Rolling Reissues 2026

Rush Grace Under Pressure

Grace Under Pressure amps up with a limited edition Super Deluxe boxset featuring the original 1984 stereo mix newly remastered from the original analog stereo master tapes by Sean Magee at Abbey Road Studios, and Terry Brown's brand-new stereo mix of the album created from the original studio album analog multi-tracks. Pre-order the Grace Under Pressure Super Deluxe Box Set: remastered, expanded, and loaded with rarities and collectible extras on 5LP, 4CD & Digital.

Rush - Kid Gloves (Live At Maple Leaf Gardens, Toronto, Canada, September 21, 1984)
https://www.youtube.com/watch?v=LgAN3S8BmOQ

Sony Legacy:

Celebrate George Michael’s iconic debut solo album Faith – back on vinyl for the first time in over a decade. Available in multiple limited-edition formats including red + black marble vinyl, picture disc, and 1LP and 2LP black vinyl.

Jeff Buckley's iconic Live at Sin-é performance, expanded in a deluxe hard-shell slipcase housing four individually designed LP jackets and an eight-page, full color booklet of photos and liner notes. Pre-order now on vinyl & CD.

Prince
HITnRUN
Celebrate the 10th anniversary of Prince’s HITnRUN phase one and phase two with their first-ever vinyl release. Originally released in 2015, these albums showcase Prince’s experimental, funky sound and cultural impact. Don’t miss this chance to own a piece of music history—pre-order your copies now.

links etc in orginal webmail:

https://view.fans.legacyrecordings.com/?qs=eyJkZWtJZCI6IjlkNDk2NWJkLWQyY2MtNDExYi1iOWY3LThmMzBmMzViODJkYSIsImRla1ZlcnNpb24iOjEsIml2IjoiUmpaTk1BWjZnQ0hhTXNRUnBvdDZCQT09IiwiY2lwaGVyVGV4dCI6IjM5SURCbGRrRjBpRXZwWVRvTXhTTFhmYXlSeVAwdTR0WGdWQk9hU096THVYZ09IbVBacFJyUkUydWJNNVJZa3NnWFNkSVdabDlpcXZuOS9YYnVMMEl4OVJabHl1VXpQQlNpV3d5cncxbkltQW5RQVB3TDF4OE9ic09CdEdOazB3Qm5xQUlkb3l4QkdtaTNvRSIsImF1dGhUYWciOiJ2RFdjaVlDZEFBL0F2WEh3NXV3NEd3PT0ifQ%3D%3D

10 Ragas to a Disco Beat is finally getting a repress. I know it was already repressed once but those have gotten incredibly expensive. This one has the original cover as well. Hell yeah

https://lightintheattic.net/collections/charanjit-singh-synthesizing-ten-ragas-to-a-disco-beat/products/synthesizing-ten-ragas-to-a-disco-beat

New World Records is reissuing Julius Hemphill's Dogon A.D. on CD. I don't know anything about the source tapes, whether they used the same recording as the International Phonograph CD from 2011 (which I have) or the Japanese CD from 2019 (which I don't have), but there's a new 28-page booklet with liner notes by Marty Ehrlich.

One of the rarest items in Cecil Taylor's discography - the Friedrich Gulda album Nachricht Vom Lande, a double LP on which Taylor and Gulda play together - got reissued on CD last year. It's been out of print since the original vinyl release in 1976. I wrote about it in my book, but had no expectations that it would ever come out.

i noticed it on streaming services

I wouldn't have even thought to look for it, but I got a PR notification about an 84CD box of Gulda's other recordings from Deutsche Grammofon and looked to see if Nachricht was included. It wasn't, but then I searched for the album and saw that Soundohm had had copies of the CD but was sold out. I ordered one from ImportCDs.

looking at Gulda’s discography and wow did he have an interesting career

from Drag City Weekly News

THE SUPER 70s SOUNDS OF TOMMY PELTIER'S ECHO PARK

Just east of Hollywood, Tommy Peltier’s made sweet music in the Echo Park hills for over sixty years. A jazzman first, he recast himself in 1970 as an LA troubadour, crafting a set of glitter-light pop tunes that somehow missed release — until now! Dating back to the early-mid-1970s, Echo Park is an encompassing trip through a whole other time and place, mixed and mastered with great zest by Jim O’Rourke.

