― g (graysonlane), Tuesday, 17 December 2002 18:46 (twenty-two years ago)
― bob zemko (bob), Tuesday, 17 December 2002 19:08 (twenty-two years ago)
I would suggest from your comments that you go for "Hope Is Important" next 'though.
― Stewart Osborne (Stewart Osborne), Tuesday, 17 December 2002 21:49 (twenty-two years ago)
thanks for the response
― g (graysonlane), Tuesday, 17 December 2002 21:59 (twenty-two years ago)
― electric sound of jim (electricsound), Tuesday, 17 December 2002 22:46 (twenty-two years ago)
Perhaps some of the charm of 100 Broken Windows is missing as there's a bit less variety, but quite frankly, variety can take a running jump.
Hope Is Important is quite different. A lot of somewhat ill-advised, though still very listenable, punkish throwaways, two killer singles (When I Argue I See Shapes and Everyone Says You're So Fragile), a gorgeous acoustic strummer (I'm Happy To Be Here Tonight, also v. good in the live version on the Live In A Hiding Place single) and a couple of enjoyable indie rock bits (Close The Door, I'm A Message). It's pretty good, but I like the two more recent albums more.
― edward o (edwardo), Tuesday, 17 December 2002 23:47 (twenty-two years ago)
― electric sound of jim (electricsound), Tuesday, 17 December 2002 23:48 (twenty-two years ago)
― Charlie (Charlie), Wednesday, 18 December 2002 03:45 (twenty-two years ago)
The new record has their most consistently good songwriting, but the production's a bit too polished and stadium-eating. "Let Me Sleep Next to the Mirror" is my favourite 'Wild track, but the best way to experience Idlewild is in concert. A storming live act.
― weasel diesel (K1l14n), Wednesday, 18 December 2002 10:23 (twenty-two years ago)
― edward o (edwardo), Wednesday, 18 December 2002 12:33 (twenty-two years ago)