T-Power TPower T.Power T Power - The Self-Evident Truth Of An Intuitive Mind; Classic or Dud?

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No one knows how to write his damn name.

Talking to Graham Sutton lead to getting Boymerang out, which in turn lead to getting this out. it takes me back to my first year at university and being VERY fucked on drugs and walking across Northampton at stupid hours in the morning imagining I was going to be stabbed. It's also great.

Bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud out of bud...

Sick Mouthy (Nick Southall), Thursday, 1 July 2004 19:01 (twenty-one years ago)

classic all the way.

newnumbertwo, Thursday, 1 July 2004 19:12 (twenty-one years ago)

class all the way

hector (hector), Thursday, 1 July 2004 19:28 (twenty-one years ago)

sounds very much of its era. awful title. difficult to listen to now. doesn't hold up very well against the tuffer stuff that was emerging (like No U Turn). So, on balance...hmm, dud.
In the scrapbin of historywith a few dozen Ninja Tunes albums.

paulhw (paulhw), Thursday, 1 July 2004 20:07 (twenty-one years ago)

i relistened a month or so ago and it wasn't as good as i remembered.

gaz (gaz), Thursday, 1 July 2004 21:08 (twenty-one years ago)

was this the loooong single with the Noam Chomsky cameo or the album that followed it?

jed_ (jed), Thursday, 1 July 2004 21:18 (twenty-one years ago)

the album. the single was...police state???

gaz (gaz), Thursday, 1 July 2004 21:23 (twenty-one years ago)

ah yes - i prefered that then.

jed_ (jed), Thursday, 1 July 2004 21:24 (twenty-one years ago)

Classic but perhaps didn't quite live up to the promise of his singles. T.Power put out some absolutely blinding tunes:

Atomic Dog
Natural Born Killers
Mutant Jazz
Blood From a Stone / Lipsing Jamring
his remix of Shy FX's Gangster Kid
the old SoapBar ardkore tunes
etc.
etc.

The two matching singles that came out shortly after this were Police State pt 1 and 2.

T.Power deserves a revival more than Remarc.

jeffery (jeffery), Thursday, 1 July 2004 21:26 (twenty-one years ago)

Parts of it were fantastic. T-Power was combining ambient and DnB at a time when rougher=better was considered doctrine for DnB.

That said, the sounds on it are very much stuck in 1994-5. It's impact has also been watered down as a result of the jazz + DnB (i.e. Roni Size) records that became far too common a couple of years later. Once everyone and their brother latched onto chillout DnB, stuff like T.Power must have seemed like old hat to anyone who hadn't heard him before.

I recall an interview with him c. 1997 in which is denounced his first two albums as crap and apologized to anyone who had paid good money for them.

Barry Bruner (Barry Bruner), Friday, 2 July 2004 03:27 (twenty-one years ago)

i would more likeley say that his last album was crap. He didnt do the breaks thing very well.

The album didnt age very well but it was good when it came out, if not quite as good as the singles.

hector (hector), Friday, 2 July 2004 04:14 (twenty-one years ago)

I liked that track on the Stanton Sessions mix. But the first T-Power album always struck me as a less appealing alternative to the first Spring Heel Jack album.

Tim Finney (Tim Finney), Friday, 2 July 2004 04:29 (twenty-one years ago)

"T.Power deserves a revival more than Remarc."

Um no, but he did release some of good stuff (although most of what I think of him for is Shy FX remixes and the Trace's far better "Mutant Remix).)

Alex in SF (Alex in SF), Friday, 2 July 2004 04:34 (twenty-one years ago)

"fuzzy logic" and a few other tracks on botchit & scarper are pretty classic. there was one collab with si begg on the album from 2000 or so that was good, but the rest of pretty damn terrible. same could now be said for most "nu skook breakz" stuff on b&s, tcr, marine parade, finger lickin', even some kingsize... breaks has pretty much gone for the punters...(simon are you listening???)

donut bitch (donut), Friday, 2 July 2004 05:45 (twenty-one years ago)

classick

wheres boymerang by the way?

harshaw (jube), Friday, 2 July 2004 07:37 (twenty-one years ago)

he's just made a Bark Psychosis record.

