These are all listener-relative. If I understand what you mean by "accessible", then yes: let the simple conventional thing be a simple conventional thing in any genre or style that I don't like, and let the complicated abstract thing be a complicated abstract thing in a genre I really like.
― Josh, Thursday, 6 December 2001 01:00 (twenty-three years ago)
i got into george crumb right away , i still dont get mozart
― anthony, Thursday, 6 December 2001 01:00 (twenty-three years ago)
Yes. I feel something like an egghead myself, but, you know, I can hardly throw a goddamn (american) football. I still feel twinges of grade-school guilt that thinking is more fun...
― Dan I., Thursday, 6 December 2001 01:00 (twenty-three years ago)
This is an interesting question to bring up. In my opinion, it has
to do with the sound environment you were brought up in, and
your relationship to it. And of course, it's pretty darn relevant to
your parameters of how much of that sound is "music" or
whatever to you. It also has to do with fascinations with other
aspects of music that most folk dont think about (physics of
sound, mathematics, electronics, et al). In the end, I think , it's
just a matter of where your personal tastes lie, and where they
are going to lead you.
I mean, I used to herald THE RUINS as the music of a future
world. Now, I'm baffled at the sheer complexity of a Bach piece.
It's a relative endeavor. Don't be put off by it.
― Gage-o, Thursday, 6 December 2001 01:00 (twenty-three years ago)
Sometimes, mostly when the simple things are being bomb blasted out of
passing cars by football players in wifebeaters and bleached hair.
But I just finished listening to Eyes of a Stranger four times over so
I shouldnt be take a side.
― Mr Noodles, Thursday, 6 December 2001 01:00 (twenty-three years ago)
Sundar, I definitely agree. I mean, you probably ARE a maladjusted
egghead, but so are a lot of us ;-)
I find a lot of very "indie" indie-rock (and I mean US indie) to be
quite inaccessible. It's not that I think the music is difficult per
se, but just that I don't, in a quite real sense, understand what the
musicians are doing, or why they're doing it. I feel like with so
much of that stuff, you really have to be part of a subculture
to "get it," and that it's inaccessible to those who aren't.
On the other hand, I guess you could call, just to pull an example
out of my ass, the Cyclo album pretty inaccessible by most accounts,
but it excites me on a very basic level--"Oooohh, neat sounds! Cool
sproingy noises! Sounds like someone plucking a high-tension digital
rubber band inside my brain!" I find an alarming amount of music
like this highly accessible--Ikeda, alva.noto, etc.--just playing
with sine waves, digital pops and hums, shit like that. I eat it up,
whereas I find a lot of acoustic guitar-y indie stuff, or as Tom
would say "present-day angular post-punk garage rock" (mind you,
angular post-punk guitar rock from the early 80s is some of my
favorite music--I just think American kids in the 90s suck balls at
it), quite "difficult." Interesting thing to bring up, Sundar.
― Clarke B., Thursday, 6 December 2001 01:00 (twenty-three years ago)