http://image.allmusic.com/00/amg/pic200_web/drp100/p140/p14071y7055.jpg http://www.alicecoopershow.co.uk/ezrin/ezrin.jpg
Somewhat inspired by all the recent Kiss threads of late (KISS Music from the Elder: Brilliant or Trash, Kiss Symphony: Alive IV, etc.) I returned today to the definite article and slapped a tape of Destroyer in the ol' walkman whilst yutzin' around town running errands. I have to say, there a precious few albums like it. Let's review, shall we?
It must've seemed like a huge leap at the time from the garagey sound of the first three records and the whallop of Alive to the über-production of Destroyer (and I believe they claim they even lost fans over it), but twenty-someodd years later, it still sounds like nothing else on earth (though the band themselves certainly tried to replicate its sound, to no avail). From the echoey expanse of the sound, to the vast aresenal of theretofore taboo instrumentation (pianos all over the place, organs, female back-up vocals, church choirs and all those strings, oboes, french horns and woodwinds on "Beth".....and is that a fuckin' calliope on "Flaming Youth"?) it's a fucking herculean effort. Original pressings even came appended with a mysterious coda track reminiscent of the fabled "inner groove" of Sgt.Pepper's Lonely Hearts Club Band, featuring Paul Stanley ruminating about having parties to an obviously receptive audience while the choir from "Great Expectations" warble said silly song's chorus angelically). What an opus!
The songs themselves, of course, are the stars of the show. Arguably their finest selections are here, notably the epic "Detroit Rock City", the genuinely sinister sounding "God of Thunder" (written by Paul, actually), the anthemic "Shout It Out Loud" (which I've always preferred over "Rock'n'Roll All Night") and, of course, their power ballad-minus-the-power, "Beth." Maybe not "something for everyone," but it's a pretty wide array of offerings all the same.
Once again, though, what really sets it apart is Ezrin's touch. Lending the band so much sonic space to work within, it sounds as if it were recorded in the apse of the Cathedral of St.John the Divine in Upper Manhattan. Ace's guitars wail mournfully from far off corners of the huge room. Peter's drumming reverberates up from some dank lower chamber. Booming piano keys augment Gene's bass. Children's voices like demonic cherubim with leather bat wings flap and giggle all over "God of Thunder." It's a masterpiece, by gosh!
The track that struck me most today is one I've normally never given a great deal of thought to, but it just seemed so wonderfully ludicrous today that I couldn't stop smiling. "Great Expectations" is inflated with so much needless pomp and circumstance, that it's hard to believe it was recorded with a straight face. Basically an entirely presumptious excercise in self-mythologizing (written by Gene, naturally), painstaking detailing the hopes, dreams and aspirations of every self-(dis)respecting groupie ("you know what my fingers can do, and you wish you were the one I was doin' it to!"), Ezrin forgives Simmons' laughably pretentious preenings (I'm sure Ezrin was paid handsomely enough to overlook the band's ego problems) and bolsters proceedings with lilting pianos, drama-drenched surges of guitar and hauls in some innocent church choir of eunuched choir boys to chime in on the incongruous, Dickens-pilfering chorus (is Gene suggesting that it is indeed a great thing to expect sexual favors from the band?) Such hubris wouldn't rear its head some clumsily again until the unforgivale "Charisma" on the Dynasty album. But dressed up in Ezrin's magic, it's a fuckin' hymn.
I could go on and on, and already have. I haven't even touched on the cover, which remains one of my very favorite single images of all time.
So, anyway, raise your glasses (or ready your slingshots and prove me wrong) to praise Destroyer by KISS
― Alex in NYC (vassifer), Saturday, 2 August 2003 03:59 (twenty-two years ago)
― M Matos (M Matos), Saturday, 2 August 2003 04:17 (twenty-two years ago)
― Bryan Moore (Bryan Moore), Saturday, 2 August 2003 16:00 (twenty-two years ago)
― dave q, Saturday, 2 August 2003 16:48 (twenty-two years ago)
― dave q, Saturday, 2 August 2003 17:47 (twenty-two years ago)
― Nom De Plume (Nom De Plume), Saturday, 2 August 2003 23:06 (twenty-two years ago)
― Bryan Moore (Bryan Moore), Sunday, 3 August 2003 02:59 (twenty-two years ago)
Surely some benchmark for terse brilliance in rock and roll or out of it.
