Ludo
― Ludo, Friday, 12 January 2001 01:00 (twenty-four years ago)
― JM, Friday, 12 January 2001 01:00 (twenty-four years ago)
― Stevo, Friday, 12 January 2001 01:00 (twenty-four years ago)
― Tom, Friday, 12 January 2001 01:00 (twenty-four years ago)
― Mark Richardson, Saturday, 13 January 2001 01:00 (twenty-four years ago)
― Ludo, Sunday, 14 January 2001 01:00 (twenty-four years ago)
― Josh, Sunday, 14 January 2001 01:00 (twenty-four years ago)
yes.
the ambient works are cool but, not that cool to become a classic. he should make an album full of super songs like windowlicker to become a classic. or songs like flim.
The one problem is that a lot of people just buys his records and don't dig a for more records by other groups like autechre, Susumu Yokota and so on. For me he was definetely the beginning but not the end.
― Julio Desouza, Sunday, 14 January 2001 01:00 (twenty-four years ago)
I mostly listen to psytrance/Goa, intelligent techno, jungle & ambient. IDM in general doesn't do it for me, it lacks emotion (at least positive ones).
― Snow Dog, Monday, 15 January 2001 01:00 (twenty-four years ago)
― o.munoz, Monday, 15 January 2001 01:00 (twenty-four years ago)
So, classic, yeah.
― Tim, Monday, 15 January 2001 01:00 (twenty-four years ago)
― Richard Tunnicliffe, Monday, 15 January 2001 01:00 (twenty-four years ago)
You don't need to make a good album to be a classic (I'm not even sure you have to make a good single to be a classic) but Ritchie has certainly made some good albums. And what's this guff about Selected Ambient Works not being a proper album. Glen Campbell's 20 Golden Greats is a proper album, just because its a compilation does not weaken its claim.
Of course that make The Best Of Blur pretty much their best album...
― Pete, Monday, 15 January 2001 01:00 (twenty-four years ago)
― William Casper, Thursday, 15 February 2001 01:00 (twenty-four years ago)
POLYNOMIAL - C
This is one of the most beautiful pieces of music ever. Also digiredoo and analogue bubblebath. Classic, groundbreaking music
― Andy, Friday, 23 February 2001 01:00 (twenty-four years ago)
― PostModernVancouver, Monday, 12 March 2001 01:00 (twenty-four years ago)
I'm good too
― charlie frame, Wednesday, 14 March 2001 01:00 (twenty-four years ago)
― Omar, Thursday, 15 March 2001 01:00 (twenty-four years ago)
― vinsents krebs, Tuesday, 27 March 2001 00:00 (twenty-four years ago)
Despite the rictus grin there's is a genuine warmth and humour to his music, though I'll admit that, like many Warp artists, the emotional communication is indirect, showing us how to feel, as opposed to telling us what to feel. But that's fine, it's not as if they're even trying to tell us a story. Concequently this kind of music has a greater resonance with me. But then what what distinguishes him from his contempories? Well, he's survived every micro-genre he invented, reacted to and re- developed his own back catalogue - he replied to ambient with Ambient Vol 2, Drill n Bass with the classical hybrids of Richard D. James, then stirred the already stagnant electronica scene with Windowlicker, which I'm sure could hold it's own in any ILM pop league. Still a genius, even with his head firmly up his own arse.
Did you know AFX has been corresponding with Beck for months about producing the Beck's album. It fell apart cause neither were prepared to record outside their own studio. I dunno, but that would have been fun.
― K-reg, Tuesday, 8 May 2001 00:00 (twenty-four years ago)
― ethan, Tuesday, 8 May 2001 00:00 (twenty-four years ago)
but i'm glad the aphex/beck thing didn't happen. even aphex couldn't make beck good.
oh, and to answer the question, classic, obviously
― gareth, Tuesday, 8 May 2001 00:00 (twenty-four years ago)
― Patrick, Tuesday, 8 May 2001 00:00 (twenty-four years ago)
The Parr comparison applies for sure, but not as explicitly as it does with BoC's "Concourse" and "M9" (but then how could it?).
