― dog latin (dog latin), Sunday, 28 March 2004 19:59 (twenty-two years ago)
― Ian Johnson (orion), Sunday, 28 March 2004 20:01 (twenty-two years ago)
― don, Sunday, 28 March 2004 20:02 (twenty-two years ago)
― jack cole (jackcole), Sunday, 28 March 2004 20:19 (twenty-two years ago)
― Sean Thomas (sgthomas), Sunday, 28 March 2004 20:27 (twenty-two years ago)
Anyway, her "Berlinette" CD of last year is some good stuff with no camp/kitsch/transvestism involved.
― Nom De Plume (Nom De Plume), Sunday, 28 March 2004 21:28 (twenty-two years ago)
― Tim Finney (Tim Finney), Sunday, 28 March 2004 22:34 (twenty-two years ago)
― lauren (laurenp), Sunday, 28 March 2004 22:50 (twenty-two years ago)
― Stephen Boyle (SBoyle), Monday, 29 March 2004 17:29 (twenty-two years ago)
― latebloomer (latebloomer), Monday, 29 March 2004 17:42 (twenty-two years ago)
― dog latin (dog latin), Monday, 29 March 2004 17:45 (twenty-two years ago)
― Dan Selzer (Dan Selzer), Monday, 29 March 2004 17:52 (twenty-two years ago)
― Ronan (Ronan), Monday, 29 March 2004 17:55 (twenty-two years ago)
i think this particular scene is sort of hibernating. a lot of artists rushed to put out albums in time w/ the electro boom so you got a lot of samey product that nobody heard. did anybody check out the carl finlow album? the psylocity album? the scape one album?
a lot of the support for this music was from the breaks scene, and i don't know if people into breaks really buy albums. in america breaks compilations are obscenely priced, and nobody's going to pay $35- for a rotters golf club compilation, etc. i'm noticing a lot fewer breaks comps in stores so maybe that money's dried up, too.
finally some of the major artists that run labels like andrea parker, anthony rother, dave tipper, ed dmx, etc. all seem sort of burnt out on electro. i know anthony rother is just doing john carpenter-style film music now (same with dopplereffekt), the others i mentioned probably have better things to do than throw away money on specialist electro labels.
the hague is still putting out good music, for now anyway.
― vahid (vahid), Monday, 29 March 2004 18:04 (twenty-two years ago)
― vahid (vahid), Monday, 29 March 2004 18:06 (twenty-two years ago)
― Ronan (Ronan), Monday, 29 March 2004 18:09 (twenty-two years ago)
When the electro revival started in the mid 90s I was just getting educated in electro of the 80s, and I found a lot of the stuff that was coming out around 95, like DMX Krew, Elektroids, stuff on Clear to be not nearly as good.
― Dan Selzer (Dan Selzer), Monday, 29 March 2004 18:11 (twenty-two years ago)
― Dan Selzer (Dan Selzer), Monday, 29 March 2004 18:12 (twenty-two years ago)
there's some crossover between clear and ferox / evolution / peacefrog etc. but you wouldn't ever really hear clear played out with drexciya or dmx krew or i-f, i don't think.
memory lane: the seminal electro revival document.
― vahid (vahid), Monday, 29 March 2004 18:29 (twenty-two years ago)
― Ronan (Ronan), Monday, 29 March 2004 18:31 (twenty-two years ago)
― chuck, Monday, 29 March 2004 18:34 (twenty-two years ago)
― Ronan (Ronan), Monday, 29 March 2004 18:37 (twenty-two years ago)
― vahid (vahid), Monday, 29 March 2004 18:39 (twenty-two years ago)
Basically if the robots sound like humans or sexy they're camp, if they're just robots they're not. I'm not sure why anyone would particularly prefer the latter.
― Tim Finney (Tim Finney), Monday, 29 March 2004 21:29 (twenty-two years ago)