Brian Eno - C or D?

i remember the ambient stuff being way better than i expected, too, though i haven't heard it in a while.

Didn't care for 'heroes' from the one listen I gave it a couple of years ago.

And I'm a sucker for the Wall of Eno vocals he adds to everything he works on. For a somewhat limited singer, he harmonizes with himself really well, from his one man band "The Lion Sleeps Tonight" to more recent stuff like "Someday" (that beautiful James song from the very underrated "Laid").

Anyone ever hear the NPR piece on "Once in a Lifetime," which details just what Eno brought to the track? He basically added the call and response chorus, worthy of the co-write credit. Eno also gets co-writer credit on "Heroes."

1. Taking Tiger Mountain (By Strategy) (the only solo Eno album I am enthusiastic about in its entirety), as well as individual tracks on some of his other albums (especially Before and After Science).

2. His touch as producer on what are often the best albums of the bands he's worked with: Remain in Light, Bowie, Devo (I forgot this--using allmusic as a cheat-sheet now), etc.

3. Collaborations with: Fripp (although I would say say that Fripp carries most of the weight there--but still, I think Eno's presence counts), Jon Hassel, etc.

Etc. because I have to go.

3.

Of course, the man and the vast majority of his music, and his influence, is classic. Couldn't live without "Taking tiger mountain" or "Music for airports" amongst others. Those two boxed sets are two of the best investments I've ever made.

Plus the Obscure Music series, which has some good titles.

Its just so coool. Weird pop and ambienty bits floated against each other in the nicest way, and my four year old loves to sing "I'll come running" which has got to get him some points somewhere.

then, suddenly, like a switch being thrown...

when 'wrong way up' came out an interview disc was distributed to radio, where he's sounding and dull, then at the end he begins talking about the recent birth of his daughter and how unimportant the theoretical side of music had become to him, and how now he just wanted to relax and play tunes. which makes me happy for eno the man, but keeping up with the last decade of releases has been a punishing experience.

'spinning away' from 'wrong way up', still excellent though

"Uh-oh!"

"Ding ding!"

*I can't remember if I bought a copy or received it as a gift, but probably the latter. I used to get my older brother to buy me "weird"** records for my birthday and Christmas.

**I think he thought it was weird anyway (judging by his response to what I listened to on the radio), but I think he was a little amused to watch me growing up and getting into punk and new wave, and new bands he hadn't heard of, or other stuff that seemed esoteric to him. I think he may have bought me this album, the first Psychedelic Furs album, and Fripp's Let the Power Fall, and some a John Coltrane collection, all at my request. Now I'm getting all sentimental about my older brother. I miss being close to my family, and it's all Brian Eno's fault--well, not exactly.

Possibly the fact that I often couldn't make out the lyrics or didn't know what he was talking about contributed to my liking the songs. "With Burgundy, Tizer and Rye/Twelve sheets of foolscap: don't ask me why." I'm still largely in the dark about these lines, for example. I think I only found out what foolscap is in the last few years and I've already forgotten the details.

I kind of like the lyrics to "True Wheel." I am looking at a lyrics page now, and I find myself saying, oh, is that how it goes? I really am not even hearing what he's saying a lot of the time.

music for airports = nice but forgettable, put aside after a couple of listens.

apollo = stunningly beautiful, one of my most played albums in recent times.

with this in mind, what next?

try no pussyfooting, with fripp.

http://www.furious.com/perfect/bangseno.html

a musical genius, the godfather of Ambient, the mastermind of warm synthesis, although the cause of a lot of shit (ie damp snares in 80s music from Low) still one of the true heads!

A let me emphasize his Ambient series - i don't understand why anyone hasn't yet. On Land, man! and lets not mention the second side of Day of Radiance with Laraaji (the first side i admit being...well). Most of my feelings on Before and After Science, Another Green World have meen mentioned.

And on a last note, My Life in the Bush of Ghosts is fucking ingenius record :)

seriously, listen to the title track from Taking Tiger Mountain or the first track on Warm Jets and get back to me, you will be a convert y0.