Aphex is classic, of course. I actually used to see him as a model for making a virtue of geographical isolation as a means of artistically refining yourself, so it's appropriate that K-reg said that. I think "Richard D. James Album" is his best work, as well, whereas FWIW I think "Bryter Layter" is Drake's weakest.
― Robin Carmody, Tuesday, 8 May 2001 00:00 (twenty-four years ago)
― Sam Garcia, Thursday, 16 August 2001 00:00 (twenty-four years ago)
― Sasha Frere-Jones (Sasha Frere-Jones), Sunday, 11 May 2003 20:26 (twenty-two years ago)
― dog latin (dog latin), Monday, 12 May 2003 00:58 (twenty-two years ago)
― Dadaismus (Dada), Monday, 12 May 2003 10:56 (twenty-two years ago)
dada- you should get selected ambient works vol II. I heard the first disc of that last evening. its really wonderful 'ambient' stuff. great to read books with.
― Julio Desouza (jdesouza), Monday, 12 May 2003 11:00 (twenty-two years ago)
I think the general feeling on Aphex Twin is surely that he makes far better videos than records.
Most of his stuff is doodly nonsense..... some unlistenable, some rather good. Much of it sounds like he's making it up as he goes along.
― russ t, Monday, 12 May 2003 11:06 (twenty-two years ago)
-- Julio Desouza (juli...), May 12th, 2003.
Julio: "Once upon a time there was a little bear named Pooh..."
SAW V.2: "Who lived in the House At Pooh Corner..."
Julio: "One day Pooh's friend Piglet came round for tea, and said to Pooh-"
SAW V.2: "'Come on you cunt let's have some of that Aphex Acid!!!!'"
― Nick Southall (Nick Southall), Monday, 12 May 2003 11:08 (twenty-two years ago)
I like doodly nonsense, I like unlistenable, I like "making it up as he goes along" - someone direct me to the doodly unlistenable shit he makes up as he's going along.
― Dadaismus (Dada), Monday, 12 May 2003 11:09 (twenty-two years ago)
― weasel diesel (K1l14n), Monday, 12 May 2003 11:09 (twenty-two years ago)
― Julio Desouza (jdesouza), Monday, 12 May 2003 11:09 (twenty-two years ago)
I think SAW II + I think there's enuff to make a wonderful two CD 'best of'.
― Julio Desouza (jdesouza), Monday, 12 May 2003 11:13 (twenty-two years ago)
― Caleb, Tuesday, 10 August 2004 02:00 (twenty-one years ago)
!
― roxymuzak (roxymuzak), Tuesday, 10 August 2004 02:04 (twenty-one years ago)
― latebloomer (latebloomer), Tuesday, 10 August 2004 12:54 (twenty-one years ago)
― latebloomer (latebloomer), Tuesday, 10 August 2004 12:55 (twenty-one years ago)
This actually makes perfect sense to me. I used to have to deal with this. (Not just because of the $ factor, but also because it takes me a long time to "absorb" new material, and I get ansy when there's stuff piling up that I'm really itching to soak up, but haven't been able to give my full attention to.)
