Frank Zappa vs. Billy Joel

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Both strip-mine every conceivable (commercial) pop form and recontextualize the stolen surfaces to suit their own purposes, by way of using studiocraft/chops to 'improve' the source materials. (You want complicated chopsy fusion? 'Hot Rats' = '52nd Street'. Originals that sound like oldies? 'Cruisin' with Ruben & the Jets' = 'Innocent Man'. Fake new wave w/social satire? "Tinseltown Rebellion" = "Still Rock'n'Roll to Me"!) Detractors really hate both not only because the 'authenticity' has been sucked out of the forms they pillage, but because the deliberately fake music is coupled with lyrics characterized by 'satire' of the smug, sneering variety (i.e. not the 'passionate, angry' kind). "Brown Shoes" and "Captain Jack" are practically the same song for chrissakes! Both seem contemptuous of people who live at home (usually in the suburbs) and go clubbing ("Dancin' Fool" = "All You Want to Do is Dance", "Yo' Mama" = "Movin' Out"), girls named Assumpta ("Catholic Girls" = "Only the Good Die Young"), castrating bitches ("Jones Crusher" = "Stiletto"), and the wearying predictability of humans whose heads are not screwed on as tightly as theirs ("Trouble Every Day" = "We Didn't Start the Fire"). Neither made it on the basis of looks, either. Fans of both, find a way out of this one!

dave q, Thursday, 30 August 2001 00:00 (twenty-four years ago)

I don't want to punch Frank Zappa in the face and crush him beneath a very slowly driven steamroller. I also argue that from where I stand the distinction between the two is that at his best Zappa was in fact funny and crabbily entertaining whereas throughout his career Joel *thinks* he is funny and crabbily entertaining.

Ned Raggett, Thursday, 30 August 2001 00:00 (twenty-four years ago)

billy joesl - _he_ got dumped by a supermodel.

Geoff, Thursday, 30 August 2001 00:00 (twenty-four years ago)

I never realized billy Joel was trying to be funny. Damn!

Nude Spock, Thursday, 30 August 2001 00:00 (twenty-four years ago)

i am being TORMENTED by billy joel these past few days. first in the record shop, then in the mention of my high school reunion, and now here. where can i be safe? this is a serious question

maura, Thursday, 30 August 2001 00:00 (twenty-four years ago)

You went to high school with Billy Joel?? Blimey Maura you've aged well.

Tom, Thursday, 30 August 2001 00:00 (twenty-four years ago)

My mom is from Billy Joel's town.

Ally, Thursday, 30 August 2001 00:00 (twenty-four years ago)

dave, this is a funny question, but I'll argue they aren't the same at all because Joel was a singer-songwriter in an sorta-kinda updated Brill Building sense, while Zappa really wanted to be a "serious" composer, even a "classical" composer. Joel's records were hits because of their catchiness, Zappa's few chart successes were all novelty records, dismissed by his fans.

btw, I can't stand either.

Sean, Thursday, 30 August 2001 00:00 (twenty-four years ago)

Yeah, but Joel's writing classical music now. The coincidences continue to unfold....

M. Matos, Thursday, 30 August 2001 00:00 (twenty-four years ago)

I, on the other hand, would punch Joel in the face and spare the steamroller for Zappa, and make sure it went very, very, very, very slowly

Mark Morris, Friday, 31 August 2001 00:00 (twenty-four years ago)

Where the HELL is Tadeusz?

dave q, Saturday, 1 September 2001 00:00 (twenty-four years ago)

> Where the HELL is Tadeusz?

Well, I'm right here of course :-)

This is kind of a silly and superficial comparison. I say this not having heard a note of Mr. Joel's classical composing, but until recently I don't think Joel wanted to be seen as anything more than a pop songwriter while Zappa was always pretty upfront about wanting to be seen as a composer. Additionally, Joel's work doesn't have the (for lack of a better term) "conceptual continuity" that FZ consciously and consistently put into all of his work. I mean to say that even in Zappa's most negligible stuff (IMHO, of course, as to what that was), you could always detect some link, musically or lyrically, to something he'd done before; I just don't hear that in Joel's music. Additionally, and this is gonna sound pretentious so forgive, but FZ was pretty thoroughly modernist (arguably post-modernist) in his music and outlook and the sources from which he drew upon, trying to take whatever musical ideas he had (whether from doo-wop, rock, or folks like Varese and Stravinsky) further; Joel seems much more classicist, looking backwards to Tin Pan Alley-style songwriting (and I would imagine that his classical tastes would lean more towards Mozart, Chopin and Schubert than Stravinsky or Varese) and integrating anything more new or modern within that musical framework.

I don't mean to knock Billy Joel or exault Frank Zappa simply on the basis of the foregoing. I've even been known to stick up for Billy Joel on occasion -- I think he has written pleasant enough music at times, the main problem being that it's overplayed.

As for the similarity in lyrical conceits -- I think that's just something of a parlor game, that you could match any 2 musicians and play. Billy Joel and Thom Yorke, or Frank Zappa and Madonna. Anyone game for either of those? :-)

Tadeusz Suchodolski, Monday, 3 September 2001 00:00 (twenty-four years ago)


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