New Order - Regret (New Order Mix) (by the way, this is their finest mix)
Strange Advance - We Run
― Panagiotis Pileidis (Panagiotis Pileidis), Wednesday, 6 October 2004 16:38 (twenty-one years ago)
― Wooden (Wooden), Wednesday, 6 October 2004 16:41 (twenty-one years ago)
― nickalicious (nickalicious), Wednesday, 6 October 2004 16:42 (twenty-one years ago)
Really obvious, but Teen Spirit is immense. The bit where the drums come in and Kurt jumps on the fuzz pedal is the suckerpunch rock 'n roll moment from heaven. It changed my life. (Oh the melodrama!)
― stew s, Wednesday, 6 October 2004 16:43 (twenty-one years ago)
― peter smith (plsmith), Wednesday, 6 October 2004 16:44 (twenty-one years ago)
― Mr. Snrub, Wednesday, 6 October 2004 16:45 (twenty-one years ago)
― nickalicious (nickalicious), Wednesday, 6 October 2004 16:46 (twenty-one years ago)
― Pleasant Plains (Pleasant Plains), Wednesday, 6 October 2004 16:47 (twenty-one years ago)
― MindInRewind (Barry Bruner), Wednesday, 6 October 2004 16:50 (twenty-one years ago)
― fact checking cuz (fcc), Wednesday, 6 October 2004 17:06 (twenty-one years ago)
― Rick Massimo (Rick Massimo), Wednesday, 6 October 2004 17:29 (twenty-one years ago)
― Je4nne ƒury (Jeanne Fury), Wednesday, 6 October 2004 17:36 (twenty-one years ago)
― Je4nne ƒury (Jeanne Fury), Wednesday, 6 October 2004 17:37 (twenty-one years ago)
Flipper on "Nothing"
― Jazzbo (jmcgaw), Wednesday, 6 October 2004 17:55 (twenty-one years ago)
― Myonga Von Bontee (Myonga Von Bontee), Wednesday, 6 October 2004 18:04 (twenty-one years ago)
― Jazzbo (jmcgaw), Wednesday, 6 October 2004 18:04 (twenty-one years ago)
Yeah, but as much as I like Hart & The Huskers, those snare-rolls that begin nearly every single song on Candy Apple Grey become more and more annoying as the years roll by.
― Pleasant Plains (Pleasant Plains), Wednesday, 6 October 2004 19:00 (twenty-one years ago)
― Wooden (Wooden), Wednesday, 6 October 2004 19:13 (twenty-one years ago)
"Six million ways to die/Choose one"
― Alex in SF (Alex in SF), Wednesday, 6 October 2004 19:16 (twenty-one years ago)
― Avi (Avi), Wednesday, 6 October 2004 19:17 (twenty-one years ago)
Ringo: "Do we have to?"
Paul: "Yeah."
― Phil Dennison (Phil D.), Wednesday, 6 October 2004 19:20 (twenty-one years ago)
Mr. Diana Krall's "Oh, I just don't know where to begin..." has its charms as well.
Janis Martin (the female Elvis) started off with "Well, I'll try my bestest" and then she did.
Also, "Is this thing on?" has help up throughout the ages.
― mottdeterre (mottdeterre), Wednesday, 6 October 2004 19:27 (twenty-one years ago)
― Graeme (Graeme), Wednesday, 6 October 2004 19:29 (twenty-one years ago)
but for me, the perfect intro is - honestly - she's leaving by OMD. it's so perfectly precise: nothing is wasted. since i first heard it (on headphones, on a coach, on a school trip to france, in 1989), nothing has beaten it.
kennedy comes close, though :)
x-post: which one is the "new order mix" of regret? the fire island mix RULES; i can't remember which one the NO mix is.
― grimly fiendish (grimlord), Wednesday, 6 October 2004 19:40 (twenty-one years ago)
'this is not a take is it...?'
You Nought Me
― hull hole, Wednesday, 6 October 2004 20:54 (twenty-one years ago)
Also: those soft organ chords just before "You Dropped a Bomb on Me" kicks in.
― Joseph McCombs (Joseph McCombs), Wednesday, 6 October 2004 20:57 (twenty-one years ago)
― Diego Valladolid (dvalladt), Wednesday, 6 October 2004 21:09 (twenty-one years ago)
― Sasha (sgh), Thursday, 7 October 2004 01:58 (twenty-one years ago)
― Joseph McCombs (Joseph McCombs), Thursday, 7 October 2004 13:28 (twenty-one years ago)
Worst way to start: Countoff by clicking drum sticks.
― Hurting (Hurting), Thursday, 7 October 2004 13:30 (twenty-one years ago)
-As an alternatve to clicking drumsticks to set the tempo - 4 guitar notes, as in "Primary"
Guitar/GT sounds at the start of Todd Rundgren's "Little Red Lights"
― dave225 (Dave225), Thursday, 7 October 2004 13:37 (twenty-one years ago)
― maracas, Thursday, 7 October 2004 14:08 (twenty-one years ago)
― mottdeterre (mottdeterre), Friday, 8 October 2004 02:52 (twenty-one years ago)
"Now, now be CAREFUL a-what you say 'cause your MOUT' is gon' to get you into someting your ass ain't gon' to be ABLE to take you out of it...."
-- Hurting (Hurtingchie...), October 7th, 2004.
Yeah; that often feels like, as a listener, you've come in the door while they're still vacuuming or something.
― Pangolino (ricki spaghetti), Friday, 8 October 2004 03:15 (twenty-one years ago)
Harry Nilsson wrote that after he kept getting a busy signal on his telephone.