― morris pavilion (samjeff), Tuesday, 10 August 2004 15:46 (twenty-one years ago)
― morris pavilion (samjeff), Tuesday, 10 August 2004 15:52 (twenty-one years ago)
― latebloomer (latebloomer), Tuesday, 10 August 2004 16:16 (twenty-one years ago)
― Jordan (Jordan), Tuesday, 10 August 2004 17:22 (twenty-one years ago)
― peter smith (plsmith), Tuesday, 10 August 2004 17:28 (twenty-one years ago)
― morris pavilion (samjeff), Tuesday, 10 August 2004 17:48 (twenty-one years ago)
― :| (....), Tuesday, 14 September 2004 19:20 (twenty years ago)
― Ned Raggett (Ned), Tuesday, 14 September 2004 19:22 (twenty years ago)
― latebloomer (latebloomer), Wednesday, 15 September 2004 12:14 (twenty years ago)
― Barnaby (Barnaby), Wednesday, 15 September 2004 13:20 (twenty years ago)
haha, wow, sequenced like this, it ends on Ziggomatic 17's gorgeous outro melody and signs off with "Thank you for your attention, bye"
― Specific Ocean Blue (dog latin), Wednesday, 2 December 2020 15:36 (four years ago)
I've had a playlist of the piano/non-bangers tracks from drukqs for years now, and play it often.
― change display name (Jordan), Wednesday, 2 December 2020 15:53 (four years ago)
it's proving to be excellent WFH music. I will never not love the answering machine track
― Specific Ocean Blue (dog latin), Wednesday, 2 December 2020 16:12 (four years ago)
I was always lukewarm on Drukqs (except the piano pieces, which I love) - it felt like a disappointment at the time, for reasons others have expressed above - but I'm revisiting now, and finding it a very consistent & satisfying listen.
― wet tip hen ax (egg drop mix) (morrisp), Wednesday, 2 December 2020 17:14 (four years ago)
Yeah, I def. have a new appreciation for this album... it may be the only one I can hang with all the way through these days. "54 Cymru Beats" is the only track I had to jump out of (a little too harsh).
― wet tip hen ax (egg drop mix) (morrisp), Wednesday, 2 December 2020 23:03 (four years ago)
I'd say that what it loses in distinctiveness (compared to his previous albums, and notwithstanding the acoustic tracks), it makes up for in listen-ability.
― wet tip hen ax (egg drop mix) (morrisp), Wednesday, 2 December 2020 23:08 (four years ago)
i hadn't actually listened to the tuss before. rushup edge slaps
― mellon collie and the infinite bradness (BradNelson), Thursday, 3 December 2020 00:05 (four years ago)
It does! I may have given it more spins than Druqks.
― pomenitul, Thursday, 3 December 2020 00:06 (four years ago)
Listening to The Tuss now, it's amusing that there was even a question whether it was RDJ.
― wet tip hen ax (egg drop mix) (morrisp), Thursday, 3 December 2020 00:21 (four years ago)
i like most of his singles and collections but i just can not get into much of the album material for some reason and i like his caustic window and polygon window material but not much of the afx material!
― xzanfar, Thursday, 3 December 2020 00:26 (four years ago)
The Tuss is really really good
― Specific Ocean Blue (dog latin), Thursday, 3 December 2020 00:46 (four years ago)
I never really got into the Analords or the Soundcloud dump. I'm not sure if it's the music itself or just the sheer amount of it. Maybe I should just admit I prefer his digital stuff and that the later attempts to re-embrace analogue don't move me much.
― Specific Ocean Blue (dog latin), Thursday, 3 December 2020 00:50 (four years ago)
some parts of analord are better than others but the better parts are transcendent cf. "fenixfunk 5"
― mellon collie and the infinite bradness (BradNelson), Thursday, 3 December 2020 00:53 (four years ago)
I think analord is pretty consistent overall, it’s fun listening to them in order
― brimstead, Thursday, 3 December 2020 02:17 (four years ago)
i love "where's your girlfriend" so much
― mellon collie and the infinite bradness (BradNelson), Thursday, 3 December 2020 03:21 (four years ago)
yeah was pretty stunned that one didn't make the CD
― frogbs, Thursday, 3 December 2020 03:42 (four years ago)
Woot! Now that we’re facing an insurrection, an impeachment and an inauguration (hopefully), it’s time to indulge in some hardcore Drukqs!
