― jack cole (jackcole), Sunday, 23 November 2003 18:39 (twenty-two years ago)
― Andrew L (Andrew L), Sunday, 23 November 2003 18:47 (twenty-two years ago)
and both are on one cd via rhino.
― jack cole (jackcole), Sunday, 23 November 2003 18:48 (twenty-two years ago)
― Ian Johnson (orion), Sunday, 23 November 2003 20:08 (twenty-two years ago)
― Jazzbo (jmcgaw), Sunday, 23 November 2003 21:09 (twenty-two years ago)
― Colin Beckett (Colin Beckett), Sunday, 23 November 2003 22:26 (twenty-two years ago)
from "old friend", album II
― jack cole (jackcole), Monday, 24 November 2003 01:40 (twenty-two years ago)
III as well.
― Baked Bean Teeth (Baked Bean Teeth), Monday, 24 November 2003 04:24 (twenty-two years ago)
The Atlantic Recordings on Rhino Handmade which has the first 2 records is really good.
― gygax! (gygax!), Monday, 24 November 2003 16:31 (twenty-two years ago)
Hey, push came to shoveWe fell out of loveWe tore each other apartLove is grand but I can't understandWhy you broke my proverbial heart
We used to be in love but now we are in hateYou used to say I came too earlyBut it was you who came too lateBoy meets girl & they give it a whirlAnd the very next thing you knowShe thinks he's nuts & he hates her gutsThen the bad blood starts to flow
Well it sounds like sour grapesAnd that's just what it isI'm gonna get me a subscription to ArgosyAnd I'll get me a subscription to MsThat's a whole lot of crapAbout a tender trapWhat it is is a suicide snareAll I want to do, is to forget youAnd our lousy love affair"
I caught myself singing this on the train in today.
― gygax! (gygax!), Wednesday, 14 January 2004 16:57 (twenty-two years ago)
― Luigi Vampa (Horace Mann), Wednesday, 14 January 2004 18:16 (twenty-two years ago)
― jack cole (jackcole), Wednesday, 14 January 2004 18:50 (twenty-two years ago)
― gygax! (gygax!), Wednesday, 14 January 2004 18:53 (twenty-two years ago)
― jack cole (jackcole), Wednesday, 14 January 2004 19:00 (twenty-two years ago)
― Charles McCain (Charles McCain), Wednesday, 14 January 2004 19:25 (twenty-two years ago)
Fame and Wealth and I'm Alright have about four weak tracks between them. More Love Songs and Therapy have their moments, too. After *that* it gets dicey (I haven't heard his most recent stuff).
discog:http://www.lwiii.com/lwdisco.html
Does anybody else have that tic of using acronyms for song names?IDTTYWLMIWIWALTSDHAV
― weather1ngda1eson (Brian), Friday, 4 March 2005 11:03 (twenty-one years ago)
― Some Dadaismus Implied (Dada), Friday, 4 March 2005 11:14 (twenty-one years ago)
― Rickey Wright (Rrrickey), Friday, 4 March 2005 20:10 (twenty-one years ago)
― Amateur(ist) (Amateur(ist)), Tuesday, 17 May 2005 03:05 (twenty years ago)
Once his songs reach the studio they tend to lose a certain something. Case in point: 'Hank and Fred' from the new album. 24-karat gold when he played it solo in session for Andy Kershaw in 2003, total balls when played with a bunch of bored session musicians in 2005.
'Thanksgiving' off of the 'Therapy' album is definitely worth seeking out. That's one case where the live version just doesn't measure up to the album track.
― retort pouch (retort pouch), Tuesday, 17 May 2005 03:17 (twenty years ago)
― Telephonething, Tuesday, 17 May 2005 04:24 (twenty years ago)
― jermaine (jnoble), Monday, 18 July 2005 21:27 (twenty years ago)
― Amateur(ist) (Amateur(ist)), Monday, 18 July 2005 21:35 (twenty years ago)
― SoHoLa (SoHoLa), Tuesday, 19 July 2005 04:17 (twenty years ago)
i think he's more like a standup comedian, the way when they talk about their family its always *about their family* even if its not true. Sometimes this means he's clumsy because he tries too hard to tell a story maybe. i dont mind though. he doesnt really waste words. and when hes angry he's really angry. Dump the Dog is pissed off and desperate, the swimming song is really about getting laid. (i heard the mcgarrigle sisters singing this on the radio and that's the only reason i heard him in the first place.) even if i dont like him, in his songs he seems like a real person.
― plax (ico), Friday, 13 August 2010 19:31 (fifteen years ago)
this fucking guy. seriously, he's got to be the most brutal songwriter ever. a friend made a comp of some of his more recent stuff (from the past decade or so) and I was surprised by how strong most of it was.
