ILMism ?

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has this term ever been used? should it? is it inevitable?
define it here.

astroblaster (astroblaster), Friday, 12 November 2004 02:52 (twenty-one years ago)

ILJism

JaXoN (JasonD), Friday, 12 November 2004 03:13 (twenty-one years ago)

I don't love you, you crass punk.

Ned Raggett (Ned), Friday, 12 November 2004 03:13 (twenty-one years ago)

I'm pretty new here, but I think I remember stumbling across a thread here a while back where everyone was going crazy over one of the Britney Spears singles (or maybe a whole album, whatever). Ranking it over what seemed to me to be ridiculously more quality music and all. Now certainly I can respect other opinions, I realize lists are just a bit of meaningless fun in the end... but if I remember correctly it was ranked very close to loveless, for example. I mean, come on now, really. Seemed like a bit of over-the-top anti-rockism or something, like "hey look, we embrace and love mainstream pop. A LOT!"

Was this anything characteristic of ILMism? Was it a smirking, ironic in-joke, or did everyone really love Ms. Spears' music that much? Personally I never thought it was terrible... but never anything approaching great; music that wore thin for me rather quickly. Anyone want to save me the effort of searching for those old threads and fill me in?

sleep (sleep), Friday, 12 November 2004 15:30 (twenty-one years ago)

"Was this anything characteristic of ILMism? Was it a smirking, ironic in-joke, or did everyone really love Ms. Spears' music that much?"

You'd better get out of here. There's a posse forming.

Hurting (Hurting), Friday, 12 November 2004 15:36 (twenty-one years ago)

this is ILMism.

Ronan (Ronan), Friday, 12 November 2004 15:37 (twenty-one years ago)

we're so sinsurr

m. (mitchlnw), Friday, 12 November 2004 15:37 (twenty-one years ago)

"Is it really possible to like mainstream pop without irony?" - Rockist mantra #14

Michael F Gill (Michael F Gill), Friday, 12 November 2004 15:42 (twenty-one years ago)

theres plenty of ILMism, but i think its a totally welcoming community to people who are willing to articulate their opinions. ILMism grows more complex by the day.

peter smith (plsmith), Friday, 12 November 2004 15:43 (twenty-one years ago)

if I remember correctly it was ranked very close to loveless, for example. I mean, come on now, really

Oh I agree, there's no way Loveless should be as high as Britney!

The Lex (The Lex), Friday, 12 November 2004 15:49 (twenty-one years ago)

I have to hurt you now.

Ned Raggett (Ned), Friday, 12 November 2004 16:02 (twenty-one years ago)

"Is it really possible to like mainstream pop without irony?" - Rockist mantra #14

Haha, there, you got me. Only took 4 posts for someone to spit out "rockist" at me like the most foul of insults. Yes, I find full albums more rewarding than singles, yes I personally consider Radiohead and My Bloody Valentine to be - frankly - incomparably better than Britney Spears. No, I don't put borders around what genres I like, and no, I really can't see anything especially redeeming about Britney Spears' music (certainly I realize this could be because of overexposure via every median channel, but the fact remains). Yes, I do like Annie. Etc.

Honestly, how does the word rockist have any meaning when it's not being levelled at a music critic? If I'm not deriding music for not adhering to rockist values, if I'm not trying to tell you what you should like, why should it have any relevance that I - *gasp* - tend to enjoy (though not as a rule, obviously) rock more than teenie-pop? Yeah, I guess this is ILMism, though certainly not everyone exhibits it.

sleep (sleep), Friday, 12 November 2004 16:08 (twenty-one years ago)

median -> media

sleep (sleep), Friday, 12 November 2004 16:10 (twenty-one years ago)

If I'm not trying to tell you what you should like, why should it have any relevance that I tend to enjoy pop more than rock?

ps what is "teenie pop"

pps weirdo americans feigning BEWILDERMENT at ILM is ILMism as much as any popism. "Now I'm new here, and hence I SPEAK IN A DETACHED TONE" etc etc. what a fucking loser.

