Best. Chart. Ever. (The UK Top 20, 18/5/03)

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20) KELLY ROWLAND – Can’t Nobody

In a week which sees Shed Seven return to the top 40 with a really good single, and the Wildhearts unleash the lyric of the year thus far (“I need you needing me/LIKE UFO’s NEED HORSES!”), somehow it only seems fair that this incomparably inconsequential single sticks in the top 20 for another bloody week. Not bad, not good, not anything really. Hey, at least I won’t have to pretend to care about it next week. Hopefully.

19) BONE THUGS ‘N’ HARMONY featuring PHIL COLLINS – Home (NEW ENTRY)

I remember them. They did that song that Blazin’ Squad covered, and some song off the soundtrack of one of the Batman films, and something else, so obviously this is the ideal time for their comeback, cos… umm… hey, it’s Phil Collins! Sounding very like, er, Phil Collins. In fact, I could swear that this did come out when I still had to have a bath on Sunday night and try hiding the homework diary from my parents. Anyway, I can’t really make out the words, but it’s all dead socially conscious and shit like that, and, well, it just sounds like a cover of that cover of The Way It Is that Tupac did, but with the rapping a bit faster. It’s not much cop, no.

18) LISA MAFFIA – All Over

Why is it British urban acts are so obsessed with namechecking brand names? Have they not read No Logo? Anyway – yeah, still pretty much alright, but Junior Senior aren’t in the top 20 anymore, and Wes just skipped over them and played Room 5 instead, and we lost the Cup Final yesterday, and it JUST – ISN’T – FAIR

17) DMX – X Gon’ Give It To Ya

Ah man. Yeah, now I’m cool. DMX feels me. Gizza cuddle, you big lug. (Side note – Wes still pronounces “Gon’” as “Gonna”, and seems really proud of this. Fool)

I’m now trying to remember how the Bone Thugs ‘N’ Sussudio song goes. I have completely forgotten. But hey, DMX is still great.

16) THE RED AND WHITE MACHINES – Southampton Boys (NEW ENTRY)

One of the Artful Dodger is involved with this. MC Alastair. He is rapping like Bob The Builder. Fuck it, man, it’s a top 20 single bigging up the silky skills of Chris Marsden. If that doesn’t put a smile on your face, then… you’re probably DJ Martian.

15) DEFTONES – Minerva (NEW ENTRY)

Oddly, only their second top 40 entry. And… it’s not that bad, which is weird, cos I used to utterly hate it. I mean, it’s not wonderful, cos it’s all sloooooooooow and meeeeeeeeee-ninnnnnnnnnnng-fulllllllllll, and the lyrics are slightly annoying, but it’s not Staind, which is only to be commended, and the whole thing’s actually kind of pleasant to listen to, which probably wasn’t quite what they wanted, but, y’know, it’s OK all the same. It’s not going too badly this week, is it? God bless us all, indeed.

Wes cusses Chino Moreno’s trousers. Oooh.

14) BUSTED – You Said No

The tall one likes Aereogramme, and he went to see them play Nottingham, and they cussed Busted on stage, which pissed him off. So he demanded they apologise, to which Craig B, the ‘gramme’s balding ginger singer, replied, “Just cos you’re here doesn’t mean we’re not going to say we think your band’s fucking shit,” and as such the ‘gramme’s Sleep and Release album is now firmly ensconced in my top 10 of the year. Busted, on the other hand, are still shit.

13) MR REDZ vs. DJ SKRIBBLE – Everybody Come On (Can You Feel It?) (NEW ENTRY)

Hmm. It’s a big beat remix of a garage remix of Busta Rhymes and The Flipmode Squad, and it sounds very, very Yates’ Wine Lodge. It doesn’t really go anywhere, though there’s a nice bleepy bit they drop in every now and then… the new Room 5, but without the twatty dance, so it’s a mild improvement. Still not very much fun, though.

12) GOOD CHARLOTTE – Girls And Boys

It’s also a step up from this, but then again, you already knew that. He rhymes “conversations” with “situations”. Hey, maybe one day he’ll be as clever as Idlewild. Probably not, though.

11) 50 CENT – In Da Club

And so, ten weeks later, it’s still here. Apparently he will eventually release another single. Can’t wait…

TSSSSSSSSSSSSSSSS!!! It’s The Hot 10!!! No, Wes calls it the big ten. This may not be solely to piss me off, but with this man, I rule nothing out.

