Booka Shade-Memento (album)

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anyone got this yet?

possibly the most leftfield release on Get Physical yet, still digesting it a bit. I think S.T.A.R.R.Z. may be my favourite track so far.

Ronan (Ronan), Tuesday, 9 November 2004 16:39 (twenty years ago)

I just got it and can't wait to hear it.

(Also Ronan, if you are still looking for that Mei Lwun UNO Mix, drop me a line)

Michael F Gill (Michael F Gill), Tuesday, 9 November 2004 19:35 (twenty years ago)

Exciting! Report back.

Tim Finney (Tim Finney), Tuesday, 9 November 2004 22:41 (twenty years ago)

Tim, you changing your blog address to getphysical is high credit indeed!

Ronan (Ronan), Wednesday, 10 November 2004 01:23 (twenty years ago)

I don't think I've ever said so here but I think it's one of the best dance label names ever - also i've been listening to the Goldfrapp cover of the Olivia Newton-John song quite a bit lately.

Tim Finney (Tim Finney), Wednesday, 10 November 2004 01:39 (twenty years ago)

I love the slightly naff positivity of their slogan "get physical and stay alive" too. It's like the entire project is some sort of roundabout fitness program.

Tim Finney (Tim Finney), Wednesday, 10 November 2004 01:40 (twenty years ago)

the Booka Shade record is quite different from the label stuff, but one of the uptempo tracks is called "Something Physical" on it, which I think is a pretty cool title. also on 3rd or 4th listen I get the impression it works better as a full run through.

x-post yes, and when listed as "Get Physical Music" this adds to the same, the idea of perky acid house as fitness music is quite irresistible.

Ronan (Ronan), Wednesday, 10 November 2004 01:43 (twenty years ago)

i'm still digesting as well, but it's pretty hot so far. i just picked up a DJ T (w/ booka shade co-production) 12" on 20:20 vision that's pure fire. and that "zoo brazil" record (or is that the artist? i forget) is also a killer.

i saw the get physical peeps play in amsterdam a few weeks back -- well, DJ T, anyway; i forget who else from the camp may or may not have been playing. and i must say it came off as a little samey -- too much of the same beat and texture, really. i think the GP releases work best when worked into a more diverse set -- they're like the eye of the storm, or the glassy portion of the lake surface right before the wind and current creates a line of ripples. but whatever, they're still killing it on record.

philip sherburne (philip sherburne), Wednesday, 10 November 2004 02:18 (twenty years ago)

I'm planning to see DJ T on Christmas Night!

Tim Finney (Tim Finney), Wednesday, 10 November 2004 04:02 (twenty years ago)

yeah the 20:20 vision one is ace, if you mean Robot Riot/Radiator???

It's odd, the DJ T sets I have are quite good, one in particular, "live at XXL" is really really good, and quite varied.

I wish he was playing here on Christmas night!

Ronan (Ronan), Wednesday, 10 November 2004 19:03 (twenty years ago)

yeah, robot riot/radiator. killer. oh, and have i freaked out yet about vince + DJ T's "superworld" on artofdisco? fuck me. where's that tune from? the original sounds like an oldie. mixes stunningly with the b-side to the new broker/dealer record (if you've got digital pitch shift on yr mixer). but you didn't hear that from me. at least not til i bootleg that baby.

philip sherburne (philip sherburne), Thursday, 11 November 2004 06:28 (twenty years ago)

Nnnnnnngggghhhh.

B.A.R.M.S. (Barima), Thursday, 11 November 2004 10:36 (twenty years ago)

Yeah that Art Of Disco one is great too, got that in just this week!

Have you heard "Timeout", Get Physical 017? By DJ T? It samples "Plastic Doll" by Dharma!!

Ronan (Ronan), Thursday, 11 November 2004 14:11 (twenty years ago)

one year passes...
so, how about "movements", then? i can't find anything about it anywhere online, and i didn't know it was coming out, but it sounds great on first listen...

toby (tsg20), Thursday, 16 February 2006 10:52 (nineteen years ago)

and even better 2nd time through!

toby (tsg20), Thursday, 16 February 2006 16:07 (nineteen years ago)

I don't know what it is!

