― Ned Raggett, Friday, 28 September 2001 00:00 (twenty-four years ago)
― jess, Friday, 28 September 2001 00:00 (twenty-four years ago)
I didn't think the "I'm going to justify including New Order here if it kills me" bit was very convincing 'though.
― Jeff W, Friday, 28 September 2001 00:00 (twenty-four years ago)
Can't believe that the Charlatans can be any good. I mean, it's the Charlatans, THE CHARLATANS - synonymous with dull-witted underachievement. Clods.
― Dr. C, Friday, 28 September 2001 00:00 (twenty-four years ago)
I'd have to agree, but it came out too and DAMMIT I wanted to talk about it. ;-)
But more important: is there any record, ever, of which you have something really bad to say Ned? ;)
oh yeah and that shocking confession re. Billy Corgan has been noticed. ;)
― Omar, Friday, 28 September 2001 00:00 (twenty-four years ago)
― Sean, Friday, 28 September 2001 00:00 (twenty-four years ago)
about bad things to say, i know ned will have his own answer on this, but for me, i know that - especially when you're NOT getting paid to write about it - it's hard to devote the energy to writing about something you loathe rather than lub.
What's stranger to me is that I was going to start a thread last week with roughly the same theme to it, prompted by my digging through old tapes for car listening and coming up with the Charlatans' Up to Our Hips. What fascinates me is that it's possible to greatly enjoy records in a certain vein at one point, and then completely sour on the vein itself without ceasing to enjoy the specific records and songs you've already collected within that vein. Which is to say, if I can drive around truly enjoying Up to Our Hips, why is it that I'd find the exact same record boring and embarrassing if it were handed to me today without my having heard it before?
― Nitsuh, Friday, 28 September 2001 00:00 (twenty-four years ago)
Oh, that's *easy*, Nitsuh. Just listen to the vile kettle of abstract boredom that is Dots and Loops and imagining strangling John McEntire with your bare hands. Then listen refreshed to Cobra and imagine all of Stereolab kicking McEntire's ass and saying "You moron, don't do that again! Now sit down and shut up and do it better this time!"
As for the other question -- why? Who can say? I have two friends who think the best Charlatans album ever is Between 10th and 11th, which I think is the one album the band themselves hate the most.
If I can throw one crumb of comfort Omar-wards I'd say that the Mouse on Mars tracks on D+L are much better than the rest. Why, oh why, oh why didn't they do a whole album with them?
― keith, Friday, 28 September 2001 00:00 (twenty-four years ago)
Now onto the endless D+L discussion: strange how they never worked with Mouse on Mars again, since those tracks were indeed among the finest on D+L, bar 'Miss Modular' of course.
― Omar, Saturday, 29 September 2001 00:00 (twenty-four years ago)
― Dan Perry, Saturday, 29 September 2001 00:00 (twenty-four years ago)
Eventually we're going to star in a buddy picture about two guys who wander through record stores and concert halls reflecting on our wonderful natures and wondering why beautiful women aren't constantly throwing themselves at us. Like Waiting for Godot, only in this case called Waiting for A New Prince Album.
― Ned Raggett, Saturday, 29 September 2001 00:00 (twenty-four years ago)
― Simon, Sunday, 30 September 2001 00:00 (twenty-four years ago)
― Ned Raggett, Monday, 1 October 2001 00:00 (twenty-four years ago)