― David Gunnip, Wednesday, 19 September 2001 00:00 (twenty-four years ago)
― dave q, Wednesday, 19 September 2001 00:00 (twenty-four years ago)
Lennon - slack-cheeked and hollow-eyed, reduced to hack cover-work in the absence of anything at all to say.
Little Feat - greasy, repulsive, coke-lethargic slop.
― Dr. C, Wednesday, 19 September 2001 00:00 (twenty-four years ago)
Whsipering Bob *DOES* talk abt rock the way jazz buffs talk abt jazz: more proof if needed that PUNK = the ANTI-JAZZ.
― mark s, Wednesday, 19 September 2001 00:00 (twenty-four years ago)
― Andrew L, Wednesday, 19 September 2001 00:00 (twenty-four years ago)
i know there was SOME in the otherwise atrocious "history of rock n roll" doc which was making the rounds on pbs a few years back. that thing was a goldmine for old footage and little more.
― jess, Wednesday, 19 September 2001 00:00 (twenty-four years ago)
― Sean, Wednesday, 19 September 2001 00:00 (twenty-four years ago)
I love the Black Sabbath "Paranoid" clip. Ozzy in a blazer and nice collared shirt, in front of a bizarre rotating psychedelic thingamajig. And Alice Cooper doing "School's Out" while brandishing a sword is cool too.
There's also a great T Rex clip for "Get It On' with all kinds of wonky blue-screen effects.
I like those old clips where the musicians' names and what instrument they play pops up under him - like "Jimi Hendrix: Guitar" ohhhh, so that's what he's playing!
― fritz, Wednesday, 19 September 2001 00:00 (twenty-four years ago)
Wire
XTC
David Bowie (Station to Station tour)
The Who
Roxy Music
Grobschnitt etc etc
Also, there ws a german TV special called "Gotterdammerung 2000"(sp?) which featured Birthday Party, Cabaret Voltaire, loads of Factory bands & so on.
Best of all for this 'ere saddo = "Rock of the '70's" LIVE in the studio sets from Genesis (circa "Nursery Cryme" = r0x0r), Yes (who mimed - boooo), Van Der Graaf Generator ("Theme One" & "Plague of Lighthouse Keeepers" = k-r0x0r), Family (intercut w/surrealist monologues in BELGIAN), Black Sabbath, Curved Air and ELP (this one = sux0r)
Those "Top Ten" progs on Ch4 recently were EXTREMELY frustrating - clips of stuff YOU'VE NEVER SEEN BEFORE, intercut w/k-unfunny comedian JUST GIVE US
― Norman Fay, Wednesday, 19 September 2001 00:00 (twenty-four years ago)
Those "Top Ten" progs on Ch4 recently were EXTREMELY frustrating - clips of stuff YOU'VE NEVER SEEN BEFORE, intercut w/k-unfunny comedian JUST GIVE US THE RAW FOOTAGE, AND SHUT THE FUX0R UP, PHIL JUPITUSS.
XOXO
xoxo
― jason, Thursday, 20 September 2001 00:00 (twenty-four years ago)
― Andrew L, Thursday, 20 September 2001 00:00 (twenty-four years ago)
One-minute clip of ELP = scary and interesting Uncut 26-minute "clip" of ELP = as you were
― mark s, Thursday, 20 September 2001 00:00 (twenty-four years ago)
Mark- must disagree on Buckley performance. His beautiful voice carried him through. Beefheart's poor showing had more to do with the quality of material.
Stooges- seen peanut butter clip on a promotional show for death in vegas on C4 a couple of years now. They stated how they combined the electricity of rock with techno beats with the 'warhol factory' look to create an exciting hybrid- their music is shit though. Saw other clips of mary chain, valentines, can, neu!- so it wasn't all lost.
