What are the philosophical origins of punk?

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What books were Johnny Lydon reading in the late 60's, and who's a true punker these days without guitars and drums?

maria b (maria b), Sunday, 2 March 2003 15:32 (twenty-two years ago)

Dan Fante

Nordicskillz (Nordicskillz), Sunday, 2 March 2003 16:56 (twenty-two years ago)

That's to answer the second question.

Nordicskillz (Nordicskillz), Sunday, 2 March 2003 16:57 (twenty-two years ago)

surely the question goes to Legs McNeil and not Lydon?

stevem (blueski), Sunday, 2 March 2003 17:04 (twenty-two years ago)

I think Lydon was reading Carlos Castanada and listening to Santana records in the late 60s.

Horace Mann (Horace Mann), Sunday, 2 March 2003 17:51 (twenty-two years ago)

Combination of Nietzsche and Henny Youngman.

Helltime Producto (Pavlik), Sunday, 2 March 2003 18:37 (twenty-two years ago)

there are no philosophical origins to punk.

jack cole (jackcole), Sunday, 2 March 2003 18:58 (twenty-two years ago)

there are no philosophical origins to punk

Exactly. Anyone who says otherwise either 1) is trying to compensate after the fact [re: Malcolm McLaren] or 2) may indeed have some philosophy to dish, but has come to the dance way too late.

Girolamo Savonarola, Sunday, 2 March 2003 19:03 (twenty-two years ago)

G*** M***** to thread.

Ned Raggett (Ned), Sunday, 2 March 2003 19:11 (twenty-two years ago)

Ned, don't invoke the Beast. He may arise and strife us with Situationism until we are all crying.

jack cole (jackcole), Sunday, 2 March 2003 19:13 (twenty-two years ago)

strife us

I'd prefer he S. Trife us.

Ned Raggett (Ned), Sunday, 2 March 2003 19:14 (twenty-two years ago)

John Milton.

A Music Consumer, Sunday, 2 March 2003 20:24 (twenty-two years ago)

Real punx don't read.

hstencil, Sunday, 2 March 2003 20:29 (twenty-two years ago)

they only write.

Sterling Clover (s_clover), Sunday, 2 March 2003 20:56 (twenty-two years ago)

In ‘Lipstick Traces - A Secret History of the Twentieth Century’ Greil Marcus traces a subliminal trajectory where nearly-invisible connections arc across punk, the Situationists of 1968, Dada in 1916, the Enrages of the French Revolution and heretical millenarianism in medieval times. He isn’t describing the direct causal link of past and present but suggesting a more opaque entanglement.

http://www.amazon.com/exec/obidos/ASIN/0674535812/metasoul

Jan Geerinck (jahsonic), Sunday, 2 March 2003 21:52 (twenty-two years ago)

is this a trick question?

gaz (gaz), Sunday, 2 March 2003 21:54 (twenty-two years ago)

I'm with Sterling and Jan.

maria b (maria b), Sunday, 2 March 2003 22:16 (twenty-two years ago)

To trick you in to thinking that there are no phliosopical origins..and then do everything they said they were against $$$$

brg30 (brg30), Sunday, 2 March 2003 22:35 (twenty-two years ago)

55. "What the names in language signify must be indestructible; for it must be possible to describe the state of affairs in which everything destructible is destroyed. And this description will contain words; and what corresponds to these cannot then be destroyed, for otherwise/the words would have no meaning." I must not saw off the branch on which I am sitting.

Sterling Clover (s_clover), Sunday, 2 March 2003 23:10 (twenty-two years ago)

or go to Hot Topic.

jack cole (jackcole), Sunday, 2 March 2003 23:12 (twenty-two years ago)

*bongo solo* This thread needed one.

Anthony Miccio (Anthony Miccio), Sunday, 2 March 2003 23:23 (twenty-two years ago)

52.  If I am inclined to suppose that a mouse has come into being by spontaneous generation out of grey rags and dust, I shall do well to examine those rags very closely to see how a mouse may have hidden in them, how it may have got there and so on. But if I am convinced that a mouse cannot come into being from these things, then this investigation will perhaps be superfluous.

jack cole (jackcole), Sunday, 2 March 2003 23:25 (twenty-two years ago)

haha jack that was the other one I was considering posting.

Sterling Clover (s_clover), Sunday, 2 March 2003 23:29 (twenty-two years ago)

"It is a strange desire to seek power and to lose liberty, or to seek power over others and to lose power over a man's self." -- Francis Bacon

jack cole (jackcole), Sunday, 2 March 2003 23:44 (twenty-two years ago)

this thread's title made me go into instant screams of "oh no!!! OH NO!!!"

...but I like the thread itself so far.

Daniel_Rf (Daniel_Rf), Sunday, 2 March 2003 23:58 (twenty-two years ago)

Lipstick Traces has to be the rock writing equivalent to the The Illuminatus Trilogy, except it is nowhere near as funny.

earlnash, Monday, 3 March 2003 03:15 (twenty-two years ago)

Guy Debord had a big dick.

maria b (maria b), Monday, 3 March 2003 03:24 (twenty-two years ago)

a more opaque entanglement.

