And are pastiche artists doomed to Beck comparisons? They always seem to come up.....
― Honda, Thursday, 20 September 2001 00:00 (twenty-four years ago)
― anthony, Thursday, 20 September 2001 00:00 (twenty-four years ago)
― dave q, Friday, 21 September 2001 00:00 (twenty-four years ago)
Stereo Total are pastiche, but invite no Beck comparisons.
― Momus, Saturday, 22 September 2001 00:00 (twenty-four years ago)
― anthony, Saturday, 22 September 2001 00:00 (twenty-four years ago)
― the pinefox, Sunday, 23 September 2001 00:00 (twenty-four years ago)
About the pop as pastiche... I was particularly curious about auteristic musicians who are very aware of their own recontextualizations. I'm not sure pop artists fall into this category. The pop-pastiche seems to occur as a byproduct of finding credibility with this genre or that (Eminem as hip hop pastiche). The pastiche artists I was thinking about throw genre-credibility out the window and knowingly mutilate a handfull of styles by mixing it all together.
This is sort of the underbelly of my question: A person with hopelessly ecclectic taste lives in isolation from any sort of "scene". Then they decide to become a musician. Is pastiche the only way out?
― Honda, Sunday, 23 September 2001 00:00 (twenty-four years ago)
Son of God (B-side to the Mike Flowers Pops version of Wonderwall) is such a good Jesus Christ Superstar pastiche it manages to be better than any of the songs in Jesus Christ Superstar:
https://www.youtube.com/watch?v=pKsQhsY4hts
― Grandpont Genie, Friday, 3 November 2023 09:18 (two years ago)
...although it could also be argued that it isn't that, but rather a song from the yet to be written musical version of Nikos Kazantzakis's The Last Temptation of Christ.
― Grandpont Genie, Friday, 3 November 2023 09:22 (two years ago)