Bee Gees: Classic or Dud

However, their 70's output is pretty awesome, especially the Saturday Night Fever album.

They should have retired or disappeared into the Bermuda Triangle afterwards.

I do hope that The Solinger takes the fourth bee gee title seriously and starts going to tanning booths and getting a beard. Maybe then he'd be cool. Somehow I doubt it though.

But come to think of it, the Bee Gees looked cool. Bonny Prince Billy looks better furry. So why not? My hostility towards them is fading.

actually, there were four bee gees at one point, one glance at their first best of cover will tell you that much. who he was is a question that remains unanswered for me. the brothers gibb are hanging out and then there's this other guy, like father gibb paid him to be in the band so the guys would have friends who weren't family members.

as for blue-eyed soul, yeah, hall & oates, bowie (on young americans and elsewhere), the righteous brothers, the rascals, rundgren, DUSTY!, van the man (on moondance, at least), the box tops, mitch ryder, the soul survivors, the average white band, etc.

Did you really think I was going to say anything else?

*gags uncermoneously*

*leaves room to put on GOOD music, not this Bee Gees rubbish*

Sums it up nicely.

and i froze, i really had no answer for him. that is until now! mark, you singlehandedly redeem all of pitchfork. surely, the bee gees aren't greater than abba -- hardly a crime! -- even though they have more great songs. abba's best songs are better than the bee gee's best, that's all. however, if you take "world" off of the first best- of and replace it with "melody fair," you've got an album that'll give gold a run for its money.

what's funny is how it all used to be, "many are quick to judge the bee gees based on their disco work, but few are aware of the classic pop they churned out in the 60s." but now it's "that 60s stuff really isn't my thing, but the saturday night fever soundtrack is great!"

And, alas, you and Mark are both wrong in my eyes, because you are making the wrong claims. You don't want the songs, you want the image, the beards, tans and gold medallions, as Nicole indicated. Admit you are both Lotharios.

If I could rescue that song from the disco hell that is the Saturday Night Fever soundtrack, I'd be very, very, very, very happy. Two, twice, two times.

So, Fred, you're saying that someone with interest in the Gibb's frilly baroque pop period should start with Odessa?

Classic Bee Gees singles: "Jive Talkin'", "You Should Be Dancing", "Stayin' Alive", "Tragedy". "Night Fever" just isn't strong enough, "Spirits (Having Flown)" is just too twee, all the singles from 1987 onwards are execrable AOR.

robin, i have to admit that i'm a sucker for "first of may," especially in the context of odessa where it's theme of young love lost forever is amplified to the nth degree. and "night fever" is FABULOUS, the string arranging is brilliant and it's so well composed (with three distinct parts).

"First of May" is such a sad whinge for Innocence Lost, though ...

(Geoff, you're not actually hinting you're a Bee Gee by Blood, are you?)

Wait, I had a question... *rummages around in bag* Should I buy albums or just stick with singles comps?

Are you excited to have people hear this demo?

No, not particularly.

lmao

I guess it's similar in approach to a George Clinton song about The Funk.

Most of all we need The Grease.

https://theaudiophileman.com/true-falsetto-talking-frankie-valli/

Intriguingly, however, Valli generally only uses the falsetto when singing with the Four Seasons. For most of his solo hits, it’s nowhere to be found, “Falsetto is a great tool to have, if it’s not overdone.”

Valli was going all in on disco at that point, he also recorded the first version of "Native New Yorker" at about that time

He was also having some kind of hearing problems at the time, which is one of the reasons the drummer in the (new) Four Seasons was singing so many of the their material - including their singles.

Here we are:

Valli began suffering from otosclerosis in 1967, forcing him to "sing from memory" in the latter part of the 1970s. Surgery performed by Los Angeles ear specialist Victor Goodhill restored most of his hearing by 1980.

“Falsetto is a great tool to have, if it’s not overdone.”_

Is that a quote from The Sopranos?

Goodfellas:

https://www.youtube.com/watch?v=HPPYDZsXBvw

and that continued on into the '80s. i had no idea that they wrote islands in the stream. which means two members of the fugees had solo tracks that interpolated songs written by the gibbs bros.

wow, that's great, thanks. ethereal, yeah. would have slotted in beautifully next to late yacht stuff, and also "Cruisin'." hard for me to not hear it as a duet after all these years with Dolly and Kenny though!

i note a small instrumental lift from "S.O.S." (the "when you're gone" part) about 2/3 of the way through...

My favorite Gibb brothers tune written for another artist:

https://www.youtube.com/watch?v=0KBfkDaOxEk

Which I had forgotten about until the doc, and then the second I heard the second of it included in the movie I started humming along.

Another great Barry demo of that one, tho I think I still prefer the final version:

https://www.youtube.com/watch?v=vPnbs3YHkXg

This is another one he did for the Kenny Rogers album he wrote, I love the chorus on this: https://www.youtube.com/watch?v=BiCnUqjAueY

saw two Bee Gees threads bumped back to back and was afraid Barry died. phew.

The doc should have been a series, like the Grateful Dead one on Amazon. Also, a lot of the vintage interview clips, etc, seemed to have been sped up, perhaps to fit enough material in the timeframe?

