how much do bands make?

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a sister thread to the journo one. do bands actually make any money. i was wondering the other day about tindersticks. there are loads of them do they really make enough money to live? and if they do, do they make enough to put away for the future, because what happens when it all ends? what if you've had a 10 year career in music, then it ends, do you have to go down the dss? with what prospects? do they have to work in a factory?

what are, say, sleeper doing now? they were on top of the pops, the charts, everything, did they make enough $ to set them up. what about mogwai, they surely can't be making enough for the 5 of them, it'll end at one point. don't they worry? and, in this light, should we really get that upset when bands 'sell out'?

gareth, Friday, 13 July 2001 00:00 (twenty-three years ago) link

I'm pretty sure Sleeper didn't make enough money to set them up....Louise Wener was writing a novel, wasn't she, what happened about that?

MarkH, Friday, 13 July 2001 00:00 (twenty-three years ago) link

this has, I'm sure been posted on ILM before. Reading thru albini's wacky prose is worth it, because the information contained therein is horrifying.

xoxo

Norman Fay, Friday, 13 July 2001 00:00 (twenty-three years ago) link

terrifying. I guess a more important question is how do you be a band without going through all that shite.

Mike Hanle y, Friday, 13 July 2001 00:00 (twenty-three years ago) link

The funny thing is, I remember having a conversation with a friend who was in a band who was on a major label, had an album in the charts, etc. etc. etc. - and he was still on a salary of $400 a month from the record company. Unbelievable.

From the "Use Other Facts, Please" file, publishing is where the money is at. Too bad the singer of the band is the nominal songwriter, and gets something like 75% of the publishing as well. They make most of their income from liscencing songs to advertisements and for TV background music use.

It's kind of unbelievable when you find out how little musicians *actually* make. You have this image of pop stars as being super rich, but unless you have a really good lawyer and a really good accountant... well, back in the 60s, Steve Marriott said that at the height of their fame, he barely had enough money to buy a new pair of socks. All the sharp mod gear was on credit from shops on Carnaby St that used to use them as walking billboards. And things haven't changed much since then.

Remind me again why I'm doing this?

masonic boom, Friday, 13 July 2001 00:00 (twenty-three years ago) link

£20.

the pinefox, Friday, 13 July 2001 00:00 (twenty-three years ago) link

Belle & Sebastian are (were?) on some weird fixed salary deal from Jeepster. Each member gets £30K a year. Assume they get some songwriting royalties on top. I think this was signed at a time major labels were waving seven figure advances at them.

Nick, Friday, 13 July 2001 00:00 (twenty-three years ago) link

I would be thrille d if I made like $20,000 a year to be a musician/recourding artist. I know its almost impossible to be really rich unless you are 1 Madonna who own s her label 2 David Bowie who is a sharp minded businessman. 3 Danny Elfman and you eventually change to makin g film scores for a mill a peice

Mike Hanle y, Friday, 13 July 2001 00:00 (twenty-three years ago) link

I would highly reccommend the book 'Expensive Habits' by Simon Garfield if you can find it, publlished in the 80s, it told the nefarious doings of band (mis)management. The horror stories include (off the top of me head - cos it was many years ago that I read it), Hazel O'Connor, Gilbert O'Sullivan, George Michael(?), Peter Green (?). Actually, it's not too important which artists were being discussed but the revelations about business / contractual shenanigans were pretty draw-dropping and left me feeling irate and incredibly sorry for the artists involved. Garfield also went on to pen 'The Nation's Favourite - The True Adventures of Radio 1' which is also an excellent read for those interested in the aural cultural landscape of Britain in the mid-90s. Seek them out.

Missus Mo, Friday, 13 July 2001 00:00 (twenty-three years ago) link

There is another way to be, if not super rich as a musician, at least solvent, and that's by practicising economies of scale. Cast aside your foolish dreams of stardom and look at how many records you actually sell. Ignore the temptation to blame your label, manager, or whoever else is at hand. Assume that number of records is your 'natural size' and scale your operations (home studios etc) to it.

In my experience it's the casino mentality of most musicians (all or nothing, flush or bust) which causes their insolvency. All they need to do is give up their foolish dreams of stardom, be a little realistic, and then they can have a metier and make about the same money as your average office worker. If that sounds boring, it's up to the artists to put their money and free time into some interesting experiences, and put their imagination into the records, where we can all enjoy it, rather than dreams of personal glory.

That's assuming they have any dreams beyond pictures of their names in lights, of course.

Momus, Friday, 13 July 2001 00:00 (twenty-three years ago) link

Interesting article in yesterdays Guardian about the Human League which touches on their financial woes. Here

Billy Dods, Saturday, 14 July 2001 00:00 (twenty-three years ago) link

partly agree with momus, but then again there is only one of you. what if there were 5 of you (a band), could you survive on a fifth of it?

aphex seems to have made a large amount of $ (mainly through ads, remxs peripheral stuff). i once spoke to a member of arab strap re: the guinness ad. it appears they didn't get much (a low five figure sum i think), i think aphex got an exponentially larger amount (and he's done a fair few - compaq and orange for starters, can't remember the others)

gareth, Saturday, 14 July 2001 00:00 (twenty-three years ago) link

Lou Wener made a bomb from Sleeper actually, enough to buy a flat, give herself a pension, ensure a decent quality of life for ages. So did most of the group, because the guitarist and drummer (her partner still) also had 'points'. Her older brother managed the group and is sending himself to med school in the US on the proceeds (he's left the music industry totally). She's writing a novel, yes indeedy, and her older sister is a middlebrow novelist published by Sceptre/Flame.

suzy, Saturday, 14 July 2001 00:00 (twenty-three years ago) link

'In my experience it's the casino mentality of most musicians (all or nothing, flush or bust) which causes their insolvency.'

