Just how admirable are Fugazi's famous 'ethics' anyway?

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Paying for your own gas food lodging touring recording marketing etc. Wow, that's dedication huh? 'Course it's easier if you live in the USA where everything costs about 1/10 the amount it does anywhere else. Really, if you can't afford to put out a record in America you must be really pathetic. Easier still if you live in a mega-population corridor with loads of places to play unlike Canada or Australia (10,000 miles between each venue) or England where they basically hate live music and try to eradicate it with DDR-type bureaucracy. (Perhaps the abysmal quality of most live UK music has something to do with it but there's other reasons too which I'll mention in my forthcoming 10,000 word Beck epic, bet you can't wait huh.) Maybe Fugazi really is the ultimate symbol (exhibited like heads on sticks for the cowed commies outside N AMerica) of ManifestDestiny/rugged individualism?

dave q, Saturday, 4 January 2003 18:51 (twenty-two years ago)

As for my gross generalisations - gg's are what I DO. And what's more, I've been around and know more than you do. Always will, and probably did approx. 20 minutes after I was born. Travel reinforces prejudice and drugs sharpen the mind rite!

dave q, Saturday, 4 January 2003 18:54 (twenty-two years ago)

Well, since they can't very well control where they grew up, I'm guessing your critique not so much a diss on DisChord, etc., and more of a complaint about those who idolize them. I'm not sure Fugazi even wants to be idolized, from what they say at least. (On the other hand, they do like to tell people what to do.)

You've enumerated ways in which it's easier for people to take the independent route in the States. I think the UK also has advantages, being a much smaller place to cover in terms of touring, where "indie" stuff has charted high (i.e., $$ back in) for a long time. Also, having a music weekly with major influence on the buying public (52 covers a year, not counting endless column inches, to spotlight the latest buzzzz band).

wl (wl), Saturday, 4 January 2003 19:08 (twenty-two years ago)

dave q you remember that classic "the new music" interview with iggy pop by jeanne beker where he's all deadpan "i'm more talented than you in every way"? that was funny. and then she calmy says "how the fuck would you know?" and he's genuinely thrown off which is also funny.

, Saturday, 4 January 2003 19:27 (twenty-two years ago)

(RE idolising Fugazi, I don't mind when ppl do it, better them than some others I guess)

dave q, Saturday, 4 January 2003 19:39 (twenty-two years ago)

Also wl - dunno if you've noticed how far from public deference the weeklies have fallen in the UK, 'buzzband' almost = 'kiss of death'. But I dunno, I never read those shitrags anyway. Also let's not have a thread re UK weeklies cuz it's rilly rilly boring

dave q, Saturday, 4 January 2003 19:42 (twenty-two years ago)

dave q i write songs about you

, Saturday, 4 January 2003 19:51 (twenty-two years ago)

Fugazi shows are funny 'cause when you look around, no one seems to be really enjoying themselves too terribly much, and the ones that do just look like big assholes anyway. Their ethics, though, I think only become really dud when people use them as the reason you should like/support the group -- which happens a hell of a lot in this, the DC area (well, southeastern Virginia, but it's close enough for the nuclear fallout-like levels of idolatry for Ian and co.).

Clarke B., Saturday, 4 January 2003 19:53 (twenty-two years ago)

But surely their fans idolize the parts of their 'ethics' that result in cheap all-ages shows and cheap records more?

Jordan (Jordan), Saturday, 4 January 2003 19:54 (twenty-two years ago)

Jordan - yr right, I wasn't actually thinking about that part of the equation. Use 'Black Flag' as alternate example of what I'm getting at

dave q, Saturday, 4 January 2003 19:58 (twenty-two years ago)

dave q brings up an interesting angle i hadn't really considered before -- DIY is a lot easier to preach in the land of plenty. in other countries it probably makes a lot more sense to continue to jump for the brass ring of being signed, whereas here in the U.S. there's a built-in system of self-reliance, which maybe we've started to take for granted.

on the one hand it is a bit silly to hold Ian & co. up as a godlike ideal since there are so many other people who are basically practicing the same 'ethics' and approach all over the place, but really, you can't underestimate just how much of an impact Dischord's influence has had on the 'scene' in this part of, and to a lesser extent, all over the country.

but the bottom line is it wouldn't matter if Fugazi made shit music, and they are a great fucking band. so if i'm going to idolize them, that's reason #1, before all that other stuff.

