DESTROYER - YOUR BLUES

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First time through, I can't decide if I like it or hate it.

Wifey and I are big time, old school fans, but I don't know about this one...

The first thing worth noting is that this is a very, very, VERY brave endeavor. I don't mean Liars-new-album type experimentation, for the fucking self indulgent sake of it, I mean, like, risky business. I never found the Bowie comparisons apt, but if there's anything to them, Your Blues is Bejar's Low, easy.

Tons of literary references (some a bit too obvious this time around - Self Taught Man making an appearance on the first track? Please.) and the songs themselves are mostly fantastic (excepting a dud or two, including the previously released "Don't Become What You Hated") - mostly, this is the Destroyer I know and love.

Here's the weird part: Most of the music was created using 'synthetic' organs, pianos and synths - as a matter of fact, it sounds to me as if the entire album was made with a Kurzweill and a Korg MS2000! I don't have the liner notes, so I have no idea, I just know that, aside from acoustic guitar and some percussion (mostly handclaps), every sound is plainly 'FAKE.' Again, very brave, in that Bejar doesn't seem to be hiding behind this - I doubt he'd have the balls to lie about string players and whatnot (paging Mercury Rev) because it seems quite clear that it's just Bejar and a very expensive keyboard. I mean, christ, there's even a SAXOPHONE solo played on a piano!!

Lyrics veer between the brilliant and the willfully obtuse, and some of the arrangements are kinda lofty. Broadway.

Should be VERY interesting to see him live, with Frog Eyes as his backing band - they'll have to completely change these songs to play them live. The album screams of "Prince Alone in the Studio" - real down, loner vibes. But obsessively detailed, obviously - not cracked like, say, Vulcan - cracked like Song Cycle.

I haven't been this baffled by a record in a LONG time. What do you guys think?

Sorry this isn't very lucid - there's a roomful of drunks here watching Phone Booth at top volume as I type this.

roger adultery (roger adultery), Saturday, 13 March 2004 03:18 (twenty-two years ago)

He's quoted in a Merge press release as saying he's not "disregarding 'post-punk,' cause that would entail
acknowledging 'punk' in the first place . . . Instead, YOUR BLUES is
a balancing act between the Adult, the Contemporary, and the
Disastrous."

I think it's great, even down to the artwork--a candidate for the difficult album thread. The Smog comparison makes sense; and I said somewhere else on ILM I'm reminded of Scott Walker. It doesn't sound much like that, excepting the highly orchestrated synthesized bits, but the mood it strikes--languid, surreal, and sophisticated--is similar.

otto, Saturday, 13 March 2004 04:54 (twenty-two years ago)

This album rocks. Bejar has gone completely insane. Canada is the new black.

dieblucasdie (dieblucasdie), Saturday, 13 March 2004 06:30 (twenty-two years ago)

yeah, it seems like he's taking all the old quirks (lyrics taking control of the song rather than submitting to its form) and amplifying them. I've laughed out loud at the sheer audacity of this album, and i"m only to song number five. When that saw wave kicked in during the first song, it blew my top off. It seems like he's singing things way more insane than he usually does. And of course, the lyrics are over everybodys heads. It sounds like a really wacked-out solo album from the seventies, dated because of the synthesizers. I'm happy he ditched the guitar-bass-drums thing, because it was embarassing for me to play Streethawk for my friends and have the lyrics be brilliant and have the instrumentation be, well, not.

tyler (tyler), Saturday, 13 March 2004 07:50 (twenty-two years ago)

i like it a lot. never was crazy about him. i think it is better than any other record of his. very much more palatably clever. i am damn well impressed by it.

duke asunder, Saturday, 13 March 2004 08:51 (twenty-two years ago)

I thought this was a REBONE$$ thread at first

New Destroyer: way better than "This Night," still not as great as "Streethawk" I don't think but it's early yet. Like tyler, I did a LOT of laughing during my first listen, which seemed a good sign to me.