― Pleasant Plains (Pleasant Plains), Friday, 8 October 2004 03:50 (twenty-one years ago)
\\m//
― latebloomer (latebloomer), Friday, 8 October 2004 03:52 (twenty-one years ago)
― Kevin Gilchrist (Mr Fusion), Friday, 8 October 2004 04:06 (twenty-one years ago)
also, I really like the 30 seconds of feedback before "Super Unison" by Drive Like Jehu.
― f ath, Friday, 8 October 2004 04:36 (twenty-one years ago)
― fact checking cuz (fcc), Friday, 8 October 2004 05:37 (twenty-one years ago)
Any song that starts with with a guitar, but you can hear everything else going on in the room with it, sounds great. 2 examples being 8 miles high where you can hear the bass rattling the drumkit, and "ROck 'n' Roll Ain't Noise Pollution" where during the opening riff you can hear a drumkit being tuned or played with or something, and someone takes a drag, before real noise begins.
― Johnney B (Johnney B), Friday, 8 October 2004 10:38 (twenty-one years ago)
― Joseph McCombs (Joseph McCombs), Friday, 8 October 2004 12:17 (twenty-one years ago)
The Marvelettes - Please Mr. Postman
WAIT!
― G00blar, Thursday, 8 November 2007 18:14 (eighteen years ago)
Pink Floyd - Take Up Thy Stethoscope and Walk
― ablaeser, Thursday, 8 November 2007 19:32 (eighteen years ago)
CCR - Commotion
― deusner, Thursday, 8 November 2007 19:40 (eighteen years ago)
"What you gon' play now?"
"Bobby, I don't know but whatever I play, it's got to be funky. ONE, TWO, THREE"
― ellaguru, Thursday, 8 November 2007 21:39 (eighteen years ago)
Queen "One Vision". (The album version) A lot of strange sci-fi-noises getting louder and louder, and then suddenly, a killer guitar riff from Brian until the rest of the band kicks in and Freddie starts singing. Perfect!
― Geir Hongro, Thursday, 8 November 2007 23:07 (eighteen years ago)
Roxy Music's Do the Strand is pretty f-in' killer
― iago g., Thursday, 8 November 2007 23:44 (eighteen years ago)
As is "Remake/Remodel."
― ellaguru, Thursday, 8 November 2007 23:49 (eighteen years ago)
As is "Out of the Blue".
― Pleasant Plains, Friday, 9 November 2007 00:23 (eighteen years ago)
MOTORING
― CaptainLorax, Friday, 9 November 2007 01:30 (eighteen years ago)
actually, Van Halen's cover of Pretty Women has the best opeing.
― CaptainLorax, Friday, 9 November 2007 01:31 (eighteen years ago)
Some idiot screaming YOU WANTED THE BEST YOU GOT THE BEST THE HOTTEST BAND IN THE WORLD: KISS...over shitloads of well-miked audience screamers...then it's all downhill.
well, until the song's over and the between song "banter" begins....
― smurfherder, Friday, 9 November 2007 01:35 (eighteen years ago)
Mama Tried. First 10 seconds are perfection. Well, the whole song is, but the intro pretty much sums up the song.
― clotpoll, Friday, 9 November 2007 01:37 (eighteen years ago)
The slow build: Moscow Nights - the Feelies Low Spark of High Heeled Boys - Traffic Reckless Burning - Jesse Sykes Teen Age Riot - Sonic Youth
The riff start: Slow Death - the Flamin' Groovies The Ocean - Zeppelin Leaving Trunk - Taj Mahal
Just cos it's a great intro: California Dreamin'
and my nomination: 1 2 3 4 5 6 Roadrunner Roadrunner....
― that's not my post, Friday, 9 November 2007 06:27 (eighteen years ago)
The Stooges, "TV Eye."
― bassace, Friday, 9 November 2007 06:58 (eighteen years ago)
Blood Brothers - Devastator You know how some songs do that thing where they start all "lo-fi" but then go widescreen, either suddenly or gradually? This is the best-ever use of that approach, with Johnny Whitney's unearthly death yodel accompanied by accordion and handclaps before the typical onslaught.
Blur - This Is A Low That little bit of atmospheric tone-setting followed by a lovely little intro riff that never reappears.
Mclusky - Falco Vs the Young Canoeist That two-chord oscillation, interrupted by violent hi-hat n' bass attack, then boom. One of their best aw-fuck-yeah-here-it-comes intros.
― Simon H., Friday, 9 November 2007 07:01 (eighteen years ago)
Morrissey - Tomorrow
it's basically like this: outro > intro > song > outro
― Bus Driver Stu, Friday, 9 November 2007 08:09 (eighteen years ago)
"Mbgate" by Max Tundra. Really off-kilter rocking intro, the main vocal loop starts creeping halfway through, and then phasing synth fanfare into the main part of the song. It's really like 1:01 of intro and 1:26 of song.
― Beep, Friday, 9 November 2007 10:24 (eighteen years ago)
Nick Cave & The Bad Seeds, live, at least during the late 80's-early 90's:
1. Puts foot on monitor 2. Points at audience 3. Says "I want to tell you about a girl" 4. Rimshot 5. From Her To Eternity starts.
― StanM, Friday, 9 November 2007 10:45 (eighteen years ago)
I can't believe grimly has posted on this thread and this hasn't been mentioned:
"DUR-DUR ... hissssssss ... okay, ready, let's do it"
I also have a soft spot for:
"What number is this, Jim?" "7A!" "OK... don't get excited man... just 'cos I'm short, I know..."
― aldo, Friday, 9 November 2007 11:41 (eighteen years ago)