Drukqs — The id to the ego of The Richard D James Album. Equal parts exhilarating and exhausting, Drukqs is Richard’s White Album, McCartney and Lovesexy wrapped into one — a sprawling creative whirlwind that rejects the fruits of mass celebrity for the indulgence of complete artistic freedom. Far from an hour and forty minutes of alternating drum and bass and MIDI-enabled John Cage homages its first several tracks suggests, this is almost certainly the most diverse release in his catalogue outside of the Soundcloud dump (of which this is certainly a forbear), with plaintive proper piano compositions, trip hop entrails, traces of music concrete, a gentle harmonium ditty, and a doting 28th birthday voicemail from his mum and dad for good measure. Continuing to delight in giving his audience aural whiplash, he sandwiches arguably his most epic drill n’ bass composition (the 8.5’ Mt. Saint Michael + Saint Michaels Mount), between his most conventionally “pretty” track (Avril 14th) and would-be “serious composition,” Gwarek2 which sounds like the quieter moments of Morton Subotnick’s The Wild Bull. Throughout there’s smatterings of exceptional, sly writing, with Bbydhyonchord his most “beautiful piece” since Flim and Ziggomatic 17 concluding with one of his most winsome digital melodies. Meltphace 6 features some of his best FM textures and the kind of zig-zag structures he would return to a dozen years later with Syro while Taking Control is one of his last great digital sample-fiestas. He didn’t care because we did? I don’t care but you still do? Yeah.
― Naive Teen Idol, Tuesday, 19 January 2021 19:21 (four years ago)
Lovely post NTI
Still enjoying/rediscovering this album now that I've sorted the Bangers and the chillers out from each other
― Specific Ocean Blue (dog latin), Tuesday, 19 January 2021 20:28 (four years ago)
Apparently Aphex Twin sent a tape to Jeff Mills and Mike Banks. On the tape was the first Analogue Bubblebath. They passed on signing him to UR. Jeff sounds a little regretful about it.
https://www.youtube.com/watch?v=-K0tVVnXfn4
― lukas, Sunday, 25 April 2021 23:01 (four years ago)
think it lost the timecode, it's twenty minutes in
The way I've ripped Drukqs to my server means it plays disc 2 track 1, disc 1 track 1, disc 2 track 2, disc 1 track 2, etc etc etc, mashing the two discs together.
I don't know whether I should solve this or not. Probably not. It's not like it flowed at all.
― Hey Bob (Scik Mouthy), Monday, 26 April 2021 07:54 (four years ago)
There's stuff on here that's absolutely as good as the best he ever did, it's just dumped together in a way that's difficult for most people to parse, seemingly.
Richard D James album is the one I go back to most often, the one I'd take with me to a desert island. It's got concision and gestalt.
― Hey Bob (Scik Mouthy), Monday, 26 April 2021 07:56 (four years ago)
https://www.stereogum.com/2156356/aphex-twins-sister-is-wales-new-climate-change-minister/news/?fbclid=IwAR2JYZ5JGDTsQ_DFoskK6593AF46_ygXT6BeK_2I8wlhCByWcAOXEPNG2hI
― lukas, Thursday, 5 August 2021 17:11 (four years ago)
we're sure it's not just james with fx?
― think “Gypsy-Pixie” and misspelled. (We are a white family.) (forksclovetofu), Thursday, 5 August 2021 21:31 (four years ago)
When asked whether she’s a fan of his music, Julie said: Very much. Not all of it.
Very much. Not all of it.
same here
― Malibu Cheer Chants Forensics (morrisp), Thursday, 5 August 2021 21:32 (four years ago)
lols from the comment section:
"Her best work is Selected Environmental Writings 87-93"
― Jaime Pressly and America (f. hazel), Thursday, 5 August 2021 21:34 (four years ago)
Something is happening on August 18
https://190823.co.uk/
― StanM, Thursday, 19 January 2023 17:45 (two years ago)
19th
Field Day returns to Victoria Park on that day.
― kraudive, Thursday, 19 January 2023 17:52 (two years ago)
I only had to type 1 number and still managed a typo
― StanM, Thursday, 19 January 2023 18:32 (two years ago)
I don’t know who Ludo is but what is up with people who sign their comments.