J0hn Darn1elle (J0hn Darn1elle), Saturday, 13 March 2004 14:10 (twenty-two years ago)

Yeah, I mean, I guess expecting "The Sublimation Hour, Part 2" would have been like somebody at the Greendale concert yelling out for "Like A Hurricane" or something. But still, three times through...it's a record I think I'm going to end up 'respecting' more than listening to

roger adultery (roger adultery), Saturday, 13 March 2004 15:50 (twenty-two years ago)

The first few times through were BIG laughs. I mean, I couldn't believe what a turn he'd taken and by the end of that first track (Notorious Lightning) you are just wanting to high five him for his fucking awesomess.

I was lucky enough to get a copy a few months ago. And I have to say it really has aged nicely. I may still like 'Streethawk' the best, but this is a very close second. Martin at Merge Records warned early that it's one of those albums you just can't stop playing....I have to agree completely with him. It's a very satisfying album to sing along to (alone).

What the hell is Dan gonna come up with next time around?

CL, Saturday, 13 March 2004 19:02 (twenty-two years ago)

The first post in this thread is so on point, I'm going to print it out and use it as the review of the CD for my college radio station. Way to go.

twitchy, Saturday, 13 March 2004 20:51 (twenty-two years ago)

This record feels like he's getting comfortable. Like he's accepted that this is his lot in life. Or maybe we're just getting used to having him around.
Either way he opens a lot of doors that seems to suit one another well. And there's not any hemming and hawing about which door and why and what does that mean and what will they think. I don't feel he cares so much any more about making us wonder. He's getting more direct, although one could say the over-the-top theatrics with the vocals and the NYPD Blue synth decisions are yet another wall to make people wince. I don't know that this album would convert anybody, but I bet it's a joy to those who already know about Destroyer. During the first listen, it did seem very "Loner Prince Alone in the Studio", but the more I listen, the more it just sounds like someone content to play by themselves, oblivious to the rest of the world. Then again, I keep listening to An Actor's Revenge.

Is this the bjork record for destroyer?

paganina, Monday, 15 March 2004 05:27 (twenty-two years ago)

A wonderful, daring, charmful album indeed. It is so refreshing to see an artist at least attempt to vary the sound and style of his albums. He does this better than any in recent memory. That he can pull off an album of faux orchestration, and have it be compelling is a true testament to his genious. A wonderful album indeed.

toby geist, Sunday, 21 March 2004 22:40 (twenty-two years ago)

I can see the Bowie comparisons, but I was reminded more of Al Stewart mixed with Van Dyke Parks, Dave Kusworth (Jacobites),and maybe something like Anthony Newley, all mixed up & given a bit of a DIY garage dress-down. I like it.

John Bullabaugh (John Bullabaugh), Sunday, 21 March 2004 22:51 (twenty-two years ago)

...and I like it better with each listening.

John Bullabaugh (John Bullabaugh), Tuesday, 23 March 2004 01:55 (twenty-one years ago)

Excellent

hoosierdaddy, Wednesday, 24 March 2004 04:36 (twenty-one years ago)

one month passes...
This album has lasted for me. My favourite album of the year so far. When I very started listening I hated it, but by the fake strings are going full blast on 'Notorious Ligtning' I'm totally sold.
An album for the romantic, insane, pretentious, flatulent and cuddly in all of us. Dan brings us to the stars!!!

Gilles Meloche (Gilles Meloche), Saturday, 22 May 2004 01:48 (twenty-one years ago)

three years pass...

weird. i had a song stuck in my head for a lot of last week, and only just realised this evening that it was 'an actor's revenge' from your blues. i specifically men the "budum budum budum budah" bit. starting to see the point of this record. there's a lot to sink your teeth into, and it's ambitious enough that i can forgive the missteps.

Charlie Howard, Tuesday, 7 August 2007 15:17 (eighteen years ago)

two months pass...

So last night in Montreal, the third or maybe fourth song of Spoon's set was (triumphantly, awesomely) "It's Gonna Take An Airplane"...

sean gramophone, Wednesday, 17 October 2007 13:16 (eighteen years ago)

when will destroyer release a new record?
i miss the long "rubies" thread...

Zeno, Wednesday, 17 October 2007 17:23 (eighteen years ago)

fourteen years pass...

I'm still looking for Pointe Saint-Claire.