Ronan (Ronan), Friday, 12 November 2004 16:12 (twenty-one years ago)

"Median" works in that context though.

mark grout (mark grout), Friday, 12 November 2004 16:13 (twenty-one years ago)

I'm a proponent of ILLism, a contemporary offshoot of illmaticism.

briania (briania), Friday, 12 November 2004 16:14 (twenty-one years ago)

Only took 4 posts for someone to spit out "rockist" at me like the most foul of insults.

Whatever. You were gagging for it.

just saying, Friday, 12 November 2004 16:16 (twenty-one years ago)

xpost - mr. sleep

hehe. Ignore this tendency, & it's really not a bad board to discuss,get info about a fair range of off-the-radar music.

p.s. how about the Sugababes? Backstreet Boys? Gareth Gates? etc

;-)

latetotheparty (latetotheparty), Friday, 12 November 2004 16:18 (twenty-one years ago)

expressing your disbelief that (some posters on) ilm might like *gasp* teeny weeny girly pop more than radiohead and then asking people not to attack you for your tastes because they don't coincide with theirs doesn't really compute.

or, what ronan said.

xxxxxpost

m. (mitchlnw), Friday, 12 November 2004 16:22 (twenty-one years ago)

"ps what is "teenie pop"

now.. that pretty much defines feigning BEWILDERMENT.

but each to their own. Just ignore it if you don't care about it.

latetotheparty (latetotheparty), Friday, 12 November 2004 16:24 (twenty-one years ago)

what does the phrase "teenie pop" actually mean, it's not feigning bewilderment, it just seems like an idiotic cliché, or a slur?

Ronan (Ronan), Friday, 12 November 2004 16:26 (twenty-one years ago)

or worse still, a pathetic attempt to enforce the kind of bullshit artistic intention arguments which when boiled down are really "YOU ARE THE SAME AS ME, YOU ARE, STOP PRETENDING YOU AREN'T".

Like this whole thread.

Ronan (Ronan), Friday, 12 November 2004 16:27 (twenty-one years ago)

If I'm not trying to tell you what you should like, why should it have any relevance that I tend to enjoy pop more than rock?
ps what is "teenie pop"

pps weirdo americans feigning BEWILDERMENT at ILM is ILMism as much as any popism. "Now I'm new here, and hence I SPEAK IN A DETACHED TONE" etc etc. what a fucking loser.

-- Ronan (ronan.fitzgerald6NOSPA...), November 12th, 2004.

Haha, I get it. Hey everyone, Ronan is such a typical ILMist! It seems like everyone's greatest fear here is being pidgeonholed or labeled in any way. Shake it off, it's a joke. Really, the whole topic behind the thread is a bit of a joke if you think about it.

Anyway, it looks like you misread my post. I only asked whether people were serious with the Spears thing. I wasn't feigning anything: I realize that people have very different tastes, but when there is a reasonably broad consensus on a piece of music, I usually try to check it out. More often than not, even if it's not music I'm generally into, I can find a quality in it to appreciate and enjoy. So this was kind of an anomaly for me, what can I say?

Really don't know how to respond to the ps and pps. I mean, I don't tend to see a lot of trolling on these boards so I won't assume anything, but... meh, I'll just leave those alone.

In conclusion, I am rockist, as much ILMist as any brand of popism is, a and a typical weirdo american.

sleep (sleep), Friday, 12 November 2004 16:27 (twenty-one years ago)

ILMisms - really should be a list of bands and artists that are amazingly loved here, yet you yourself think aren't anywhere as good as the posse.

For you that would be the Britney discussion.

