the preterite and the elect

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discuss this strange critical stance. is it common? is it defensible? why take it?

it consists of a few things conjoined together:

* the idea that there are critics and listeners who have better taste, or are smarter, or less willing to accept what they're given by corporate etc. etc., and then there are the people with bad taste, etc.
* the idea that the people with good taste are right when they say the records favored by the people with bad taste are bad
* the idea that, ultimately, there can be no adjudicating between these people of good taste: if they disagree, it comes down to 'well, of course, these judgments aren't really objective anyway.'

as in the 'what makes you so special?' thread, this has been idealized.

Josh (Josh), Friday, 13 June 2003 19:42 (twenty-two years ago)

another way of phrasing this (not sure if it's the same):

there are two kinds of music, bad music and music that the people who know the bad music is bad think is good, but disagree about.

Josh (Josh), Friday, 13 June 2003 20:14 (twenty-two years ago)

Josh of your three threads I find this one the most toothsome. But speaking of disingenuousness...is it just me, or is there something you're not saying outright that's the thing you're actually trying to say?

Either way, when I was fourteen years old my friend Steve and I used to sit up all night debating this question, going back and forth - we couldn't decide! It seemed obvious that everything must be a matter of opinion, our smug atheism made that much a given; yet how could anyone, we marvelled, not be able to hear that David Bowie was better than REO Speedwagon? Engaging with pure chart pop answered this question to my satisfaction for a while, but when you bring up "good taste," I think there is such a thing as authority. That is: I'd take Julio's taste in free jazz to be better than mine, 'cause he's heard more of it, and thus has access to (in a manner of speaking) a bigger alphabet.

am I not understanding the question?

J0hn Darn1elle (J0hn Darn1elle), Friday, 13 June 2003 20:40 (twenty-two years ago)

The best idea I've heard about "taste", as a thing that can be good or bad, is that it is best measured by one person's experiences over time. A person with "good taste" can identify things that they will end up always enjoying. A person with "bad taste" can't tell which of the things they like now they'll hate in ten minutes.

Although this suggests that the primary component of "good taste" may be stubbornness...

ara, Friday, 13 June 2003 20:56 (twenty-two years ago)

ara, that's a worthwhile way of thinking about taste (with its own problems, I'd guess), but I suppose the 'good taste' and 'bad taste' I was talking about cut across the distinctions you're making. a person can tell quite clearly that they'll always enjoy REO speedwagon, but to the 'elect' that I'm talking about / hypothesizing, that doesn't make their taste any better.

Josh (Josh), Friday, 13 June 2003 21:01 (twenty-two years ago)

josh, i think you're confused. this is ilm. we post large .jpgs here, and list songs by invidual bands.

jess (dubplatestyle), Friday, 13 June 2003 21:04 (twenty-two years ago)

you have no idea how seriously I considered posting these three questions to ile instead.

Josh (Josh), Friday, 13 June 2003 21:08 (twenty-two years ago)

DO YOU LIKE DAVE MATTHEWS BAND???

jess (dubplatestyle), Friday, 13 June 2003 21:11 (twenty-two years ago)

[giant picture of tree frog]

jess (dubplatestyle), Friday, 13 June 2003 21:11 (twenty-two years ago)

j0hn, there might be something like that, but if there is I don't know how to say it. I think these questions get at related but different things.

how did engaging with pure chart pop answer the question for you? and are you implying it stopped answering it?

regarding authority, I'm somehow tempted to quote nietzsche, but I don't even know anything about nietzsche. (i.e., why should a person with 'bad' taste give a shit about the authority of the person with good taste?)

Josh (Josh), Friday, 13 June 2003 21:13 (twenty-two years ago)

this might be a bit too direct, but i'd argue that every piece of music contains an infinite amount of properties/emotions/sounds/ideas and to each of these qualities listeners can attritube an infinite amount of judgements, including good and bad. attentive listeners will hear a larger amount of these things, and will be more capable/willing to identify their thoughts and feelings about them, while less attentive listeners might pick up only one or two or even none of these attributes. however, the attentive listener does not then have "good taste" and the distracted listener "bad taste," nor would i neccessarily prioritize the attentive listener's opinion over the inattentive one's (overcontextualizing/overanalyzing isn't made for some pieces of music). i guess the overall point is that taste is a ruse. it's a way for us to justify the things that we like. to connect dots where none exist. to create hierarchies of appreciation... i'm losing my train of thought.

