Is there someone in the ad agency that are picking tunes as their sole job?
Or are there people outside of agencies that agencies go too?
Who picks the music that play in STORES like the Gap and shit?
― Leroy Tippy Toes, Thursday, 20 February 2003 17:43 (twenty-two years ago)
― stevem (blueski), Thursday, 20 February 2003 17:47 (twenty-two years ago)
― Henry Fowler, Thursday, 20 February 2003 17:50 (twenty-two years ago)
― dleone (dleone), Thursday, 20 February 2003 17:52 (twenty-two years ago)
― Yanc3y (ystrickler), Thursday, 20 February 2003 17:55 (twenty-two years ago)
What else do producers do?
― Leroy Tippy Toes, Thursday, 20 February 2003 17:57 (twenty-two years ago)
Well, they might be composers on staff (very rare), or contracted music houses that make it their job to be on top of trends. They might also be other famous musicians - Mom & Pop's Dry Cleaning wouldn't be able to approach Beck to find out his thoughts on what's hot for his demographic as easily as Nike might.
As I understand it, producers basically coordinate the production (yep) of the ads -- they don't necessarily write it, they don't necessarily do all the video, but they do gather the people they want to work with, act as liason between client and advertisers and generally make sure the project is coming out in the way that they and the client envisioned.
― dleone (dleone), Thursday, 20 February 2003 18:05 (twenty-two years ago)
― Fritz Wollner (Fritz), Thursday, 20 February 2003 18:09 (twenty-two years ago)
― Fritz Wollner (Fritz), Thursday, 20 February 2003 18:11 (twenty-two years ago)
― Mr. Diamond (diamond), Thursday, 20 February 2003 18:13 (twenty-two years ago)
― Yanc3y (ystrickler), Thursday, 20 February 2003 18:13 (twenty-two years ago)
― Fritz Wollner (Fritz), Thursday, 20 February 2003 18:14 (twenty-two years ago)
Thanks everyone!
― Leroy Tippy Toes, Thursday, 20 February 2003 18:20 (twenty-two years ago)
― dleone (dleone), Thursday, 20 February 2003 18:35 (twenty-two years ago)
― Sam Hunt, Thursday, 20 February 2003 18:51 (twenty-two years ago)
the sad reality is, these aesthetically-minded placement agencies are getting pushed out by the aging heads of the ad companies, who feel they can better judge what gets in. as a result, phil collins signs a song over to Chevrolet [i think it was], and we end up with crappy music in car ads.
or led zeppelin, when a placement agency gave numerous suggestions to Cadillac, the ad agency itself made the final choice. people have suggested its choice ["rock and roll"] was a poor one. [me, i would have said "misty mountain hop" or "when the leevee breaks" but whatre you gonna do?]
Likewise, the business of "music supervisors" in film [long regarded as essential in markets like the UK] is becoming superceded by the director. In some cases, this works [as in Shallow Hal], in others it sure as hell doesn't [endless action blunderfests]. But it's the "music supervisor" position which is the penultimate music geek fantasy [John Peel the tops].
I feel the supervisor role is essential to film, but i'm a music dork. I also think advertising is quite beneficial to music [especially the exposure part], but i'm a music geek. Ultimately, i have to wonder if it even matters. I know i can't listen to Common anymore.
― david day (winslow), Friday, 21 February 2003 07:09 (twenty-two years ago)
― hstencil, Friday, 21 February 2003 15:25 (twenty-two years ago)