10) BHANGRA KNIGHTS VS. HUSAN – Husan

There’s a lot of shit rapping in this week’s top 40 – Lisa Maffia, MC Alastair, Lisa Maffia’s mate, Big Brovaz, etc. – but somehow, muppet-boy here is still worse than all of them. “Them look good like say they from Bollywood.” Because it’s got a sitar on. Do you see? Oh good.

9) BON JOVI – All About Lovin’ You (NEW ENTRY)

Baby, they’ve been to hell and back again. He’s going to lay it on the line. He’s gonna find a way. I swear, at some point in my life, can’t remember when, but at some point, I liked Bon Jovi. What that was all about, I really have no idea. I just want Junior Senior back man. I want it so bad, I just want this to stop and I want that big fat Danish lummox to make all my troubles dead and gone, and… has it ended? Please? Whew. Right, I’ve got to download Move Your Feet as fast as I possibly can…

8) CRAIG DAVID & FALLACY (NOT STING, FALLACY, THEY DO BOTH HAVE SHIT NAMES, YES, BUT THEY ARE QUITE OBVIOUSLY NOT THE SAME PERSON, ARE THEY, NO THEY AREN’T, SO SHUT UP WITH YOUR ‘CRAIG DAVID FEATURING STING’ SHIT, BUTTERS, DO YOU HEAR ME?) – Rise & Fall (Blacksmith Remix)

Right, Big & Bashy did not go top 40 this week, which is just plain WRONG, particularly when this is still in the top 10. Big & Bashy is so much better than this it isn’t funny. However, my copy of Big & Bashy is upstairs right now. I will listen to it a great deal later on as tribute. We tried, man, but those FASCISTS are just holding him down, and that just isn’t damn fair, but, like Chris Marsden said yesterday, he’s still young, and he will show you. And if Marsden says it, you know it is true.

7) CHEEKY GIRLS – Take Your Shoes Off

I used to know a bloke who took his shoes off whenever he felt like dancing at the indie nights at uni. The security would immediately order him to put them back on again. It sounds very similar to L.E.D.’s old holiday staple Zorba’s Dance, but with them singing over the top. And as such, it is an awful, awful lot worse.

6) LISA SCOTT-LEE – Lately (NEW ENTRY)

Dear god, it’s VHS Or Beta! No, seriously, it is! Got to audiogalaxy.com, they’re hosting a song called Heaven by VHS Or Beta, and if you take the vocals off this… it’s this! But better! Anyway, sounds more or less exactly like that Kym Marsh single, but with the switch flipped to ‘disco’ instead of ‘ballad’. It’s not horrendous, and it certainly isn’t H & sodding Claire (whatever happened to them, anyway), but it’s really nothing like as good as you’d imagine 3SL’s ex-manager thinks it is.

5) TOMCRAFT – Loneliness

She probably thinks it sounds a bit like this, but with her singing on the top. It doesn’t, because this is really quite good, and a fair bit better than her song. Not sure if her singing on top would improve it any… actually, no, course it wouldn’t. You’re being silly, Will, quit being silly!

4) SEAN PAUL – Get Busy (NEW ENTRY)

Ah man. 80’s Matchbox, Shed 7, Wildhearts, Fallacy, and now this… will we see a better week for singles this year? Anyway – this is proper fucking irresistible, the beat is skanking all over, Paul’s vocal is this relentless flow of jiggiosity, and it’s got this wee Lamacq-a-like grooving like a motherfucker. Dan Smith, if you’re reading this – 1) email me; 2) you are so fucking right about this man it ain’t even funny.

3) BIG BROVAZ – Favourite Things

Too good to last, obviously. Only down one this week. Still, at least Boys and Girls isn’t on the telly anymore.

2) GIRLS ALOUD – No Good Advice (NEW ENTRY)

FUCK! FUCK! FUCK! But not necessarily in a bad way, because R Kelly, the ol’ dirty bastard himself, has pulled off one of THE great chart upsets of all time. This, as has been documented copiously elsewhere on ILM, is a really very good single indeed, bending My Sharona all the way round and blowing most other British pop singles this year clean out of the water. Plus which, the ginger one is possibly the most disturbing person in pop today. And they were all over the telly, like – well, like women’s hands are with R Kelly’s ‘fro… and they’re number two. My word. In one week, the UK Top 40 has been completely reinvigorated. And it’s Popstars The Rivals and R Kelly what done it. Fuck. Ing. Hell.