For me - Daft Punk, Basement Jaxx

3underscore (___), Friday, 12 November 2004 16:28 (twenty-one years ago)

Maybe it's just because I've seen enough other - ahem, fairly insular - online communities that like to run with a lot of inside jokes, so I really did think it was a gag. Obviously not knocking your tastes if you're serious.

sleep (sleep), Friday, 12 November 2004 16:31 (twenty-one years ago)

how about the Sugababes?

How about crack?

B.A.R.M.S. (Barima), Friday, 12 November 2004 16:33 (twenty-one years ago)

I just take "teenie pop" to mean music which is marketed cynically at a particular age group and places commercial appeal over art to the maximum.

I don't want to site examples, because I really don't want to get into the argument that much. Of course there can be differences of opinion on whether it can be just as worthy/enjoyable as 'real' music (another minefield given the workings of the music industry...)

I just think denying all knowledge of the concept of teenie pop is a little bogus. How much you like it is another discussion entirely and totally separate from the politics imo.

latetotheparty (latetotheparty), Friday, 12 November 2004 16:33 (twenty-one years ago)

Whatever. You were gagging for it.

Not really, at least not consciously. While skimming the rockism thread, the thought did pass through my mind though - what relevance does "rockism" as a concept have if we're not talking about music criticism, and just someone's tastes? I dunno, that's a discussion for another place and time I suppose.

sleep (sleep), Friday, 12 November 2004 16:34 (twenty-one years ago)

how about smoking crack with the sugababes.. and the fit one from girls aloud?

latetotheparty (latetotheparty), Friday, 12 November 2004 16:36 (twenty-one years ago)

I just think denying all knowledge of the concept of teenie pop is a little bogus.

I don't think anyone's denied that! If anything it's more a subject that is taken for granted, much like the fact that record companies and charts are subject to corruption and influence that has jack to do with whether or not people like something that is popular.

Ned Raggett (Ned), Friday, 12 November 2004 16:37 (twenty-one years ago)

People tookk umbrage at the phrase "teenie pop" because the only people who actually use that phrase use it in order to disparage it. Saying "teenie pop" is shorthand for saying "disposable crap, only teenage girls like it".

xposts

The Lex (The Lex), Friday, 12 November 2004 16:37 (twenty-one years ago)

Maybe it's just because I've seen enough other - ahem, fairly insular - online communities that like to run with a lot of inside jokes, so I really did think it was a gag. Obviously not knocking your tastes if you're serious

Most people who discuss these things are really passionate about what they discuss. I would never believe that a thread loving Girls Aloud would be anything but serious, even if it isn't my cup of tea. People make pop, make money from pop, live pop, and know what a good pop tune is. Me - I prefer microhouse and grime right now, but it moves around. I think the idea that some grown individual can't appreciate a pop tune itself is quite anal - someone has to write it, and they sure know their stuff.

3underscore (___), Friday, 12 November 2004 16:37 (twenty-one years ago)

lex otm. manufactured pop is a proper neutral definition.

Ronan (Ronan), Friday, 12 November 2004 16:38 (twenty-one years ago)

Honestly, how does the word rockist have any meaning when it's not being levelled at a music critic?

There are some possible answers to that on this ILE thread, which mostly avoids the subject of music criticism, and for long stretches even manages to avoid the subject of music.

zebedee (zebedee), Friday, 12 November 2004 16:38 (twenty-one years ago)

xpost - mr. sleep
hehe. Ignore this tendency, & it's really not a bad board to discuss,get info about a fair range of off-the-radar music.

p.s. how about the Sugababes? Backstreet Boys? Gareth Gates? etc

;-)

Missed this one. Well yeah, I do like these boards so far, I just remember seeing a few trends on ILM and was wondering if they rang true to anyone else. I've never heard of sugababes and gareth gates. To be honest, I didn't really give the BSB a fair shake, so I'll withhold comment ;)


xpost

manufactured pop sounds just as deriding to me, but ok, substitute that for teenie pop in my previous posts i guess.

sleep (sleep), Friday, 12 November 2004 16:41 (twenty-one years ago)

I just take "teenie pop" to mean music which is marketed cynically at a particular age group and places commercial appeal over art to the maximum.