― tylerw, Friday, 13 August 2010 19:43 (fifteen years ago)
I really love The Swimming Song.
― Trip Maker, Friday, 13 August 2010 19:45 (fifteen years ago)
kinda feel at this point like i want to hear all of his albums, even shit ones.
― plax (ico), Friday, 13 August 2010 19:46 (fifteen years ago)
yeah, i'm sure each one of his records has at least two or three great songs on it. mentioned upthread, but that "Hank and Fred" song (and unlikely meditation on Hank Williams and the death of Mr. Rogers) is wrenching in a way I can't really describe.
― tylerw, Friday, 13 August 2010 19:49 (fifteen years ago)
i'm dyin' ta hear his last one, The Charlie Poole Project. anybody heard this?x'gau say:High Wide & Handsome: The Charlie Poole Project [161, 2009]Young folkies are attracted to their chosen past because it seems so raw. But though young folkie Wainwright twigged to this totemic mountaineer via the line "The beefsteak it was rare and the butter had red hair," now he's old enough to cook him. Poole didn't write that line or anything else he sang--he'd perform Paul Dresser's musty "The Letter That Never Came" as soon as W.C. Handy's hightailing "Ramblin' Blues" if he thought it was good for a drink. And in Wainwright's plentifully illustrated and annotated two-CD tribute, where nine of the 29 selections are new songs by Wainwright and/or producer Dick Connette, Poole stands as a touchstone of a bygone era. Wainwright is such a card that you don't think of him as a singer, but he puts more throat and thorax into the sentimental ballads than Poole had in him, and his barn burners are louder and faster without approaching Poole's rooted assurance or reckless abandon. These conscious misprisions are fine by me. In fact, I'm more likely to play the canny reconstruction than the certified original. I'm older than Poole ever was. A
― ....some kind of psychedelic wallflower (outdoor_miner), Friday, 13 August 2010 19:53 (fifteen years ago)
The good old days are good and gone nowThat's why they're good, because they're goneBut our conversation turns to kowtowWe kiss the past's ass all night long
God this song... Fucking BANG ON.
― And don't forget the joker (DavidM), Friday, 13 August 2010 21:09 (fifteen years ago)
https://www.youtube.com/watch?v=dGwL6t08B7g
― plax (ico), Sunday, 15 August 2010 15:54 (fifteen years ago)
i've tried ,not too hard, to get into this guy a few times, and i always come up a bit short. why is that? sometimes his lyrics tow the clever-stupid line like mid-period lou reed, albeit with a very different tone. sometimes it just seems too damned twee.
what should i try first? other than the 1st two LPs which i've got.
― by another name (amateurist), Monday, 29 August 2011 01:07 (fourteen years ago)
This is a fair criticism, bc his stuff hasn't been compiled appropriately. Those first two records are a bit difficult to dive into, and his best work is really spread out amongst his catalog.
There's a collection online I found called "Histories" (not History, which is a real record -- this is one disc of a three-disc greatest hits compiled by a fan) that turned my wife and me on to him in a HUGE way. The guy's lyrics (and melodies) are just amazing -- incredibly funny, devastatingly self-critical (check "White Winos" or "Father-Daughter Dialogue"). And catchy! Just as importantly, I find the music to his best songs to be really engaging. See if you can find that comp.
― Naive Teen Idol, Monday, 29 August 2011 17:21 (fourteen years ago)
been meaning to get that box -- i do think that there are great songs spread out throughout his career. albums i've heard are mostly spotty, but each one has a few keepers. a friend made me a comp of the best of his last few records and it's great.
― tylerw, Monday, 29 August 2011 17:24 (fourteen years ago)
thx to tyler for rec'ing 'motel blues' in the 70s exhaustion thread. heavy
― bear, bear, bear, Monday, 29 August 2011 17:25 (fourteen years ago)
such a charmerhttps://www.youtube.com/watch?v=BKqZZg2U6t4
― bear, bear, bear, Monday, 29 August 2011 17:26 (fourteen years ago)
oof great performance. such a chilling song, just a total takedown of the "sensitive singer-songwriter" movement of the 70s, and better than anything a lot of those dudes could ever write.
― tylerw, Monday, 29 August 2011 17:32 (fourteen years ago)
weirdly he didn't put that on his box set. the song is pretty devastating, but i think to rank him above e.g. james taylor is maybe to indulge in the fallacy that the clever and cynical is superior to the sentimental and earnest. (not that taylor's music is w/o irony.) anyway i gotta say LWIII isn't much of a melodist, at least not these days.