Al (sitcom), Saturday, 4 January 2003 21:06 (twenty-two years ago)

(Aside - actually Al it's just better for ppl in 'other countries' to emigrate. Everything in fucking England is subject to the wishes of whoever is the most boring, like the fucking neighbour who's just been pounding on my wall cuz I'm trying to sequence something, the good ol' council trash yelp "some of us are trying to get some sleep" (at 9 PM on a Saturday?) so I told them if they bothered me anymore I'd cut their body up into little pieces and throw them out the window. No worries, the bitch is about 97 and it's somebody else's house anyway so they can explain the 'terroristic threats', even tho it's their fault for not having the loony old bat thrown in a home somewhere. OK back to serious)

dave q, Saturday, 4 January 2003 21:23 (twenty-two years ago)

david q is such a model neighbour...

Julio Desouza (jdesouza), Saturday, 4 January 2003 21:30 (twenty-two years ago)

david q is such a model neighbour...
I'm suprised he's a living neighbor

brg30 (brg30), Saturday, 4 January 2003 23:50 (twenty-two years ago)

Ha, my ex-neighbours used to have these massive fights until 3am. 'Till I threatened to kill them - they moved out shortly thereafter. The person who moved in is very nice & quiet.

This:

England where they basically hate live music and try to eradicate it with DDR-type bureaucracy.

Is a very good point actually, and it's something I've read very, in fact shamefully little about in thee media.


Hi - you're probably (?)aware that the new licensing bill in its latest proposed form will make it even
harder for live music, so we need to try to put an end to this lot's bloody Gestapo tactics - it's bad
enough tolerating the Thought Police's interference in everything else in our lives without them
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We'd be grateful if you could please forward this to anyone you know who cares and ask 'em to fill
in the online petition - it only takes a moment.

"You can't use tact with a Congressman! A Congressman is a hog! You must
take a stick and hit him on the snout!"
-- Henry Brooks Adams


I received the following in the mail today and promptly signed the petition, have a read and make
your own decision.

Unbelievably, the Government has just confirmed that the maximum penalty of a 20,000 fine and six
months in prison for an unlicensed performance of live music would continue to apply to carol
singers:

You can sign an E-petition here
http://www.petitiononline.com/2inabar/petition-sign.html

Sign the Licensing of Live Music in England and Wales Petition

"People singing carols in a supermarket or a railway station and so on would need to be covered by
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PLEASE SIGN THIS PETITION AGAINST THESE REFORMS AS THEY HAVE BEEN WORDED!

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Make your voice heard whilst you still can - legally!!!

Pashmina (Pashmina), Sunday, 5 January 2003 00:02 (twenty-two years ago)

I saw Fugazi in Exeter a couple of months ago, and it was great, apart from the preachey bits. The only part of their ethos I've any truck with is the fact that their albums are cheap. Bands with plans, hmmm... Chris Martin keeps going on about fair trade and so on, but that doesn't make me respect him any more as a musician (especially seeing as his dad financially supported one of the most heinous politicians of the last 20 years in the UK, Patrick Nicholls, which would, in my eyes, negate the positive moral affect of Chris Martin solving world hunger). I'd much rather bands just made good records and tried not to be outright bastards. Fugazi would be better off preaching Zen life balance and centered world awareness than self-sufficient record-industry dealings. Encourage people to have happy, rounded, balanced lives rather than pursuing this weird and uncodified indie manifesto life.

Nick Southall (Nick Southall), Sunday, 5 January 2003 00:07 (twenty-two years ago)

Chris Martin is a Tory! What does he care about Fair Trade! He votes conservative! His parents paid £500,000 for his education! Of course he's a capitalist!

