Dan Perry), Tuesday, 10 December 2002 14:58 (twenty-two years ago)

True, but hiphop seems to me to not be that adaptable to what is, perhaps, a "rockist" form. Esp. the hiphop double album - it's usually a mistake.

hstencil, Tuesday, 10 December 2002 15:01 (twenty-two years ago)

one year passes...
ooddles and ooddles of hooks, very funny in parts, very affecting in others, not as insufferably quirky as "Three Feet High & Rising", but man, it does go on a bit, doesn't it? There's no decline in quality or anything, but their rhymes are so anti-flashy that I just can't stay focused on the record for such a long time, sooner or later I start drifting off and it just becomes very pretty background music.

Daniel_Rf (Daniel_Rf), Friday, 13 August 2004 15:14 (twenty-one years ago)

oh my god look at my post up there, haha

I still think all that stuff though

Begs2Differ (Begs2Differ), Friday, 13 August 2004 15:17 (twenty-one years ago)

The best De La album. 3ft High is pretty insufferable, minus 3-4 tracks. It really gets stuffed down yr throat by critics, yeah?

Buhloone Mindstate is really great too - the last part of the album is its strongest half! I think 3fthigh is my third favorite album of theirs actually.

djdee2005, Saturday, 14 August 2004 05:05 (twenty-one years ago)

Buhloone has "Patti Dooke" too, which has some awesome flute action.

Joseph Pot (STINKORâ„¢), Saturday, 14 August 2004 05:15 (twenty-one years ago)

Yeah, "3 Feet High & Rising" sux0r. Same problem with the lenght, but it doesn't have the hooks or much in the way of interesting lyrics. The whole "it's psychedelic rap!" thing that ppl always use to describe it is also very misleading...

Daniel_Rf (Daniel_Rf), Saturday, 14 August 2004 10:50 (twenty-one years ago)

it doesn't have the hooks or much in the way of interesting lyrics

3FH&R has some of the best lyrics and hooks in the history of rap music

gabbneb (gabbneb), Saturday, 14 August 2004 14:07 (twenty-one years ago)

the music's just way too...precious is the best way I can find to describe it, which is why "...Is Dead" works better, they're less bubble-headed on it. Can't see anyhting particuarly interesting in the lyrics either, but feel free to quote some to prove me wrong.

Daniel_Rf (Daniel_Rf), Saturday, 14 August 2004 15:30 (twenty-one years ago)

to prove me wrong.

Or, err, to initiate a fascinating debate about their worth or something.

Daniel_Rf (Daniel_Rf), Saturday, 14 August 2004 15:34 (twenty-one years ago)

Tread Water, Potholes and Delacratic, for instance, are far from bubbleheaded

some of the best lyrics are on Plug Tunin'...

Answering any other service,
Prerogative praised positively I'm acquitted
Enemies publicly shame my utility
After the battle they admit that I'm with it
Simply soothe, will move vinyl like glue
Transistors are never more shown with like
When vocal flow brings it all down in ruin
Due to a clue of a naughty noise called
Plug Tunin'

Change In Speak...


Live is the motion of the soul step
Set the exposure to my one step
This scene'll last to the next step
All those in favor take a big step
True to the Soul, we'll never back step
In sense to that, we don't half step
Just as a reminder from the last step
Negative ones are lost in footsteps
Levels we've set will never go down
Competitions commence the step down
Those involved with peace who know the Soul's down
Can see that the Soul has got a new sound
Dance until you find yourself a new part
If you don't then I'll give you the True part
When received you'll see the real small part
Of the new way is no part at all

and The Magic Number...

Difficult preaching is Posdnuos' pleasure
Pleasure and preaching starts in the heart
Something that stimulates the music in my measure
Measure in my music raised in three parts
Casually see but don't do like the Soul
'Cause seein' and doin' are actions for monkeys
Doin' hip hop hustle, no rock and roll
Unless your name's Brewster, 'cause Brewsters are Punky
Parents let go 'cause there's magic in the air
Criticising rap shows you're out of order
Stop look and listen to the phrase Fred Astaires
And don't get offended while Mase do-si-do's your daughter
A tri-cameral system is now set
Fly rhymes are stored on a DAISY production
It stands for "Da Inner Sound Y'all" and y'all can bet
That the action's not a trick, but showing the function
...
Focus is formed by flaunts to the soul
Souls who flaunt styles gain praises by pounds
Common are speakers who are never scrolls
Scrolls written daily creates a new sound
Listeners listen 'cause this here is wisdom
Wisdom of a Speaker, a Dove and a Plug
Set aside a legal substance to feed 'em
For now get 'em high off this dialect drug
Time is a factor so it's time that counts
Count not the negative actions of one
Speakers of soul say it's time to shout
Three forms the soul to a positive sum
Dance to this fix and flex every muscle
Space can be filled if you rise like my lumber
Advance to the tune but don't do the hustle
Shake, rattle, roll to my Magic Number