― Ned Raggett (Ned), Sunday, 3 August 2003 04:10 (twenty-two years ago)
― Ned Raggett (Ned), Sunday, 3 August 2003 04:40 (twenty-two years ago)
hahahaha- why...
― naturalaw-dp, Sunday, 3 August 2003 06:43 (twenty-two years ago)
― dave q, Sunday, 3 August 2003 07:24 (twenty-two years ago)
― Ned Raggett (Ned), Sunday, 3 August 2003 13:37 (twenty-two years ago)
(2) Unplugged. Ummmm. I don't mind it, but I'd be fibbing if I said I played it very often. I like the idea of it more than its actual execution.
(3) Haven't spun Gene's solo record in eons, but will do and get back to you on that. I remember quite enjoying "Living in Sin (at the Holiday Inn)" though.
― Alex in NYC (vassifer), Sunday, 3 August 2003 15:56 (twenty-two years ago)
http://www.kissasylum.com/kisstory/kiss73_b.jpg
― Ned Raggett (Ned), Monday, 4 August 2003 02:52 (twenty-two years ago)
― Sean (Sean), Monday, 4 August 2003 03:58 (twenty-two years ago)
― nnnh oh oh nnnh nnnh oh (James Blount), Monday, 4 August 2003 04:06 (twenty-two years ago)
― Ned Raggett (Ned), Monday, 4 August 2003 04:07 (twenty-two years ago)
Alright, regarding the cover.....just what the fuck is going on there? Are they running? Are they dancing? Are they celebrating in the wake of the destruction their unbriddled display of RÖCK wreaked on the smouldering city behind them? Also, what's with the gestures? Paul looks like he's doing the hokey-pokey. Peter's steering an imaginary bicycle, Gene is shadow-boxing, but....what's up with Ace? One finger feyly points at you, whereas the other hand holds four fingers up...signifying that it's their fourth studio album? Signifying the four members? Fingers extended to catch a descending pop fly?
And the back cover? Same shit, only....they're not there.
― Alex in NYC (vassifer), Monday, 4 August 2003 19:21 (twenty-two years ago)
― Mr. Diamond (diamond), Monday, 4 August 2003 19:27 (twenty-two years ago)
― Bruce Urquhart (Bruce Urquhart), Monday, 4 August 2003 19:31 (twenty-two years ago)
― Bruce Urquhart (Bruce Urquhart), Monday, 4 August 2003 19:32 (twenty-two years ago)
― alex in mainhattan (alex63), Monday, 4 August 2003 20:46 (twenty-two years ago)
Can't Nick Drake co-exist happily in your collection alongside Kiss? For same, Alex, for shame!
The only records I ever ditched out of shame were ones by Helix and Grim Reaper.
― Alex in NYC (vassifer), Monday, 4 August 2003 21:49 (twenty-two years ago)
― Orbit (Orbit), Tuesday, 5 August 2003 00:08 (twenty-two years ago)
re Grim Reaper -- did you ditch it before or after Butthead lobbed a spoonful of mashed potatoes at the "see you in hell" video?
― Tad (llamasfur), Tuesday, 5 August 2003 00:26 (twenty-two years ago)
― Bruce Urquhart (Bruce Urquhart), Tuesday, 5 August 2003 00:46 (twenty-two years ago)
http://image.allmusic.com/00/amg/pic200_web/drp000/p052/p05271i514s.jpg
― Tad (llamasfur), Tuesday, 5 August 2003 01:19 (twenty-two years ago)
― Bruce Urquhart (Bruce Urquhart), Tuesday, 5 August 2003 01:40 (twenty-two years ago)
― dave q, Tuesday, 5 August 2003 11:23 (twenty-two years ago)
Maybe they are leaping away from an explosion they just caused. It looks like they're all jumping, and there does appear to be an explosion behind them.
