June 13, 2004
Love That Mystic HammeringBy LUCINDA WILLIAMS
ey, Bobby, some editors over at The New York Times Book Review (remember ''I'm gonna grow my hair down to my feet so strange / So I look like a walking mountain range / And I'm gonna ride into Omaha on a horse / Out to the country club and the golf course. / Carry The New York Times, shoot a few holes, blow their minds''?) asked me if I'd write something about the words to your songs. I have watched you and listened to your lyrics and have been struggling to get as good as you are for about the last 40 years. You probably don't care much for somebody trying to analyze your head like this, and I sure don't pretend to be no intellectual, but these folks seem to think I'm up to the job. So I guess I'll ramble on about some lines of yours that I think are brilliant, like these, from ''Spanish Harlem Incident'': ''Gypsy gal, the hands of Harlem / Cannot hold you to its heat. / Your temperature's too hot for taming, / Your flaming feet burn up the street.'' Or these, from ''To Ramona'':
Your cracked country lips, I still wish to kiss. . . . To see you tryin' to be a part of A world that just don't exist. It's all just a dream, babe, A vacuum, a scheme, babe, That sucks you into feelin' like this.
Or these, from ''Chimes of Freedom'': ''Through the mad mystic hammering of the wild ripping hail / The sky cracked its poems in naked wonder / That the clinging of the church bells blew far into the breeze / leaving only bells of lightning and its thunder.''
I hear Charles Bukowski and all the great Beats. But I also hear Woody Guthrie, Lightnin' Hopkins and Hank Williams. Even in their simplicity, there's an edge and a mysterious quality to your songs. Are you a poet or a songwriter? Who cares? You let your Minnesota, nonsinging, howling, raspy voice push the lyrics. Your guitar and harmonica and those sweet beautiful melodies hold them and give them a home. The words rest against them. They don't have to stand alone but they can. They have a consciousness, a carefulness, yet there's an almost sardonic, cavalier quality to them. I hear humor and wit; attitude and hipness. Words gotta have a hipness to them. I feel you must know something I haven't discovered yet. At the core lies a solid, basic truth that branches out of your experience and compassion.
Ethereal moments become almost literal. The images are striking, graphic and sensual. Words jump off the page and roll across the tongue. You are able to take an idea and give it form: the idea that Harlem has hands, feet are flaming, lips are cracked and country, hail hammers and skies crack poems.
Bobby Dylan, for all the years of being influenced by your humor, your wit, your brilliance and your sweet-ass attitude, thank you.
Lucinda Williams's most recent album is ''World Without Tears.''
― shookout (shookout), Sunday, 13 June 2004 00:58 (twenty-one years ago)
― Jon in R'lyeh (ex machina), Sunday, 13 June 2004 01:00 (twenty-one years ago)
― rumple, Sunday, 13 June 2004 01:42 (twenty-one years ago)
― Jon in R'lyeh (ex machina), Sunday, 13 June 2004 02:03 (twenty-one years ago)
― Patrick Kinghorn, Sunday, 13 June 2004 02:05 (twenty-one years ago)
Riiight, Lucinda...and how many years did you spend recording and Car Wheels on a Gravel Road again?
Between Nick Hornby and this...this...THIS MELTED ICE-CREAM PUDDLE OF THOUGHT, it sure seem NYT favors the disingenuously aw-shucks approach to rock writing, doesn't it?
― Michael Daddino (epicharmus), Sunday, 13 June 2004 02:35 (twenty-one years ago)
i still like lucinda williams.
although she chose some of his more, er, florid lyrics to quote. "chimes of freedom" is one of his weaker songs imo.
― amateur!st (amateurist), Sunday, 13 June 2004 03:02 (twenty-one years ago)
I like Lucinda. The white ebonic tone of the piece bothered me too, but it's not like I'm OFFENDED by her heartfelt little tribute to The Zimmer Man. Let her have her fun.
― roger adultery (roger adultery), Sunday, 13 June 2004 03:55 (twenty-one years ago)
― amateur!st (amateurist), Sunday, 13 June 2004 04:46 (twenty-one years ago)
Did you get a letter from God confirming that "faux" part?