gabbneb (gabbneb), Saturday, 14 August 2004 16:23 (twenty-one years ago)

dlsid does have some dud moments - those skits? they really could go.

i think those skits are some of the best ever on a rap record.

cutty (mcutt), Saturday, 14 August 2004 17:32 (twenty-one years ago)

De La Soul Is Dead is by far their greatest work ever. It's rich and touches on so many different topics, emotions and moods.

Did you also know that the girl on Millie Pulled A Pistol On Santa was a real person Pos was dating?

The title's genius too (it's not dissing their old fans and songs - it's dissing the image the media attached to them - see also the b-sides to the 3 Feet High And Rising singles).

Lazza, Saturday, 14 August 2004 18:41 (twenty-one years ago)

3FH&R is a bit too programmatic but is unrestrained. Is Dead is much more potpouri, and has some moments better than much or all of what's on the predecessor, but half of the album is spent backing off of 3FH&R. Don't be so defensive.

gabbneb (gabbneb), Saturday, 14 August 2004 19:23 (twenty-one years ago)

By half the album I presume you mean, what, three songs at the most that could be interpreted as moving away from Three Feet (although Ring Ring Ring is more about the general trappings of fame than Three Feet itself)?

DutchSchulz, Saturday, 14 August 2004 20:35 (twenty-one years ago)

Three Feet High is classic, De la Soul is Dead is also classic. Nuff Said.

H (Heruy), Saturday, 14 August 2004 21:59 (twenty-one years ago)

The production on 3ft High is terrible. De La Dead is the one for me and they never got anywhere close to it's greatness again.

jed_ (jed), Saturday, 14 August 2004 22:41 (twenty-one years ago)

Aside from the "terrible" (replace with "average" or "overrated"), jed is in last word territory.

R.I.M.A. (Barima), Sunday, 15 August 2004 17:26 (twenty-one years ago)

two years pass...
Revive. I've had this album for a while but have just started really giving it a fair shake. I've listened at least once a day for the past three days, and it's really fucking weird. I mean, there are technically less proper songs on the album than there are skits. It feels almost Minutemen-ish to me the way the tracks flow into each other and overlap (Mike Watt's whole "we don't write songs, we write rivers" thing). It feels like an album length skit with songs interrupting it (even though there are like 3 different skit themes running throughout) instead of the skits doing the breaking up as they do usually, to the point where the skits seem to be the point, to the point where I start to question the definition of a "proper" song as it exists on this album. And that seems intentional.

I saw Matos say on the Best Rap Albums thread that he thinks Is Dead has better beats than maybe any other album period, and I'd like other people's thoughts. It definitely has me intrigued in the way some of my favorite rap has and does. I guess I'd just like other opinions. Is this album as weird to anyone else as it is to me? It feels sort of inscrutable, in no small part due to the fact that I'm not listening to it in the context of the landscape it was a part of at the time.

regular roundups (Dave M), Tuesday, 23 January 2007 02:56 (eighteen years ago)

I listened to this again yesterday, and I like it a bunch better now.

Haikunym (Haikunym), Tuesday, 23 January 2007 03:06 (eighteen years ago)

May be my favorite album of theirs, too bad my vinyl copy is one of the WORST REISSUES EVER

Shakey Mo Collier (Shakey Mo Collier), Tuesday, 23 January 2007 03:26 (eighteen years ago)

I've always loved this record. I've never understood why people treat it like its so radically different from the first one. Aside from the title and a few tracks like "Millie Pulled A Pistol On Santa" its the same ol' happy De La Soul.

I always thought Buhloone Mindstate was their best record through and through. The beats are better - this and the Gravediggaz record were Prince Paul's finest hours - and they were really coming into their own lyrically.