Dave Q, you are like, SOOOOOOOOOOOOOOOOOO cool, I really really hope I can be as witty and insightful and on the ball as you when I'm older.

chris sallis, Sunday, 5 January 2003 01:58 (twenty-two years ago)

And, yeah, good point Nick.

chris sallis, Sunday, 5 January 2003 01:59 (twenty-two years ago)

Nick, it seems your attitude to Coldplay is a little damned if they do, damned if they don't. I've always felt this 'Oh, he's got rich parents - he's THATCHER'S SPAWN!' is just lazy thinking, or some weird symptom of middle-class guilt. Naturally, the fact that Coldplay are vocal in their support of free trade agreements, or that they give a percentage of their earnings to charity is no reason to admire their music any more. But to suggest there's nothing to admire in the act itself? Seems a little churlish.

I hear other people bang on about Fugazi's "manifesto" far more than I hear Fugazi talk about it. Isn't part of MacKaye's schtick that "this is not a set of rules"? Anyway, what Fugazi's manifesto boils down to at the end of the day is essentially this: (a) We choose to sell our records cheaper than other people choose to sell their records. (b) We will not deal with organisations that we feel are out to exploit us, or other people like us. (c) Don't let the bastards get you down. It's not terribly unique, nor is it terribly brave. But it does seem largely honest and motivated by good intentions. Would Fugazi really be better off preaching "zen life balance" than "self-sufficient record industry dealings"? Looking at the gigantic kicking Moby has received over the last twelve months - physically, verbally, ideologically - I'd strike a resounding no. People *hate* that shit.

Jason J, Sunday, 5 January 2003 18:54 (twenty-two years ago)

So Nick, are you a fan of Elastica then?

dave q, Sunday, 5 January 2003 19:03 (twenty-two years ago)

dave q - No, but the girlfriend is.

Jason J - Aye, people do hate hippie-type preaching a la Moby, I should've thought of that before I wrote it. Patrick Nicholls actually IS Thatcher spawn though, and completely evil. (And I admit my problems with Mr Martin jr are compunded by the fact that his dad my my dad redundant about 12 years ago.) But I didn't suggest that Chris Martins fair trade campaigning isn't admirable in itself (or certainly did not mean to), the thing about world hunger and PN was more an attempt at bad humour than anything else. Fugazi's much touted ethics much the same - I'd much rather people in the public eye in whatever sense were seen to be doing socially/culturally beneficial acts and encouraging others likewise than for them to be sitting in (cliché alert) the Met Bar blasting cocaine up their noses or whatever. But all the admiration in the world from a social/ethical p.o.v. isn't going to make me buy Coldplay (or whoever)'s record when I don't like the tunes much.

Isn't another problem with the (not necessarily self)righteous 'preaching' of people like Coldplay and Moby (and others) the fact that their music (and they as individuals as well on occasion) is simply a bit boring, therefore making their ideals seem boring by association, and therefore less valuable?

Would I think likewise for an inverse situation though? Would I be put off music I am otherwise drawn to if the person responsible was a reprehensibly heinous wanker? I can't think of an example o.t.t.o.m.h. of someone who's music I love but persona I hate, and I suspect I probably would be put off. Any ideas?

Nick Southall (Nick Southall), Monday, 6 January 2003 10:30 (twenty-two years ago)

At least musicians who 'sit in the Met Bar blowing coke up their noses' aren't really harming anyone - OTOH, musicians who double as half-baked amateur politicians cause outbreaks of illogical thinking, self-righteousness and a disastrously high estimate of one's own intelligence/importance in impressionable listeners. (Just to be clear tho I exempt Fugazi from latter category, I seem to have given the mistaken impression with this thread that I don't like them - my usual sloppiness at fault)

dave q, Monday, 6 January 2003 11:43 (twenty-two years ago)

But are musicians who sit in the Met bar blowing cocaine up their noses not contributing to the slovenly, rude, drugs-and-escapism-over-real-thought-and-engagement-with-world society in which we live? And financing nasty drug dealers and the huge multi-national drug industry, and so on and so forth.

Note; This is just a question, not necessarily something I totally believe, as i am inclined to think that sitting quietly in a corner and glugging red wine/cocaine/LSD/your choice is less harmful than spreading good-intentions/bad-realisations by making big sweeping statements and positing oneself as a thoughtful and intelligenty and earnest nice guy rockStar.