1) R KELLY – Ignition

My word. This is the most incredible top 40 ever, and sitting right at the top of it is this man, this man who has been responsible for some of the most atrocious singles ever recorded, this man who thought that filming himself having sex with possibly underage girls couldn’t possibly have any nasty side effects, this man who has utterly improbably held off one of the most heavily-promoted singles in history… and this song makes no more sense than that either. As Dom has pointed out, the lyrics are, at best, utterly dimwitted, there’s this bit where, for no reason, R says “Bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce”, but the whole things just floats by like the music for the end credits of the best film you’ve ever seen, which you see while lying in bed sipping cocoa and marshmallows as your bed floats gently through the clouds, and for no apparent reason the moon is replaced by Chris Marsden's head, and he says hello, and man… fucking ace. This is so fucking ace. Damn, it’s good to be alive.

William Bloody Swygart (mrswygart), Sunday, 18 May 2003 16:58 (twenty-two years ago)

Further reasons why this week's chart is fantastic -

Dead Or Alive are still in it - at number 40, admittedly, but they're still there.

Less Than Jake are new at #39, thus recording their first top 40 entry ever. Considering how long they've been around, and how many people I know who adore them, this actually makes me feel quite happy. The song's not too shite either.

Clipse are new at 38, George Harrison at 37, Staind at 36. None of these songs are much cop, but the fact that Staind can only get to #36 fills my heart with happiness.

Then - new at 30 - EIGHTIES MATCHBOX B-LINE DISASTER!!! So it's not as good as their last single, and they are street teamed to pieces, but it's still wonderful, noisy, mental shit that just makes me shimmy all over, and it means that they've had two top 40 singles. Which makes no sense at all, and as such is to be celebrated with all the joy in your heart.

The next new entry comes at #23, and this is where it becomes obvious that this week is going to be A Bit Special. Because it's Shed 7, which is odd enough, but also - it's really, really good. Maybe it's because it was immediately preceded by the Androids and Room 5, maybe it's because the Bluetones last single really wasn't very good at all, but I am cutting rug to this one. The guitars are all tight, juddery and jangly, like they've taken a second run at Disco Down and got it bang on this time... it's called Why Can't I Be You?, and I love it.

Then it gets even better, cos the highest entry outside the top 20 is the Wildhearts' single, So Into You. Which is fucking FANTASTIC - aside from the aforementioned lyrical godliness, the chorus is them going "SOINTOYOU! SOINTOYOU! I'm so into yoooooooooooooooooooooou-ooh! SOINTOYOU!" over and over again while the guitars go tearing away - it's like sounding 'tight' is once more a good thing, like all those shitty NRR dreg bands have been taken outside and Karcher Pressure Washered to bits - I'm dancing like I haven't danced in years. Incredible.

Obviously, it would've been ten times better if Big & Bashy had got in. But he'll be back, and he'll show 'em.

man. Next Week's releases in a little bit.

William Bloody Swygart (mrswygart), Sunday, 18 May 2003 17:19 (twenty-two years ago)

it's called Why Can't I Be You?

If this is a cover...

Anyway, another genius weekly entry. Take up residence in my head, please.

Ned Raggett (Ned), Sunday, 18 May 2003 17:24 (twenty-two years ago)

And you thought this week was exciting. Next week, there's at least three or four songs in the running for the top slot - the Radio 1 Playlist says:

Justin Timberlake
TATU
Stereophonics
Audio Bullys
Love Inc.
Sonique
Outlandish

Now, I'm personally of the opinion that Timberlake's had next week's number one pre-booked for months, but then again, I thought that about Girls Aloud this week. There's an interesting little sub-battle here too, between TATU and Stereophonics, because I honestly reckon Jones and his Manly Men will do better, despite the massiveness of TATU's last single.

So cannot wait for next Sunday...