This has honestly never fitted the Sugababes. As far as Backstreet go, I'm not sure - which age bracket do gay folks fall into ;-)?

B.A.R.M.S. (Barima), Friday, 12 November 2004 16:41 (twenty-one years ago)

music which is marketed cynically at a particular age group and places commercial appeal over art to the maximum.

seriously, half the rubbish boys-with-guitars groups that pop-haters tend to love could be defined like this too.

The Lex (The Lex), Friday, 12 November 2004 16:43 (twenty-one years ago)

are Maroon 5 manufactured rock?

xpost: sleep

I may not be being totally serious with some of my choices above ;-)

ppppppps. This isn't really the only music board I've seen this tendency on, but it probably gets discussed a lot more seriously and with in-jokes and meta references because a high percentage of posters here are journalists, dj's etc.

latetotheparty (latetotheparty), Friday, 12 November 2004 16:45 (twenty-one years ago)

Lex - only half?

cis (cis), Friday, 12 November 2004 16:46 (twenty-one years ago)

(making the truth more palatable cis)

The Lex (The Lex), Friday, 12 November 2004 16:47 (twenty-one years ago)

why I tried to avoid giving examples was exactly because I didn't want to cite band x or group y as examples of anything specific.

I agree with Lex and BARMS whatever.

Mostly I just could not give two shits about the whole is/isn't manufactured argument. Any company that exercises creative control in their contracts with artists can be accused of cynicism period.

latetotheparty (latetotheparty), Friday, 12 November 2004 16:52 (twenty-one years ago)

You don't even know me man.

Sterling Clover (s_clover), Friday, 12 November 2004 16:54 (twenty-one years ago)

I see, that's the feeling I got, latetotheparty.

Anyway, back to the silly/fun topic. I won't say ILMism is popism, and there does seem to be a very eclectic bunch of tastes here. But it almost seems like the main hallmark, if any, of ILM as a whole is that wants to be anti-anythingism. Some sentiments I picked up when I found the old ILM Top 100 thread. First and foremost, rockism = bad, throw out the canon, next list will be singles/songs only instead of albums, etc. If it's mentioned on any other list (especially RS), it can't be on ours. "Not enough rap." "Can't believe canon-album-x made top 20." Stuff like that. It just seems like it's implied that there was some greater goal than just listing your favorite music, i.e. the list was supposed to turn out a certain way, something that went to lengths to spit at anything canonical.

I just skimmed the thread, so tell me if I misread anything there (likely :p).

sleep (sleep), Friday, 12 November 2004 16:59 (twenty-one years ago)

The idea that ILM still EVEN has close to the same make-up it did two or three years ago is ridiculous. ILM is just like any other board now (filled with Radiohead fans and idiots.)

Alex in SF (Alex in SF), Friday, 12 November 2004 17:09 (twenty-one years ago)

I hate being indirectly invoked as contributing to the downfall of this board.

Melissa W (Melissa W), Friday, 12 November 2004 17:10 (twenty-one years ago)

which group are you in, alex? I forget if you like Radiohead.

No Melissa, you're off the hook! You like Radiohead!

miccio (miccio), Friday, 12 November 2004 17:11 (twenty-one years ago)

Haha I'm probably in both (they aren't mutually exclusive obv.)

Alex in SF (Alex in SF), Friday, 12 November 2004 17:12 (twenty-one years ago)

sleep correct me if i'm wrong but your observation boils down to the fact that people here talk about music they like. sometimes it doesn't match up with what you like. and your question was, are we just faking liking this non-liked-by-you music, or do we actually like it? and the answer was - no, we like it! i think?!

in any case it's stunning that you could be so insulated that it doesn't occur to you that people can happily like britney spears. how many albums did she sell again??!! maybe these aren't people with whom you usually hang out.

