Squarepusher

I have no idea what you should expect from Jenkinson. Depends what the new stuff is like (okay, it's probably drill'n'cliche, but he might surprise).

Squarepusher is good fun live, but I second the "it's gonna be fucking loud" warning...and if you can dance to his whole set, you get a special prize!

exactly! i think the disinterested audience thing comes from promoters or whoever booking them in unsuitable venues. it's not a rock show...

Plaid on the other hand are awesome in every way! Can't wait to see them live again!

bumping because I'd forgotten that I like "Kodack" of Feed Me Weird Things a lot

Been soo long since I've listened to Squarepusher.

feed me's nostalgia factor is huge right now

http://squarepusher.net/shobaleader-one/

WTF? this is pretty great. Is it really Squarepusher or what?

Too widdly. Is it not just an act he's endorsing, or possibly producing?

Apparently it really is him, just a pseudonym. He released a single under the same name on Ed Banger last month. I think its awful, the last thing Jenkinson needs to do right now is some whack Ratatat tribute shit.

I liked Hello Everything quite a bit, he should do more jolly breakbeaty stuff like that. I've never been particularly into the jazz-funk side of his work.

Having said that, this album description is pretty good:

Just a Souvenir is an album by Squarepusher, which was released to the general listening public on October 27, 2008. The album was made available to purchase as a download from bleep.com on September 15, 2008.[1]

The album's genesis came from a daydream, in which Tom Jenkinson envisioned a rock band performing a concert against the backdrop of a large, glowing coathanger. The performance quickly became surreal: among other things, a river forces the band to kayak whilst performing; the guitarist is able to accelerate or decelerate time at will; and every drum in the drummer's kit begins to switch places with one another.[2] As such, the majority of the album consists of Jenkinson's own version of jazz fusion, threaded through with classical guitar, math rock and funk recordings.

Am I listening to the same thing as everyone else? I don't hear any widdlyness or Ratatat or jazz or breakbeat - more epic horror kinda goth/new wave stuff. I hope I was listening to the right thing and not Tim Exile or something.

this is pretty alright (remix is better):

http://soundcloud.com/hypetrak/sets/squarepusher-cryptic-motion-edits

did y'all hear that shobaleader one thing yet?

Has he done anything of merit since the "Do You Know Squarepusher" single?

Yes, a fair bit.

I like the Shobaleader One single, but the Mr Oizo mix was best.

I am still trying to get my head around the Shobaleader thing. Every time I hear it, halfway through I keep expecting to go somewhere, and it doesn't, so I really just want to take it off and put on Chrome Hoof instead.

Has he done anything of merit since the "Do You Know Squarepusher" single?

― Mr. Snrub, Friday, October 22, 2010 1:20 AM (8 hours ago) Bookmark

Hello Everything.

if you ever get to see him in an improv / jazz situation dooo it. it's fucking cool when he starts playing some wacky squarepusher bass shit in that context. i think pretty much everything he does is worth a listen just not always worth revisiting.

I've never been into his jazz improv stuff. If I wanted to listen to something like that I'd seek out people who've dedicated their careers to it, not a moonlighting IDM producer.

tbf he has been doing the jazz improv thing quite heavily for most of his career, or at least since Music Is Rotted One Note, which was 98? 97? That said I know what you mean because a lot of it is tributary rather than truly innovative.

a lot of it is tributary rather than truly innovative.

You put it better than I did.

Then again, while a lot of it might be trying to channel Bitches Brew through a bunch of warped-out synths, the man knows his jazz and is a remarkable bassist and drummer, so it's maybe doing him a disservice to slate a good 50% of his career as "Switched On Miles" or something. Especially when every so often he comes out with a "My Sound" or a "Underwatertorch" or a "Iambic 5 Poetry", all of which are very beautiful with hardly anything ostensibly electronic.

oh shit I haven't thought about "Iambic 5 Poetry" in YEARS

one of my all time favourite tracks. first time i heard it i was in Paris, which fits nicely.

iambic 9 is my favourite

wait... which one is the one on Budakhan Mindphone?

Has he done anything of merit since the "Do You Know Squarepusher" single?

― Mr. Snrub, Friday, October 22, 2010 1:20 AM (8 hours ago) Bookmark

Hello Everything.

― A brownish area with points (chap), Friday, 22 October 2010 10:51 (Yesterday) Bookmark

hold up, surely you mean this one?
http://blog.nettribe.org/user_images/36/03/413fda2a10b6644c37ccada81f58d43a.jpg

actually the non 1-D sub-Lightning Bolt rawk shite on Just A Souvenir was fun, if more diverting than classic - but still fuckloads better than the tripe Tom's put out this year.

Been catching up with the last few Squarepusher releases. Not convinced by Shobaleader, but surprised how good his Solo Electric Bass Vol1 thing is.

I didn't really like either, but Just a Souvenir was pretty great
Still, I can't help but feel he's not really trying anymore...?

new one seems super maximal and overdriven, with barely a deep breath in sight

I'm enjoying the new one. Very much continuing in a similar vein to the last one, unusually for him.