Van Horn Street, Saturday, 12 February 2022 23:39 (four years ago)

Wonder if this record is seen as a precursor to the slicker records from Kaputt and onwards, or if it's seen as a peculiar diversion that wasn't revisited.

Halfway there but for you, Sunday, 13 February 2022 02:26 (four years ago)

great aLbum

flopson, Sunday, 13 February 2022 03:29 (four years ago)

Dan singing “you can go your own way” in the music lovers always cracks me up

flopson, Sunday, 13 February 2022 03:42 (four years ago)

a precursor to the slicker records from Kaputt and onwards, or if it's seen as a peculiar diversion that wasn't revisited.

well, it can be both, can't it? it's the most direct predecessor to kaputt & onwards, but still very much its own weird thing that he's never fully returned to

ufo, Sunday, 13 February 2022 03:59 (four years ago)

lord knows that i’m trying

STOCK FIST-PUMPER BRAD (BradNelson), Sunday, 13 February 2022 04:07 (four years ago)

This is my favourite Destroyer album. Classic from start to finish, his best collection of melodies imo. What Road deathly underrated, should have come earlier in the sequencing of the album.

hrep (H.P), Sunday, 13 February 2022 09:38 (four years ago)

I’d rank his 4 main albums as:

1. Rubies = Kaputt
2. Your Blues
3. Streethawk

But they are pretty much in the same 9ish scale for me and they are great albums for different reasons.

✖✖✖ (Moka), Sunday, 13 February 2022 15:03 (four years ago)

Glad to see Your Blues is getting some love. Personally, I prefer it to any of his 2000s records.

Van Horn Street, Monday, 14 February 2022 16:26 (four years ago)

classic record — I think it was the one that really convinced me of Bejar's genius, just so audacious and weird, but awesomely so. I interviewed him right when it came out, was funny how nervous he seemed about it. I think he used the phrase "career suicide."

tylerw, Monday, 14 February 2022 17:09 (four years ago)

I don't think of it as a precursor so much as a spur. Your Blues strove to be uncool and it coloured his lyrics so precisely, made his jokes hit different. Kaputt onward is cool and it's a different backdrop.

flamboyant goon tie included, Monday, 14 February 2022 22:15 (four years ago)

Any list of my top ten favourite Destroyer songs would be half songs from this album tho... "Notorious Lightning", "An Actor's Revenge", "It's Gonna Take An Airplane", "What Road" and "Certain Things You Oughta Know"

flamboyant goon tie included, Monday, 14 February 2022 22:18 (four years ago)

There is a momument
There is a place within it I have won
And there is victory at sea
And then there's the sun

flamboyant goon tie included, Monday, 14 February 2022 22:20 (four years ago)

it's definitely my favourite of his 00s albums too. i have a lot of love for those goofy default midi instruments

i do get the impression that kaputt was intended to be similarly uncool. despite being an admitted pop move, he seemed very caught off-guard by just how on-trend it ended up being. but in terms of affect, yeah i absolutely get what you mean

idk how i'd rank his albums, kaputt is solidly #1 and then there's an excellent second tier of your blues, poison season, have we met, and labyrinthitis. and then rubies and streethawk are good but i don't love them in the same way.

ufo, Monday, 14 February 2022 22:29 (four years ago)

Just realised Bejar's trope to start off his albums with epic one phrase intro's.

"hey girl, common and take a whirl on my machine"
"oh notorious lightning, yes I had to ride you etc."
"dueling cyclones jackknife, they got eyes for your wife and the blood that lives in her heart"

If I had it my way, every album ever would start off like this. Then again, Destroyer's in the Temple might take the cake for best album intro and it eschews this rule.

Replace Certain Things with Music Lovers flamboyant and I'm with you.

hrep (H.P), Tuesday, 15 February 2022 01:23 (four years ago)

Kaputt hasn't lasted for me. The sugar of it gets a bit too sickening after the 50th play. Except for Bay of Pigs, what an epic.

