Christina Milian - It's About Time

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Inspired by Mitch saying he loves "I Could Be That Woman". I really like it too. I was slightly sceptical of this album - it felt like a slightly weaker version of Mya's Moodring. But i've done a bit of a u-turn on it now and really enjoy it, especially because some of the weepie ballads are awesome.

Anyway, songs to check:

"Whatever You Want" - a brassy'n'bouncy disco number with Joe Budden, really uptempo, like "Crazy in Love" meets Mya's "Free" (funny how nearly everything Christina does feels like its halfway between Beyonce and Mya in one form or another. Certainly her overall feel is halfway between Beyonce's brazen sensuality and Mya's beguiling fragility).

"Someday Oneday" - gorgeous, wispy ballad that has one of my favourite tricks in an R&B ballad, namely a sort of naive, self-deceiving optimism that secretly realises its own tenuousness (see also Brandy's oddly ace "Wow" from a few years back).

"Get Loose" - a chip off the "Dip It Low" block. *very* impressive production courtesy of Rodney Darkchild - who has absorbed Diwali/Coolie Dance ideas more effectively than Timbaland - but the song itself is a bit weak. Very percussive, the sort of thing I'd love to play out.

"I'm Sorry" - endearingly awkward mid-tempo number that wants to be a ballad but can't quite manage it, owing to the stumbling beat and Christina's air of slightly manipulative cynicism. Like if Kandi from Xscape ever tried to write a ballad.

"Peanut Butter & Jelly" - for Dan. A club number with faintly disturbing sexual imagery. Again, a bit weak on the song-front.

"Miss You Like Crazy" - my favourite maybe. A glorious power-ballad. Not much more to be said. Love it.

"I Could Be That Woman" - big'n'bold rave-up, with the same sort of self-confident euphoria that propels Britney's "Brave New Girl".

Overall I've decided the album is surprisingly strong with no real missteps. All the songs I haven't mentioned are really likeable as well. As I've indicated, the only real let-down is that the songs like "Dip It Low" are a bit inferior to it, but that's balanced out by the high quality of the ballads etc.

Tim Finney (Tim Finney), Friday, 16 July 2004 23:14 (twenty-one years ago)

faintly disturbing sexual imagery

Details, please.

Am I the only one slightly put off by the video for "Dip it Low" wherein Christina is summarily smeared and spun around in what looks like motor oil?

Alex in NYC (vassifer), Friday, 16 July 2004 23:55 (twenty-one years ago)

no you aren't

kyle (akmonday), Saturday, 17 July 2004 00:14 (twenty-one years ago)

As I've indicated, the only real let-down is that the songs like "Dip It Low" are a bit inferior to it

What about "I Need More" !?!?!

artdamages (artdamages), Saturday, 17 July 2004 00:26 (twenty-one years ago)

I like "Hands On Me". It's got a flute. And handclaps.

mw_jimmy, Saturday, 17 July 2004 00:28 (twenty-one years ago)

I like "I Need More" too! As I said, everything on the album is pretty-good to great, I just didn't want to list every song. "I Need More" isn't really like "Dip It low" though.

Tim Finney (Tim Finney), Saturday, 17 July 2004 00:29 (twenty-one years ago)

What's "Hands On Me" though? "Get Loose" has flutes and handclaps though.

Tim Finney (Tim Finney), Saturday, 17 July 2004 00:29 (twenty-one years ago)

It's not "Dip It Low", but its not a ballad so I thought you were lumping it in w/the

artdamages (artdamages), Saturday, 17 July 2004 00:36 (twenty-one years ago)

13. I Can Be That Only Woman (UK Bonus Track)
14. Hands On Me (UK Bonus Track)
15. Dip It Low (Video UK Bonus)

:P

mw_jimmy, Saturday, 17 July 2004 00:37 (twenty-one years ago)

Damn you and your UK bonus tracks.

artdamages (artdamages), Saturday, 17 July 2004 00:37 (twenty-one years ago)

Did I mention that "I Can Be That Woman" is great aswell. Its full of muffled electronic noises.