You've Got to Pick Up Every Stitch (tracerhand), Friday, 12 November 2004 17:29 (twenty-one years ago)

The idea that ILM still EVEN has close to the same make-up it did two or three years ago is ridiculous. ILM is just like any other board now (filled with Radiohead fans and idiots.)

-- Alex in SF

Fair enough. But I thought a few of the recent rockist threads brought some tendencies that could be traced back to the same attitudes I saw on the old top 100 thread. I think it was Hurting that was immediately called out as a rockist when he "admitted" that he didn't care for 80s music, and generally liked music better 30 years ago. It was as if this was clearly an uninformed, ignorant opinion to hold.

Personally I can't really get into 30+ year old music as much as I can with more recent tunes, but the sentiment was familiar to me. I have tried to enjoy lots of different music, and in some cases I guess I just don't get it... and in other cases, I think it is just bad. This happens a bit in all genres, not just mainstream pop, but it's not something I feel the need to change in order to dodge a label.

Slipping back into rockism-debate territory again here, but like I said, if anything it's the forceful rejection of anything 'canonical', the aversion to any set of tastes that can be labeled, and a little bit of popism that best defines ILMism for me. A lot better than traditional rockism, in any case though. I mean, get over the fucking beatles already am I right?? :)

*clings to a 13 year old album as favorite-of-all-time* :(

sleep (sleep), Friday, 12 November 2004 17:49 (twenty-one years ago)

This was a good idea for a thread alas derailed by our weekly rockist windup.

adam (adam), Friday, 12 November 2004 17:52 (twenty-one years ago)

Klosterman really is a sphincter, isn't he?

Riot Gear! (Gear!), Saturday, 13 November 2004 02:46 (twenty-one years ago)

He's a weirdo!

scott seward (scott seward), Saturday, 13 November 2004 02:48 (twenty-one years ago)

I mean, I envision this guy in his underwear watching country music videos at 3 in the morning writing down ideas on the back of a pizza box and then having his personal assistant fax them to Esquire in the morning. He's kind of a crackpot. Maybe I'm just jealous. But I don't think so, cuz I would be too embarrassed to write some of the stuff he writes. Not cuz it's bad, just cuz it's kinda dorky and collegey. It's like he's forming a brain in public. And way too late in life. But I don't hate the guy.

scott seward (scott seward), Saturday, 13 November 2004 02:52 (twenty-one years ago)

Now I feel bad. He's just trying to make it big in the big city. He's come a long way, baby!

scott seward (scott seward), Saturday, 13 November 2004 02:53 (twenty-one years ago)

New Putdown:

You be ILMin'! As in:

You promised you're girlfriend you'd take her to a show
But you went to the WFMU Record Fair
You be ILMin'!

I think I am mixing up Run-DMC and Cool J here, but so be it.

Ken L (Ken L), Saturday, 13 November 2004 03:00 (twenty-one years ago)

DISCO

http://www.werenotsorry.com/images/notsorrydamn.jpg

Sterling Clover (s_clover), Saturday, 13 November 2004 04:47 (twenty-one years ago)

This thread suddenly became shit when I went to bed. Last night it was fascinating.

Sick Mouthy (Nick Southall), Saturday, 13 November 2004 09:44 (twenty-one years ago)

It's all my fault. I never should have brought up how boring the postal service are, disco, and chuck klosterman. sorry. i'm trying to stop smoking and i'm even more scatterbrained then usual. plus, i want to kill people.

scott seward (scott seward), Saturday, 13 November 2004 12:53 (twenty-one years ago)

A bit of a varied mix there, my friend.

Ned Raggett (Ned), Saturday, 13 November 2004 14:57 (twenty-one years ago)

It's like he's forming a brain in public.