― Dock Miles (Dock Miles), Sunday, 13 June 2004 04:51 (twenty-one years ago)
― otto, Sunday, 13 June 2004 05:13 (twenty-one years ago)
― Rickey Wright (Rrrickey), Sunday, 13 June 2004 06:02 (twenty-one years ago)
― roger adultery (roger adultery), Sunday, 13 June 2004 06:06 (twenty-one years ago)
Really. She's doing the best she can. You try and say something fucking meaningful about Bob Dylan if the New York Times asks you.
I also agree about Essence -- it's not her best record, but it maybe has her best songs. Like the one called "Essence," for example. Or the one called "Lonely Girls." Or the one called "Blue." If there's a list of people who have earned the right to sound like a dipshit about Bob Dylan in The New York Times, she is high on it.
― spittle (spittle), Sunday, 13 June 2004 06:14 (twenty-one years ago)
― Jazzbo (jmcgaw), Sunday, 13 June 2004 10:36 (twenty-one years ago)
He has been seen conversing with Angels recently.
― Anthony Miccio (Anthony Miccio), Sunday, 13 June 2004 16:12 (twenty-one years ago)
"Why I Find More Meaning in Depeche Mode's "See You" Than I Do in All of Dylan," by me (if they ever asked).
― Ned Raggett (Ned), Sunday, 13 June 2004 16:20 (twenty-one years ago)
― Anthony Miccio (Anthony Miccio), Sunday, 13 June 2004 16:28 (twenty-one years ago)
― jack cole (jackcole), Sunday, 13 June 2004 16:37 (twenty-one years ago)
― scott seward (scott seward), Sunday, 13 June 2004 16:40 (twenty-one years ago)
(x-post)
― Anthony Miccio (Anthony Miccio), Sunday, 13 June 2004 16:41 (twenty-one years ago)
-- scott seward (skotro...) (webmail), June 13th, 2004 10:40 AM. (scott seward) (later) (link)
?!
― amateur!st (amateurist), Sunday, 13 June 2004 17:38 (twenty-one years ago)
― Ned Raggett (Ned), Sunday, 13 June 2004 17:38 (twenty-one years ago)
When I read the poetry book review it reaffirmed that Jeff Tweedy is making it very hard for me to be the Wilco fan that I am.
― Anthony Miccio (Anthony Miccio), Sunday, 13 June 2004 17:40 (twenty-one years ago)
― J.D. (Justyn Dillingham), Sunday, 13 June 2004 20:08 (twenty-one years ago)
ilm: "you pretentious dick."
― J.D. (Justyn Dillingham), Sunday, 13 June 2004 20:09 (twenty-one years ago)
― Michael Daddino (epicharmus), Sunday, 13 June 2004 20:18 (twenty-one years ago)
― Anthony Miccio (Anthony Miccio), Sunday, 13 June 2004 21:31 (twenty-one years ago)
― Huk-L, Monday, 14 June 2004 04:13 (twenty-one years ago)
― hstencil (hstencil), Monday, 14 June 2004 04:37 (twenty-one years ago)
(yeah, yeah, I know he came out from behind his anonymity a long time ago...but did you know that there was a Cdn copycat book? The title had something to do with "Party" and was attributed to something like "Jean Deaux")
― Huk-L, Monday, 14 June 2004 05:14 (twenty-one years ago)
A little slobbery perhaps, but not too bad.
― Sym (shmuel), Monday, 14 June 2004 06:10 (twenty-one years ago)
― Matos W.K. (M Matos), Monday, 14 June 2004 08:09 (twenty-one years ago)
― Matos W.K. (M Matos), Monday, 14 June 2004 08:15 (twenty-one years ago)
maybe because a lot of musicians just aren't that smart/discerning in the ways that prose writing (but not music), criticism especially, calls for? the Lucinda thing isn't, ok, completely terrible, but it was embarrassing the first two times around. then again, she doesn't interest me much as a person in the first place, even if i love her records.
the Joe Klein piece wasn't super-great, but not bad at all (despite my Wilco reactionaryism) given that he doesn't usually do this sort of thing.
― gabbneb (gabbneb), Monday, 14 June 2004 10:22 (twenty-one years ago)
― Rickey Wright (Rrrickey), Wednesday, 10 May 2006 08:18 (nineteen years ago)
― Carlos Keith (Buck_Wilde), Friday, 12 May 2006 07:51 (nineteen years ago)
― Rickey Wright (Rrrickey), Friday, 12 May 2006 08:18 (nineteen years ago)
― Rickey Wright (Rrrickey), Friday, 12 May 2006 08:19 (nineteen years ago)