Vincent Gallo.... C/D?

http://www.sun-times.com/output/eb-feature/cst-ftr-cannes22.html

Those who saw Vincent Gallo's "The Brown Bunny" have been gathering ever since, with hushed voices and sad smiles, to discuss how wretched it was. Those who missed it hope to get tickets, for no other film has inspired such discussion. "The worst film in the history of the festival," I told a TV crew posted outside the theater. I have not seen every film in the history of the festival, yet I feel my judgment will stand.

(More here.)

Ouch. (FWIW, I loved Buffalo 66)

although I did like "buffalo 66," kinda

I thought Buffalo 66 was great.

"Vincent Gallo's monumental folly has already become a defining moment in Cannes history. Awestruck future generations will ask: 'Were you there the night they screened The Brown Bunny?"' one of the magazine's critics wrote Friday. A clearly depressed Gallo said he had hardly been able to face his friends since Cannes critics, bored by what they say is a miserable harvest of films, started laying into his movie.

Imagine a film so unendurably boring that at one point, when he gets out of his van to change his shirt, there is applause.

There's your first clue.

based on the "essay" and the interview I read on the "writings" part of www.vincentgallo.com. says he "wouldn't go to Harlem for a million dollars" and how all of South America is "primitive," and he's so casual about "spics" and Italians and others who aren't, y'know, him, that you just wanna smack him all over again.

also does a number on "faggots" and "pussies" and both Harmony Korine (whom I also hate) and "boring Connecticut Chloe Sevigny". Kinda makes ya wonder if he did this whole movie just to get Chloe to blow him to piss off Harmony Korine.

also a huge George W. Bush fan, but that doesn't necessarily make him a racist.

Yes.

As long as he was able to spot that Brown Bunny was the was the worst in Cannes history, I'm sure his taste is just fine. That and because he's one of the few good film critics writing today.

My feelings on Gallo can be summed up by taking every mean thing written here so far, blending them together, and redoubling them.

I really don't find any of these supposed travesties of ennui and pretention damning at all, and you could make similar types of statements about isolated aspects of any number of the movies Ebert considers great, like "Last Year of Marienbad", "Picnic at Hanging Rock", "Blow Up" or "Dinner with Andre". "The Brown Bunny" might well suck big-time, but Ebert's particular illustration of its suckiness is not convincing at all.

The impression I get is that this is literally all that happens in the movie. Which is pretty goddamn pretentious, you have to admit, even if you're a Jim Jarmusch fan.

I know you're not referring to me and it's presumptuous (and foolish) to jump back into this now, but it's not so much a question that I take Gallo seriously (which I don't) as it is a fact that I sure as hell don't take Ebert seriously. His crack about French movies in that last column, as modestly amusing as it might be, is really stupid. When you've got a target like Gallo, why the hell resort to bashing French movies?

ER: "You, sir, are drunk."
WC: "And you, madam, are ugly, but at least tomorrow I'll be sober."

i think "buffalo 66" was interesting enough to presume that gallo is not simply some huckster or charlatan as some seem to suggest.

I think he's an excellent enthusiast.

*shameless nostalgia-masturbation session over*

it's here:
http://www.observer.com/pages/story.asp?ID=7480

As for the curse on his colon, what I actually said was that I put an unremovable black magic curse on his prostate, which will enlarge into a large cancerous ball by the fall

Better sacrifice another goat, dude. Your last one sucked.

McGee on music: How Vincent Gallo taught me to love Yes

The pop-culture polymath has used his spectacular tastes to introduce people to much-maligned musical genres. But if only he could get around to releasing his own recordings

Vincent Gallo is one of the few modern renaissance men. He boasts a long list of achievements and I can add another: Gallo is the only person who could persuade me to get into the prog-rock band Yes.

Every time I play Tales from Topographic Oceans, I have to laugh at myself and ask: "Am I really listening to Yes?" The band were a joke back in 1977, associated with creepy basement dwellers who read fantasy novels while watching VHS tapes of Rick Emerson stabbing his keyboard with Nazi daggers. I'd always sided with punk rock's reaction against 17-minute songs, so it took the musical wisdom of Gallo to show me the error of my ways. He's proved you can be both a Yes fan and a Ramones fan (kudos to Gallo for getting Johnny Ramone a film role in Stranded and for being godfather to Chris Squire's child).