Too Gay for America (nordicskilla), Thursday, 16 February 2006 16:21 (nineteen years ago)

it's the new album, apparently!

toby (tsg20), Thursday, 16 February 2006 17:20 (nineteen years ago)

new booka shade album!!!! wow!

The Lex (The Lex), Thursday, 16 February 2006 17:28 (nineteen years ago)

That's the tracklisting:
Night Falls
Body Language (Interpretation)
Shimmer
Paper Moon
The Birds And The Beats
Darko
Hide And Seek In The Geisha's Garden
Pong Pang
Mandarine Girl
Take A Ride
Wasting Time
In White Rooms
Halleluja USA
Lost High


Tobias Rapp (Tobias Rapp), Thursday, 16 February 2006 17:37 (nineteen years ago)

Welcome to club awesome! When is this being released?

jeffery (jeffery), Thursday, 16 February 2006 17:56 (nineteen years ago)

april 21st, apparently. the "night falls" ep is on some blog linked to on the ysi thread, and there's some info here:

http://physical-music.com/label/releases.php

i can't find anything about the album, though!

toby (tsg20), Thursday, 16 February 2006 18:03 (nineteen years ago)

it's on oink...

something less threatening (heywood), Thursday, 16 February 2006 18:09 (nineteen years ago)

i liked Memento alot. Looking forward to this.

Susan Douglas (Susan Douglas), Thursday, 16 February 2006 18:11 (nineteen years ago)

It's wonderful, I just wanted to put a ysi of "Night Fall" up here but then I met my record dealer and he told me that Ellen Allien was in his store today and that she doesn't want to release her album with Apparat anymore because somebody put it online and it had so maany downloads, that she thinks it's not worth the effort anymore to put it out. Everybody already has it. So - I'm not going to ysi. I want it to come out.

Maybe later.

Tobias Rapp (Tobias Rapp), Thursday, 16 February 2006 18:43 (nineteen years ago)

"Night Falls"

Tobias Rapp (Tobias Rapp), Thursday, 16 February 2006 18:44 (nineteen years ago)

he told me that Ellen Allien was in his store today and that she doesn't want to release her album with Apparat anymore because somebody put it online and it had so maany downloads, that she thinks it's not worth the effort anymore to put it out. Everybody already has it. So - I'm not going to ysi. I want it to come out.

Oh man, this is bad BAD BAD news, I hope she changes her mind. Bpitch has been great about releasing stuff through legit digital channels, I would hate to see that stop.

jeffery (jeffery), Thursday, 16 February 2006 19:59 (nineteen years ago)

There's been a lot of discouraged artists lately and the search is acting flakey so I'm starting a new thread:

Downloading music, advance releases, music piracy, and artist reactions

mike h. (mike h.), Thursday, 16 February 2006 21:57 (nineteen years ago)

That said, the version of Mandarine Girl on the album seems a lot busier in that the action is compressed into a much shorter song and there seem to be a couple more layers involved. Still good, but for different reasons.

mike h. (mike h.), Thursday, 16 February 2006 22:08 (nineteen years ago)

"nightfalls" is killing me right now! SO good.

mark p (Mark P), Thursday, 16 February 2006 22:33 (nineteen years ago)

this label just blows me away, that new Jona is the most amazing tune.

It's such amazing NIGHT MUSIC

Ronan (Ronan), Thursday, 16 February 2006 23:32 (nineteen years ago)

ok this ep is absolutely amazing. Consider the DJ T disco/house template UPDATED!

Ronan (Ronan), Friday, 17 February 2006 00:27 (nineteen years ago)

...somebody put it online and it had so maany downloads, that she thinks it's not worth the effort anymore to put it out. Everybody already has it.

That logic is ridiculous. The same thing has happened with every other Bpitch release as far as I know, and they're still being bought by people who buy such things.

Johnny Fever (johnny fever), Friday, 17 February 2006 00:48 (nineteen years ago)

neat bit of trivia: perkypark.com is booka shade/get physical's daytime concern. they run a music/sound design house for the commercial market in germany. i think i've probably written about this somewhere else on ilx, but i accidentally met them at cannes last year when we ended up seated across from each other at some daytime afternoon lunch thing. by that point it had been two weeks and i was *totally* schmoozed out, so i kind of spacily kept up a conversation with them for 4-5 minutes before the subject turned to music. when they told me they were booka shade i nearly spit out my drink! oh german techno, how do i love thee.