Since this thread appeared I've wanted to pick up an lp copy but haven't found one at a price I've wanted to pay. But buy one I will, thanks to Alex's enthusiasm.
― Sean (Sean), Friday, 29 August 2003 03:06 (twenty-two years ago)
The record is a document, for sure. And the sonic imitations of Sgt. Peppers are present from front to back. (Kiss definitely fancied themselves as "fab"). The building cacophony before the opening notes are a direct homage, as well as the abstract loops at the end.
Nobody mentioned "Do You Love Me", which certainly could be scoffed at because of Paul's absurd (but catchy) rap. And of course the lyrics are far-fetched: just like in Great Expectations, they're totally in-line with the entire larger-than-life concept of the band.
For me as an adolescent, KISS (especially this album) were the prefect bridge between Spiderman and John Lennon. As Rolling Stone said before me, Destroyer is truly the 496th greatest album of all time.
― Bobby Peru (Bobby Peru), Saturday, 9 July 2005 08:01 (twenty years ago)
― st. aul panley, Saturday, 9 July 2005 08:26 (twenty years ago)
Actually, that's Dick Wagner. Ace didn't show up that day.
― Kent Burt (lingereffect), Saturday, 9 July 2005 10:47 (twenty years ago)
― Alex in NYC (vassifer), Saturday, 9 July 2005 10:48 (twenty years ago)
― Alex in NYC (vassifer), Saturday, 9 July 2005 10:50 (twenty years ago)
It would take almost thirty years for anyone to come this close again...
Get my drink onAnd my smoke onThen go home with somethin' to poke on
― rogermexico (rogermexico), Saturday, 9 July 2005 16:28 (twenty years ago)
I would reserve that honor for Hard Luck Woman.
― Orbit (Orbit), Saturday, 9 July 2005 16:30 (twenty years ago)
I'm partial to "King Of The Night Time World." Also "Do You Love Me" b/c, y'know, sad clown...
― rogermexico (rogermexico), Saturday, 9 July 2005 16:34 (twenty years ago)
― p.j. (Henry), Saturday, 9 July 2005 16:59 (twenty years ago)
― Bobby Peru (Bobby Peru), Saturday, 9 July 2005 17:15 (twenty years ago)
― p.j. (Henry), Saturday, 9 July 2005 17:38 (twenty years ago)
― p.j. (Henry), Saturday, 9 July 2005 17:39 (twenty years ago)
Destroyer seems to be about the only Kiss album non-Kiss Army members will get behind almost un-selfconsciously. I'm not sure why that is, because it has the terrible Great Expectations and the possibly worse Beth. Flaming Youth is annoying as shit as well because it could almost be a really cool song, but Paul's delivery kills it for me.
― Neuromancer, Friday, 23 December 2005 13:12 (twenty years ago)
― Neuromancer, Friday, 23 December 2005 13:13 (twenty years ago)
― Neuromancer, Friday, 23 December 2005 13:14 (twenty years ago)
But Destroyer is a great album. It deserves praise! But, where's the praise for all this other great material?
― Alex in NYC, Sunday, 10 May 2009 14:12 (sixteen years ago)
― dlp9001, Sunday, 10 May 2009 18:26 (sixteen years ago)
(The original version of King, not by Kiss.)
― dlp9001, Sunday, 10 May 2009 18:28 (sixteen years ago)
Kiss' is better
― Alex in NYC, Sunday, 10 May 2009 18:38 (sixteen years ago)
Agreed. Just interesting.
― dlp9001, Sunday, 10 May 2009 18:47 (sixteen years ago)
True
― Alex in NYC, Sunday, 10 May 2009 18:48 (sixteen years ago)
OMG! I was soooooo going to post that Kim Fowley clip here. dlp9001, sometimes I think we were separated at birth (who are you???).
Destroyer has always been my fave Kiss even though it's the only album ever (except maybe some Hot Tuna) that I've heard only on 8-track. Why is it my fave? Cuz it's the most Kim Fowleyesque which turns out to mean it's their most meta. And most shameless.
― Kevin John Bozelka, Sunday, 10 May 2009 19:49 (sixteen years ago)