Oh, and where does BONO fit in to all this?

And and and and and I likes Fugazi too, they're nice.

Nick Southall (Nick Southall), Monday, 6 January 2003 12:24 (twenty-two years ago)

Dave, this whole thing about "impressionable listeners" kind of suggests that most people are happy to be spoon-fed political messages by musicians, and realistically, I don't think this is the case at all. It's not like "Free trade, eh? Oh, if Chris says it's good, I'll certainly be having some of that". People are free to make up their own minds. Ironically, though, Fugazi are a rare example of a band that do tend to attract a fanbase that want to be spoon-fed. Punk idealists often seem to be depressingly allergic to the prospect of reasoned debate.

This question should boil down to 'How much of this is genuine political belief? And how much is poise?' Bono and Bobby Gillespie appear to be wrapped up in some shitty fantasyland where they're playing the role of a UN spokesman or a White Panther revolutionary. They're not interested in debate, they're interested as politics-as-style. I think often it's pretty easy to tell the difference.

Jason J, Monday, 6 January 2003 15:44 (twenty-two years ago)

Easier still if you live in a mega-population corridor with loads of places to play unlike Canada or Australia (10,000 miles between each venue)...

Yeah, D.C. is right next to California. All these maps are wrong.

hstencil, Monday, 6 January 2003 15:49 (twenty-two years ago)

And Toronto and Mtl are completely cordoned off from the USA, except by snowshoe.

Horace Mann, Monday, 6 January 2003 15:52 (twenty-two years ago)

Oh, and: Liam Gallagher sits in the Met Bar and blows coke up his nose, but he can also "cause outbreaks of illogical thinking, self-righteousness, and a disastrously high estimate of one's own importance in impressionable listeners". Have you been to an Oasis gig recently?

You'll notice I cut the bit about intelligence out, though. ;)

Jason J, Monday, 6 January 2003 15:54 (twenty-two years ago)

To further the thread beyond no-they-aren't vs. yes-they-are, it should be noted that some people do profit by staying independent. Eg, Ani DiFranco has sold over a million records, and it's unlikely she would sell more if she was on a major label, howev, since she be boss of her label, she gets a far higher take of the receipts than she would if say, EMI had interest. And Dischord recently cracked that million-sold mark as well.

So, beyond the mere cachet of being Indie, indie artists tend have a much better chance of actually making money through their music than they would if they had to pay back big-ass labels. Also, many indie labels don't include the masters in their recording contracts, so the artists actually get to own their music, which never ever happens in the big leagues.

Horace Mann, Monday, 6 January 2003 16:06 (twenty-two years ago)

But surely their fans idolize the parts of their 'ethics' that result in cheap all-ages shows and cheap records more?

a friend lives in DC. he says it is K-rub that whenever Fugazi play a gig there it's always a super cheap all ages benefit show, so they always have a manky PA and the place is full of annoying high school students.

DV (dirtyvicar), Monday, 6 January 2003 16:25 (twenty-two years ago)

I want to contribute positively to this thread, but I keep going back to "DDR-type beaurocracy" and thinking of Dance Dance Revolution.

Dan Perry (Dan Perry), Monday, 6 January 2003 17:10 (twenty-two years ago)

Horace makes a very good point.
Fugazi can afford its "ethics", keeping its record and show prices relatively low, because it's self-employed.

Bruce Urquhart (Bruce Urquhart), Monday, 6 January 2003 17:18 (twenty-two years ago)

Fugazi can afford its "ethics", keeping its record and show prices relatively low, because it's self-employed.

That is the weirdest, most circular argument I've ever seen on ILM.

I like your single. Yeah, uh, great.

hstencil, Monday, 6 January 2003 17:23 (twenty-two years ago)

It wasn't exactly an argument. It was a conditional statement.
It can be rephrased: "If Fugazi is self-employed, it can keep its record and show prices relatively low." Fugazi being self-employed is the antecedent in this statement while its ethics – the low record and show prices – are the consequent.

Bruce Urquhart (Bruce Urquhart), Monday, 6 January 2003 17:40 (twenty-two years ago)


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