(also, this record is fucking G-R-E-A-T.)

mark p (Mark P), Friday, 17 February 2006 01:12 (nineteen years ago)

Can't wait to hear this.

deej.. (deej..), Friday, 17 February 2006 01:57 (nineteen years ago)

this record is sick. 2006 is good so far.

cutty (mcutt), Friday, 17 February 2006 04:48 (nineteen years ago)

"the birds and the beats", haha

the ep is really good! LOVE "trespass06".

doctor wu-tang clan analog brothers (haitch), Friday, 17 February 2006 05:08 (nineteen years ago)

I don't have it yet.

Susan Douglas (Susan Douglas), Friday, 17 February 2006 06:43 (nineteen years ago)

I hope that makes pretty ms. allien happy. :)

Susan Douglas (Susan Douglas), Friday, 17 February 2006 06:44 (nineteen years ago)

trespass06 is fantastic!

Good Dog (Good Dog), Friday, 17 February 2006 06:47 (nineteen years ago)

for real. it's the banging version of the booka shade skank. really pushing.

cannot wait to hear the album...i still rate and play every album GPM released last year.

breakfast pants (disco stu), Friday, 17 February 2006 07:50 (nineteen years ago)

Night Falls has lots of in and outs, intricate moments, the unexpected. you don't expect it to matter and then it does.

jergins (jergins), Friday, 17 February 2006 08:58 (nineteen years ago)

ok i was gonna start an artist albums thread for the german thing, but ill do it here. i want this to be good and am looking forward to it, but ive been disappointed with the artist albums ive heard and am suspicious. the problem with dance music artist albums is that the tunes put out on 12" tend to be very strong, oobviously, the big hit tunes, the ones that smack you in the face.

so when you hear they are doing an album,its hard to suppress the "OMG 12 massive massive tunes!" but it never turns out like that, there always seems to be a lot of filler. i dont think a lot of these producers are so good at making non-dancefloor tunes, so the filler bits are often a bit weak.

artist albums im not that into but have heard:

oliver hacke
dominik eulberg
gabriel ananda
dj koze
dandy jack

artist albums i would like to get but have been made suspicious of the whole enterprise:

alex under
metope
booka shade new one
ada (think this will be gold tho, not too suspicious)
er... some others...i thought this was a really long list?!

i would prefer to see mini albums, or eps, about 6 tunes of pure fire, each one a dead cert. Achso provides the template for that. i normally expect a return of about one quarter tunes i like on an album, so 4 out of 12. i sued to be cool with that but im losing patience with the album format as a whole - this is not an efficient rate of return by any means.

so in conclusion, i want to hear this before i buy it. but ILX always does the trick of hyping me up about anything, in my mind this is already amazing.

ambrose (ambrose), Friday, 17 February 2006 12:06 (nineteen years ago)

I want to listen to this album, but I can't get past "night falls"! Repeat, repeat, repeat...

jackl (jackl), Friday, 17 February 2006 16:28 (nineteen years ago)

i succumbed ... nightfalls is great. so swanky

Susan Douglas (Susan Douglas), Friday, 17 February 2006 17:26 (nineteen years ago)

Achso provides the template for that

problem with the template is that Achso is insanely expensive. :(

on the other hand, ohoh 'Night Falls', let me kiss thee. Such beauty.

Omar (Omar), Friday, 17 February 2006 20:24 (nineteen years ago)

To a significant extent, where you live determines what you actually buy. Before I moved to San Francisco, I lived in Florida and Georgia. Yeah ... didn't buy too much music then because I couldn't afford it. There was the occassional Juno or Gemm order, but ... I don't know about everyone else ... it's not easy to pay high prices for records and international shipping for every single record you purchase. So, I would download just about everything, and the albums I liked best would be purchased from whoever or wherever could ship them to me.

