Dexy's Midnight Runners: Classic Or Dud

Why didn't it travel? Did they even try to crack the USA? Despite the familiar soul influences, I guess Rowland was/is just too cussed to try and change his behaviour in order to sell records. His control freak nature probably precluded a 150-date assualt on the small towns of America in the name of 'promotion', and it's doubtful if the band would have lasted that long anyway. Imagine being cooped up with Kev in a tour bus!

With the Soul/Stax/Northern Soul influences Dexys should be accessible to a US Audience, yet are somehow quintessentially British. Maybe someone from the US of A can explain better than me why they don't translate.

But, that's the only Dexy's song I've ever heard.

Anyway, I got the stepdad back next time when I said Korn were a bunch of Marilyn Manson ripoffs and that both of them suck anyway. He said, "Nu-uh! No way! Fraid not, young man! I remember Korn way back in lahk (Texas accent) 1988 or some shit and Manson wasn't even a thought in his drunken daddy's mind..." Welp, research confirmed Manson formed in 1989 and Korn in 1992 or 93. And they DO both suck.

I like 'em -- got the first two albums, and they're both very enjoyable.

Dont Stand Me Down is just as great but in a different way. Whereas the first album is about the gang mentality, this one is more based of a personal thing for KR. who waould have thought that some bloke mumbling over slow backing tracks could sound so good? Only Arab strap have managed to do this anytrhing like as well...

As fot the second alblum, I'm not so sure coz I havent listened to it much, put off by come On Eileen. I even like come on Eileen at the beginning until the Chorus kicks in and I start running. I obviously dont like this coz normally over playing doesnt put me off songs: I could listen to Dancing queen every day and be perfeclt happy. Oh, those pianos...

on napster someone thought Come On Eileen was by The Clash.

And the third album is unprecedented. I'm sorry if that makes me sound like Chris Roberts or someone, but it's true.

Or someone.

A) Come On Eileen is great. Not as great as The Safety Dance but NO SONG IS. The breaking hearts in mono line is genius, but Tom already knew I agreed with him because we once actually had a conversation about Dexy's, no idea why now but I remember it occuring. B) Dexy's and the Clash sound about as much alike as Kylie Minogue and Madonna. For those of you not paying attention, that means they're nothing alike. But that's what Napster is fun for, searching for a song and staring in amazement at either the wrong band names or made up song titles. It's like a look into my mom's mind.

HONOUR THE FIRE!

Sorry, sorry.

KR has beauty and soul -- and not a regard for anyone else but himself, which I applaud. As singular to me as Struan in the good ol days, Travis Morrison or Isaac Brock at their more adventurous, Darren Hayman at his most pointed, or Jarvis. Daming praise to a lot of you, but, hey, when it comes to literate pop I guess I'm in Nitsuh's "music for you" pen.

The band they assembled for that "DSMD" looks even crazier on video.

That's the greatest start to a post in history.

"were just human and were just putting human feelings across"

not his words exactly but they looked right this way.

DUD

thisreminds of the subway sect thread where pinefox dismissed them on one song.

I hate bands with clever names. They should have names that aren't trying to be clever at all, like Ray Gae & Skadorfis Skadorfis Skadorfis Skadorfis (featuring members of mid-90's ska stars, Orafice Skadorafice).

I think for precisely the Soul/Stax/Northern Soul influences cited by Dr. C, 1980s Americans wouldn't have found Dexy's accessible because of the soul influences but in spite of them. Americans don't have the same tradition of Blue Eyed Northern Soul as the British (we have the original) -- I have always been curious about Nothern Soul, actually. What is it?

Dexy's only made sense to me in the context of British post-punk -- artists like the Jam, Secret Affair, Magazine -- because Kevin's Rowland's vocals and attitude make the overall effect come off more like the Boomtown Rats than conventional soul artists. He sounds more angry than hurt. 1980s American angry was more along the lines of JFA and the DKs and, you know, so Dexy's wouldn't necessarily appeal to that audience, either. And Dexy's do the weird, 2-part song thing that we American's don't usually understand (like in "Geno," the Jams's "Little Boy Soldiers;" Queen's "Bohemian Rhapsody" . . . ) Ok there are exceptions, but it usually presents a major stumbling block.

Classic, by the way. I never, ever, ever tire of of Don't Stand Me Down. I think 25% of my ILM posts mention it.

(Here is where I can put in my plug for Kevin's solo album "The Wanderer" --no, not that horrible covers record from a couple years ago but a county and western album from 1988 or so. Has anyone on the face of this earth besides me ever heard it?)

