― SurferDude69, Friday, 13 February 2004 04:33 (twenty-two years ago)
― luddite (Mr Noodles), Friday, 13 February 2004 04:36 (twenty-two years ago)
― the surface noise (electricsound), Friday, 13 February 2004 04:36 (twenty-two years ago)
― Silly Sailor (Andrew Thames), Friday, 13 February 2004 04:47 (twenty-two years ago)
― Ned Raggett (Ned), Friday, 13 February 2004 05:05 (twenty-two years ago)
― Sasha (sgh), Friday, 13 February 2004 06:10 (twenty-two years ago)
― Silly Sailor (Andrew Thames), Friday, 13 February 2004 06:12 (twenty-two years ago)
― donut bitch (donut), Friday, 13 February 2004 06:14 (twenty-two years ago)
If, like the Fall Lyrics Parade analysis by P. Saxton suggests that it is about Marc Riley.
― Sasha (sgh), Friday, 13 February 2004 06:16 (twenty-two years ago)
― mentalist (mentalist), Friday, 13 February 2004 06:17 (twenty-two years ago)
― donut bitch (donut), Friday, 13 February 2004 06:18 (twenty-two years ago)
― svend (svend), Friday, 13 February 2004 06:20 (twenty-two years ago)
(although there is more than one song about L.A....)
― Sasha (sgh), Friday, 13 February 2004 06:21 (twenty-two years ago)
or does mark e smith's hate extend to himself? i haven't got the impression it does
― amateur!st (amateurist), Friday, 13 February 2004 09:11 (twenty-two years ago)
― Silly Sailor (Andrew Thames), Friday, 13 February 2004 09:14 (twenty-two years ago)
― mentalist (mentalist), Friday, 13 February 2004 09:18 (twenty-two years ago)
― Silly Sailor (Andrew Thames), Friday, 13 February 2004 09:19 (twenty-two years ago)
― lukey (Lukey G), Friday, 13 February 2004 09:22 (twenty-two years ago)
― Tico Tico (Tico Tico), Friday, 13 February 2004 09:30 (twenty-two years ago)
― amateur!st (amateurist), Friday, 13 February 2004 09:31 (twenty-two years ago)
― Jimmy the Saints, Friday, 13 February 2004 09:31 (twenty-two years ago)
― grapeshine (grapeshine), Friday, 13 February 2004 09:32 (twenty-two years ago)
― amateur!st (amateurist), Friday, 13 February 2004 09:33 (twenty-two years ago)
― Twisterella, Friday, 13 February 2004 09:36 (twenty-two years ago)
― ENRQ (Enrique), Friday, 13 February 2004 09:43 (twenty-two years ago)
― Silly Sailor (Andrew Thames), Friday, 13 February 2004 12:26 (twenty-two years ago)
― Silly Sailor (Andrew Thames), Friday, 13 February 2004 12:31 (twenty-two years ago)
― Silly Sailor (Andrew Thames), Friday, 13 February 2004 13:37 (twenty-two years ago)
― Kerry (dymaxia), Friday, 13 February 2004 15:01 (twenty-two years ago)
― Silly Sailor (Andrew Thames), Friday, 13 February 2004 15:03 (twenty-two years ago)
― DJ Mencap (DJ Mencap), Friday, 13 February 2004 15:13 (twenty-two years ago)
― tom west (thomp), Friday, 13 February 2004 15:57 (twenty-two years ago)
― tom west (thomp), Friday, 13 February 2004 15:59 (twenty-two years ago)
― Kerry (dymaxia), Friday, 13 February 2004 16:04 (twenty-two years ago)
so on the surface reading of this line then, in the context of the song, it occurs in the brain of a two-faced liberal media type who is bored with the fall and will not promote them because they are all white. cf "too much reliance on girl here"..."too much romantic here"... etc. or so mark has claimed. [compare also to "the eastern bloc rocks to elton john" which has a clear second meaning, ridiculing leftwing groups who strive for a slick pop sound with faux soul] however, he has also claimed that the line cost him a deal with motown records; though there are many who believe this tale, i think it's preposterous and mark's taking the media for a ride. more likely, though i'm completely guessing here, it cost him his distribution with rough trade, an extremely leftwing label, and in mark's repeatedly stated view overly self-righteous. hex was apparently delayed in the winter of 1981, most tracks completed, and eventually came out on a tiny label with crappy distribution. the fall did return to rough trade of course for a few more releases.