It's true that artists make need to make money, and I really respect that. At the same time, there's only so much money in a bank account to buy records with. Not everyone gets free promo copies or hookups from friends with distros or stores. In my mind, it's important to support artists you like when they roll through town, and it's important to actually purchase albums. Although, I can't say that I've never downloaded the occassional track on Soulseek, I can say that I do my best to purchase every album that I can.

How does everyone else feel about this?

Cameron Octigan (Cameron Octigan), Friday, 17 February 2006 22:01 (nineteen years ago)

i feel for the artists, but it seems really naive to think that people aren't going to take your music for free if its right in front of them. its like if stores did not have doors and were left open all night with no attendent. people are going to go in there rather than pay what they couldn't afford to begin with. i try to buy shit, but i have enough $$ to do so and enough time on my hands to run to the store etc. i really don't expect most people to go through that extra trouble/expense when its just THERE for the taking so easily. i mean i have to keep a tally of what i downloaded so that i remember to buy it at the store when it arrives (and i don't always)..i'm pretty conscientious about it obviously and i STILL don't stop stealing...its a fucking pain in the ass to work against this. the current state of expecting people to abstain and prosecuting people is pretty ridicullous. atleast i don't understand what it accomplishes and i sometimes question whether its totally ethical too.

Susan Douglas (Susan Douglas), Friday, 17 February 2006 22:24 (nineteen years ago)

I've been listening to "Night Falls" and "Process06" (have people heard the original "Process" which they released on the Touche label years and years ago? Similar tune and motifs but in an arty Carl Craig techno mode which i guess was their former style), as well as stuff like "Point Break" and "Triple Identity" from the Mandarine Girl single... I was thinking that what I like about Booka Shade is how sometimes their productions sound like a potted history of so many of the different great tricks in 4/4 dance music - disco elements obv but then awesome A Guy Called Gerald-style yammering acid basslines, trancy arpeggios, techno abstraction and austerity, busy minimal beats, prog layering, even ravey riffs at times - and yet, what I think prevents this being "record collector dance music" (per Reynolds' definition of the prefix) is that they'll combine some or all of these elements in the same track in ways that just don't sound retro whatsoever. e.g. "Point Break" and the DJ T remix of Will Saul's "Animal Magic" make me think of A Guy Called Gerald or 808 State, but no tracks by those artists ever sounded like these two, the particular brand of melancholic intensity is quite distinct.

Also they're spectacular sound designers. And few other producers can make tracks which play with the listener so much and yet still be anthemic - so much of their recent work has these long drop-outs and breakdowns where there's no beat at all, where the track sounds on the verge of falling apart or dissolving into nothingness, only to suddenly slam home in triumphant fashion.

Tim Finney (Tim Finney), Saturday, 18 February 2006 15:07 (nineteen years ago)

Also the samples on the Get Physical website make the DJ T "Ambush/Stalker" 12 sound ace - esp. "Stalker". Also appears to confirm that DJ T is no longer out on a limb when it comes to Chicago revivalism - "Ambush" may as well be another noir Booka Shade track, while "Stalker" is sad eerie Detroit vibez.

Tim Finney (Tim Finney), Saturday, 18 February 2006 15:19 (nineteen years ago)

the bassline in "Night Falls" is almost garagey

Ronan (Ronan), Saturday, 18 February 2006 15:50 (nineteen years ago)

jaymc not otm!!!! john i get off work now, where are you so i can explain why you are wrong.

deej.. (deej..), Monday, 20 February 2006 23:02 (nineteen years ago)

jk I'm going home.

deej.. (deej..), Monday, 20 February 2006 23:05 (nineteen years ago)

i agree with jaymc.

Yawn (Wintermute), Monday, 20 February 2006 23:07 (nineteen years ago)

Haha, meet me outside my office on LaSalle, just north of the river.

jaymc (jaymc), Monday, 20 February 2006 23:09 (nineteen years ago)

(unless you're a pussy)

jaymc (jaymc), Monday, 20 February 2006 23:13 (nineteen years ago)

from what i've heard, this is going to be amazing. i've only grabbed the few tracks at OHMYGOSHPARTY and the Night Flight Ep or whatever it's called. Who's gonna make Booka cry and post the album? i think i only need 5 tracks to have the full thing. Will post the DJ Magazine 7" tracks if anyone is interested in exchange for the remaing bits of the Booka album.

biz, Monday, 20 February 2006 23:36 (nineteen years ago)

Oi Biz is it worth getting that 7" (with the mag)? Are the tracks edits or are they full length at 33 speed?