― flesh, the devil, and a wolf (wolf) (amateurist), Tuesday, 13 September 2011 05:13 (fourteen years ago)
Yeah, I don't agree.
― Naive Teen Idol, Friday, 16 September 2011 03:10 (fourteen years ago)
Bought tix to see him I'm September at a coffeehouse in a Unitarian church!
― Naive Teen Idol, Saturday, 8 June 2013 21:47 (twelve years ago)
Just saw this last night in the front row with my wife, who I turned on to the guy and who can almost be brought to tears when she hears "The Picture." He's woodshedding material for Surviving Twin – a one man show about him and his father, who was a semi-famous columnist for Life Magazine in the 60s with a regular feature called The View from Here.
He read a bunch of columns (from memory) followed by new songs that were kind of responses. Between this and his last album, Older Than My Old Man Now, it's pretty clear as he gets older that he's coming to terms with how much he owes his talent—not just his foibles—to his dad. He also did a bunch of newish songs including "In C," which he played on piano about two feet in front of us and had everyone just completely stunned.
I'd say the whole thing was like Garrison Keillor were Keillor ever to, say, offer to sell his septuagenarian audience Bolivian flake cocaine in the graveyard out back behind the church.
Anyway, the whole thing was just stunning. There was a gaunt old man in the front pew across from us who sat on the edge of his seat with a look of childlike wonder on his face for about two hours straight – but I think we all probably looked that way.
Also, he asked for requests when he came out for an encore – I paused for a second before yelling "The Picture"...and he played it. Pretty much a perfect night.
― Naive Teen Idol, Saturday, 14 September 2013 22:29 (twelve years ago)
Kathleen Edwards' cover of Swimming Song is my favorite thing: https://www.youtube.com/watch?v=2sA2O3Lj-dY
― kaleb, Saturday, 14 September 2013 23:39 (twelve years ago)
such a charmer🎥
― The Soundtrack of Burl Ives (James Redd and the Blecchs), Monday, 30 December 2019 03:20 (six years ago)
oh, maybe it was “Motel Blues.”
― The Soundtrack of Burl Ives (James Redd and the Blecchs), Monday, 30 December 2019 03:22 (six years ago)
Search: his acting work on both "Undeclared" and the third season of "MASH".
https://www.nytimes.com/1981/02/20/theater/stage-jewish-repertory-in-pinter-s-birthday-party.html
Loudon Wainwright 3d, the singer and songwriter, was a mulish Stanley, alternating between blind violence and regret provoked by Meg, his landlady, played by Ruth Miller as a sweetly frumpish dreamer.
― Soup on my lanyard (Tom D.), Monday, 30 December 2019 07:40 (six years ago)
My number three act of the past year, apparently
― Robert Gotopieces (James Redd and the Blecchs), Friday, 4 December 2020 02:39 (five years ago)
And yet not one of his songs is on the Year End Playlist.
― Robert Gotopieces (James Redd and the Blecchs), Saturday, 5 December 2020 22:34 (five years ago)
I did listen to an NTI-created playlist a lot. Don’t see it posted on this thread, can’t remember how I found it.
― Robert Gotopieces (James Redd and the Blecchs), Saturday, 5 December 2020 22:52 (five years ago)
Oh it’s on the POX thread. I probably haven’t listened to any of his albums properly but any playlist I have listened to has been grebt.
― Robert Gotopieces (James Redd and the Blecchs), Saturday, 5 December 2020 22:55 (five years ago)
Does he get covered often? Off the top of my head I can only think of Alex Chilton doing “Motel Blues,” Kathleen Edwards doing “The Swimming Song” and Rufus doing “One Man Guy.”
― Robert Gotopieces (James Redd and the Blecchs), Saturday, 5 December 2020 22:58 (five years ago)
Would be nice to do a poll of his catalog but would probably only get a half-dozen voters
― Robert Gotopieces (James Redd and the Blecchs), Saturday, 5 December 2020 23:03 (five years ago)
What I’ve heard of his big band album from this year has been good.
― Robert Gotopieces (James Redd and the Blecchs), Saturday, 5 December 2020 23:06 (five years ago)
Oh, I guess they were just on Fresh Air to promote it.
― Robert Gotopieces (James Redd and the Blecchs), Saturday, 5 December 2020 23:09 (five years ago)
Listening to this last now. They are doing live in studio versions of some of the songs as a socially distanced three piece. Sounds great.
― Robert Gotopieces (James Redd and the Blecchs), Saturday, 5 December 2020 23:31 (five years ago)
The McGarrigles also covered Swimming Song.
