― Savin All My Love 4 u (Savin 4ll my (heart) 4u), Friday, 21 November 2003 04:04 (twenty-one years ago)
― the surface noise (electricsound), Friday, 21 November 2003 04:09 (twenty-one years ago)
― spittle, Friday, 21 November 2003 04:10 (twenty-one years ago)
― Matt Helgeson (Matt Helgeson), Friday, 21 November 2003 04:17 (twenty-one years ago)
― @d@ml (nordicskilla), Friday, 21 November 2003 04:19 (twenty-one years ago)
― Matt Helgeson (Matt Helgeson), Friday, 21 November 2003 05:21 (twenty-one years ago)
― Sarah Pedal (call mr. lee), Friday, 21 November 2003 05:24 (twenty-one years ago)
― Matt Helgeson (Matt Helgeson), Friday, 21 November 2003 05:25 (twenty-one years ago)
― M Matos (M Matos), Friday, 21 November 2003 06:32 (twenty-one years ago)
― Broheems (diamond), Friday, 21 November 2003 06:54 (twenty-one years ago)
― M Matos (M Matos), Friday, 21 November 2003 07:01 (twenty-one years ago)
― Matt Helgeson (Matt Helgeson), Friday, 21 November 2003 07:02 (twenty-one years ago)
― Tico Tico (Tico Tico), Friday, 21 November 2003 09:27 (twenty-one years ago)
eh?
― gaz (gaz), Friday, 21 November 2003 09:29 (twenty-one years ago)
He means the various 'phasey', flangey whatever studio effects the vocals, particularly the backing vocals, are processed through. It's become the hallmark of r&b production to make them sound a bit 'freaky' (not 'beautiful' like '80s Jam & Lewis or something). I suppose it fits the sleazy lyrical content in many cases (perhaps that's what lies at the root of the trend). But otherwise it's just become something producers do because everyone else is doing it.
― David (David), Friday, 21 November 2003 11:50 (twenty-one years ago)