I played some of ______ to one of my friends (by and large a musical philistine) and he likened it to Road To Hell-period Chris Rea. While I don't wholeheartedley agree with this comment, it did start me thinking (not always a good thing).
Both you and your mates downstairs have heaped praise on this album til it sags in the middle: "The most important album since The Stone Roses and the best since Screamadelica"..."a dazzlingly innovative hybrid of ideas". The first of these in particular is a seriously heavy proclamation by anyone's standards. Talk like this sets off alarm bells around my head just as effectively as your (partly justified) Suede-induced fervour this time last year; I bought the CD blind anyway, figuring that there must be some grounds for this adulation.
It was pretty good, and after repeated listens, it got better. Questions, however, plagued my mind, competing for position alongside ______'s undeniably irresistable hooks. With all this talk of 'diversity', 'hybrids' and 'eclecticism', where does one draw the line? Where does 'eclectic' become 'unfocussed'? Where does 'hybrid' become 'frankly pointless amalgam of disparate styles'? It is possible to break down too much (sic) of the barriers between musical styles (to over-transcend boundaries, if you will).
Yes, ______ is a bloody good album, indeed it may well be the most important since The Stone Roses and the best since Screamadelica, but you lot, with your penchant for hype and scenes, are in grave danger of alienating your increasingly cynical readership, who may well not bother to follow up the hype, secure in the knowledge that you'll be slagging off the previously hyped band within a month or so.
Please stop giving bands so much to live up to; stop making your readers so wary that you're crying wolf. In the case of ______, you're not, but people will stop bothering to find this out if you're not careful. The music press will lose its influence. Don't let that happen. The press is important as a barometer of quality and as a means of reading opinions, but hype per se is unnecessary. Think about it, please.
― CharlieNo4 (Charlie), Friday, 4 July 2003 18:12 (twenty-two years ago)
1. Are any of my criticisms still valid today?
2. Do you think they printed it? (I found my hand-written copy in a drawer)
3. Where's my passion for the press gone in the last 10 years?
and finally,
4. What's the album? (I've left it blank, just for fun)
― CharlieNo4 (Charlie), Friday, 4 July 2003 18:16 (twenty-two years ago)
― jess (dubplatestyle), Friday, 4 July 2003 18:29 (twenty-two years ago)
― M Matos (M Matos), Friday, 4 July 2003 18:30 (twenty-two years ago)
mind you..."Rrrrrrrrewind! Rrrrrrrroad to hell!" Jess, maybe you're onto something ;-)
― CharlieNo4 (Charlie), Friday, 4 July 2003 18:33 (twenty-two years ago)
― M Matos (M Matos), Friday, 4 July 2003 18:34 (twenty-two years ago)
― Michael Daddino (epicharmus), Friday, 4 July 2003 18:37 (twenty-two years ago)
― Michael Daddino (epicharmus), Friday, 4 July 2003 18:38 (twenty-two years ago)
― Michael Daddino (epicharmus), Friday, 4 July 2003 18:39 (twenty-two years ago)
And I'm afraid I've been misleading you all - a little sleuthing reveals I must've written the letter in early 1994.
But you're still all way off beam thus far...
― CharlieNo4 (Charlie), Friday, 4 July 2003 20:45 (twenty-two years ago)
― scott pl. (scott pl.), Friday, 4 July 2003 20:51 (twenty-two years ago)
meaning the rec was released in '94? if so, i guess parklife
― weasel diesel (K1l14n), Friday, 4 July 2003 20:56 (twenty-two years ago)
Yeah, it came out early '94. But it wasn't Parklife, or indeed any other Blur.
Anyway, Parklife might've been seen as really good in '94, but not important, y'know?
Clue? Naaah...too easy.
― CharlieNo4 (Charlie), Friday, 4 July 2003 21:18 (twenty-two years ago)
Think...huge gigantic canine...sort of.
― CharlieNo4 (Charlie), Friday, 4 July 2003 21:22 (twenty-two years ago)
so, they'd released records before this? the "canine" clue only serves to puzzle me further!
― weasel diesel (K1l14n), Friday, 4 July 2003 21:30 (twenty-two years ago)
Oh I've blown it now.
― CharlieNo4 (Charlie), Friday, 4 July 2003 21:31 (twenty-two years ago)
― blutroniq (blutroniq), Friday, 4 July 2003 21:33 (twenty-two years ago)
In hindsight, it's still a great album and actually has stood the test of time quite well. However, it was nowhere near as good (or as important) as either Screamadelica, or The Stone Roses.