William Bloody Swygart (mrswygart), Sunday, 18 May 2003 17:25 (twenty-two years ago)

Quick squint at the NME.Com top 100 reveals Big Falz fell just five short, at 45 - this is still fantastic, though, particularly considering that git Tom McRae only made #48. For some reason, though, Justin Timberlake is listed as new at #46, which is very, very odd. This could be import sales, but it could also be an early leak of copies onto the shelves - this happened to Steps once, and it cost them what many reckoned was a near certain number one. Could it happen to the moonwalking gerbil?

Other new entries - The Bhoys Are Back In Town (presumably a Celtic UEFA Cup final song) is at #53, Sigur Ros are at #72, Nada Surf #73, Robin S #78, Distorted Minds #80, Stylophonic #81, Sam Obernik #82, Pretenders #84, Turbonegro #89, Neo & Farina #90... and there's some others too, but I can't be arsed typing them right this minute.

William Bloody Swygart (mrswygart), Sunday, 18 May 2003 17:32 (twenty-two years ago)

i don't understand why this is the best chart ever, its still half full of shee-ite...and i really don't think that R Kelly track is anything special at all, whats the big deal? okay i just hate R Kelly and its probably affecting my judgement of what is at least a pleasant ditty about having a fun time in a nice car with a bunch of girls, but thats just not my life, sadly.

stevem (blueski), Sunday, 18 May 2003 17:52 (twenty-two years ago)

predictometer then:

#1: Justin Timberlake
#4: TATU
#5: Stereophonics
#15: Love Inc.
#16: Sonique
#24: Audio Bullys
#25: Outlandish

stevem (blueski), Sunday, 18 May 2003 17:55 (twenty-two years ago)

the Justin track just SOUNDS like a number one single (more than 'Ignition' i think) even tho its the third single from the album which wouldn't usually get you a number one (altho it did for a couple of Spice girls)

stevem (blueski), Sunday, 18 May 2003 17:56 (twenty-two years ago)

''20) KELLY ROWLAND – Can’t Nobody
In a week which sees Shed Seven return to the top 40 with a really good single, and the Wildhearts unleash the lyric of the year thus far (“I need you needing me/LIKE UFO’s NEED HORSES!”), somehow it only seems fair that this incomparably inconsequential single sticks in the top 20 for another bloody week. Not bad, not good, not anything really. Hey, at least I won’t have to pretend to care about it next week. Hopefully.''

why isn't this any good then? as good as girls aloud sez i.

Julio Desouza (jdesouza), Sunday, 18 May 2003 18:02 (twenty-two years ago)

People, money, plastic, sperm, marketing, food, trucks, more plastic, rubbish tip, seagulls, television aerials, terrace houses, more seagulls, America, England, Boots the Chemist, a cup of tea, more plastic, some coloured people talking funny, the BBC, pocket money, ILM.

Momus (Momus), Sunday, 18 May 2003 18:43 (twenty-two years ago)

cheese, bagels, muffins, sausage, toast,...


(Hey, I had a dream last night that I was hanging out with David Bowie, and I asked him if he like any Momus songs, and said "yeah, i dig that guy".)

A Nairn (moretap), Sunday, 18 May 2003 18:48 (twenty-two years ago)

Well, thing about Kelly Rowland is you sort of get the idea after about twenty seconds, and it then doesn't go anywhere or do anything at all. I think the main problem I've got with it is that just is not a single, it's an album filler, and it's an album filler that really shouldn't last any longer than a minute or a minute and a half, but instead goes on for a good three and a half or four minutes. It's not so much that it's bad, it's just very, very bland.

Steve - musically, there have obviously been better top 40's. Delta Goodrem is still hanging around the place like the world's stalest fart (Ronan Keating's single obviously being the second stalest), Busted haven't fucked off yet, the bottom half of the top 10 is uniformly Not Much Cop, but take a look at the top 5, and it contains arguably four of the best singles that have been and will be released this year. Furthermore, R Kelly still being number one is a massive, massive shock. The odds on him getting there in the first place can't have been that good either, but I think you make the point yourself when you sort of say that Ignition doesn't sound like a number one. No Good Advice sounded, and looked, like a number one, but Ignition held it off.