I was just listening to this right now, being as I'm listening to Too-Rye-Ay, and now my memory of this song is the exultant sing/dance/shoutalong to it at the ending of Tom E's wedding FAP in London last October -- and Mike Daddino dancing on a chair to boot.

Yeah, pretty damn classic.

I can essentially stand by what I and the lovely Msrk S said.

A question unanswered here is: why do Geezers love Dexy's?

Classic - Come on Eileen is one of the greatest pop songs ever written, and each of their albums is my favourite in a different way. If forced I might opt for Don't Stand Me Down as their masterpiece, but that's only because it's the last one I listened to. One of my favourite bands...

New Dexys album in 2012. Involves Mick Talbot.

http://thequietus.com/articles/06562-new-dexys-album-in-2012

Obviously there's been talk of this before but it feels like something might actually be occurring this time...

Kind of extcited and very nervous for this. I did like the two new songs on the best of and that demo they put on Myspace a few yeas ago was pretty cool so I'm hoping this will of a similar quality. The reunion show I saw them do in 2003 was the best gig I've ever been to, so much love for this band.

Guitarist is this fellow:

http://en.wikipedia.org/wiki/Neil_Hubbard

Seems like quite a lineup.

http://new.assets.thequietus.com/images/articles/6562/kev_1310344176_crop_420x300.jpg
http://www.boxofficefootball.com/wp-content/uploads/2010/02/Arshavin-Meerkat.jpg

"Here is the influence "Don't Stand Me Down" had on the course of popular music.

None whatsoever.

You are all stupid scum and deserve to die, but that's another story."

http://www.hungoverdrawn.co.uk/dexys/03.html

only the plinth remains.

Chris Roberts all over the MFing money

Wurgh? I don't know what happened there, some strangeness with my phone - It seems to have quoted some text by Marcello on a thread from a while back. Sorry about that.

ANYWAY I've lived with "One Day I'll Soar" for a week or two now and it has grown on me as much as - more than - I'd hoped. It sounds like Dexys, which is a great start. It's closest in feel to "Don't Stand Me Down" but there are some delicious flavours of classy '70s soul: some WIllie Mitchell feeling here, some Philly business there. Like DSMD it doesn't have anything as hooky as "Come On Eileen" or "Geno" but the songs insinuate themselves very nicely. As ever with Dexys, you wind up feeling you have learned quite a lot about Kevin, sometimes maybe too much, but I find there are quite a number of laugh-out-loud moments on here too.

I adore the thing he does with the in-song conversations, and I don't know of anyone who does anything even vaguely similar. Do you?

I am now extremely excited about seeing them play the whole thing on Tuesday, especially with Nate's positive report here.

Sorry I didn't reply. The new songs really were great, although the un-song conversations were a bit strange to see live - KR leaning on the other guy's shoulder and whispering in his ear; singing to pictures of a girl projected onto a screen, and then acting out scenes with the same girl later on.

Also, seeing them play an extended version of Come On Eileen made me appreciate what a great song it really is. Overplayed to death, but actually a brilliant song.

Blatant self-promotion post but my 7000 word, 12-page interview/feature on Dexys is the cover story in the new Uncut.

http://www.uncut.co.uk/sites/default/files/imagecache/magazine_small/2012/04/u181-uncut-cover-uk-crop.jpg

Still only £4.80!

Tim, so glad to hear the new album is strong. Really can't think of anyone else that does the conversations in the same way, it's what makes Don't Stand Me Down such an incredible album. Is the new album out there now or do you have a promo copy?

Nate, I saw them on the 2003 tour and they did lots of strange skits and lots of banter during the songs. It was without doubt the strangest and best gig I've ever been to. I won't be able to catch them this time unfortunately but would love to see them again. I totally agree with your thoughts on Come On Eileen, it's so overplayed and not one of my favourite Dexys songs at all but when they played it, it was so great and seeing the reaction it got was really something. I think I've appreciated the song a lot more since.

Steve, I just bought Uncut yesterday (saving it for a long flight next week) It's the first music magazine I've bought in ages. Really looking forward to reading the article.

I got lucky with a promo - it's out at the start of June I believe.

new album http://open.spotify.com/album/2g7CqCHV0BEbWa2FgnTGWN

I really enjoyed it

This is brilliant. I'm so relieved.

im listening to it again right now funnily enough

This tour came to Australia for two theatre shows last week. It was ridiculously, heart-swellingly great.