If you just used the word "bullshit" you'd avoid the unsightly mixed metaphor.

Amateurist (amateurist), Monday, 3 March 2003 05:39 (twenty-two years ago)

LS = funniest rockbook evah written (because it makes all those LINEAR punkrockbooks look like the tripe they are)

Justyn Dillingham (Justyn Dillingham), Monday, 3 March 2003 08:09 (twenty-two years ago)

(I promise not to post to this thread again)

Justyn Dillingham (Justyn Dillingham), Monday, 3 March 2003 08:09 (twenty-two years ago)

ans = "REALISE that you are as important and creative and sexy and scary and whatever as anyone who ever lived or ever will — what demands does this place on you, and how are you going to go about living up to them?"

mark s (mark s), Monday, 3 March 2003 12:57 (twenty-two years ago)

Chicken Soup For The Punkah Soul

Tom (Groke), Monday, 3 March 2003 13:08 (twenty-two years ago)

There are no philosophical origins of punk. Punk started when a bunch of untalented "musicians" were envying the prog rockers for their talent.

Geir Hongro (GeirHong), Monday, 3 March 2003 13:19 (twenty-two years ago)

REALISE that you are as important and creative and sexy and scary and whatever as anyone who ever lived or ever will...

...except Greg Lake.

Tom (Groke), Monday, 3 March 2003 13:22 (twenty-two years ago)

William Burroughs?

David Allen, Monday, 3 March 2003 13:27 (twenty-two years ago)

greg lake's melodies will outlast time itself tom

mark s (mark s), Monday, 3 March 2003 13:27 (twenty-two years ago)

as will his rug

RickyT (RickyT), Monday, 3 March 2003 13:40 (twenty-two years ago)

Punk started when a bunch of untalented "musicians" were envying the prog rockers for their talent.

Ah, ressentiment! Sounds like a perfect example of the Godwin/Proudhon/Bakunin/Kropotkin school of 19th century anarchism then...or early Christianity even!

Siegbran (eofor), Monday, 3 March 2003 13:53 (twenty-two years ago)

Prog rockers! LOL. Christ, progressive rock damn near killed music. Fuck progressive rock and the shit heads with enlarged prostates that take it seriously.

maria b (maria b), Monday, 3 March 2003 16:39 (twenty-two years ago)

Progressive rock was where rock music should have headed. Only head music is needed.

Geir Hongro (GeirHong), Monday, 3 March 2003 17:00 (twenty-two years ago)

No. KRAUTROCK was the way it shoulda headed.

Lord Custos Epsilon (Lord Custos Epsilon), Monday, 3 March 2003 17:02 (twenty-two years ago)

Kosmische Musik vollständig, Baby. Vollständig! Krautrocken Uber Alles!

Lord Custos Epsilon (Lord Custos Epsilon), Monday, 3 March 2003 17:04 (twenty-two years ago)

metal machine music was prog, sandinista! was prog, return of the giant slits was prog, album:generic flipper was prog ad infinitum

schnell schnell, Monday, 3 March 2003 17:19 (twenty-two years ago)

Geir how often do you bleach your undies?

g.cannon (gcannon), Monday, 3 March 2003 17:19 (twenty-two years ago)

Krautrock wasn't melodic enough. Genesis at their best stands as the pinnacle of 20th century popular music.

Geir Hongro (GeirHong), Monday, 3 March 2003 17:20 (twenty-two years ago)

StoP IT yOU ROBoTShj1hnkn;kl213n132/k,`23m`2~~~!!!!!!!!!!

jess (dubplatestyle), Monday, 3 March 2003 17:34 (twenty-two years ago)

Krautrock wasn't melodic enough.
It didn't have to be "melodic" in the Beatlesque treacle-pop sense of the word. It was FUNKY. And that made it fun.
Genesis at their best stands as the pinnacle of 20th century popular music.
BAH! I abjure this demon!
Am I alone in thinking that Peter Gabriel and Phil Collins solo work was more interesting and fun (or in Phil's case, more fun) than Genesis's work?
Sure, "Land of Confusion" is cute choon, but all the rest, especially the early "hemmorhoid bubble suit-era prog" stuff was boring, shapeless and annoying.
(And, yes, I've heard some of it.)

Lord Custos Epsilon (Lord Custos Epsilon), Monday, 3 March 2003 18:34 (twenty-two years ago)

metal machine music = "how do i get out of my record contract with the least amount of work?"

jack cole (jackcole), Monday, 3 March 2003 18:37 (twenty-two years ago)

Lipstick Traces has to be the rock writing equivalent to the The Illuminatus Trilogy, except it is nowhere near as funny.