- Moka
― ✖✖✖ (Moka), Thursday, 19 January 2023 19:09 (two years ago)
Field Day indeed
― you can see me from westbury white horse, Tuesday, 24 January 2023 09:37 (two years ago)
So is Alberto Balsalm his most famous track at this point, what with all the memes?
― official representative of Roku's Basketshit in at least one alternate u (lukas), Wednesday, 29 March 2023 05:42 (two years ago)
*farts* wow I had no idea that’s actually kinda funny!
― brimstead, Wednesday, 29 March 2023 15:21 (two years ago)
Better than some “we made old person listen to ventolin, you won’t believe their reactions!!”
― brimstead, Wednesday, 29 March 2023 15:23 (two years ago)
‘Digeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.
It bangs
― Allen (etaeoe), Sunday, 2 June 2024 01:45 (one year ago)
Good looking out
― default damager (lukas), Sunday, 2 June 2024 02:31 (one year ago)
Digeridoo doesn't really do it for me; however, I am well interested to hear about his AIRTIGHT MILITARY AMMO BOX.
― Keith, Tuesday, 4 June 2024 19:32 (one year ago)
It keeps the munitions fresh.
― Naive Teen Idol, Wednesday, 5 June 2024 19:28 (one year ago)
loving this today
https://www.youtube.com/watch?v=yoL2kG-Y0u4
― pink-haired Marxist (sleeve), Saturday, 17 August 2024 17:58 (one year ago)
Not sure if it’s been discussed elsewhere but the Disco Polo book is great fun, very much recommended for AFX freaks
― brimstead, Saturday, 29 March 2025 22:55 (four months ago)
Disco POGO
I have it but have barely had time to look at it. I keep secretly hoping for a mild case of the flu or something that will sideline me a bit
― Paul Ponzi, Saturday, 29 March 2025 23:11 (four months ago)
7\
― brimstead, Sunday, 30 March 2025 00:58 (four months ago)
Just ordered it, but now I'm sad I missed the Daft Punk one
― octobeard, Monday, 31 March 2025 02:38 (four months ago)
I like the book but it’s exactly as advertised, reprints of Jockey Slut essays and interviews with some new bits and bobs.
I love the cover photograph. It’s by Wolfgang Tillmans who must’ve been very young. In the the background you can see the legs of Riley Reinhold who was helping out stickers on what, IIRC, is Analogue Bubblebath.
― Allen (etaeoe), Monday, 31 March 2025 13:10 (four months ago)
s/out/put on
― Allen (etaeoe), Monday, 31 March 2025 13:11 (four months ago)
I’ve never been able to figure out if that’s a mangled vocal sample in “cow cud” or just a synth approximation...if you mean the quiet laughing voice at the very beginning (before the shout), I'm pretty sure that's derived from a classic Mac OS text-to-speech program
― real muthaphuckkin jeez (crüt), Wednesday, December 2, 2020 6:33 AM (four years ago) bookmarkflaglink
nah, i meant the ghostly "woooooo" massed choir sample, i think it's just kinda "bitcrushed" or something so it sounds synthetic and slightly unreal. amazing cool sound, though.
― brimstead, Wednesday, 25 June 2025 16:01 (one month ago)
https://www.youtube.com/watch?v=6D7dM6u53Us
― Proust Ian Rush (Camaraderie at Arms Length), Thursday, 3 July 2025 09:30 (one month ago)
I wanted to hate it, but halfway through I started uncomfortably recognising myself in it.
By the end, I realised it was me. But with Japanese Cyberpunk bands. Because that's the way I can fetishise someone else's youth and a different future that didn't arrive.
― Etherwave, Thursday, 3 July 2025 10:24 (one month ago)
love Frankie
― ( X '____' )/ (zappi), Thursday, 3 July 2025 10:39 (one month ago)