Nick, whatever your problem is with the rest of the thread, this sum-up of Chuck Klosterman more than makes up for it. I'm afraid I'm going to have to quote this anywhere and everywhere the man's name comes up.

miccio (miccio), Saturday, 13 November 2004 16:53 (twenty-one years ago)

I'm sure it's great, but I have no idea who the fuck he is. And when everybody started bitching about disco, WHOOOOOOOOOOSH.

Sick Mouthy (Nick Southall), Saturday, 13 November 2004 17:03 (twenty-one years ago)

oh, well my take on that is up there for posterity.

miccio (miccio), Saturday, 13 November 2004 17:20 (twenty-one years ago)

I wanted to weigh in with a disco zinger...but I couldn't figure out what the argument was about. Late to the party again. Damn.

lovebug starski (lovebug starski), Saturday, 13 November 2004 17:55 (twenty-one years ago)

Yeah, this thread went on way too long for me, like one of those multi-suite prog rock things ILMists are not supposed to like. Or are they in fact supposed to LIKE those? I can't figure it out.

Ken L (Ken L), Saturday, 13 November 2004 19:11 (twenty-one years ago)

Klosterman really is a sphincter, isn't he?
-- Riot Gear! (speed.to.roa...), November 13th, 2004.

klosterman = ihhtp:www.fleshlight.com/main/images/products/featured/smf_butt.jpg?

latebloomer (latebloomer), Saturday, 13 November 2004 20:03 (twenty-one years ago)

re: dan selzer's DJ skils -- they are top notch, i can personally attest. hm, whats the term? oh yeah, DANCE FLOOR JUSTICE. thats what i think of when i think of dan.

maria tessa sciarrino (theoreticalgirl), Sunday, 14 November 2004 00:12 (twenty-one years ago)

this thread peaked at the first reply

fcussen (Burger), Sunday, 14 November 2004 01:04 (twenty-one years ago)

OTM

latebloomer (latebloomer), Sunday, 14 November 2004 10:48 (twenty-one years ago)

>"disco never went away" /= "disco never had a backlash" <

er, so i just noticed that, on the noize jackazz board or whatever it's called, dan selzer accuses both me and matos of claiming that disco never had negative connotations in the '80s, when neither of us ever said anything such thing here or anywhere else, and when matos repeatedly (see above) took pains to explain the obvious, which is that acknowledging that disco never died (which it obviously didn't) does NOT mean that the word never had any negative connotations (which it obviously did). so dan: do you still not get it, or what? i thought you did, but now i'm confused. either way, please stop putting words in our mouths. it's not nice at all.

chuck, Monday, 22 November 2004 01:10 (twenty-one years ago)

ok, wait, now i see he made that post long *before* this thread. so maybe his misconception is cleared up now; I hope so. If not, I really wish he would point out where he thinks matos and I were making such a dumb claim. Here is the post in question:

>I don't care about nice (Ok, yes I do, you can talk about music without trying to belittle someone) but Disco had incredibly negative connotations in America during the 80s. Everyone BUT Matos and Chuck Eddy acknowledge this. <

-- Dan Selzer (danselze...), October 8th, 2004.<

chuck, Monday, 22 November 2004 01:16 (twenty-one years ago)

Hey Chuck, I tried e-mailing you a couple days ago, but it kept bouncing back -- is that the right address?

Sanjay McDougal (jaymc), Monday, 22 November 2004 02:31 (twenty-one years ago)

Chuck, that statement on the noize board, and all statements on the top half of this thread were based on my belief that the argument on the previous thread was that both of you were claiming there hadn't been a backlash. Matos, later on this thread, went to some degree to clarify his position, to which I clarified mine and I think we came to agree, when initially and afterall, all we ever were arguing is the semantics. To re-state, and simplify, for those just joining us, I stated that disco went away, Chuck stated that it didn't because people do the macarena, I said the term, the style and the superficial connotations evoked by the term "Disco" were universally derided for some time, Matos claimed that it wasn't because there's always been dance music, I said "but DISCO went away" and eventually we agreed that the while the name became an insult for quite some time, disco just changed a bit, and called itself other things. I just found it frustrating that after years of research, of reading about disco, talking to DJs, being involved in the dance music scene, where the concept that disco had to mutate to avoid the backlash was common knowledge, that Chuck went to such length to try to prove to me that it never went away.