― blutroniq (blutroniq), Friday, 4 July 2003 21:35 (twenty-two years ago)
FWIW I reckon DNBWMHM's up there with both of the albums it was originally measured against in terms of perceived 'quality' and 'importance' - it's still my favourite Underworld album (even though I lent it, along with my now rare - I think, or at least it seems - US import compilation of a load of similar-era remixes, to somebody in 1999 and haven't seen either since), and one of my top 10 albums of the 90s, too.
So if we were to contemporise this letter and send it to NME, only changing the band names, who would we subsitute? C'mon, it'd be funny..!
― CharlieNo4 (Charlie), Friday, 4 July 2003 21:42 (twenty-two years ago)
― weasel diesel (K1l14n), Friday, 4 July 2003 21:56 (twenty-two years ago)
― CharlieNo4 (Charlie), Friday, 4 July 2003 22:00 (twenty-two years ago)
― DJ Martian (djmartian), Friday, 4 July 2003 22:10 (twenty-two years ago)
The interesting thing about the dance section in melody maker at this time (was it called Orbit?) was the amount of info they crammed in. Everything would be in about 4 point text - sometimed i reckon they got as many words into 4 pages as were in the rest of the mag. Of course, the only problem was that the ppl who wrote it (Ben Turner - one of the guys who them went off to start muzik) were a bit too much detroit worshippers that caused me to buy too many bad prog house and crap techno records. If only I'd have started listenign to Reynolds from the beginning - as part of the 'bing bang' issue, he was the lone voice in favour of jugle.hardcore, etc...
― Robin Goad (rgoad), Monday, 7 July 2003 07:18 (twenty-two years ago)
― gareth (gareth), Monday, 7 July 2003 09:02 (twenty-two years ago)
― Jim Eaton-Terry (Jim E-T), Monday, 7 July 2003 09:14 (twenty-two years ago)
― Jamie Johnson, Monday, 7 July 2003 09:45 (twenty-two years ago)
― Jacob (Jacob), Monday, 7 July 2003 10:04 (twenty-two years ago)
― CharlieNo4 (Charlie), Monday, 7 July 2003 10:42 (twenty-two years ago)
― Tico Tico (Tico Tico), Tuesday, 8 July 2003 10:18 (twenty-two years ago)
― Barney, Tuesday, 8 July 2003 15:47 (twenty-two years ago)
― Nicole (Nicole), Tuesday, 8 July 2003 16:17 (twenty-two years ago)
― Ned Raggett (Ned), Tuesday, 8 July 2003 17:31 (twenty-two years ago)
― Nicole (Nicole), Tuesday, 8 July 2003 17:34 (twenty-two years ago)
― Ned Raggett (Ned), Tuesday, 8 July 2003 17:35 (twenty-two years ago)
― Nicole (Nicole), Tuesday, 8 July 2003 17:36 (twenty-two years ago)
― N. (nickdastoor), Tuesday, 8 July 2003 17:38 (twenty-two years ago)
― Mary (Mary), Wednesday, 16 June 2004 07:22 (twenty-one years ago)
It's funny that anyone ever had such complete reverence for the Stone Roses.
― Dan I. (Dan I.), Wednesday, 16 June 2004 09:32 (twenty-one years ago)
― Chewshabadoo (Chewshabadoo), Wednesday, 16 June 2004 12:06 (twenty-one years ago)
― El Diablo Robotico (Nicole), Wednesday, 16 June 2004 12:11 (twenty-one years ago)
― Barry Bruner (Barry Bruner), Wednesday, 16 June 2004 21:25 (twenty-one years ago)
― AdamL :') (nordicskilla), Wednesday, 16 June 2004 21:26 (twenty-one years ago)
― AdamL :') (nordicskilla), Wednesday, 16 June 2004 21:27 (twenty-one years ago)
Anyway, riffling through said issues was more than a little bemusing. It was all very...weird. A full page article on Paw!
― Ned Raggett (Ned), Wednesday, 16 June 2004 21:37 (twenty-one years ago)
Is there any decent resource online that has either scanned articles or reprints from MM?
― eviltimeban, Tuesday, 2 May 2006 11:10 (nineteen years ago)
― fandango (fandango), Tuesday, 2 May 2006 11:38 (nineteen years ago)