You should definately "seek" them.

mw_jimmy, Saturday, 17 July 2004 00:41 (twenty-one years ago)

I really like it. The Mya comparison is pretty spot-on, but It's About Time is a lot stronger than Mood Ring. The "Whatever You Want" beat sounds like some weird post-Quincy Jones thing.

C0L1N B3CK3TT (Colin Beckett), Saturday, 17 July 2004 08:23 (twenty-one years ago)

Isn't the new Kenny Loggins album also called It's About Time?

C0L1N B3CK3TT (Colin Beckett), Saturday, 17 July 2004 08:23 (twenty-one years ago)

try find the original version of LOVE sans budden! the one on the lp is sort of a unconfident defensive cop out settling for feeling a bit retro irony compared to the og which is like proper unabashed miami sound machine. same shit as that stupid handclappy 'dip it low' that came out in the end. and if 'get loose' is dancehall's legacy then the joke's on us

naive, self-deceiving optimism that secretly realises its own tenuousness

('why don't we fall in love' 4ever! even down to the run out beat lasting v slightly just too long for surety)

prima fassy (mwah), Saturday, 17 July 2004 09:14 (twenty-one years ago)

it is not possible to show 'i can be that woman' too much love. it sounds like daft punk's "short circuit" (which i always found quite moving actually).

and as sfj says, "i need more" = toxic 2, more or less (except more less than more more).

m. (mitchlnw), Saturday, 17 July 2004 09:54 (twenty-one years ago)

i need more is funny for intimating the fun prescence of nelly by just using a him-sounding OHH! it's cheating but i like the cut of the jib

prima fassy (mwah), Saturday, 17 July 2004 10:24 (twenty-one years ago)

oops, i just saw my name at the very top of the thread - now i feel silly for coming in and saying the same thing again. and now i've made another useless 'excuse' post. i might as well say that "highway" is r. kelly-esque in its use of metaphor (it's quite pretty, too).

m. (mitchlnw), Saturday, 17 July 2004 10:32 (twenty-one years ago)

This album is totally on my wish list. I wish she'd put on the version of "Dip It Low" sans rap though... none of the rap versions I've heard have been any good.

The Lex (The Lex), Saturday, 17 July 2004 10:49 (twenty-one years ago)

I like Fabo version, the way it goes all minimal and bassy for his bit.

I might find it difficult to judge the relative qualities of the Mya and Christina albums because I've always had a curious attachment to Mya. I think Mya's album's got more filler but it's also got a bigger range - nothing on Christina's album is as WTF as "Whatever Bitch" or "Late".

Tim Finney (Tim Finney), Sunday, 18 July 2004 06:46 (twenty-one years ago)

Mitch is very OTM with the Daft Punk reference for "I Can Be That Woman". Are we about to see an onslaught of filter-sweeps in R&B songs? That would be great.

Tim Finney (Tim Finney), Monday, 19 July 2004 01:48 (twenty-one years ago)

I'm really into Peanut Butter & Jelly, Someday One Day/Highway/I'm Sorry, Dip It Low and LOVE and that's way more than I was expecting to going into this. I find myself putting it on all the time. The vocals on LOVE are totally amazing and out of control. I'll have to try and find that original mix. It's a really great cd.

jjj, Tuesday, 27 July 2004 14:44 (twenty-one years ago)

four years pass...

the endless layered vox bringing 'miss you like crazy' to a tear-suffused melodramatic close <3

the really outstanding jerky danceability of 'peanut butter & jelly' <3

weird that i never posted on this thread after i got the album.

lex pretend, Wednesday, 1 October 2008 22:54 (seventeen years ago)

It's a great album. "Whatever You Want" is my jam, I have played it at so many parties it started to look like a plot for a while there.

Tim F, Wednesday, 1 October 2008 23:56 (seventeen years ago)

eight years pass...

why is "chameleon" ALWAYS stuck in my head

lex pretend, Friday, 6 January 2017 11:37 (nine years ago)

because of your lizard brain

Darcy Sarto (Ward Fowler), Friday, 6 January 2017 11:47 (nine years ago)


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