anyway, it was comments like:

In other words, the specific SOUND you're referring to in the late '70s never died, get it? It's still probably the biggest kind of popular music in the world. It didn't just mean Saturday Night Fever leisure suits in 1978; why should it mean that later?

from Chuck that started this off. I will repeat, and maybe it was my sheltered upbringing in suburban New Jersey but to most of the people I've ever spoken to, to almost all representations in popular culture, to most of america, disco meant EXACTLY that and I'd bet millions of dollars that if I walked up to Rico, the white camaro driving 20 something that was dating a high school friend of mine in the late 80s who made me my first mix straight off WKTU of club hits and back then said, do you like disco? He, like most of america, would have laughed at me.

Dan Selzer (Dan Selzer), Monday, 22 November 2004 04:07 (twenty-one years ago)

If so, doesn't it make sense to say that house and freestyle and whoomp and newbeat and Dead or Alive and Utah Saints and early Sven Vath and early Madonna and fast Celine Dion songs and fast Leann Rimes songs have more or less the same relationship to '70s disco that '80s Italodisco does? (If not, what exactly is the difference?)

another great Chuck quote. Chuck, if you think all those things share the same relationship to 70s disco that 80s italodisco does, you are not spending as much time with dance music as I am. And even if they share the same "relationship" which, not being familiar with fast Celine Dion and Leann Rimes songs I cannot attest to, it is just the slight differences, that make for the creation of different genre names. I think you are being way to universal with the term DISCO and that that is unfair to disco!

and finally, I think proving my argument, Chuck again:

I don't even think people who bought Shannon's "Let the Music Play" or Michael Sembello's "Maniac" or Irene Cara or Laura Branigan records in the early/mid '80s considered themselves disco fans; they probably would've just called it "pop" or something! But again, not realizing you like disco is hardly the same as not liking disco.

You can call it disco all you want, that doesn't change the fact that Shannon didn't call it disco, and her fans didn't call it disco. And it didn't sound much like what most people thought disco sounds like, and I don't consider it disco...and I think I have a wide idea of what disco is!

Just not as wide as yours.

Dan Selzer (Dan Selzer), Monday, 22 November 2004 04:16 (twenty-one years ago)

Another thing Dan and I have quibbled over is when disco-the-word began being used in a non-combative fashion. I date it earlier than I think he does--mid-'90s or so--simply because that's when I was going to raves in Minneapolis (and the Midwest) and dancing to disco records in side rooms. There was a very explciit acknowledgment in the scene, as I remember it, that it was not just OK to like this stuff in a smirking way but because it was great music. And that's also around the time filter-disco tracks like Gusto's "Disco's Revenge" were starting to come out, so it all ties together in my mind.

Matos W.K. (M Matos), Monday, 22 November 2004 09:13 (twenty-one years ago)

> it didn't sound much like what most people thought disco sounds like,<

Yes, it did. If "Let the Music Play" had come out in 1977 or 1978 (when disco meant several different kinds of sounds that people could dance to, not just one, though for some reason Dan always seems hesitant to admit that), people would have had no problem at all calling it disco, and that goes for any of the other examples I give in those italicized quotes. Just because the music industry taught people to call disco other things (*because* of the negative connotations that the word had accrued by the time Steve Dahl built his disco bonfire etc.) doesn't mean the music industry wasn't full of shit in doing so.

chuck, Monday, 22 November 2004 16:35 (twenty-one years ago)

But it didn't come it out in 1977, it came out in 1984, when Disco had VERY specific connotations. Which is why they didn't call it disco. And personally, it doesn't sound like disco to me. It sounds like Freestyle, it sounds like Electro, it sounds like Club music, and that brings us back to our basic argument, to you all those things are disco. To me, disco is a more specific sound and genre, a wide-ranging one, but with limits. Even hi-nrg and italo-disco are named different, not just in response to the backlash, but because they SOUND differently. If you put out a compilation CD called "Disco, Chuck Eddy style" and it featured Leamm Rhimes, Shannon and Tarzan Boy, while some may applaud your eclectic and inclusive approach to disco, I think most would be pretty dissapointed.

