AC/DC - The Wilderness Years

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Something went radically awry after they replaced Shania Twain with a curly-haired drummer. First, nobody has ever come up with an explanation of what is happening on the (pencil-drawing!) cover of 'Flick of the Switch', the title track of which's first line sounds like "There's a lobster down in Maine" as well as another song that sounds like "the toast is on fire".
The next album 'Fly on the Wall' is even more inexplicable. The 'Y' in the title is replaced by an 'eye' peeking through a knothole and the 'why?' in the title track is Brian Johnson using said phrase for a whole bunch of different meanings ("I was trapped like a fly on the wall...Watch out there's a fly on the wall") none of which have anything to do with the way anybody has ever used it. Lacanians explain? "Playing With Girls" is even more confused! It's one of their great overlooked 'disco' tracks and I can't believe somebody hasn't sampled it, but the lyrics! "Playing with girls gonna get you hot, playing with guns gonna get you shot, playing with fire gonna heat you up, playing with me you're gonna get the lot." First, "get you hot" and "heat you up" are the same thing, and second, if "playing with [him] you're gonna get lot", does that mean that you'd get the SAME result (as well as being shot) as by 'playing with girls'??? Like as if "53rd & 3rd" AND AC/DC were both 'AC/DC'? It gets worse even! "See what's hangin' off him like a wanton child/ That's where you'll find me..." what, sitting on his lap? Perhaps they discovered polymorphous perversity via Kristeva or someone cuz it's best when they retreat from 'language' altogether which makes "aye-aye-oh, shake your foundations" the only memorable phrase on the whole record, which incidentally became the production template for cassette-only Belarussian skinhead bands.
'Blow Up Your Video' went all Baudrillardian with the title illustrated by A. Young emerging from a TV set (but still trapped on a 'two-dimensional' cover tho). The title's cooler if the word 'video' is not defined in the British usage (video PLAYER, in which 'blowing up your video' would just allude to a common irritating occurence) but instead defined as a 'video film' which would suggest multiple meanings. Also you could take 'blow up' to mean either 'set afire with explosive devices' or 'radically inflate in terms of dimension', and also who is the 'you' in the title? Is it an exhortation is the artisttitle supposed to be one word (ie "AC/DC blow up YOUR video")? Probably the former as they're quite literally illustrative of it on the cover which as mentioned has its own trap in that transcendence of the 3(4?)D is still constrained by the 2D but then that's just a representation itself. Or maybe it's a(n?) homage to Antonioni who I really should've mentioned instead of Baudrillard cuz I don't know anything about philosophers and I just use the names cuz I see them on ILX all the time and figure I should try and keep up and most of the time if you get called on it you can come up with some ridiculous argument later about what you really 'meant' with your allusion anyway. OK going by the 'Rule of 3' that was in a James Bond flick here's two more rickety props for the allusion, 1) "That's the Way I Wanna Rock'n'Roll" is a)meta-'RnR' b) meta-AC/DC (which the despised and deposed auteurists used to call 'self-parody', ie by using a kind of crap riff that sort of sounds like you would expect them to sound [hint - game given away by using a C SHARP in the single-note riff and the lazy reliance on music theory proves this is becoming a dave q self-parody meta as well] and putting 'rock and roll' in the title it actually has the APPEARANCE of being a SIMULACRA of AC/DC!), and 2) the one great track on the album (which uncoincidentally is another disco-DC track) is "Mean Streak", which has the curious line "I've been to the left/ I've been to the right/ I found myself in Abu Dhabi just a mirage in the night", which insinuates that not only a)the last 20 years of US foreign policy re the Mideast but b) the crappy final track "This Means War" NEVER HAPPENED

dave q, Saturday, 7 June 2003 19:22 (twenty-two years ago)

I wonder if a)the Stereophonics b)the Datsuns can tell the difference between a)'Flick'/'Fly'/'Video' b)'High Voltage'/'Let There Be Rock'/'Powerage' c) 'Low'/'Heroes'/'Lodger'

dave q, Saturday, 7 June 2003 19:24 (twenty-two years ago)

I had no idea so much thought could be spent on AC/DC. Post-Bon Scott, I mean.