Odd to think that some people might like early Get Physical stuff but not this (jaymc?) and then vice versa as well (Matt DC?). I mean I know it's a different sound now mostly, but it just strikes me as an unending run of greatness.

I mean, the only really lacklustre stuff on Get Physical has been 3rd party tracks right? Practically everything Booka Shade have been personally involved in has been gold. And when you think of that volume of awesome stuff it makes them probably the most important producers of the last three years.

Tim Finney (Tim Finney), Tuesday, 21 February 2006 06:33 (nineteen years ago)

Another voice for the chorus of approval - everything I've heard off it is fantastic, especially Darko and In White Rooms. Way more "accessible" than Memento and in a very good way. The 808 State and A Guy Called Gerald refs upthread are spot on, there's something about this that reminds me of the late 80s/early 90s period where dance music was very percussively strong AND melodically engaging. Can't wait to hear the whole album.

Bill A (Bill A), Tuesday, 21 February 2006 08:30 (nineteen years ago)

"there's something about this that reminds me of the late 80s/early 90s period where dance music was very percussively strong AND melodically engaging."

Yes! It's very UK dance before trance/prog kinda smoothed everything out. With all the melancholy synth chords early Orbital are probably another big reference... or even late Orbital - recent Booka Shade stuff bolsters my theory that Middle of Nowhere is secretly a key precursor to current German electrohouse - also demonstrated in different ways by Ada, Rex the Dog, Dominik Eulberg...

Tim Finney (Tim Finney), Tuesday, 21 February 2006 08:36 (nineteen years ago)

You're such an Orbital fan Tim!

Michael Dieter (Mika), Tuesday, 21 February 2006 08:47 (nineteen years ago)

I had this on last week at work and the guy I share an office with said "Is this Orbital?"! Which at the time felt like a pretty good guess - thinking about it, Mandarine Girl has the Hartnoll Bros influence all over its structure and semi-ravey chord progression. I'll be interested to investigate some of the others you mention there, Tim, if they're producing more along these lines. Made me want to dig out Middle of Nowhere again too!

Bill A (Bill A), Tuesday, 21 February 2006 08:47 (nineteen years ago)

Actually I think Middle of Nowhere is only about half-great, Michael! I just like to trumpet my theories when i think i've been right for a change.

Bill, each of the artists I mentioned are a bit like Orbital in a v. specific way:

Rex the Dog - hyper-melodic synth arpeggios, show-off layering (think "Know Where To Run")

Ada - 64 million shade palette and texturally emotional sounds (think "Forever", "Style")

Dominik Eulberg - absurd kitchen-sink maximalism (think "Spare Parts Express")

Tim Finney (Tim Finney), Tuesday, 21 February 2006 10:23 (nineteen years ago)

Cheers for the heads up, Tim - I know Orbital went off the boil a bit on their last couple of albums, but when they were on form (and they had vast swathes of "form" throughout their career IMO) there were few who could touch them for shimmering melodicism coupled with satisfying rhythmic underpinnings. I'll definitely check out the named artists (don't get much chance to post on ILM these days, but when I do it's always great to get some recommendations on new stuff in response!).

Bill A (Bill A), Tuesday, 21 February 2006 11:02 (nineteen years ago)

jaymc, if you haven't heard the getphysical 2nd anniversary mix i can burn it for you.

deej.. (deej..), Tuesday, 21 February 2006 19:01 (nineteen years ago)

the songs on the 7" are at 45rpms, if i remember correctly, and the A Side - Shimmer, was produced specifically for this release according to the mag. i think it's always worth picking up pieces like this because once they're gone in this format, you'll have to resort to ebay or gemm. i'm happy to have the record and if you can find it, it's worth the 12USD cover price.

biz, Tuesday, 21 February 2006 19:07 (nineteen years ago)

I am obsessed with "In White Rooms"! It is the awesomest thing ever, except that an extended mix which doesn't play with my affections so cruelly (by ending barely a minute after it reaches its peak) would possibly be even awesomer.