that said, then, trying to understand the lyric is of course very difficult, it's mostly a string of abuse. clearly, fuckface and nigger are juxtaposed for shocking effect. i think the term "classical" refers to the fall/smith, in line with his self-mythologizing terms and subjects of previous songs such as new puritan, hip priest, etc. the classical [hotel aggro] poleaxes weak new media [hotel amnesia, home of the vain: top of the pops and that kind of thing] which advertises british junk with a clean cut image [new profile razor unit]. i could be way wrong about this of course. interpretation is always tough with mark's early 80s stuff because he was consciously writing out dialog parts, labeling them on his lyric sheets:
NARRATOR: Then the clan began / Agenda Item OneScene: Safe-house Give them nail files, soonGENT AND STAFF- And looking at this agenda, we have a bit of...now revealed a problem here...
but if you are inclined, for whatever reason [most likely a kneejerk reaction to a white man's use of the n word - compare with elvis costello's use in 1979 for staggering effect and career reorientation] to wonder whether smith does really consider nonwhites to be inferior, look at the song deer park on the same album:
The young blackies get screwed up the worstThey've gone over to the Hampstead house sussIn the English system they implicitly trustSee the A&R civil servantsThey get a sex thrill out of a sixteenth of Moroccan
― mig, Friday, 13 February 2004 16:30 (twenty-two years ago)
― tom west (thomp), Friday, 13 February 2004 16:54 (twenty-two years ago)
― tom west (thomp), Friday, 13 February 2004 16:57 (twenty-two years ago)
― Aaron W (Aaron W), Friday, 13 February 2004 16:59 (twenty-two years ago)
― tom west (thomp), Friday, 13 February 2004 17:03 (twenty-two years ago)
― tom west (thomp), Friday, 13 February 2004 17:05 (twenty-two years ago)
as for the middle class, thank goodness he does turn his attention there once in a while. how can such lyrics as this not bring a smile to your face:
A manExtremely lazyExhumes the cooked pigeonHis words indignantBecause it was cooked wrongMiddle class revolt
― mig, Friday, 13 February 2004 17:26 (twenty-two years ago)
― amateur!st (amateurist), Friday, 13 February 2004 18:03 (twenty-two years ago)
― Kerry (dymaxia), Friday, 13 February 2004 18:14 (twenty-two years ago)
― Kerry (dymaxia), Friday, 13 February 2004 18:15 (twenty-two years ago)
thee
― thee trouthole, Friday, 13 February 2004 18:42 (twenty-two years ago)
― robin carmody (robin carmody), Friday, 13 February 2004 19:40 (twenty-two years ago)
― Silly Sailor (Andrew Thames), Friday, 13 February 2004 23:39 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Friday, 13 February 2004 23:40 (twenty-two years ago)
― Silly Sailor (Andrew Thames), Friday, 13 February 2004 23:45 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Friday, 13 February 2004 23:50 (twenty-two years ago)
― Silly Sailor (Andrew Thames), Friday, 13 February 2004 23:52 (twenty-two years ago)
― chuck, Saturday, 14 February 2004 00:00 (twenty-two years ago)
― NA (Nick A.), Saturday, 14 February 2004 02:56 (twenty-two years ago)
― Dadaismus (Dada), Saturday, 14 February 2004 04:55 (twenty-two years ago)
― amateur!st (amateurist), Saturday, 14 February 2004 11:21 (twenty-two years ago)
― Dadaismus (Dada), Saturday, 14 February 2004 11:36 (twenty-two years ago)
― the bluefox, Saturday, 14 February 2004 15:10 (twenty-two years ago)
― Stupid (Stupid), Saturday, 14 February 2004 15:12 (twenty-two years ago)
― robin carmody (robin carmody), Saturday, 14 February 2004 15:16 (twenty-two years ago)
Thanks for letting me know.
― Stupid (Stupid), Saturday, 14 February 2004 15:28 (twenty-two years ago)
― robin carmody (robin carmody), Saturday, 14 February 2004 15:37 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Saturday, 14 February 2004 18:30 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Saturday, 14 February 2004 18:40 (twenty-two years ago)
― amateur!st (amateurist), Sunday, 15 February 2004 09:05 (twenty-two years ago)
― Stringent Stepper (Stringent), Sunday, 15 February 2004 12:18 (twenty-two years ago)