So then what's the Gravity's Rainbow of rock writing?

die9o (dhadis), Monday, 3 March 2003 18:55 (twenty-two years ago)

ilm

mark s (mark s), Monday, 3 March 2003 18:59 (twenty-two years ago)


ilm = gravity's rainbow?

let me get my part in then:

there was a big chiken,
who didn't like finger lickin,
but did taxes all the time with quicken,
no frickin way!

m.

msp, Monday, 3 March 2003 20:40 (twenty-two years ago)

ILM is more like The Recognitions or J R: competing voices, straining to be heard, forming nothin so much as a narrative (I like both ILM and Gaddis).

hstencil, Monday, 3 March 2003 20:49 (twenty-two years ago)

"So then what's the Gravity's Rainbow of rock writing?"

The Aesthetics of Rock -- Richard Meltzer

earlnash, Monday, 3 March 2003 20:52 (twenty-two years ago)

Nah.

die9o (dhadis), Tuesday, 4 March 2003 14:43 (twenty-two years ago)

Reviving because I've been thinking about this lately - mainly because my dad said that he was 'a punk' when he was a kid. That academic shit really pisses me off because it's culturally ignorant. The 'philosophical origins' are in the streets - the 'punk' is / was a type, a fixture in certain neighborhoods. This type still exists whether you call it "punk" or not.

Punk Rock, n.

A loud, fast-moving style of rock music characterized by aggressive and deliberately outrageous lyrics and performance. Also attrib.


"1971 D. MARSH in Creem May 43/3 He's [sc. Rudi Martinez is] doing the knee-drop, and the splits and every other James Brown move. He's the only one in punk-rock who's still got 'em and he's makin' a comeback." (Rudi Martinez is the guy from ? and the Mysterians)

You can say what you want about Marsh, but, populist that he is, he understands the 'punk' in this archetypal sense, which is:
n., Chiefly U.S.:

b. A person of no account, a worthless fellow; a young hooligan or petty criminal. Also gen., as a term of contempt or abuse.


1917 [see MUTT c]. 1928 M. C. SHARPE Chicago May xxxi. 287/1 Punk, apprentice thief. 1930 D. HAMMETT Maltese Falcon xviii. 216 We've absolutely got to give them a victim... Let's give them the punk... He actually did shoot both of them..didn't he? 1930 Sat. Even. Post 26 July 146/2 ‘Listen to me, you big punk!’ he growled ominously. ‘What do you think we area lot of fools?’ 1933 E. HEMINGWAY Winner take Nothing 94 This fellow was just a punk..a nobody. 1939 C. R. COOPER Designs in Scarlet ii. 18 Punks like himsixteen, seventeen, eighteen, nineteen years old. Ibid. iii. 37 ‘The punks’, as youthful offenders are often called. 1940 Sun (Baltimore) 29 Mar. 17/4 This happens to be the Bomber's tenth defense. Most of them bums or punks? 1949 Chicago Tribune 10 Dec. 10 This punk must have robbed a bank or got paid off for settin' a forest fire! 1953 W. BURROUGHS Junkie iv. 50 Two young punks got off a train carrying a lush between them. 1959 H. NIELSEN Fifth Caller xiv. 207, I was a punk then... Fourteen years old and just a little punk... Then I began to fill out. I ain't a punk no more. 1963 T. PYNCHON V. vi. 145 There was nothing so special about the gang, punks are punks. 1964 V. S. NAIPAUL Area of Darkness ix. 245, I went back to the hotel. The telephone rang. ‘Hallo, punk.’ 1967 Boston Sunday Herald 30 Apr. 1.16/3 Berke has no sympathy for the ‘punks’ who act up in school, assault teachers or destroy property. 1976 ‘D. HALLIDAY’ Dolly & Nanny Bird ix. 113 Punks give their kids a punk childhood which leads to the next generation of punks. 1978 J. UPDIKE Coup vi. 246 ‘Uh think you've come to the wrong place. Hasn't he?’..‘You bet the punk has.’

I grew up hearing older people use the word 'punk' all the time - AND NOT IN REFERENCE TO MUSIC. The sixties stuff represented this attitude completely. It's just something that's intuitively picked up on and passed on to the next group of kids, which is what the seventies people were really doing. It's not something you can just buy or 'get' by reading about it. But the term has been so co-opted that present and future 'punks' probably have to be called something else - probably whatever words authority figures are using on them as a term of abuse. Whatever it's called, this character still exists and will exist until some serious social transformation happens in society.

It just irritates me that the real cultural / historical context gets left out. "Punk" doesn't mean anything and can't be exciting unless it speaks to this tendency in (some, a lot of) young people.

Kerry (dymaxia), Friday, 14 March 2003 18:00 (twenty-two years ago)

ten years pass...

As to first musical use of the term, I've seen all of the following either credited or take credit: Dave Marsh, Lester Bangs, Mike Saunders, Legs McNeil. But I finally finished Ed Sanders' Fug You after months of intermittent reading, and he says he was the first:

(Quoting a review by Robb Baker dated March 22, 1970) "Sanders does this particularly well in his first solo album for Reprise records, Sanders' Truckstop, which he describes as 'punk rock--redneck sentimentality--my own past updated to present day reality.'"

clemenza, Sunday, 17 March 2013 13:04 (twelve years ago)


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