Haven't done one of these is a while, but I feel truly remiss in not bestowing this honor on an album as magnificent as this. So, joining the ranks of Destroyer, Nothing's Shocking, It'll End in Tears, Group Sex, The Fat of the Land, The Kings of the Wild Frontier, and Mothership Connection, I give you....Q:Are We Not Men? A:We Are Devo
Inspired by recently picking up their dizzyingly exhaustive new bio of the same name by Jade Dellinger and David Giffels, I was recently struck by how very few albums make me a unabashedly happy as this positively seminal classic. I do remember seeing them on "Saturday Night Live" and thinking they were just another surreal sketch until a few weeks later I wrapped my ears around this record. They seemed a thousand times more subversive than conventionally 'dangerous' bands like the Ramones and the Sex Pistols and Kiss. There was truly NOTHING like them (before or since).
But beyond their singularly bizarre and unique aesthetic, there were actually hugely satisfying tunes on this debut album. Even if you were put off by the yellow suits and the whole schtick, "Uncontrollable Urge", "Praying Hands", "Gut Feeling" and of course "Mongoloid" and "Jocko Homo" (to say nothing of their notorious cover of "Satisfaction") are just simply great, great songs. Eno's production is sharp and suitably alien sounding, retaining their raw edge, but filtering it through a patina of strangely sythetic sounding elements. And unlike some of their later records (wherein they truly succumbed to de-evolution, quality-wise) this album quite literally ROCKS!
As an extra bonus, I remember my older sister getting actively disquieted by their unflinching weirdness (most evident on "Shrivel Up" and "Too Much Paranoias"...to say nothing of the thoroughly inexplicable faux-Chichi Rodriguez-morphing cover art) and what's not to love about that when you're a perpetually disagreeable twelve year old? The fact that this album acted as a palpable irritant to my family (way more so than Kiss etc.) as well as thoroughly rocking made it a virutally priceless addition to my then fledgling record collection.
It's younger brother, Duty Now for the Future is also positively brilliant in the same wonderfully deranged manner, but after than, the band seemingly acquiesced to the demands of the music industry. The albums were still dazzlingly fresh and unfailingly interesting, but they seemed a bit de-fanged and housebroken after Freedom of Choice, the album that firmly tied the one-hit-wonder albatross that was "Whip It" around their collective neck. They would never again sound so alive and frantic as on Q:Are We Not Men?..
If you can't appreciate this album for the thing of unique brilliance that it is, truly someone has sucked the marrow of life out of your joyless bones. Discuss.
― Alex in NYC (vassifer), Tuesday, 7 October 2003 13:40 (twenty-one years ago)
― nickalicious (nickalicious), Tuesday, 7 October 2003 14:00 (twenty-one years ago)
― BrianB, Tuesday, 7 October 2003 14:05 (twenty-one years ago)
This is the album that I grab every time I need a good jolt. It's the album that I use as a reference disk (both in a sonic and creative sense) when I need to assess the quality of my own band's work. And it's the record I force all my friends to listen to, especially if they smirk and make some snide "Whip It" comment upon hearing the name of the band.
― damion666, Tuesday, 7 October 2003 14:07 (twenty-one years ago)
Hard to believe, ain't it.
― Alex in NYC (vassifer), Tuesday, 7 October 2003 14:36 (twenty-one years ago)
― Vinnie (vprabhu), Tuesday, 7 October 2003 15:24 (twenty-one years ago)
― peepee (peepee), Tuesday, 7 October 2003 15:48 (twenty-one years ago)
― your null fame (yournullfame), Tuesday, 7 October 2003 16:56 (twenty-one years ago)
They never came close to this level of consistency or originality in the 80s. And that only adds to this record's mystery.
― damion666 (damion666), Tuesday, 7 October 2003 17:04 (twenty-one years ago)
The live Now it Can be Told from the Total Devo is actually pretty good. All the archival stuff (the Hardcore Devovolumes, Recombo DNA, etc.) on Rhino and Rykodisc are also pretty great, if much rougher around the edges.
