http://www.nytimes.com/2003/11/23/arts/music/23SANN.html
― marcg (marcg), Sunday, 23 November 2003 14:05 (twenty-two years ago)
― Sterling Clover (s_clover), Sunday, 23 November 2003 23:13 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Monday, 24 November 2003 00:36 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Monday, 24 November 2003 00:40 (twenty-two years ago)
― marcg (marcg), Monday, 24 November 2003 00:43 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Monday, 24 November 2003 00:48 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Monday, 24 November 2003 00:55 (twenty-two years ago)
― M Matos (M Matos), Monday, 24 November 2003 01:51 (twenty-two years ago)
― Sterling Clover (s_clover), Monday, 24 November 2003 03:02 (twenty-two years ago)
― Sterling Clover (s_clover), Monday, 24 November 2003 03:03 (twenty-two years ago)
i have to admit now that what i must have thought was "rockism" must have only been its shadow.
what i am trying to get at is that he is probably introducing this concept to people who might not have heard of it (i certainly had not before i started reading ilm) and opens up the debate neatly and thoughtfully. it would seem that music criticism (as in non-theoretical, non-conservatory-based inquiry) is a relatively new discipline and he takes something that everyone can understand (top 1000 list) to put things in perspective. i think that's why i liked the last paragraph because it was a direct and tangible example of non-rockist (uhh, is that right?) thinking.
― marcg (marcg), Monday, 24 November 2003 03:17 (twenty-two years ago)
i mean rockism isn't a preference for a time period or a volume per. se but rather the POSITING of a canon of "authenticity" (what constitutes it can be debated by rockists among others) tied to ideas of "influence" the idea of "progressive development" in music and a sort of teleological triumphalism towards certain canonical acts. Also, more narrowly the idea of craft, authorial intention, technique as meters of "quality".
Rockism is your high school english teacher explaining why Dylan was the greatest. Rockism is The Guardian comparing Eminem to Donne.
Sanneh isn't much of a rockist I think, but neither does he strike me as an anti-rockist. His tastes run fairly conventional as do his quips, but he avoids overt rockist judgements mainly by virtue of acting more as a strict journalist. What people actually listen to, he says, would be a more interesting guide but probably a WORSE one. (i.e. he sez the "rockist" canon of the guide is better at appreciating quality than what ppl. actually listen to. this is a funny line of argument -- "rockism isn't very interesting, but its sorta right")
― Sterling Clover (s_clover), Monday, 24 November 2003 04:02 (twenty-two years ago)
― douglas in exile, Monday, 24 November 2003 05:19 (twenty-two years ago)
― Sterling Clover (s_clover), Monday, 24 November 2003 05:37 (twenty-two years ago)
http://www.radaronline.com/exclusives/2008/03/kelefa-sanneh-leaves-nyt.php
Item!
― deej, Monday, 3 March 2008 00:08 (eighteen years ago)
Weird eyebrows
― Dom Passantino, Monday, 3 March 2008 00:13 (eighteen years ago)
who will do exceedingly well-written trend pieces on grime for nebraskan debate coaches now
― BIG HOOS aka the steendriver, Monday, 3 March 2008 00:35 (eighteen years ago)
it would be better if radar said something like: 'sasha frere-jones was expected be moved to finalize the trade, along with a 2nd round draft pick and cash considerations.'
― fukasaku tollbooth, Monday, 3 March 2008 00:39 (eighteen years ago)
omg i wonder if an ilxor will snatch that open critic at the NYT!
― Wrinklepaws, Monday, 3 March 2008 12:43 (eighteen years ago)
open critic job..