Anthony Miccio (Anthony Miccio), Saturday, 7 June 2003 19:31 (twenty-two years ago)

Have we got a video?

Jody Beth Rosen (Jody Beth Rosen), Saturday, 7 June 2003 19:34 (twenty-two years ago)

how you gonna watch it with no eyes?

r ramirez, Saturday, 7 June 2003 19:35 (twenty-two years ago)

which insinuates that not only a)the last 20 years of US foreign policy re the Mideast but b) the crappy final track "This Means War" NEVER HAPPENED

if, when it was time to turn in the follow-up to Fly on the Wall, they had submitted the exact same album, they would immediately have become God

J0hn Darn1elle (J0hn Darn1elle), Saturday, 7 June 2003 20:10 (twenty-two years ago)

My brain can't handle Dave Q's lengthy dissertation above, but regarding AC/DC's "wilderness years" (I take this to mean everything from For Those About to Rock up through Stiff Upper Lip), I think they've re-modelled themselves as a brilliant singles band, not so much an album band anymore. Where Highway to Hell, Let There Be Rock and Back in Black seemed to me as great albums from start to finish (hell, I even love Powerage), it seems the quality control dipped a bit after Back in Black. That said, the singles still kept coming. With a few exceptions (I never liked "Money Talks"), each of the band's singles....we're talking "Who Made Who?", "Thunderstruck", "Heatseeker" and the like....have all been pretty consistently brilliant (and by brilliant I don't mean wildly innovative, but brilliantly simple). I also always had big huge time for the title track of the otherwise thoroughly lamentable Flick of the Switch). Also AC/DC's wilderness period pretty much begat the Cult's Electric. I consider that a good thing.

Alex in NYC (vassifer), Saturday, 7 June 2003 20:16 (twenty-two years ago)

''Or maybe it's a(n?) homage to Antonioni who I really should've mentioned instead of Baudrillard cuz I don't know anything about philosophers and I just use the names cuz I see them on ILX all the time and figure I should try and keep up and most of the time if you get called on it you can come up with some ridiculous argument later about what you really 'meant' with your allusion anyway''

liar!

Julio Desouza (jdesouza), Saturday, 7 June 2003 21:13 (twenty-two years ago)

Wow Alex, you're dead right.

colin s barrow (colin s barrow), Saturday, 7 June 2003 21:53 (twenty-two years ago)

in 2 years we will get to celebrate the 30th anniversary of High Voltage. i will start constructing a banner. can someone else help out with the food and drinks?

scott seward, Sunday, 8 June 2003 02:39 (twenty-two years ago)

AC/DC did indeed continue to make good singles (esp. "Flick Of The Swithc" and the Razor's Edge stuff), but I'm always surprised people take Let There Be Rock over Powerage. The best tracks on Let There Be Rock are on If You Want Blood, and I think Powerage is more consistent overall (the non-IFWB songs on LTBR always felt unusually fillery for me).

Anthony Miccio (Anthony Miccio), Sunday, 8 June 2003 22:20 (twenty-two years ago)

"For Those About to Rock, We Salute You"

That has to be one of the best song titles. It isn't for those who are currently in a state of rock, or to those that have rocked, it is for those whom are preparing to rock, which is unique in the annals of songs about "rocking".

earlnash, Sunday, 8 June 2003 23:29 (twenty-two years ago)

Wow. I never fully appreciated the depth of that song until just now. Thank you, earlnash.