Sir Echo (Sir Echo), Tuesday, 23 January 2007 03:31 (eighteen years ago)

It feels like an album length skit with songs interrupting it (even though there are like 3 different skit themes running throughout) instead of the skits doing the breaking up as they do usually, to the point where the skits seem to be the point, to the point where I start to question the definition of a "proper" song as it exists on this album. And that seems intentional.

A salient point. I suspect this was the intention. De La were smart enough to realize that inasmuch as the artists themselves realized their work fulfilled certain performative functions the audience was rapidly becoming aware of it too -- i.e. "is hip-hop an act that happens to feature beats, rhymes, and, er, life?"

Alfred, Lord Sotosyn (Alfred Soto), Tuesday, 23 January 2007 03:39 (eighteen years ago)

It Ain't Hip to be Labled a Hippie

PappaWheelie MMCMXL (PappaWheelie 2), Tuesday, 23 January 2007 04:31 (eighteen years ago)

I love this record so much I can barely listen to it. First artists to invent their own backlash? They're sneering at absolutely everything ("Kicked Out the House" may not make much sense to people who didn't live through the short-lived hip-house thing), but especially themselves. And their fans--Jesus, how bitter is "Ring Ring Ring"?

Douglas (Douglas), Tuesday, 23 January 2007 05:02 (eighteen years ago)

I bought 3 Feet High in 9th grade and loved it, much to the chagrin of my gangsta-rap-only friends. I bought De La Soul Is Dead on the day it came out in May of my 11th grade year and it pretty much defined the rest of the summer for me. I really, really love that record, it's sort of beyond any real critical insight on my part, it's all emotional. Therefore, super classic for me.

I bought Buhloone right when it came out too, but it took me a while to get into it and really appreciate it. It's really different (and so much shorter!), but it grew on me. I'm sort of half-and-half about Stakes Is High.

joygoat (joygoat), Tuesday, 23 January 2007 05:10 (eighteen years ago)

one year passes...

THE FAT LADY!!!!!!!!!!!!

carne asada, Thursday, 4 December 2008 20:15 (sixteen years ago)

If it weren't for Wolf In Sheep's Clothing, I'd give De La Soul Is Dead the nod for best hip-hop album of the 90s, although many come very close in the Top 10.

Gino-Vanellyville (Mackro Mackro), Thursday, 4 December 2008 21:01 (sixteen years ago)

De La Soul Is Dead isn't even the best De La Soul album of the 90s

gabbneb, Thursday, 4 December 2008 21:02 (sixteen years ago)

Buhloone Mindstate is.

Alfred, Lord Sotosyn, Thursday, 4 December 2008 21:03 (sixteen years ago)

putting millie on every xxxmas cd - the "full" mix is the shit

Ron Polarik, PhD (and what), Thursday, 4 December 2008 21:04 (sixteen years ago)

http://www.discogs.com/release/1034875

One of my favorite maxi-CD-singles of all time

Gino-Vanellyville (Mackro Mackro), Thursday, 4 December 2008 21:06 (sixteen years ago)

If I like "Buhloone Mindstate" a lot, which De La Soul album should I get next?

o. nate, Thursday, 4 December 2008 21:20 (sixteen years ago)

"A Rolling Skating Jam Named 'Saturdays'" is the most perfect jam they ever did: y/y?

Ringtone Tycoon (The Reverend), Friday, 5 December 2008 02:28 (sixteen years ago)

n

gabbneb, Friday, 5 December 2008 02:36 (sixteen years ago)

Heartbeat+Q-Tip+pretty good rhymes is one of the better ones, but not the best

gabbneb, Friday, 5 December 2008 02:38 (sixteen years ago)

o wait, HEartbeat is Buddy

gabbneb, Friday, 5 December 2008 02:42 (sixteen years ago)

'n' was not an option

Ringtone Tycoon (The Reverend), Friday, 5 December 2008 02:45 (sixteen years ago)

it's not even the best song on the album

gabbneb, Friday, 5 December 2008 02:46 (sixteen years ago)

it might not even be in the top 5

gabbneb, Friday, 5 December 2008 02:47 (sixteen years ago)

stfu gabbneb

Ringtone Tycoon (The Reverend), Friday, 5 December 2008 02:52 (sixteen years ago)


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