Yeah, but what do you suppose the 99.9% of musicians for whom creativity is a function of ambition would then come up with? Let them get their one hit and perish in penury, otherwise there wouldn't be any music.

tarden, Saturday, 14 July 2001 00:00 (twenty-three years ago) link

Also, 'putting money and time into interesting experiences' - interesting for the artist, boring for everyone else. (About as interesting as people telling you their dreams.) Ambition = more time spent on CRAFT as opposed to racking up more war stories for a disinterested public. (More alienation from general public too, fatal to some people's creativity, but isn't that the perfect trial-by- ordeal test for whether there's any inspiration/substance/whatever there?)

tarden, Saturday, 14 July 2001 00:00 (twenty-three years ago) link

Well, I saw Croupier last night and the wisdom of quitting while ahead is not to be underestimated, as Louise Wener would also point out.

Artists in a similar position to Nick have realised about LICENSING their material to labels in various territories rather than properly signing to any label worldwide. So they get a few grand in each place and deal with things on a more personal level with various companies, or by using a trusted manager.

suzy, Saturday, 14 July 2001 00:00 (twenty-three years ago) link

two years pass...
BANDS DON'T MAKE ANYTHING FOR A LONG TIME. IT'S NOT UNTIL THE 2ND/3RD ALBUM THEY START MAKING SOME.THOSE JACKALS ON THE TOP FLOORS ARE MAKING ALL THE MONEY

MALCOLM, Sunday, 18 January 2004 01:44 (twenty-one years ago) link

got to feel sorry for musicians -- screwed by their labels, the freeloading downloaders and themselves.

jack cole (jackcole), Sunday, 18 January 2004 01:58 (twenty-one years ago) link

didn't i read something about Pavement not making a dime until Wowee Zowee?

yeah man it sucks - HBO or bust

roger adultery (roger adultery), Sunday, 18 January 2004 01:58 (twenty-one years ago) link

Dude, but Cribs!...

I do agree with Momus, but yes, dividing profit earnings between band members (particularly those with drug problems) equates a royal flush. Musicians should know better, and use, I dunno, resources like the Net to their advantage instead of just relying on labels for distro.

Francis Watlington (Francis Watlington), Sunday, 18 January 2004 03:16 (twenty-one years ago) link

They get most of their money from touring. Albums are just advertisements.

Curt1s St3ph3ns, Sunday, 18 January 2004 04:36 (twenty-one years ago) link

Somewhat related - I've never found SoundScan numbers, but how many albums does a 'major' indie release (say, the last Sleater-Kinney album) sell on average? 100k+?

miloauckerman (miloauckerman), Sunday, 18 January 2004 04:48 (twenty-one years ago) link

They get most of their money from touring. Albums are just advertisements.
-- Curt1s Stephens (sevenxvii...), January 18th, 2004

Yeah, but that's the point. For the most part, not even touring will cut it if you don't have a high demand.

Somewhat related - I've never found SoundScan numbers, but how many albums does a 'major' indie release (say, the last Sleater-Kinney album) sell on average? 100k+?
-- miloauckerman (suspectdevic...), January 18th, 2004.

I'd dare say 50k.

Francis Watlington (Francis Watlington), Sunday, 18 January 2004 05:27 (twenty-one years ago) link

've made money outta this band but it has gone towards rent, power, phone, CD.

The Lady Ms Lurex (lucylurex), Sunday, 18 January 2004 05:32 (twenty-one years ago) link

They get most of their money from touring. Albums are just advertisements.

You sound like any band on SST circa 1983. or Fugazi.

Ian Johnson (orion), Sunday, 18 January 2004 07:57 (twenty-one years ago) link

Everything is advertisement for everything else.

lopve (lopve), Sunday, 18 January 2004 07:59 (twenty-one years ago) link

ten months pass...
Thread Revive.

How much can bands hope to make from touring, for that matter (assuming you have a good manager and booker who can get you decent gigs)?

The frustrating thing is that all I'd ever want is to make a "living" from music. I have no dreams of superstardom, Cribs, or whatever. I'd just like to do as well as I could being a teacher or journalist or some other job I might consider if I did not have music.

How long does it take to get to that point, and how likely is it? I'm not talking starting from scratch -- we've had some good press, played decent venues, opened for some somewhat well known acts (Dickey Betts, Clem Snide, Papa M, Nina Nastasia etc.) We're supposedly on the "farm team" of a major manager, though it's tough to say whether that's going to pan out. Right now, I just want to be able to do this without racking up debt, pay the rent on an apartment so I have a place to sleep when I'm not out on the road, and have health insurance.

Hurting (Hurting), Saturday, 27 November 2004 18:09 (twenty years ago) link


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