Basically, Ignition is the biggest enigma in the chart this year. For starters, R Kelly may well be about to get done for underage sex charges. Then you consider that pretty much every other R Kelly single ever has been shit. But this... this, for a reason I just can't quite express, just does not sound like you'd expect it to. It... floats. When R's tried singing about his luvv-ayng before, it came out like a more expensive version of Mark Morrison, and just sounded very embarrassing. Now, the lyrics to this song most definitely aren't very good. But it's the beat, the production, the way he sings it. It's just incredibly laid back, like Kelly has been able to completely hermetically seal himself from everything else and make an utterly relaxed soul tune. Nothing is overdone - there's the occasional touch of over-production here and there, like the echo effect on 'after party', but Kelly doesn't feel any need to pump up the volume at all like on almost every other song he's ever done (that I have heard). It's some bizarre, beautiful dream, where no other music exists but this song... and at the same time, it's held off the most carefully marketed song of this year, which, had it got to number one, would have been one of the best number ones of this year too. Realistically, there really is no way in hell that R Kelly should be number one this week. But he is. And that... that's fantastic.

It's just the sound... it

William Bloody Swygart (mrswygart), Sunday, 18 May 2003 18:57 (twenty-two years ago)

''People, money, plastic, sperm, marketing, food, trucks, more plastic, rubbish tip, seagulls, television aerials, terrace houses, more seagulls, America, England, Boots the Chemist, a cup of tea, more plastic, some coloured people talking funny, the BBC, pocket money, ILM.''

as long as there's no more momus that's OK.

william- i didn't find it bland. and i think i get the idea of most singles i hear after abt 20 secs. I actually liked it far more than her last single (that's the one where the kid commits suicide etc in the video no?).

Julio Desouza (jdesouza), Sunday, 18 May 2003 19:02 (twenty-two years ago)

Oh, I agree on that front. Stole was rubbish. "Mary's got the same size hands as Marilyn Monroe" - not really surprising Kelly thought Simply Deep was a good album title, then. But Can't Nobody really just does not do a damn thing for me.

William Bloody Swygart (mrswygart), Sunday, 18 May 2003 19:05 (twenty-two years ago)

But yes, the thread title is something of an overstatement. It's just that this week Girls Aloud should have romped to number one, but when the news got out that R Kelly was ahead in the midweeks, it suddenly got very intriguing, and there was an utterly unexpected battle for the top spot, which was won by the rank outsider, and that got me very, very excited. That and the Wildhearts single.

William Bloody Swygart (mrswygart), Sunday, 18 May 2003 19:42 (twenty-two years ago)

fair enough William and i think you're right that it is somewhat interesting that R Kelly managed to beat off (hem hem) Girls Alahd. ironic as he couldnt be more different than Cliff Richard (the only other person in recent times who has defied the odds to get another #1). i'm not into either track at all so i don't feel the same excitement but at least, altho of course most people KNEW R Kelly was going to be number one as early as the day it was released, there's still an air of unpredictability left in the charts.

stevem (blueski), Sunday, 18 May 2003 19:54 (twenty-two years ago)

"People, money, plastic, sperm, marketing, food, trucks, more plastic, rubbish tip, seagulls, television aerials, terrace houses, more seagulls, America, England, Boots the Chemist, a cup of tea, more plastic, some coloured people talking funny, the BBC, pocket money, ILM."

We didn't start the fire!

Nate Patrin (Nate Patrin), Sunday, 18 May 2003 19:55 (twenty-two years ago)

what has Momus got against seagulls? did one steal his eye patch?

stevem (blueski), Sunday, 18 May 2003 19:56 (twenty-two years ago)

One shat on his head. But he doesn't know that's actually really good luck!

suzy (suzy), Sunday, 18 May 2003 20:45 (twenty-two years ago)

William Bloody Swygart = I fucking love you!


Everett "motherfucking" True

Jerry (Jerry), Sunday, 18 May 2003 21:49 (twenty-two years ago)

Then you consider that pretty much every other R Kelly single ever has been shit. But this... this, for a reason I just can't quite express, just does not sound like you'd expect it to. It... floats.

Surely it's all about the sample (Isley Brothers or something like that) that's being used.

David (David), Sunday, 18 May 2003 23:24 (twenty-two years ago)

Hmm..it appears it must be a pastiche rather than a sample because I can find no google reference to it (although strangely Ronald Isley does make a guest appearance on one of the other tracks on the album).

David (David), Sunday, 18 May 2003 23:47 (twenty-two years ago)

yeah, Ron Isley collaborating with R. Kelly - that is strange

James Blount (James Blount), Monday, 19 May 2003 00:19 (twenty-two years ago)

I like Girls Aloud. In my bed! All at once!

