― toby (tsg20), Sunday, 16 November 2003 16:32 (twenty-two years ago)
― David Allen, Sunday, 16 November 2003 19:16 (twenty-two years ago)
― the surface noise (electricsound), Sunday, 16 November 2003 22:30 (twenty-two years ago)
― keith (keithmcl), Monday, 17 November 2003 02:03 (twenty-two years ago)
― the surface noise (electricsound), Monday, 17 November 2003 02:07 (twenty-two years ago)
― keith m (keithmcl), Monday, 17 November 2003 02:28 (twenty-two years ago)
― the surface noise (electricsound), Monday, 17 November 2003 02:29 (twenty-two years ago)
― keith m (keithmcl), Monday, 17 November 2003 02:32 (twenty-two years ago)
― the surface noise (electricsound), Monday, 17 November 2003 02:35 (twenty-two years ago)
― keith m (keithmcl), Monday, 17 November 2003 02:58 (twenty-two years ago)
I saw The Orphan of Zhao - I'd say there was probably less than twenty minutes of Merritt music. There were definitely pop melodies going on, but the instruments used were a Chinese lute, a tinny-sounding one-stringed thingie (I forget the name), and an autoharp. So, it didn't sound like any Merritt recordings. One of the songs went something like, "What a lovely fucking day!", which the audience got a kick out of.
He's also working on music for an event in Amsterdam in 2005 celebrating the work of Hans Christian Andersen. Here's part of an interview that appeared in Magnet (thanks, Google):The form of the [Hans Christian Andersen] play is even more unclear, because there’s no story to work with. At this point, I could make an episode of The Jeffersons and call it Hans Christian Andersen. Though I suppose it would have to be three episodes of The Jeffersons. With a lot of geese.
― Ernest P. (ernestp), Monday, 17 November 2003 12:58 (twenty-two years ago)