Tim Finney (Tim Finney), Friday, 24 February 2006 08:06 (nineteen years ago)

any idea of when mere mortals might be able to buy this>?

ambrose (ambrose), Friday, 24 February 2006 09:51 (nineteen years ago)

24 April

JoB (JoB), Friday, 24 February 2006 10:25 (nineteen years ago)

Tim wrote:
"I am obsessed with "In White Rooms"! It is the awesomest thing ever, except that an extended mix which doesn't play with my affections so cruelly (by ending barely a minute after it reaches its peak) would possibly be even awesomer."


I agree Tim. I think I'm gonna Audacity it and just loop the hot spots for like 15 minutes.

matt2 (matt2), Friday, 24 February 2006 15:21 (nineteen years ago)

I love the gasp-like sounds all through this album. They give me shivers. And yes, somebody needs to put out a very extended mix of "in white rooms" (and pretty much everything else too...)

"Lost high" sounds like Sigur Ros to me. Which is OK, because I like Sigur Ros.

jackl (jackl), Friday, 24 February 2006 16:47 (nineteen years ago)

I sort of agree with Tim re: the Orbital thing - bits of Middle of Nowhere kept popping up on my iPod yesterday and I kept thinking it was only a big thumping 4/4 away from full-on maximalist electrohouse.

With Booka Shade though, any parallels strike me as melodic more than anything else. The Hartnolls could easily have come up with much of a track like Pong Pang but the execution would have been totally different. They wouldn't have left that rumbling bassline alone, there would have been several melodic lines weaving in between everything. Whereas the great thing about Booka Shade is how much differentiation they allow between the sounds, that they tickle one sound up against each others but with full knowledge of the space in between and how it can be used. It's like it was conceived with this big room function in mind without ever having to sound bombastic or self-consciously big.

Matt DC (Matt DC), Saturday, 25 February 2006 11:53 (nineteen years ago)

In other words, god I want to hear this in a club with four enormous speakers so badly.

Matt DC (Matt DC), Saturday, 25 February 2006 11:54 (nineteen years ago)

yeah, given how great they were live before this, i think they'll be well worth catching next time around.

toby (tsg20), Saturday, 25 February 2006 14:12 (nineteen years ago)

what type of a live thing do they do? a laptop show? Just saw that they are playing the Avalon in nyc with MANDY in April.

Renard (Renard), Saturday, 25 February 2006 15:07 (nineteen years ago)

Live drumming on those electronic pads! And distributing of mandarines in the crowd.

JoB (JoB), Saturday, 25 February 2006 15:30 (nineteen years ago)

i fucking hate you all with internet connections.

The Lex (The Lex), Saturday, 25 February 2006 16:00 (nineteen years ago)

i've heard they're easily obtained, lex...

yes, booka shade = live drumming, and this is actually a good thing, amazingly.

toby (tsg20), Saturday, 25 February 2006 16:32 (nineteen years ago)

i'm sure they're easily obtained if you have a computer to obtain them on! aaargh

The Lex (The Lex), Saturday, 25 February 2006 16:47 (nineteen years ago)

I've just heard Paper Moon and it's fantastic. I can really foresee the full album being the best thing ever.

Matt DC (Matt DC), Sunday, 26 February 2006 12:30 (nineteen years ago)

Argh, I hate it when my perfectly-constructed theories are completely blown out of the water. (Track in question = Darko, which sounds so FULL. That bassline!)

Matt DC (Matt DC), Sunday, 26 February 2006 14:02 (nineteen years ago)

one month passes...
This album is still rocking my world. It puts me in mind of Frequencies quite a lot. Also I heard that "Body Language"/"Lose Control" bootleg - surprisingly ace!

Tim Finney (Tim Finney), Wednesday, 29 March 2006 11:59 (nineteen years ago)

'body language' and 'lose control'?! i can't imagine that at all! i thought the bootleg people were talking about was the 'mandarine girl'/'what about us?' one, which is great.

'in white rooms' needs to be twice as long, really it does. i love the acid bassline on 'darko'!

The Lex (The Lex), Wednesday, 29 March 2006 12:11 (nineteen years ago)

"'body language' and 'lose control'?! i can't imagine that at all!"