Calz (Calz), Monday, 19 May 2003 00:39 (twenty-two years ago)

Then we could see if they really are "girls aloud"!!!!

Calz (Calz), Monday, 19 May 2003 00:41 (twenty-two years ago)

trucks lorries

Momus (Momus), Monday, 19 May 2003 03:07 (twenty-two years ago)

(That's how Japanese people pronounce 'The Lollies'.)

Momus (Momus), Monday, 19 May 2003 03:08 (twenty-two years ago)

haha - when their mouths are full of dogmeat right?

James Blount (James Blount), Monday, 19 May 2003 03:12 (twenty-two years ago)

so why no airplay for dizzee?
its coming out on the 26th, i would have thought it would have made the playlist. is it not going to chart at all?

ambrose (ambrose), Monday, 19 May 2003 08:09 (twenty-two years ago)

That's another annoying thing about this week's chart, in that it does reaffirm the importance of Radio 1's playlist in pushing singles - none of the new entries outside the top 20 were on it, and had they been, they'd almost certainly have charted far higher than they did. Dizzee's got a lot of buzz in places like this, and I'm fairly sure Lamacq'll have been punting him, and the Dreem Teem have probably got behind it as well, but other than that it's tricky to see where the support from other shows on the only national pop station would've come from. It might chart, but I can't see it breaking 20, or possibly even 30.

William Bloody Swygart (mrswygart), Monday, 19 May 2003 10:40 (twenty-two years ago)

Ignition is fucking terrible dudes, R Kelly is so dislikable.


The lowest point in Ignition is in the chorus when he says "sippin on coke and rum, i'm like so what i'm drunk".


SO AM I. SO WHAT. YOU'RE DRUNK. Christ it's hardly something to sing about, the way he barks it you'd swear he'd just spat on the Queen or something. Also the beats are icky and his voice is possibly at its most annoying since the halcyon days of "viiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiibe you've got that viiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiibe, oooooooooooooooooooooooooooooooooooyeah"


I think the Kelly Rowland song is twenty times nicer and more innovative production wise than the R Kelly one, it's just R Kelly has crappy "I like to party, everybody does" style number 1 lyrics. Rowland's lyrics are shite as ever. But that squelchy noise in the song burrows its way into your head alot.

Also I love Mr Redz Vs DJ Skribble, and I wouldn't call it big beat, but I understand the potential for confusion in this area so I won't hold it against you!


Yuck yuck yuck.

Ronan (Ronan), Monday, 19 May 2003 10:48 (twenty-two years ago)

Sort of a "Return Of The Mack"/"Design For Life" scenario, innit?

Anyway, nice try but not a patch on the gold standard chart for w/e 29/05/82 (see epic "1982" thread from a few months back, if you can find it).

Marcello Carlin, Monday, 19 May 2003 10:53 (twenty-two years ago)

i like 'can't nobody' but if its kelly r vs r kelly, the latter wins.
i dont think theres anything more innovative about can't nobody than ignition rmx, it has more futuristic jerkiness and robotness, but that's a pretty dated rnb thing to do.
next... minna vs ronan (uh oh) (the other thing we disagreed about recently = dj sneak. possibly dj sneak is to house as r kelly is to rnb in which case i concede.)

minna (minna), Monday, 19 May 2003 11:54 (twenty-two years ago)

it annoys me that Black Box Recorder can't get in the charts - why should this be?

stevem (blueski), Monday, 19 May 2003 13:38 (twenty-two years ago)

It's airplay, pure and simple. I can't think of anyone, aside from possibly Lamacq, who'd play them.

William Bloody Swygart (mrswygart), Monday, 19 May 2003 13:51 (twenty-two years ago)

but there's really no reason why not...'Passionoia' is no less acessible than 'The Facts Of Life' is it? i keep listening to 'The New Diana' and i can definitely imagine that working on daytime radio

stevem (blueski), Monday, 19 May 2003 17:33 (twenty-two years ago)

ronan i dont know you anymore

jess (dubplatestyle), Monday, 19 May 2003 17:40 (twenty-two years ago)

someone praise junior senior, quick!