― Halfway there but for you, Sunday, 6 December 2020 00:15 (five years ago)
I think Johnny Cash did one of his songs on one of the Rick Rubin albums.
― ILXceptionalism (Tom D.), Sunday, 6 December 2020 00:20 (five years ago)
... indeed he did, "The Man Who Couldn't Cry", closing track on "American Recordings".
― ILXceptionalism (Tom D.), Sunday, 6 December 2020 00:22 (five years ago)
Good calls.
― Robert Gotopieces (James Redd and the Blecchs), Sunday, 6 December 2020 02:11 (five years ago)
silkworm did motel blues as well, it was how i first heard it
― na (NA), Sunday, 6 December 2020 02:37 (five years ago)
Nice! I'd totally forgotten about creating it, here it is for anyone who's interested: https://open.spotify.com/playlist/4UWZCVklhUimXXGDcIbeW9?si=AOtt4tpwRTSUor8yPp4tBQ
Looking back, I've always blanched at the glut of white guy singer-songwriters from the 1970's -- but Wainright is just totally unique. His lyrics are poignant, wrenching, hilarious, sophisticated, and crude, usually within the same song, and often within couplets. Reveling in being a prick who has wreaked emotional havoc on everyone who loves him without ever indulging in pathos is perhaps his most endearing quality, but he's also more than a bit of showman while rarely being showy. And, not coincidentally, his tunes are memorable.
― Naive Teen Idol, Monday, 7 December 2020 19:29 (five years ago)
Agree on all points
― Robert Gotopieces (James Redd and the Blecchs), Monday, 7 December 2020 19:47 (five years ago)
https://www.youtube.com/watch?v=A0CRMPBXshI
― Dog Heavy Manners (James Redd and the Blecchs), Saturday, 2 January 2021 22:38 (five years ago)
Memoir seems good
― Blue Yoda No. 9 (James Redd and the Blecchs), Thursday, 27 May 2021 03:03 (four years ago)
Hey, “Daughter” was written by Peter Blegvad. Who knew?
― Blue Yoda No. 9 (James Redd and the Blecchs), Thursday, 27 May 2021 04:23 (four years ago)
I have always loved that fact. Both because Blegvad deserves the success and because LW3 completely owns it.
― Naive Teen Idol, Saturday, 29 May 2021 23:24 (four years ago)
Fresh Air recently replayed some of the above mentioned two-man performance of songs from the "little big band" album, here's the (downloadable) podcast of re-broadcast:https://www.npr.org/2021/05/28/1000915124/loudon-wainwright-iii-and-vince-giordano-play-from-the-great-american-songbook
(Paired v. compatibly w pod ov Rachel & Vilray, who also play old tunes and their own that fit--Rachel is also lead singer of Lake Street Dive, and here bounces jazz off melody lines w/o ever obscuring them or the words---would like to hear her w Loudie, but might not be room---he's really into it on this occasion!Oh yeah, here's Rachel & Vilray: https://www.npr.org/2021/05/28/1000916316/rachael-vilray-share-a-mic-and-a-love-of-old-swing-standards)
― dow, Saturday, 29 May 2021 23:44 (four years ago)
Should have thought to look for the whole two-man thing, here it is, 50 minutes:https://www.npr.org/2020/12/31/952281462/loudon-wainwright-iii-vince-giordano-in-concert
― dow, Saturday, 29 May 2021 23:49 (four years ago)
the swimming song is really about getting laid
I would go much further to say that The Swimming Song is about everything. I mostly hear it as a clever zen-like statement about doing your best in the face of whatever bullshit life throws at you. But it could also literally just be about swimming; it's as deep as you want it to be. One of the greatest songs ever written, makes me regret not getting into this guy sooner
― J. Sam, Thursday, 16 September 2021 22:02 (four years ago)
Many of his songs certainly are about that topic, but I’ve never thought that with respect to “The Swimming Song.” I can always give another listen though.
― What Does Blecch Mean to Me? (James Redd and the Blecchs), Thursday, 16 September 2021 22:48 (four years ago)
yeah I mean it strikes me as an early and much better version of the "just keep swimming" song from Finding Nemo. It briefly resets the whole complicated nonsense of being a human being in the world down to its most basic essentials. I hear it and I think, oh, living is actually fairly simple, isn't it? You just keep kicking your legs and moving your arms, and you always could drown, but most of the time you don't. ok got it, I think I can handle that.
― Lily Dale, Thursday, 16 September 2021 23:03 (four years ago)
https://www.youtube.com/watch?v=vxx2i9hkHKE
― Nicholas Raybeat (James Redd and the Blecchs), Monday, 15 December 2025 19:00 (three months ago)