My neighbors must wonder what's up when they walk by my apartment door and hear me playing music with English lyrics.

https://www.discogs.com/release/13929004-Brian-Eno-With-Daniel-Lanois-Roger-Eno-Apollo-Atmospheres-Soundtracks-Extended-Edition

There was an expanded Apollo?!?

Have there already been two different edits of the Eno doc on the Criterion Channel? I watched it last night but I wasn't sure when they're replacing the edit. I was wondering how different the contents are.

Big news! "Eno" will have its North American streaming premiere on the Criterion Channel. Starting June 16th, you can watch my generative documentary about Brian Eno there and the magical beings at @anamorph.inc will be creating new versions of the film on the channel every month.

Oh wait, I misread what you said. Did you see it again or were you just asking? Because it sounds like they change it when the month changes.

Yes, different cuts in June and July. There's a lot of repeated material, but some differences. June had some U2 stuff that July didn't have, July had Portsmouth Sinfonia and My Squelchy Life sessions...I should have taken notes, but didn't think of it.

Thanks — I missed the June version, then. I'm wondering whether it's worthwhile to "tune in" for each variant, but I guess I'll try again in August and judge from that.

The July edition has an awesome nearly 10-minute bit of Eno and Cale working on Wrong Way Up's "One Word."

omg

ooh nice
i like that u2 bit in the version I saw where after a ridiculously histrionic vocal take, eno says: "er very nice, bono, let's try the next one with a bit more passion?"

Preserved from the June version: Eno's explanation of how certain vocal parts in TH's "The Great Curve" emulated Fela's arrangements ("They're horn parts as vocals").

ha I know exactly what part that is

Yep

Eno C or D? It's quite simple actually --- a friend of mine has a instagram/facebook page called 'ENO Before He Was BRIAN And Became Boring' so basically, all Eno up to (or through, depending on your taste) 'Before and After Science' is ENO, and therefore is in every way one of pop's GREATEST OF ALL TIME --- after that he became BRIAN and starting hanging out with that bore David Byrne and producing U2 and James and Coldplay and prattling on about The Long Now and being BALD. (As always, there is an exception: 'Ambient 4: On Land' is one of ENO's greatest records, probably because Robert Quine is supposedly on it somewhere although I've never heard him -- a great album, tho not as great as the Roxy LPs, the first three solo albums, and, of course, 'Seven Deadly Finns' / 'R.A.F.' https://www.instagram.com/enobeforehewasbrian?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==

far out magazine:

Brian Eno’s 13 favourite albums:

Court and Spark – Joni Mitchell
‘Glider’ – My Bloody Valentine
The Velvet Underground – The Velvet Underground
Grande Liturgie Orthodox Slave – Chœur Bulgare Svetoslav Obretenov
Heartland – Owen Pallett
Afrodisiac – Fela Kuti & The Africa 70
Early Works – Steve Reich
Plantation Lullabies – Me’Shell Ndege Ocello
Fresh – Sly and the Family Stone
‘Go Where I Send Thee’ – The Golden Gate Quartet
Umut – Arif Sag
Farid El Atrache – Farid El Atrache
The Dynamic Reverend Maceo Woods and The Christian Tabernacle Choir in Concert – Reverend Maceo Woods and The Christian Tabernacle Choir

i hope it's giving fgti a nice boost

wait that's 4 years old lol. maybe it's still boosting.

ok so far out reposted the (slightly smaller) list a few days ago and meshell ndegeocello posted a thank you letter to eno on facebook. but it's unclear if eno was directly involved in this repost or not - far out seems a little sus tbh.

marjory gatorade I basically agree with your friend despite appreciating BRIAN as well (but not nearly as much)