First single “Flight of the Dancer” was tracked in 1976 at Heritage Studios in Hollywood. There, Tommy & Co. unleashed an uptempo pop ballad breathing itself higher and higher in ecstatic reverie, bejeweled with a sensuous slide guitar refrain. Carrying the grace and elegance of George Harrison & Elton John, Tommy’s ethereal spirit guides this tune into the glossy night with the refrain: “I want to be there / when the light comes on / and we see who we really are.”

A trumpet player since childhood, Tommy felt no need for pop music; he’d come of age during the west coast jazz explosion of the 1950s, founding The Jazz Corps in 1963. After an injury ended his trumpet-playing days, Tommy turned to the guitar and started writing songs, encouraged by a new friend he made in ‘68, singer/songwriter Judee Sill. Tommy honed his new music throughout the 70s inspired by Sill, Neil Young, Joni Mitchell and others, pairing his soulful songs and high-pitched vocals (he was once called “Tom Rapp on helium”) with the requisite chopsy, jazz-enriched LA players. On top of appearances from Judee and some former Jazz Corpsmen across Echo Park, the album features guitarist Art Johnson (John Klemmer, Paul Horn, Tim Weisburg), keyboardist Richard Thompson (The Association, John Hartford), and bassist Wolfgang Melz (Hedge & Donna, Mark-Almond).

At the ripe young age of 90(!), Tommy continues to play music today! It's high time these songs make it out there — so take a high-flying journey through the past with us when Echo Park releases on March 27, 2026.

Bongo Fury, the 1975 partly live album recorded by Frank Zappa and Captain Beefheart, will celebrate a belated 50th anniversary in March with a new five-CD, one-Blu-ray box set.

The upcoming collection will feature 48 unreleased live and studio tracks from the period, including new mixes, extended versions and a pair of concerts.

In addition to the Super Deluxe Edition, Bongo Fury (50th Anniversary Edition) will be released on March 20 in several formats, including disc, vinyl and digital.

https://ultimateclassicrock.com/frank-zappa-captain-beefheart-collection/?utm_source=tsmclip&utm_medium=referral

https://ultimateclassicrock.com/frank-zappa-captain-beefheart-collection/

second link works

Miles Davis's The Complete Live At The Plugged Nickel 1965 has been reissued. (It's been on streaming services for a while, I think, but the physical 8CD set — or 10 LPs, if you're one of those — has been out of print for many years. I bought one in 1995, when it first came out.) Sony sent me a copy of the new version, which repackages the CDs in slim gatefold cardboard sleeves contained in a cardboard outer sleeve (the original edition had jewel cases in a heavier box), plus a book with the original liner notes by Bob Belden and new liner notes by Syd Schwartz. The new notes are good; a decent essay about the project as a whole, and then breakdowns of each track telling you what Broadway show a given standard came from, when and how Davis first adapted it, and what's different about this performance versus a studio version.

repackages the CDs in slim gatefold cardboard sleeves

that sound you hear is me removing this item from my cart

I'll sell you my old copy of the original if you want. (It doesn't have the booklet — never did — but all the CDs are in perfect shape.)

Slumberland is proud to reissue the two solo albums by ex-Dolly Mixture member, Rachel Love, 2021’s Picture In Mind and 2024’s Lyra. Originally self-released as limited-edition CD-Rs, they’re lovely, gorgeous pop albums, made on a small scale but with big ambitions, rich with melody and insight, in equal measure, wise and alive to the complications of everyday life and the intensities of the heart.

Picture In Mind wasn’t quite Love’s re-entry to making music – she had released a few albums with her late husband, Steve Lovell, under the name Spelt, in the 2010s, and her post-Dolly Mixture career is dotted with collaborations and unexpected appearances. But it’s certainly the first time we’ve heard Love steering her music entirely in her own direction. It’s an album that embraces the possibilities of recording at home, with the support of close family, and that radiates the beauty of intimacy, in Love’s softly sung, bossa-like vocals.