Gallo's musical opinions are always spot on. For a start, he's gone on record to say he prefers Journey's Don't Stop Believing to Radiohead's OK Computer. Need more evidence? Just look at the tracklisting for the Brown Bunny soundtrack … it's genius! The critically misunderstood film shows Gallo as a man of spectacular musical tastes. Brown Bunny is the answer film to Monte Hellman's Two-Lane Blacktop and stars Gallo as anti-hero Bud Clay as he goes on an existential search through America to the sounds of Gordon Lightfoot, Jackson C Frank and John Frusciante. Amazing. On the soundtrack to his masterpiece Buffalo 66, Gallo repays his debt of influence to prog rock and includes great and original covers of King Crimson and Yes. I still remember being shocked at how much I enjoyed the soundtrack. Gallo vanquished my own musical prejudices towards the era of musical excess. I was curious enough to get Tales from Topographic Oceans, and had to admit he was right – it's a classic album.

The facts show that if something was happening in New York in the late 70s and early 80s, Gallo was at the epicentre of it. At 16 he moved there and started a no wave band with Jean-Michel Basquiat. Gallo was heavily into the downtown art scene, playing with the Bush Tetras and Lydia Lunch, and was a regular at Manhattan's Mudd Club. Hip-hop? Gallo was there, starting his own rap act Trouble Deuce, and as Prince Vince he appeared on the shortlived, iconic and utterly street Graffiti Rock. Twenty years later and he's making appearances with Rick Rubin in Jay-Z's 99 Problems and rapping with RZA. The man is a pop-culture zeitgeist.

Despite all this, Gallo's own recorded musical output has been curiously limited. Sure, there are treats out there for people willing to spend outrageous amounts of money, but he has only had two wide releases on Warp: When, a cool number inflected with the spirit of Moondog, and Music for Films and Recordings, a compilation of Gallo's previous scores and cinematic offerings, twisted and bent into shape for general release. This is somewhat frustrating. Gallo is sitting on a mountain of unrecorded material; even in the mid 90s, when I heard talk of him signing to Sony and recording with Bunny member Lucas Haas, prog-rock producer Eddie Offord (producer of Tales from Topographic Oceans), Beastie Boy Adam Horowitz and DNA member Tim Wright, I was excited – but nothing happened. And again he recorded in 2005 with Sean Lennon and Jim O'Rourke, but has this project been released? No.

Gallo sparked my musical curiosity when he announced his new improvisational project RRIICCEE, featuring a rotating lineup (Eric Erlandsen of Hole was a founder member). The band's musical manifesto is to create tours only featuring improvisation, to dispense with the recording-industry model and be true to the music. Yet again, no records appear to be forthcoming. Is he refusing to release his recordings out of spite (as he did with his artwork)? Or is he too preoccupied with other projects? I don't know. But I'd like to hear more from the man who helped me understand the complicated and majestic beauty of Yes.

ugh

the man who helped me understand the complicated and majestic beauty of Yes.
hee hee, ugh is right. though i will admit that Buffalo 66 made me revisit Yes. Though I already owned Tales from Topographic Oceans ...

lol @ "Rick Emerson"

dude's touring on the west coast now

http://graveyardshiftshane.files.wordpress.com/2008/05/vincent-gallo-when.jpg
this is a very good album

I saw him on that RRIICCEE tour--I was probably one of a handful of folks there for the music, as the first 3 rows were packed with girls trying to catch his eye. He wore a long blonde wig and didn't say a word the entire show; at the end the girls gathered around the stage hoping he'd come back but he didn't, which made me chuckle. Now the music was tedious "improvisation" with his nasal-ly croon atop it periodically, which was a letdown for me given how much I like the album mentioned above...

The sheer amount of time and effort this man spends wheeling and dealing vintage bass guitar knobs on eBay (not to mention snatching up his own memorabilia whenever he can) almost undermines his place as one of popular culture's greatest self-mythologizers since Orson Welles. Almost.

Vincent Gallo is so great

no he isn't

newish
https://www.youtube.com/watch?v=MYyWo0JL62g

Would laugh when the AV Club would do it's yearly christmas catalog of unlikely and ludicrous items available over the internet and end with the same punchline: a vial of Vincent Gallo's seed he was selling on his website for $10,000 dollars, maybe more, for prospective mothers. Also, Gallo's refusal to sell to any females who weren't caucasian.

Vincent Gallo is so great
― puff pastry hangman (admrl), 14. Jaanuar 2011 16:35

[1 year passes...]

no he isn't
― am0n, neljapäev, 10. Mai 2012 23:15 (6 hours ago)

did enjoy reading this part of the discourse. really.

neljapäev, 10. Mai

everybody I know who's worked with this guy has nothing but awful things to say about him

http://en.wikipedia.org/wiki/La_leggenda_di_Kaspar_Hauser

https://www.youtube.com/watch?v=WnPh97aRRVw

https://www.youtube.com/watch?v=N4YQGIuamnA