People of a certain age will connect as deeply to this as I did to the records-over-the-phone sequence in The Virgin Suicides.

https://www.youtube.com/watch?v=pRyheUEkHuA

This tour came to Australia for two theatre shows last week. It was ridiculously, heart-swellingly great.

This. I don't think I've ever had so much *fun* at any type of show/concert ever.

I have just:

a) bought my tickets for the Duke of York's residency

b) Listened to Projected Passion Revue & thumped a wall in excitement harder than I intended at moment where Soon goes into Plan B.

Excited, knuckles hurt slightly, can't wait till April.

Going in I was a bit unsure about the new album & wondering whether my head was in the right place for latest part of the journey of K Rowland, but that was spectacular, an amazing evening. Really really fun, charming & the band are in great shape. Cathartic.

obvs highlight was This is What's She's Like, but Old – 'I'm getting old! What can I do? Absolutely nothing!' - was immense.

Sounds great, wish I could have gone to see them this time round. The show I saw them do in 2003 was maybe the best gig I've ever seen.

I saw them in 2003 too - I don't think it was quite up there with that, but haha yeah that's a v high bar, those shows were something else.

I went there not really knowing what to expect, just thought they would be doing a straight forward hits set I guess. I did not expect all the sketches and little details they added to those songs. It was funny, moving and just ridiculous at times. This Is What She's Like (like you said) was the big highlight for me but really the setlist was perfect. Love this band so much.

yeah, this has a lot of those same elements - drama, intensity, self-mockery - & carried some bits over - like the 'how can I stop the burning?' Kev/Pete-as-Policeman routine (which was amazing again).

Haha, yeah that bit was amazing! I really love the album and would have liked to see it performed live but sadly I'm travelling in New Zealand and think by the time I get back to the UK the tour might be over.

& something I only saw recently - 9 minute Too-Rye-Ay era rework of There, There My Dear, w/ press-ups. So good:

https://www.youtube.com/watch?v=6SQ1lHZP0es

just didn't realise they were playing the roundhouse on Friday, think I might go again. Interested to see:

Sadly, Madeleine Hyland is unable to do the shows, but we are delighted that Siobhan Fahey will step in to play the female role. We’re sad that Maddy isn’t with us, but really feel good about Siobhan’s involvement.

https://www.youtube.com/watch?v=H5tDsR52Yjk#t=10.678776

This 1980 live recording shows a British "soul" band. The singer, Kevin Rowland, cries out his frustration being an Irishman living in England

whoa that there there my dear video is awesome!

YES it is

at this point, I'll do some press-ups

STOP

GO

https://www.youtube.com/watch?v=rmMPQ8H-ioo

Taken from the album Let The Record Show: DEXYS DO IRISH AND COUNTRY SOUL

Rowland DJing at How Does It Feel again in April:
https://www.howdoesitfeel.co.uk/hdifkevin.html
I missed the last one, but (as per me above) have been a couple of times and it is great fun.

spanning from Toots And The Maytals and David Bowie to T Rex and the Stooges, Kevin also sang along with some of the songs, making the night more like an intimate gig than a regular club.

I'm guessing he might get a bit more obscure in his choices than that, but sounds like fun anyway

That's a draft lyric for the first verse of "Come On Eileen"

"This Is What She's Like" is rubbish. The contemporaneous critics were right.

I love it.

I don't get it

What, the Little Nibble?

I love it.

I love it.

I love it.

I love it.

i have ears and a soul (tbc), so I love it.

Sounds like thin gruel spread over too many minutes. And the ambiguity of the lyrics don't do anything for me, especially the opening dialogue. I'm missing something, clearly. But it always sends me back to Too Rye Aye

You want Kevin to tell you what she’s like? He’s really trying to!

It's SO ANNOYING!

As per ILX teachings, this post reveals dog latin secretly fancies "This Is What She's Like".

That dog latin, what's he like?

Well i listened to the first half of Don't Stand Me Down this morning so the revive was worth it

Lolled several times, Kevin's rambling still cracks me up

I bet dog latin puts creases in his old Levis

I might need the appeal of this song explaining to me. I feel daft in that I fundamentally don't get it.

Musically it sounds like a thin, jammy imitation of their tighter more, balls-out previous work.

And then I simply don't understand the premise or appeal of the song.

Why would you be talking behind someone's back about what someone thinks of someone else and then have them struggle to explain that opinion to them for 12 limp minutes? Is that the point, that he's dithering? Who is SHE to them? Is that the point, the ambiguity of it all?

When he says he DOESN'T like people who put creases in their jeans and attend CND rallies or whatever, is that the person She is like? Or is She not like them?

In time, in time

a lot of time