There are connections to the past through Picture In Mind, most notably on Love’s version of Dolly Mixture’s “Down The Line”, a song collaboratively written by the trio; in Love’s hands here, the song drifts downstream, a lovely, humming melody spun to gold by gentle electronic accompaniment. Both here, and across the fluid, arcing arrangements that Rachel and Steve construct throughout Picture In Mind, that we can trace other threads, too – the beautiful baroque of Dolly Mixture’s Fireside E.P.; the reflective British pop of friends, Saint Etienne; the electronic folk melodies of Broadcast.

Rachel sings with an unforced, unadorned calm, much like Trish of Broadcast. This delivery makes Lyra, written and recorded after the sad passing of her husband, and in tribute to him, even more affecting in its depth of feeling. Co-produced with care and attention by David Lovell, the sound is, in some ways, familiar – we can hear the ticking electronics of Stereolab’s quieter moments, the lovely lushness of Air, the sweet ache of Emma Anderson, some echoes of the home-spun electronics of Sukpatch. But there’s also a melancholy here that takes the breath away: the see-sawing chord changes that land two minutes into “Without You” hit like the heart in motion; the clack and fizz of “I Lost Myself” is gentle psychedelia, disorienting but wise.

Lyra was originally released with The Cat Collects, who also release music by The Cleaners From Venus, and that’s another parallel – beautifully crafted pop songs recorded on a shoestring budget, but sounding like a million dollars, full of sweetly crafted melody and arrangements that collapse pop, psych and folk in unexpected ways. It’s also a music that’s confident in simple, understated gestures, but that doesn’t deny the joy of the big pop moment. They’re two of the most unabashedly lovely, loving pop albums from the past decade – at least.

https://soundcloud.com/slumberland-records/sets/rachel-love-sampler

_repackages the CDs in slim gatefold cardboard sleeves_

that sound you hear is me removing this item from my cart

lol

From Real Gone:

]Morton Feldman New Directions in Music 2 Vinyl

Ignore the “2” in the title; this is Morton Feldman’s 1959 debut album, which by definition means it’s a key release in the history of modern classical music. Feldman’s association with the New York abstract art scene of the time is made explicit with the cover art by Philip Guston, but it’s the music, with its minimalism and emphasis on tonal color, that most clearly expresses the ethos of his visual artist peers. Perhaps the biggest influence, however—though it’s hard to say exactly who influenced whom—is John Cage, whose experiments with chance methods of composition and performance echo in Feldman’s graphic notation, which left choices of rhythm and pitch to the performers of his “Projections” and “Intersections” pieces. This release represents the first reissue of this landmark record (a later release, The Early Years, discarded the Guston album art and reshuffled the sequence), and to ensure the truest and clearest listening experience possible, we’re pressing New Directions in Music 2 on black vinyl at Gotta Groove Records. If you’re at all into, or even curious about modern classical, this is one you have to own.

SIDE ONE

1. Extensions 1 for Violin and Piano

2. Structures for String Quartet

3. Projection 4 for Violin and Piano

4. Extension 4 for Three Pianos

SIDE TWO

1. Intersection 3 for Piano

2. Two Pieces for Two Pianos

3. Three Pieces for String Quartet

4. Piece for Four Pianos

https://realgonemusic.com/products/morton-feldman-new-directions-in-music-2-vinyl?rs_oid_rd=469298191596245&variant=49114158137482

Horse Feathers recently announced the 20th anniversary reissue of their long out of print debut album, Words Are Dead, along with a US to celebrate.
Out August 28th on Kill Rock Stars, the deluxe remaster will also include a replica of their original six-song demo that was only available at live performances. To download your advance copy follow the private watermarked link below.