TMFTML (TMFTML), Monday, 9 June 2003 01:44 (twenty-two years ago)

'I take this to mean everything from For Those About to Rock up through Stiff Upper Lip'

I was actually thinking post-FTATR but pre-'Razors Edge', as 'Razors Edge' was sort of a commercial comeback of the sort where they unfortunately come back as somebody else ('Permanent Vacation', 'Dr Feelgood', 'Metallica', ie all canuckified, being as some IT/marketing wonk probably correctly figured that hockey fans represented an even lower LCD baseline than metalheads)('Tatoo You' being the urtext of this genre)(I mean, 'self-parody' is a relative concept when you're already expected to release the same album over and over [whether or not you actually do] but "Got You By the Balls"? "Mistress for Christmas"? Christ on a crutch). But then, 'Stiff Upper Lip'. Is that a goddamn great album or what? By which I mean, much like 'Powerage' or 'Back in Black'(which I've only recently started to RILLY LIKE oddly) or whatever yr favorite is, you put it on, you just want to have it on all the time, no need for nothin' else. Yes.

dave q, Monday, 9 June 2003 07:20 (twenty-two years ago)

I'm about to rock right now. Yes, yes, introspecting on my consciousness, I perceieve clearly that it is indeed a discrete state, as earlnash points out. It is wholly different to being in the midst of rocking, or having had rocked in the recent past. Curiously, it is a little similar to the sensation of being afriad to rock; but surrounding that fear is a kind of nihilistic enthusiasm, which is the buns around the burger. I am about to rock. Wish me luck.

colin s barrow (colin s barrow), Monday, 9 June 2003 07:47 (twenty-two years ago)

was this translated from french or something?


also Bon Scott wasn't exactly Paul Simon when it came to writing lyrics


if you're listening to ACDC for the deep lyrical content, you're *probably* barking up the wrong tree

Travis Angel (Travis Angel), Monday, 9 June 2003 12:13 (twenty-two years ago)

"sail on silver girl" vs "she had the body of Venus, with arms"

dave q, Monday, 9 June 2003 15:21 (twenty-two years ago)

Remind me to thank Bon Scott for not being Paul Simon when I get to hell.

Anthony Miccio (Anthony Miccio), Monday, 9 June 2003 22:24 (twenty-two years ago)

Thank you Travis, I am indeed French - or, at least, I am nice, I have been here too long, and have nothing to lose. The rocking went most excellently. The track was called "Pedal to the Floor and Roar".

colin s barrow (colin s barrow), Tuesday, 10 June 2003 04:26 (twenty-two years ago)

eight years pass...

Several years ago I was on a road trip and I came upon a random radio station where Alice Cooper was the guest DJ. He played "Safe In New York City" and it was such a great jam while driving. That got me to buy Stiff Upper Lip. I was thinking of starting a thread of their best post-Back In Black songs.

Fastnbulbous, Monday, 9 April 2012 01:24 (thirteen years ago)

I should probably revive this one - Late-period AC/DC - S&D

Fastnbulbous, Monday, 9 April 2012 01:26 (thirteen years ago)

i like fly on the wall and blow up your video a lot

Mississippi Butt Hurt (upper mississippi sh@kedown), Monday, 9 April 2012 15:36 (thirteen years ago)

For years I thought 'Fly On the Wall' was called 'Flo on the Wall', because of the visual pun of the cover not registering with me. I wonder if that happened to anyone else.

moley, Thursday, 12 April 2012 05:08 (thirteen years ago)

no

BEMORE SUPER FABBY (contenderizer), Thursday, 12 April 2012 05:16 (thirteen years ago)

'Look over there - it's Flo! And she's on the wall'.

moley, Thursday, 12 April 2012 06:01 (thirteen years ago)

looking at it now, i'm surprised i never saw it as "flo on the wall". at least it matches the design quality of the early albert releases.

BEMORE SUPER FABBY (contenderizer), Thursday, 12 April 2012 06:11 (thirteen years ago)

I really like Rock N' Roll Train. Rest of the album i prsetty lame but that could slide in nicely as the 27th or 34th best ACDC song.

Matt Armstrong, Thursday, 12 April 2012 07:51 (thirteen years ago)

five months pass...

classic dave q

turds (Hungry4Ass), Saturday, 29 September 2012 21:13 (thirteen years ago)


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