Your Blues = Streethawk
Kaputt = Rubies
This Night = Poison Season
the rest

His top albums are his most singable. Your Blues is such a great singalong on the open road trip

I wore skins. I didn't care who survived.
The band foretold trends from Spring of '85
They're calling it "The New Decay"
Hey, so am I.

hrep (H.P), Tuesday, 15 February 2022 01:28 (four years ago)

Warm yourself by the fiery stage
Fiery cause I lit it

[midi fireball floats across the room]

Vaguely Threatening CAPTCHAs, Tuesday, 15 February 2022 05:11 (four years ago)

Someone should run a poll of "shocking Destroyer vocal lines that come in as the instruments drop out before a massive instrumental breakdown or the like".

My vote goes to this one in Sublimation Hour
I guess the streets will suffice till everybody makes nice,
But there's a rumor going round even Destroyers have a price...

hrep (H.P), Tuesday, 15 February 2022 05:37 (four years ago)

winner is right here

she needs release
she needs to be at home
with her father
the fucking maniac

*guitar solo*

a (waterface), Tuesday, 15 February 2022 13:11 (four years ago)

yeah the maniac line! the solo! <3

sean gramophone, Tuesday, 15 February 2022 14:25 (four years ago)

idk how i'd rank his albums, kaputt is solidly #1 and then there's an excellent second tier of your blues, poison season, have we met, and labyrinthitis. and then rubies and streethawk are good but i don't love them in the same way.

This is pretty much exactly how I feel, with Kaputt, Your Blues, and Poison Season as firm top 3. I think a lot about how in interviews about Kaputt he said that that album is lyrically sui generis in his discography. I'm paraphrasing, but he basically said that he is always able to explain the meaning behind any line from any of his songs, but that he has no idea what any of the lyrics on Kaputt mean (with the exception of "Suicide Demo For Kara Walker"). Like he was channeling some kind of inscrutable muse on that one. And it makes sense given how lyrically sparse that record is compared to most of his other stuff

J. Sam, Tuesday, 15 February 2022 16:41 (four years ago)

sounds, smash hits, melody maker, nme, all sounds like a dream to me

STOCK FIST-PUMPER BRAD (BradNelson), Tuesday, 15 February 2022 16:44 (four years ago)

Who knew?

J. Sam, Tuesday, 15 February 2022 16:48 (four years ago)

sounds, smash hits, melody maker, nme, all sounds like a dream to me

That's straight-up 80s anglophile nostalgia.

Halfway there but for you, Tuesday, 15 February 2022 16:52 (four years ago)

I didn't mean to divert the attention from Labyrinthitis, which is fantastic in its own regard.

Van Horn Street, Tuesday, 15 February 2022 22:35 (four years ago)

The watercolours break is my break of choice on Rubies. The whole song builds to it, it comes so suddenly and with a nice subtlety to it that isn't common to Destroyer

Well some situations
Seek redressing
Some songs just
Go testing, testing,
I took a picture
I was sick of motion...
And wore her watercolours into the ocean

hrep (H.P), Tuesday, 15 February 2022 23:08 (four years ago)

<i>I've</i>
<i>been</i>
<i>working on some open-ended shit</i>

Clay, Thursday, 17 February 2022 08:00 (four years ago)

well you get the point

Clay, Thursday, 17 February 2022 08:01 (four years ago)

honestly think this is my favorite destroyer record these days but I haven't really kept up with his post-2008 stuff

J Edgar Noothgrush (Joan Crawford Loves Chachi), Thursday, 17 February 2022 12:17 (four years ago)

your blues, rubies, kaputt and poison season are all albums I consider his best at depending on my mood

silverfish, Thursday, 17 February 2022 14:41 (four years ago)

honestly think this is my favorite destroyer record these days but I haven't really kept up with his post-2008 stuff

― J Edgar Noothgrush (Joan Crawford Loves Chachi), Thursday, February 17, 2022 5:17 AM (two hours ago) bookmarkflaglink

you would probably enjoy poison season

STOCK FIST-PUMPER BRAD (BradNelson), Thursday, 17 February 2022 14:42 (four years ago)

two years pass...

the time (synth strings begin to rise) of your lives (still rising) has been had (almost there)
And your wives (...) have been (PEAK) Baaaaad!

H.P, Thursday, 5 December 2024 07:49 (one year ago)

God what an album

H.P, Thursday, 5 December 2024 07:55 (one year ago)


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