Maybe they were just changing the pitch to make it sound more like they were speaking in falsetto.

so the Barry Gibb talkshow was real?

Barry’s new country duets album Greenfields is great, have been listening to it a lot

Barry sounds great and Little Big Town guesting for "How Deep Is Your Love" is every bit as smooth as one would hope.

if they do more of these I would KILL for a countryfied "Mr. Natural"

yeah agree!

i could listen to Butterfly on repeat, it sounds so good, the way his voice blends w Gillian Welch is lovely

and the Keith Urban opener, Got To Get A Message To You really knocked my socks off

the one w/ miranda is great... sounded like something that could've been on one of her records

it took me a couple of listens to get into that one - it was weird hearing it slowed down like that, i wasnt sure if i liked it! but i agree now that they really nailed it

miranda manages the impossible, making "Jive Talkin" sound like it's about something

otm

https://www.youtube.com/watch?v=VHa6vYq6Nyk

Am I unwise
To open up your eyes

Indeed. Though that line about needing someone older has always irritated me somewhat.

I used to sing that song to my kid when she was tiny at bedtime, though I obviously changed that whole problematic chunk of lyric. Still one of my favourite Bee Gees jams though.

You need a boulder?

You look like a soldier?

You need someone’s folder?

What did you sing?

I'm trying to remember the fudge. I think I may have just repeated "you need someone's shoulder" or "someone to hold yer"... She was only 3 then and not so demanding an audience, I totally would not get away with it now.

Robin and Maurice's birthday yesterday.

Anyone picked up the Bob Stanley book?
https://www.theguardian.com/music/2023/jun/02/how-the-bee-gees-ruled-late-70s-pop

Considered it.

Could only be better than The Bee Gees: The Biography by David Meyer which I mention above.

In 1978, they wrote Too Much Heaven, Tragedy and Shadow Dancin’ during a day off on the set of Sgt Pepper – probably an afternoon off, in fact, as all three songs, all future No 1s, were wrapped in about two hours.

...and "Lonely Days" and "How Can You Mend a Broken Heart" in another (earlier) single-day session.

Very much want to read Bob's book, can't imagine it won't be brilliant

Have read it and can confirm it is brilliant.

Big profile of Barry here, gift link

https://wapo.st/3SWRaFm

The brothers’ initial success in the United Kingdom was stunning, defying probability and logic, worthy of a biopic. One is in the works with Graham King, who produced “Bohemian Rhapsody” about the band Queen. Gibb wrote a song for the movie, his first in years, while penning a memoir.

Who should play young Barry? Gibb said, “I don’t know but he better be pretty.”

barry otm lol

Very much enjoyed Bob Stanley's book from the summer, though it was light on original research.

will they ever release the maurice and barry post-breakup solo albums? cmon!

Never heard the Maurice one but I've heard most, if not all, of the Barry one and it's no lost classic.

yeah i'm not super aware of what constitutes a solo recording versus just a beegees joint where its just one brother running the whole thing

for barry i was thinking of stuff like this which seems very solo album-y but maybe not

https://www.youtube.com/watch?v=vHu-mHFD7Kw

https://www.theguardian.com/music/2024/nov/19/two-bee-gees-drummers-die-colin-petersen-dennis-bryon

Two Bee Gees drummers die within days of one another

The band’s original drummer, Colin Petersen, died four days before Dennis Bryon, who played throughout their imperial Saturday Night Fever phase

Tim Jonze

Tue 19 Nov 2024 10.58 EST

Colin Petersen, the original drummer for Bee Gees, has died aged 78.

Petersen joined the band in 1966 alongside brothers Barry, Robin and Maurice Gibb. He performed on their second studio album Spicks and Specks, released that same year, and played on early hits such as To Love Somebody, I’ve Gotta Get a Message to You and I Started a Joke.

Born in Kingaroy, Queensland in 1946, Petersen found early fame as a child actor starring in the title role of the 1956 Australian film Smiley. He drummed with Bee Gees until 1969, when disagreements with the band’s manager Robert Stigwood led him to leave and form the short-lived band Humpy Bong with singer-songwriter Jonathan Kelly and Tim Staffell.

Petersen was later replaced by Geoff Bridgford, although the band soon decided to employ touring drummers instead of full-time members, settling on Dennis Bryon, who would drum during the band’s imperial phase from 1973 until 1980.

In a strange twist of fate, Bryon is also reported to have died within four days of Petersen. Despite not being listed as an official member of the band, he contributed percussion to their recordings including the smash hit Saturday Night Fever soundtrack and hits such as How Deep Is Your Love and More Than a Woman.

Born in Cardiff, Wales, Bryon began playing drums at the age of 14. In 2015 he published the memoir You Should Be Dancing: My Life With the Bee Gees which captured the band’s ubiquity during their peak – one time, while flipping through radio stations during a drive to his Miami home, Bryon claims to have landed on five that were playing songs from Saturday Night Fever album.

Both Bryon and Petersen would play with Bee Gees tribute bands in later life. The former with the Italian Bee Gees, formed by three Italian brothers, and the latter with the Best of the Bee Gees tribute show. Petersen was reportedly playing live as recently as last week.

Barry Gibb is the last surviving Gibb brother. Maurice died in 2003, and Robin died in 2012.

Humpy Bong is quite the band name