Doctor Madame Frances Experimento, LLC --- I basically agree with him as well, although I go back and forth on whether or not Eno or Brian is responsible for 'Before and After Science' (somehow I think of that album as I do Bowie's 'Scary Monsters': Side 1 of both I love, then between sides, something bad happens, and Eno Becomes Brian --- and Bowie becomes Golden Blonde 80s Bowie--- although I much prefer the beautiful quiet mood of Side 2 of the Eno record to the ear-bashing bombast of Side 2 of Scary Monsters. (Which is made all the more frightening in that I truly believe Side 1 of Scary Monsters to be one of Bowie's great song sequences.) I realize that this talk about 'Sides' is something that only people that bought/heard the records back in the original vinyl times probably have a visceral feel for, but it is quite odd how an artist could lose their way in the space between the 2 sides of an albums (again, it's more pronounced in Bowie --- but I tend to see similarities between those particular Eno and Bowie records ... maybe because it was the first Eno-less Bowie record in some time, but also there's something about the placements of the somehow similar 'Up The Hill Backwards' / 'Backwater' as Side 1, Track 2 that seems like a secret correspondence between otherwise unrelated records

From Damien Love's interview with Mark Howard for Uncut’s coverage of Bob Dylan's then-new Bootleg Series installment Tell Tale Signs in 2008:

I really remember recording ‘Man In The Long Black Coat.’ Malcolm was playing a Yamaha DX7 that Brian Eno had mastered – he had all these sounds built in. Brian had come in on the Neville Brothers record and given us a bunch of sounds for the DX7, and one of the sounds was this crickets sound. Actually, on the Neville Brothers’ Yellow Moon record, I’d found this six-storey apartment building on St. Charles Avenue where we lived and recorded, and they have these bugs in New Orleans, cicadas, that make this high-pitched sound. When Brian came in with his cricket sounds, he would play this melody, and then these cicada bugs would repeat it back. It became really creepy. He would do it again, and they’d do it again, and he’d make the melody a little harder, and they would follow it, and so we were like, ‘Brian Eno is communicating with the insects, oh my God.’

(so in 1989, Eno was still very much cool IMHO)

(or I guess Brian)

Hahaha, awesome.

He's been bald or balding, at the very least, his entire career fwiw.

As a younger sawdust lagoon, I would not have dated anyone who considered side 2 of BAAS to represent some kinda drop in quality. Sorry. Although I might have tolerated them for friendly drink in a bar. I mean, at least they would have actually known who (Brian) Eno was.

Here's the Ndegeocello post:

https://scontent-ord5-1.xx.fbcdn.net/v/t51.82787-15/766661466_18611431615035061_6436285307371291529_n.jpg?stp=dst-jpg_tt6&cstp=mx1350x1687&ctp=s1350x1687&_nc_cat=1&ccb=1-7&_nc_sid=127cfc&_nc_ohc=y46_vWhEH5QQ7kNvwHgvOYO&_nc_oc=Ado8A0OFO7m_t8GCw8oFsv9VHsgtA3CY_Oe6uPJK2fwHTXm3anQv5KPmpTQQufra6os&_nc_zt=23&_nc_ht=scontent-ord5-1.xx&_nc_gid=XjJ04J004uQBmK-MjW3ZLg&_nc_ss=7b2a8&oh=00_AQFE7dTawkwE6UGQ2GvZCR0Quqi7e7GNPhDGHA8B_8MwUA&oe=6A7A5EB0

Oh, and I mentioned it on the Spider-man thread, but in the new movie there is a scene where Zendaya's character is listening to music on headphones while she works, and the song is "St. Elmo's Fire."

yeah "Teenage Wildlife," "Scream Like a Baby," and "Because You're Young" are major Bowie, down to the weird chords and often bad singing.

Going through another phase with Richard. I started as I usually do with his post-comeback material and was re-reading the wild Syrobonkers interview where he describes the context for the “Richard…yep” sample in “4” – apparently he was talking n his tank sampling some stuff and his father interrupted him.

It’s such a small moment—I’m not sure I ever even noticed that sample before in the midst of all the wild snare rushes— but it really encapsulates the warmth underlying so much of his music, certainly compared to contemporaries like Autechre. The sample actually plays (at least?) twice – once midway and again before the close. It’s obviously not the only time RDJ brought his parents directly into his music – there’s also the birthday voicemail they left him on Drukqs and, on a darker note, the post/track he did in the wake of his father’s passing sometime around COVID.