Ronan (Ronan), Monday, 19 May 2003 20:25 (twenty-two years ago)

I think the problem also is the theme of Ignition is like everything I normally listen to only the music isnt. I really hate it though and not for want of trying to like it.

Ronan (Ronan), Monday, 19 May 2003 20:27 (twenty-two years ago)

Ronan have you got Waves 2 yet? man its good, as good as the JLC mix possibly (tho not as varied)

stevem (blueski), Monday, 19 May 2003 20:39 (twenty-two years ago)

I must get a copy, I forgot to add that Archigram mix to my list on the other thread.

Ronan (Ronan), Monday, 19 May 2003 20:43 (twenty-two years ago)

Link for those 82 Chart Threads - request lodged!

Cozen (Cozen), Monday, 19 May 2003 21:32 (twenty-two years ago)

To paraphrase SWV, it's right here.

Marcello Carlin, Tuesday, 20 May 2003 09:47 (twenty-two years ago)

...so what's the new Sonique single like?

...and shame on people for not buying far more copies of You Spin Me Round Like A Record... fab record, fab remixes (and only got to number 23?!?!?!)..... and in these days of saccharine pop, we NEED a TOTP appearance from Ms Burns again.....

russ t, Tuesday, 20 May 2003 10:56 (twenty-two years ago)

Did anyone else think that that "Banghra Nights" track was actually expousing the virtues of smoking cigs?

dog latin (dog latin), Tuesday, 20 May 2003 11:24 (twenty-two years ago)

You Spin Me Round Like A Record

best SAW production ever?

stevem (blueski), Tuesday, 20 May 2003 11:27 (twenty-two years ago)

no

mark s (mark s), Tuesday, 20 May 2003 11:39 (twenty-two years ago)

sob

stevem (blueski), Tuesday, 20 May 2003 11:42 (twenty-two years ago)

SAW.... around this time, they were doing some AMAZING stuff - the Divine classics, the DOA stuff, and the Bananarama ones like I Heard a Rumour, Venus and Love in the first degree.... but Spin Me Round ranks among the finest SAW production, no doubt whatsoever.

russ t, Tuesday, 20 May 2003 11:48 (twenty-two years ago)

That R Kelly single really is unberable shit, isn't it? it's kind of like he went, "Oh, I don't need to put any effort into this song, I'm still riding off the publicity from the kiddy-pissing" and the world en masse set out to prove his instincts correct.

It's unbearable that someone with such a great voice is such a musical black hole.

Dan Perry (Dan Perry), Tuesday, 20 May 2003 11:53 (twenty-two years ago)

Heavens, he needs a hug

stevem (blueski), Tuesday, 20 May 2003 11:55 (twenty-two years ago)

its not as bad as 'Feelin On Yo Booty' at least

stevem (blueski), Tuesday, 20 May 2003 11:55 (twenty-two years ago)

I will agree with that.

Dan Perry (Dan Perry), Tuesday, 20 May 2003 11:57 (twenty-two years ago)

My word.

Midweeks still have R at #1, with Timberlake at #2, Stereophonics #3, Tatu #6, Sonique #17, Audio Bullys #22, Evan Dando #28.

William Bloody Swygart (mrswygart), Tuesday, 20 May 2003 13:44 (twenty-two years ago)

imagine if R Kelly stays at #1 for 17 weeks

stevem (blueski), Tuesday, 20 May 2003 13:52 (twenty-two years ago)

I like that Bone Thugs track, oh dear.

Tico Tico (Tico Tico), Tuesday, 20 May 2003 13:56 (twenty-two years ago)

haha god no Stevem

Ronan (Ronan), Tuesday, 20 May 2003 13:59 (twenty-two years ago)

That R Kelly tune is brilliant, because it has absolutely nothing at all to do with anything ever. Plus, it's unapologetically idiotic, in a time where every goddamn top ten act is falling over their Manolo clad feet in order to prove how intelligent/educated/emotional they are.

And how can you hate anything connected with Murder She Wrote?

Dom Passantino (Dom Passantino), Tuesday, 20 May 2003 14:08 (twenty-two years ago)

All too easily, but I agree, it's a bit like trying to beat up a parfait.

Ned Raggett (Ned), Tuesday, 20 May 2003 14:12 (twenty-two years ago)

beat up Rick Parfitt?

stevem (blueski), Tuesday, 20 May 2003 14:29 (twenty-two years ago)


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