I know! But it works really it does. It's kinda mellow, and I don't tend to like things which other people describe as "mellow", but something about the combination is really compelling. Not sure if it's better than Trentemoller's "Beta Boy"/"Work It" live bootleg though.

Tim Finney (Tim Finney), Wednesday, 29 March 2006 20:55 (nineteen years ago)

That blend sounds kind of suspect! I actually was just listening to this yesterday, it really is good. I want to hear more of these in a mix context though.

deej.. (deej..), Wednesday, 29 March 2006 20:58 (nineteen years ago)

yeah I like that Body Language / Lose Control bootleg a lot, especially the dub

now whenever I listen to the regular Body Language, in my head I hear "work me, work me, work me, do it right" ....

Renard (Renard), Wednesday, 29 March 2006 21:00 (nineteen years ago)

so far, this has managed to outlast achso, orchestra of bubbles and even paradolia on my home playlist! it might be my favorite get physical full length so far.

mark p (Mark P), Wednesday, 29 March 2006 21:11 (nineteen years ago)

There's a mashup of Annie's "Hearbeat" and "Mandarine Girl" that really shouldn't work but strangely ends up sounding like a lot of disposable fun.

Michael F Gill (Michael F Gill), Wednesday, 29 March 2006 21:55 (nineteen years ago)

it really does, and I think its still available over at tape

hector (hector), Wednesday, 29 March 2006 23:04 (nineteen years ago)

I did a mash-up of "Heartbeat" and "Mandarine Girl" in october last year, you can get it here: http://omgwtf.se/index.php?entry=entry051018-234339

Kornél Kovács (Kornél Kovács), Thursday, 30 March 2006 01:16 (nineteen years ago)

one month passes...
great late at night in headphones!

there are bits that sound like radiohead (not like radiohead, but radiohead 'sounds'). has anyone else noticed this? mostly interlude-y moments. is this something to do w/IDM (which I know nothing about)? i think i noticed one the songs on the 4th anniversary thing did it too.

artdamages (artdamages), Monday, 29 May 2006 03:16 (eighteen years ago)

one year passes...

Can anyone identify the dialog sample at the beginning of "Moonstruck," the last song on the album? It's been itching at the back of my head. Feels like it should be from some popular movie, or a Lynchian thing, but I'm drawing blanks.

Female voice: "Dad used to bring us here ... when we were kids."

Male voice: "I find it interesting that you keep showing up here."

Female voice: "Well this is the last time."

Dare, Tuesday, 17 July 2007 05:41 (seventeen years ago)

Hmmm it's not on the-breaks. Booka and Get Physical websites don't seem to have a forum. I guess I could email the label.

Was hoping someone would be up for the challenge, though. I'd post an upload of the song, but I guess that's a no-no here these days.

Dare, Wednesday, 18 July 2007 19:26 (seventeen years ago)

three years pass...

I'm enjoying the new one - better than The Sun and the Neon Light I think.

A brownish area with points (chap), Monday, 10 January 2011 14:48 (fourteen years ago)

two years pass...

memento is still so good. rougher around the edges than their later stuff, but i like that.

jabba hands, Friday, 18 January 2013 19:09 (twelve years ago)

seven years pass...

i want to know if matt2 ever made his extendo-mix of white rooms.

Li'l Brexit (Tracer Hand), Wednesday, 22 July 2020 21:07 (four years ago)

Mourning the loss of an early production by former ILM poster Kornel Kovacs on this threat.

Matt DC, Thursday, 23 July 2020 07:17 (four years ago)

you talking about white knight matt dc

mellon collie and the infinite bradness (BradNelson), Thursday, 23 July 2020 07:58 (four years ago)

oh wait a completely different mashup of heartbeat/mandarine girl is mentioned in this thread omg

mellon collie and the infinite bradness (BradNelson), Thursday, 23 July 2020 08:03 (four years ago)

haha

Li'l Brexit (Tracer Hand), Thursday, 23 July 2020 09:06 (four years ago)

why isnt mandarine girl on streaming ? weird

also holy shit at realizing the reason i knew the name 'kornel kovacs'

ILX’s bad boy (D-40), Thursday, 23 July 2020 21:36 (four years ago)


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