Just saw him with Shobaleader One in SF. Was expecting all Shobaleader songs with Tommy J going off and maybe a Squarepusher track as fan service, but instead it was an all Squarepusher cover set with them playing classics from almost every album from 1996-2007. I think they finally dropped a Shobaleader song for the encore. If you get a chance, check this show out! Some tracks I recall hearing:

Cooper's World - Hard Normal Daddy (opened the show)
Squarepusher Theme - Feed Me Weird Things
Iambic 5 Poetry - Budakhan Mindphone
Don't Go Plastic - Music Is Rotted One Note
A Journey To Reedham (7am mix) - Big Loada
Tetrasync - Ultravisitor
Hello Meow - Hello Everything

Of all the times I've seen him live (this was the 5th now) this had to be the most satisfying from a fan service perspective. And the drummer was NUTS. Incredible. RDJ in Houston? Squarepusher jamming his classics with a full band? What a time to be alive.

that sounds absolutely awesome, and exactly the sort of thing I have been wishing him to do for like, a decade now. this vid confirms:

https://www.youtube.com/watch?v=VypU8zojFsY

hopefully he releases a live disc, cuz damn

I decided to play Hard Normal Daddy after years of skipping over it in favor of other things and it is the best decision I've made in a long time.

you gotta hear his live band play the tracks it's incredible

https://www.youtube.com/watch?v=VypU8zojFsY

Dude seriously has one of the most detailed musician pages on Wikipedia I've ever seen:

https://en.wikipedia.org/wiki/Squarepusher

holy shit that video

the Journey to Reedham video is insane as well

https://youtu.be/IXtQDsf4gJA

"Wind down with CBeebies Daydreams, an hour-long journey that focuses on the finer details of the world to help you relax. Voiced by Olivia Colman and music by Tom Jenkinson."

https://www.bbc.co.uk/iplayer/episode/p062glb7/daydreams-cbeebies-wind-down

New album coming in January: Be Up a Hello

https://pitchfork.com/news/squarepusher-announces-first-album-in-5-years-shares-new-song-listen/

Squarepusher “returned to using a bewildering array of vintage analog and digital hardware, the same equipment that first helped him develop his sound in the early ’90s.”

The Fracture Remix of Vortrack is quite nice, and clearly has the old school hardware vibe he's going for. Album version is much weirder and has an interesting Aphex vibe. 90's instrumentation with modern side chaining. Not at all like the remix.

https://www.youtube.com/watch?v=59ke5hp-p3E

yeah I'd swear the album version of this was Aphex, at least until around the 3:30 mark when the percussion starts really going haywire

lots of discussion on my FB about whether the Fracture remix is by Fracture or not... bit confused.

Discogs says it is... but the Pitchfork write up implies it's TJ? Also confused. Tbf he's used random remix names in the past, like on Big Loada

Another one

https://www.youtube.com/watch?v=qtSJA_U4W1U

seems to be getting very good reviews has anyone heard it yet

No but a friend of mine who doesn't normally like Squarepusher told me he really likes it.

It sounds like '90s Squarepusher.

listening now and it's really nice and chunky and satisfying. agree, it's the closest thing to Hard Normal Daddy he's done in a while and while being bonkers, it's a lot more accessible - not as much jazzy experiments, more burbling drill'n'bass in a dustbin

i think this might be one of his most enjoyable albums for decades. that said, I don't know if (like almost all his albums since the mid-2000s) I'll listen to it once, enjoy it, and then feel weirdly guilty for never digging it out again

Not enough robots IMHO. "Nervelevers" and "80 Ondula" are the keepers.

lol at opening the record with pachelbel's canon

Feels like a merge between the song structure and musical styles he refined with Hello Everything and Ufabulum combined with his old school gear and editing circa HND. Not sure it will have the staying power of those aforementioned releases, but it's definitely a solid album

I felt like I lost track of Squarepusher c Ultravisitor, which felt really messy and sprawling to me at the time, even for him. Never managed to get back on the Squarepusher train despite probably having heard every album since. But I do remember Hello Everything being good

Why are Tommib and Beep Street his most listened-to tracks on Spotify? Strange...

Maybe Tommib is on a bunch of ambient playlists, plus it's short, but Beep Street never struck me as a SP highlight to be standing over Red Hot Car and Iambic 5 Poetry...