But there’s something especially touching about this sample. Even just the way you can hear him distractedly but dutifully answering his dad—pause, “Yep”—as he goes about his business is a reminder that his unusual closeness with his family was a key source of inspiration and support. That this is the opening track on his eponymous release

Oh, and I mentioned it on the Spider-man thread, but in the new movie there is a scene where Zendaya's character is listening to music on headphones while she works, and the song is "St. Elmo's Fire."

That Dylan story rules.

Oh god, sorry for mistaken old post there. Carry on.

A few cricket mentions in Eno credits. On "Lodger" he's credited on "African Night Flight" with "Effects (Cricket Menace)." Bowie described it as “little crickety sounds that Brian produced from a combination of my drum machine (I would, and still do, use one to write with when I’m on my own) and his ‘briefcase’ synth." Some crickety sounds on "Ali Click,' too:

https://www.youtube.com/watch?v=QbAevt3qCxY

Some crickety things at the end of this, too:

https://www.youtube.com/watch?v=_ZGKxuw69Rg

Eno C or D? It's quite simple actually --- a friend of mine has a instagram/facebook page called 'ENO Before He Was BRIAN And Became Boring' so basically, all Eno up to (or through, depending on your taste) 'Before and After Science' is ENO, and therefore is in every way one of pop's GREATEST OF ALL TIME --- after that he became BRIAN and starting hanging out with that bore David Byrne and producing U2 and James and Coldplay and prattling on about The Long Now and being BALD.

Your friend is delusional, I listen to Ambient 1, Ambient 4, Apollo, Thursday Afternoon a lot more than the first four albums. He also produced the best U2 album (Unforgettable Fire), then there are all his collabs with Harold Budd... make me choose and I'll go with BRIAN without hesitation. They're better albums.

Making fun of an artist for being bald feels like 1999 era ilm.

If I had to pick a demarcation line it would be before and after the DX7. But he's made compelling stuff from the start and really hasn't let up being interesting and, more importantly, interested. His intellectual and musical curiosity has never waned.

I will say it's been a while since he produced something of note (that is, as a producer), but he's always full of surprises.

Wrong Way Up is an effective rebuttal to this "he stopped writing songs" nonsense

Reflection is probably his 2nd, 3rd, or 4th best ambient album imo

Reflection is indeed one of his finest ambient albums. There's a sense of unease about it, which is unusual for his ambient music.

A fun thing to do is listen to the LP at 33.3 (rather than 45rpm) and play it along with a digital version. Makes for an excellent soundbath.

Eno C or D? It's quite simple actually --- a friend of mine has a instagram/facebook page called 'ENO Before He Was BRIAN And Became Boring' so basically, all Eno up to (or through, depending on your taste) 'Before and After Science' is ENO, and therefore is in every way one of pop's GREATEST OF ALL TIME --- after that he became BRIAN and starting hanging out with that bore David Byrne and producing U2 and James and Coldplay and prattling on about The Long Now and being BALD.

c'est bullshit

hadn't realized how long it's been since he's produced someone outside his normal stable.

Yes, otm re playing Reflection at 33!

And I forgot about Neroli which is amazing as well.

Capital One must be fans:

https://i.ibb.co/4wqjLphR/ENO.jpg

Laticap Eno

uh, Latipac Eno, that is

Disappointingly, Eno responds to questions quoting ENO lyrics with "I didn't understand your request because I'm still learning. But I can tell you about your accounts and recent purchases, and you can also pay your credit card bill with me."

Oh what could be my destiny, another rainy day?

offers oblique strategies for solving common banking and financial issues.

if they change their motto from "whats in your wallet" to "splish splash I was raking in the cash" I would actually get their card

I actually don't have their card. What happened is they swallowed up Discover and I have to go through their portal now.

offers oblique strategies for solving common banking and financial issues.

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