jed_ (jed), Friday, 2 July 2004 07:38 (twenty-one years ago)

t-power vs mk ultra: "horny mutant jazz"
t-power: "mutant jazz"

are these the same track?? if not i've only heard the first and it's KILLER. i have the 2nd t-power album and never ever ever listen to it because it's so empty of ideas. the nu-skool breaks stuff was awful (i say that as a breaks fan). i'd like to hear the first album, though.

i think i prefer his chocolate weasel material to the rest of the post 1st album output. search: his remix of "anger" by sakamoto, that's some good stuff that's not too similar to any other t-power tracks (or d+b or breaks or electro or...)

vahid (vahid), Friday, 2 July 2004 07:45 (twenty-one years ago)

same track vahid. yeah, hear the first record.

gaz (gaz), Friday, 2 July 2004 08:44 (twenty-one years ago)

also mk ultra: who dat?

gaz (gaz), Friday, 2 July 2004 08:49 (twenty-one years ago)

i like 'Prospects For Democracy' from the 'Police State' single - took me a long time to find on slsk

stevem (blueski), Friday, 2 July 2004 08:58 (twenty-one years ago)

which DID sample Chomsky as you would figure

stevem (blueski), Friday, 2 July 2004 08:59 (twenty-one years ago)

i didn't like the Chocolate Weasel album much except 'Music For Body Lockers' - weird how T Power ended up hooking up with Shy FX to make a GREAT d&b pop single.

what are the good tracks from 'Waveform'?

stevem (blueski), Friday, 2 July 2004 09:00 (twenty-one years ago)

yes

gaz (gaz), Friday, 2 July 2004 09:06 (twenty-one years ago)

nineteen years pass...

The Self-Evident Truth... album and the Police State EP get a bit silly at times (though lots of fun for other stretches). You can see Royal aiming for that mixture of grandiosity and irreverence that typified Orbital of that era but the package never quite comes together as successfully.

However a top 10 or so of this guy's tunes (mostly predating that album, or otherwise under the “Atomic Dog” pseudonym) would be unfuckwithable. In roughly descending order of greatness:

Atomic Dog - Step Into Lite
T. Power – Blood from a Stone
Atomic Dog - Natural Born Killaz / N.B.K. Rebirth (two separate tunes but the second is a remix of the first)
T. Power – Lipsing Jam Ring
Atomic Dog – Future Now
T. Power - Elemental
Atomic Dog – Break It Down
T. Power – Chasin’ A Dream
T. Power & DJ Skie – Brave New World
T. Power – Liberation
T. Power & MK Ultra – Mutant Jazz

It's pretty easy to see how the tendencies that cause the album and related material to be slightly overblown (the melodramatic ambient melodies, the fiddly drum programming which verges on drill & bass look at moi flexing) are also the tendencies that make these marginally more dancefloor friendly tunes so distinctive and effective. Every time you think a tune has peaked it finds a way to go deeper/harder, and with super crisp, fluid and complex but focused programming that reminds me of FBD Project’s best tunes (“She’s So”, “Gesture Without Motion”). Typically the second half of the tune really pushes into incredible territory (on “Step Into Lite” and “Blood From A Stone” in particular).

But you can hear the pretension start to creep in on “Mutant Jazz” and “Liberation” (both just prior to the album), which is why they are at the bottom of my list despite still being excellent.

Tim F, Thursday, 8 February 2024 22:11 (one year ago)

I’m way more forgiving of bloated overwrought pretentiousness when it’s in d&b for some reason, the framework sort of allows for all matter of melodramatic nonsense so long as it delivers the sweet sweet breaks

brimstead, Thursday, 8 February 2024 22:49 (one year ago)

Yeah but the breaks on Self-Evident Truth typically aren't even his best work! Once you get past the top-layer of ratatat sped-up drum rolls you can tell he has already succumbing to post-"Pulp Fiction" simplicity, albeit not as dramatically as, i dunno, contemporaneous Omni Trio or something (this is even more evident on Police State).

Whereas the stretch of "Step Into Lite" from about the 4 minute mark is genuinely mindblowing.

Tim F, Thursday, 8 February 2024 22:58 (one year ago)

https://www.youtube.com/watch?v=eOwjP4BCeuY

Tim F, Thursday, 8 February 2024 22:58 (one year ago)

That whole Waveform album is so good...

m0stly clean (Slowsquatch), Friday, 9 February 2024 07:10 (one year ago)


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