I'm taking a worldwind tour of his discography now.
each album has its own vague overall vibe.
But each one also suffers from wild oscillationgs between tear-out drill'n'bass rave, abstruse avant-jazztronica and the odd ambient or acoustic tune which would otherwise be considered quite pretty.
It's Druqks syndrome all over again - the feeling of listening to three or four albums on shuffle rather than a consolidated whole.
And while that tension can sometimes works, more often than not it's a jarring, implacable listen that never really settles into a groove.
'Hello Everything' starts with a bunch of fun upbeat bangers but halfway through the album it suddenly switches to three consecutive tracks of quiet, contemplative ambient jazz.
This is all very well, but for me as a listener I'm rarely in the mood to be buffeted around in this way.
It's nice that he's showing off his musical range, but it leaves me wondering how wide that range is, when he's released so many albums now that swing from what is ultimately two essential styles.
Personally I'd much rather he released records like 'Music Is Rotted One Note', which was more focused on his jazz/experimental sound and kept the ravey stuff for other releases rather than trying to cram everything into one claustrophobic assortment box. It would let his range express itself more.

one recent-ish record of his I really dug was Just a Souvenir, in which he seemed to force himself to cut the unnecessarily abrasive & doodly stuff and just rock out. I think his audience at large didn't like it but I found it kinda charming.

Listening to the new one after enjoying his RA Exchange interview. It's really good, even though it sounds more like a video game soundtrack than anything else. There's usually a backbeat or a riff that keeps things from going off the rails entirely into squelchy madness.

Just A Souvenir is one of his best

New album continues my personal theory that you could make a “best of squarepusher” album consisting of only the first full-length track on each of his albums/EPs/singles and it would be comprehensive.

You would miss 'Don't Go Plastic', 'Beep Street' and 'UFOs Over Leytonstone' at least.

Just looking at Squarpusher LPs on wiki, hoo boy that Pitchfork review of Go Plastic is one of the wrongest things I have ever read.

returning to stuff I haven't really played since SOY (start of year), forgot how awesome Be Up A Hello is

so many good records (including this one) came out before covid and it literally feels like 2 years ago

yeah thought the same about Dan Deacon's new album, I was like no way did this come out in 2020

Feed Me Weird Things 25th anniversary edition coming out June 4th!

https://www.youtube.com/watch?v=OySHlQzk8bY

enjoyable

they say that if you remember the 90s you weren't really there but that it's okay because you probably weren't doing anything that exciting anyway. but this guy was there and he remembers how many people have tried to yell things to him in a crowded club and he never heard a word they said and he's gonna play a bass solo on your heart.

https://www.youtube.com/watch?v=yTlSo_9Ef1s

It rips.

The solo bass tracks are lovely, I wish it was a whole album of that.

it does rip, but as usual, find it weirdly hard to digest for something that rips. squarepusher rips but doesnt stick, i guess.

Not heard the album yet but that's exactly how I've felt about the last several Squarepusher albums. I'd really like to be able to come back to them more, cos he's great, but it can feel like a task

the first single didn't really do much for me at first, but once I got into the whole album I really like it. My impression is that it's a bit of a throwback in some ways but there are moves in the production that he absolutely could not have done in the past. I think he's a total genius who has always made very sophisticated music.

Warp is proud to present an expanded and remastered version of Ultravisitor, to coincide with the 20th anniversary of its initial release.

This limited one-time pressing will be available as 3LP and 2CD editions, carefully remastered from the original sources by Jason Mitchell at Loud Mastering and overseen by Tom Jenkinson. Never entirely satisfied with the sound of the original release, Tom has taken the opportunity to bring out fresh dynamics and detail in the tracks.

Bonus album Venus No.17 Maximised is compiled from material originally released as part of the Ultravisitor promo EP, the Square Window 3” CD (a free bonus disc given out with WarpMart pre-orders of the Ultravisitor album) and the Venus No.17 EP. The accompanying booklet contains photographs, posters and recording documentation from Tom’s archive.

Ultravisitor (20th Anniversary Edition) can be pre-ordered now, and will be released on 25 October via Warp Records.

VINYL

- Limited to 5,000 copies worldwide; numbered sticker on outer packaging.

- All tracks remastered from the original sources.

- Black Ultravisitor 2LP in 5mm-wide spine sleeve; printed inner sleeves.

- Bonus Venus No.17 Maximised 1LP in a square die-cut sleeve; poly-lined inner.

- 16 page 12" x 12" booklet.

- All housed in printed O-card outer sleeve.

CD

- Limited to 2,000 copies worldwide; numbered sticker on outer packaging.

- All tracks remastered from the original sources.

- Two discs in printed card wallets: Ultravisitor + Venus No.17 Maximised.

- 20-page booklet.

- All housed in printed O-card outer sleeve.

DIGITAL

- On streaming services, the existing Ultravisitor and Venus No.17 will be refreshed as Ultravisitor (Remastered) and Venus No.17 Maximised, which includes the original EP as well as tracks from Square Window that have previously not been available digitally.

Fucking right!!!!

I just picked up the vinyl remaster of Ultravisitor (without the 3rd LP) - seems like this got a broader release? Regardless, it sounds amazing, and this might very well be my favorite album from Tommy J. FWIW I noticed the 3LP limited 20th anniversary version is still available from his web site, but not Warp though

he's doin stuff again

https://www.youtube.com/watch?v=cAvdRtOdRcM

I Think this is the first time I've been genuinely quite excited about a new Squarepusher album since the early 2000s.

Sick track and video, this is maybe the most Tortoise he's ever been. Love how the drum machine beat gets gradually faded down in the mix.