― Alex in NYC (vassifer), Tuesday, 7 October 2003 17:28 (twenty-one years ago)
― Alex in NYC (vassifer), Tuesday, 7 October 2003 17:29 (twenty-one years ago)
― scott m (mcd), Tuesday, 7 October 2003 17:41 (twenty-one years ago)
― damion666 (damion666), Tuesday, 7 October 2003 17:51 (twenty-one years ago)
i also really really remembering liking the song "Dr. Detroit" when it was in video rotation.
― gygax! (gygax!), Tuesday, 7 October 2003 18:10 (twenty-one years ago)
I can see where you're coming from. Fact is, it's hard for me to directly associate the debut with the rest of their output. Even as I read your post, I thought, "Well, yeah, I would put Freedom of Choice high on my list, too." But I almost don't even think of those as being products of the same band, probably because there must've been a two-year period of total Devo silence between the time I stopped listening to Freedom of Choice religiously and the day I found Q:... in my brother's record collection.
And as much as I love to bash "Dr. Detroit," it's been playing in my head all afternoon. I must've devoted some serious time to it at some point in my youth.
― damion666 (damion666), Tuesday, 7 October 2003 18:29 (twenty-one years ago)
― Alex in NYC (vassifer), Tuesday, 7 October 2003 18:35 (twenty-one years ago)
― donut bitch (donut), Tuesday, 7 October 2003 18:37 (twenty-one years ago)
I'm with you on this one. A high school friend and I once drove from Philomath, Oregon (don't ask) to Spokane, Washington -- call it an 8-hour drive. It was my friend's car, and he only owned two cassettes, Now it Can be Told and Beelzebubba by the Dead Milkmen. We rarely had to flip a coin.
― damion666 (damion666), Tuesday, 7 October 2003 18:42 (twenty-one years ago)
― Alex in NYC (vassifer), Tuesday, 7 October 2003 18:43 (twenty-one years ago)
― scott m (mcd), Tuesday, 7 October 2003 19:18 (twenty-one years ago)
― Alex in NYC (vassifer), Tuesday, 7 October 2003 19:22 (twenty-one years ago)
It really changed the way I looked at music. It geeky and intelligent but very raw and challenged my music sensabilities. I was left thinking "Damn I love this, but why?". It wasn't "Waaah, everyone makes fun of me" geeky like the indie kids with glasses at the time. It was more like a science project gone horribly right.
I could sit here and go track by track and say what each did for me, but that would be pages of selfabsorbed writing. It's one of the only albums I own on CD and vinyl. It's the album that reminds me music doesn't have to be pretentious to be intelligent, and that music doesn't have to be stupid to be honest. Oh yeah, and it reminds me to let myself enjoy what I enjoy despite what anybody thinks or says.
It also reminds me of the two times I got to make my entire High School think "What?" simultaneously: When I played "Uncontrollable Urge" and Kraftwerk's "Numbers" as the lead in song to the morning announcements.
― Mike Salmo (salmo), Tuesday, 7 October 2003 23:45 (twenty-one years ago)
― Annouschka Magnatech (Jody Beth Rosen), Tuesday, 7 October 2003 23:58 (twenty-one years ago)
Well, honestly, I'm only about forty pages into it (out of 208), and I have to say....it's a bit overwhelming in the minutae department. I mean, it's interesting to a degree, but they really could've edited pretty heavily.
― Alex in NYC (vassifer), Wednesday, 8 October 2003 01:25 (twenty-one years ago)
― Hammy (hammy), Wednesday, 8 October 2003 20:38 (twenty-one years ago)
― dave q, Thursday, 9 October 2003 09:42 (twenty-one years ago)
― Alex in NYC (vassifer), Thursday, 9 October 2003 12:51 (twenty-one years ago)
― Dadaismus (Dada), Thursday, 9 October 2003 13:27 (twenty-one years ago)
― Alex in NYC (vassifer), Thursday, 9 October 2003 15:36 (twenty-one years ago)
― dave q, Friday, 10 October 2003 09:15 (twenty-one years ago)
Does the book go into much detail about the early Akron scene? Or is it totally Devo?