Yanc3y (ystrickler), Friday, 13 June 2003 21:18 (twenty-two years ago)

Why subscribe to the PvsE stance? Well, I know one fringe benefit: once you become aware of this divide, you cannot but help to place yourself on the side of the elect. The self-flattery involved is one of the most suspect things about it.

One possible way to re-write the PvsE critical stance is this: there are people who can talk about music in a coherent and intelligent (non-tautological?) way, and there are people who can't or who don't care to. This removes A LOT of detail from your original stance: it says nothing about the music either the P or the E tend to like. This may be something to recommend about it.

Michael Daddino (epicharmus), Friday, 13 June 2003 21:30 (twenty-two years ago)

Actually, it seems that what Yancey just posted is another version of the PvsE rewrite above.

Michael Daddino (epicharmus), Friday, 13 June 2003 21:31 (twenty-two years ago)

Yeah, you phrased it more direclty, Michael. And I would like to distance myself from the "taste is a ruse" bullshit. I don't really believe that. I'd like to articulate why, but I'm braindead right now.

Yanc3y (ystrickler), Friday, 13 June 2003 21:59 (twenty-two years ago)

michael, I would think that removing that detail makes your version of it capture better a split between, say, rock and pop fans, or indie and commercial fans, or classical and 'pop' fans, any sort of 'more intellectual' music vs. 'less'. at least, according to many of the people on the left hand sides of those oppositions. on the other hand, a pop-loving elite that doesn't care to talk about music in a coherent and intelligent way can still conceive of itself AS an elite in the sense I'm talking about - it's their agreement on what's good that lets them do so.

Josh (Josh), Saturday, 14 June 2003 19:12 (twenty-two years ago)

''you have no idea how seriously I considered posting these three questions to ile instead.''

I'm glad you posted this here instead.

I think the thing for me is MONEY: I can only spend so much on records and you just make a judgement as to what you think its best.

nothing to do with 'taste' (i don't like that word, either).

Julio Desouza (jdesouza), Saturday, 14 June 2003 20:10 (twenty-two years ago)

bump

(I'd like to hear what j0hn has to say)

Josh (Josh), Monday, 16 June 2003 04:38 (twenty-two years ago)

The last part of the stance ("there can be no adjudicating...") is the most interesting, and can be addressed even if you reject the first two.

But I'll just say glibly that as a matter of social fact in 21st century North America and Europe, the claim that there can be no adjudicating is wrong, since people give reasons for their opinions all the time, persuade other people to re-listen, are persuaded themselves, sometimes hear with different ears and change judgments.

People give reasons and persuade others, but even when they get everyone they know to accept their opinions, they can't rest assured that the opinions will stand (otherwise, the opinions wouldn't be considered "opinions"). So - if we're the group in question here - we accept that opinions can be supported, and that some opinions can be better than others, whereas we also believe that no opinion is unassailable. And someone who holds out against the common opinion of the group, believes that Dave Matthews is better than James Brown (or that Hitler was a better man than Churchill, or whatever) can't be dismissed as insane in the way that someone who has seen me and knows me but believes I have no legs can be (even if my ideas have no legs). And everyone who isn't a social retard follows the social conventions I've described, no matter what he or she says in such forums as this. Which raises the question, what is going on when people claim, contrary to how they actually behave, that an opinion is just one person's word against another's and that there is no adjudicating.

Frank Kogan (Frank Kogan), Thursday, 26 June 2003 14:16 (twenty-two years ago)

as a matter of social fact in 21st century North America and Europe

Do other places not have these kinds of issues, and therefore go through life happy and carefree? Is this thread about snobby critics who write as if their opinions were fact, and the group of people who take their writings as such? Are facts just opinions that have become too tiresome or costly to society as we know it to contest? Are there any guarantees in life?

dleone (dleone), Thursday, 26 June 2003 14:35 (twenty-two years ago)

I assume other places do have these issues, I just don't claim to know their social conventions.

Frank Kogan (Frank Kogan), Thursday, 26 June 2003 14:54 (twenty-two years ago)


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