"...Words Are Dead casts a warm and spooky spell." NPR naming is one of the 10 best releases of 2006

"It's okay words are dead because they'll find newer forms within their decomposition..." Pitchfork

Tour Dates:

August 6th - Portland, OR @ Topaz Farm

August 20th - Spokane, WA @ The District Bar

August 22nd - Olympia, WA @ Wild Child

August 23rd - Seattle, WA @ The Tractor

August 27th - Trout Lake, WA @ Trout Lake Hall

August 28th - Astoria, OR @ Liberty Theater

August 29th - Eugene, OR @ Eugene Art House

August 30th - Bend, OR @ Silver Moon Brewing

September 11th - Asheville, NC @ Grey Eagle Music Hall

September 12th - Durham, NC @ Stanczyk’s

September 15th - Roanoke, VA @ The Spot on Kirk

September 16th - Charlottesville, VA @ The Southern

September 17th - Vienna, VA @ Jammin’ Java

September 18th - New York, NY @ Village Presents

September 20th - Boston, MA @ Club Passim

September 23rd - Arlington Heights, IL @ Hey Nonny

September 24th - Lake Orion, MI @ 20 Front Street

September 25th - Columbus, OH @ Natalie’s Grandview

September 26th - Pittsburgh, PA @ Club Cafe

In 2026, Horse Feathers’ debut album, Words Are Dead, celebrates its 20th anniversary. Kill Rock Stars is set to release a deluxe reissue that will be completely remastered and pressed on an exclusive vinyl color. It will include a replica of their original six-song demo CD in the package, along with a deluxe foil-stamped LP jacket.

To support the release, Horse Feathers’ current ensemble of Justin Ringle (guitar, vocals, banjo), Nathan Crockett (violin, saw), Halli Anderson of River Whyless (violin, vocals), Kati Claborn of Blind Pilot (banjo, vocals, clarinet), and Luke Ydstie also of Blind Pilot (bass, cello, vocals) faithfully recreate the mood of the original release with taut dynamics and sensitive arrangements.

From Real Gone---The Donnas debut now on all-analog etc etc vinyl (think Allison's guitar would have made her my fave even if her mom and gran hadn't kept coming in the shop while arguing about her wedding: Gran: "Why won't she play>" Mom: "Oh Mom!")(Superdrag won.)
https://realgonemusic.com/cdn/shop/files/848064022015_mockup.jpg?v=1783551977&width=713

and
https://realgonemusic.com/cdn/shop/files/848064022039_mockup.jpg?v=1783551084&width=713

Dorothy Ashby and Frank Wes:s Minor Groove
Street Date

Dorothy Ashby was probably the greatest—and certainly the most swinging—jazz harpist of all time, re-purposing an instrument best known for ethereal glissandos into a fully versatile voice in combo settings, capable of providing both instrumental embroidery and rhythmic drive. But she was always fighting an uphill battle in terms of garnering critical and commercial success; both her gender and the exoticism of her instrument often prevented her from being taken seriously among the hidebound environs of late ‘50s and ‘60s jazz. But it is that very uniqueness of her sound and station in the jazz world that has made her one of the most collectible musicians of her era, as her music has been sampled and celebrated by modern-day hip hop and world music artists (e.g. Jurassic Five, Bonobo) alike. In a Minor Groove is one of two albums she made in 1958 with flautist/saxophonist Frank Wess, and it is a marvel; backed by fellow Detroit native Herman Wright on bass and the great Roy Haynes on drums, she and Wess weave mesmerizing melodic threads through standards like “Alone Together” and “Yesterdays.” But perhaps the most amazing track is “Bohemia After Dark,” which displays Ashby’s uncanny ability to turn her harp into a rhythm guitar! For this first-ever domestic black vinyl reissue of In a Minor Groove, we are using the original mono sources—not the rechanneled stereo and jumbled track listing that showed up on Prestige’s later repackaging called Dorothy Ashby Plays for Beautiful People. Original album art with Ira Gitler’s sleeve notes, too.

Side One

1. Rascallity
2. You’d Be So Nice to Come Home to
3. It’s a Minor Thing
4. Yesterdays

Side Two

1. Bohemia After Dark
2. Taboo
3. Autumn in Rome
4. Alone Together