― dave225 (Dave225), Friday, 10 October 2003 12:38 (twenty-one years ago)
― Alex in NYC (vassifer), Friday, 10 October 2003 15:54 (twenty-one years ago)
― dave225 (Dave225), Friday, 10 October 2003 15:59 (twenty-one years ago)
― Alex in NYC (vassifer), Friday, 10 October 2003 16:02 (twenty-one years ago)
― jel -- (jel), Friday, 10 October 2003 16:13 (twenty-one years ago)
Seeing that I'm not bringing in a paycheck yet since my recent honorable discharge from the USAF, I was thinking that if I did a quasi-Forest Gump thing and got lots of media attention by walking from the balto-dc area over to Mutato Muzika in California non-stop just to ask Mothersbaugh for a job there, he'd pretty much have to hire me, huh?
― Helltime Producto (Pavlik), Friday, 10 October 2003 16:58 (twenty-one years ago)
― nickn (nickn), Saturday, 11 October 2003 05:37 (twenty-one years ago)
The latter albums after Freedom of Choice aren't given as much time/detail, but that's to be expected, I suppose. Still....worth reading, if you're a Devotee.
― Alex in NYC (vassifer), Sunday, 19 October 2003 13:05 (twenty-one years ago)
― dave q, Sunday, 19 October 2003 15:27 (twenty-one years ago)
― Alex in NYC (vassifer), Sunday, 19 October 2003 23:41 (twenty-one years ago)
― Alex in NYC (vassifer), Monday, 20 October 2003 15:31 (twenty-one years ago)
When I'm flyin' round the worldAnd I'm doin' this and I'm tryin' thatAnd I'm tryin' to make some girlWho tells me...baaaaabybabybabybabybabybabybabybabybabybabybabybabybabybabybabybabybabybabybabybabybabybabybabybaby
― The Jupiter 8 (Turrican), Friday, 29 June 2012 15:33 (twelve years ago)
this truly is in like the top 5 or so of greatest albums ever released
― frogbs, Friday, 29 June 2012 15:42 (twelve years ago)
If you can't appreciate this album for the thing of unique brilliance that it is, truly someone has sucked the marrow of life out of your joyless bones.
WORD
― skip, Friday, 29 June 2012 15:44 (twelve years ago)
also I don't think ppl should be afraid to pick up anything up to New Traditionalists. NT is definitely where things started to go downhill but track-for-track that album is great. "Race of Doom" is definitely their most underappreciated tune in terms of pure catchiness
― frogbs, Friday, 29 June 2012 16:05 (twelve years ago)
.. it's not underappreciated in this house.
love it.
― mark e, Friday, 29 June 2012 16:10 (twelve years ago)
This is a great album but Duty Now For The Future is my favourite. I'd say the first five albums are all worth owning.
― Kitchen Person, Friday, 29 June 2012 18:44 (twelve years ago)
i'm with you up through new traditionalists, but i think there's some slippage visible on oh no! it's devo. are we not men? will always be my favorite.
― contenderizer, Friday, 29 June 2012 18:50 (twelve years ago)
Almost everything they did up to around 1982 is good to great. The anthology and Recombo DNA sets have a lot of great early stuff on it. Also there's like the Oh, No era B-side "Find Out" which was pretty good. I don't know how they got so godawful afterwards - not even just with their albums, but with everything. Like they went from "not really trying anymore, but still pretty fun" with Oh No to actively shitty with Shout (which had a few tracks I liked) to downright unbearable.
― frogbs, Friday, 29 June 2012 18:53 (twelve years ago)