― Julio Desouza, Thursday, 20 September 2001 00:00 (twenty-four years ago)
At a tangent - does anyone remember the Urgh - A Music War! video from the early-mid 80's? It included a fantastic clip of Gary Numan at the height of his fame doing "Cars" (possibly at Wembley) seated in a revolving "car-chair" which looked like a Bond Bug with the roof sliced off. Gaz was controlling the car with a joystick which clearly jams during an instrumental section in the middle of the song, thus causing the "car-chair" to spin madly. The rest of the band were several miles in the air on a huge riser - the keyboard players were inside sort of plexiglass phone-boxes IIRC. A synth-pop Spinal Tap.
Also on "Urgh..." were Magazine, XTC and the truly frightening Skafish.
― Dr. C, Thursday, 20 September 2001 00:00 (twenty-four years ago)
agreed on Beefheart material, he was unable to redeeem it and it made him look like John Otway or Spizz or worse, but also his band = a kosher Magic Band, but playing no bettah (or actually exactly the same) as buckley's = tastefully country-bluesy yuXoR (Little Feat = sleazy and distasteful, like they had smeared their bodies with hogfat 20 minutes before)
"accomplished guitar solo" = "tasty licks" = endless lame-ass attempts at being laid-back and black? (second-best thing abt punXoR = it squished THAT shit sharpish heh heh)
Incidentally, I firmly believe this laid-back soft country rock was a feeble grown-up attempt to drag rock AWAY from prog goofiness towards "proper" Peter Guralnick-type music. Which is why it got to everyone (inc.former "proggers" Beefheart & Buckley). ?PunXoR: grown-up = fucked-up hurrah?
The UK equivalent might be an influx of folk-rock influences into rock. Apart from Led Zep bringing in folk elements on III/IV I dunno enough about the genre to comment.
Some of the biggest enthusiasts of US country-rock ended up as new- wavers (via pub-rock) - Costello, Lowe, Parker. Don't know what this means though.
― Richard Tunnicliffe, Thursday, 20 September 2001 00:00 (twenty-four years ago)
I accept he made some excellent pop singles and he is an influence on british pop but can you expand on the musical innovator bit.
I definetely accept that he was more exciting that boring ol' talking heads, Patti (though i wouldn't know abt Buckley but the Peel session from 69 was broadcast recently and I really liked it) et al but beefheart.
I firmly believe this laid-back soft country rock was a feeble grown-up attempt to drag rock AWAY from prog goofiness towards "proper" Peter Guralnick-type music. Which is why it got to everyone (inc.former "proggers" Beefheart & Buckley).
Well Beefheart basically lifted his entire vocal style from Howling Wolf, who certainly = ultimate Guralnick-type act, and the first couple of Beefheart albs are essentially refried electric Chess-style blues. And didn't pretty much every American act in the late sixties/early seventies want some of that Eagles/Bad Company/Skynrd hot chart action (ie "there's always been a country rock element to our music")?
Also, mark s, re your comment on Numan: you're a real kidder, that was a good one!
― Sean, Thursday, 20 September 2001 00:00 (twenty-four years ago)
MC for Top Ten Prog = Bill Bailey = bigger prog fan than YOU Norman Fay
GGGGrrrrrrrrr.......
B!ll Ba!ley = /<-unfunny comedian. Allegedly used to play in prog group.
nfaY = miserable geordie bicycle repair man BUT currently plays in TWO prog bands
Mark SO-CALLED Sinker = GRATE big rotten stirrer w/face like squished tomato chiz chiz.
aLZo:
1/3 AT LEAST ov ELP "Rock of the '70's" performance = DRUM SOLO!!!!! - drum solo started - I wnt to bog for big ole dumpx0r - finished, only to find drum solo STILL GOING. MAy still be going on now for all I kno....
Also shown on Bill Bailey's CH4 prog - tiny clip ov King Crimson @ Hyde Park festival, 20sec clip ov Genesis playing "Supper's Ready" WHERE IS THE REST?
― Norman Fay, Thursday, 20 September 2001 00:00 (twenty-four years ago)
Unlike some of the scoffers above, I stand by this statement of Mark's. Even if he turns out to be fibbing, I stand by it, so HA!
― Ned Raggett, Saturday, 22 September 2001 00:00 (twenty-four years ago)