Dan Selzer (Dan Selzer), Monday, 22 November 2004 18:57 (twenty-one years ago)

I'll bring you flowers
In the pouring rain
Living without you
Is driving me insane

The Ghost of Dan Perry (Dan Perry), Monday, 22 November 2004 19:04 (twenty-one years ago)

Repeat-yourself thread revivals are SO ILMist.

miccio (miccio), Monday, 22 November 2004 19:05 (twenty-one years ago)

You always say that!

Ned Raggett (Ned), Monday, 22 November 2004 19:13 (twenty-one years ago)

(I'm really sorry; I was going to say something about ILMism but "Flowers" came on my playlist and I was momentarily possessed and now I don't know what I was going to say in the first place.

Oooh, now it's "Mad World"!)

The Ghost of Dan Perry (Dan Perry), Monday, 22 November 2004 19:19 (twenty-one years ago)

Sunship mix Dan? One of the best 2-step tracks ever.

I will say that I too have been confused by Chuck's views on 'disco backlash' in other threads. He did point out to me that it was not universally reviled by actual music critics (by showing me a P&J poll from the late 70s - maybe even '80) which was interesting, but I'm not sure how he (sorry, 'you' Chuck - haha) feels about how criticisms of disco worked in the broader culture/press.

Spencer Chow (spencermfi), Monday, 22 November 2004 19:47 (twenty-one years ago)

Sunship mix Dan?

YOU KNOW IT. God, I love that song.

I am now listening to "So Addictive". This is maybe the best work mix I've ever created (it's 5 hours long).

The Ghost of Dan Perry (Dan Perry), Monday, 22 November 2004 19:50 (twenty-one years ago)

To point out that not everybody (or at least not every music critic) backlashed against disco is not to say that no backlash ever happened, spencer; how is that confusing? (Though i believe the P&J poll you're referring to was 1979 -- pre-backlash, really, or at least the year the broader steve dahl-associated backlash exploded. hell, i owned a "detroit rockers engaged in the abolition of disco" card at the time, from WWWW or WRIF I think; of COURSE a backlash happened. I still don't get why anybody would think I ever suggested otherwise. But the backlash didn't kill disco; it just changed its name. (And yes, the music evolved as its name changed, even though Laura Branigan and even more so Irene Cara were hitting with BLATANT imitations of 1979 Donna Summer -- and Dead or Alive with nearly as blatant imitations of 1978 Sylvester -- in the early '80s. But I don't see the connection; disco was evolving *before* its name changed, too. It had ALWAYS evolved; disco in 1979 really did not sound much like disco in 1975 had. The name change and backlash had nothing to do with how the sound changed at all, as far as I can see.)

chuck, Monday, 22 November 2004 20:01 (twenty-one years ago)

At any rate, as far as music critics go, they were probably if anything MORE open to r&b/Latin/eurdisco-based dance musics (whatever you want to call them) in, say, 1981/1982/1983 than they had been at disco's peak, in 1977 or 1978 say -- at least judging from Pazz and Jop polls, anyway. So I don't know that the backlash affected critics at all, to be honest; in other words, I can't think of critics who would have been open to disco in 1977 but closed to disco-sounding dance music in 1982. (Though I'd definitely be interested in hearing counter-evidence otherwise. And though, outside of maybe the Boston Phoenix's great Michael Freedberg, it's true that not many critics were actually writing about Lime albums, say, or "Dr. Beat" by Miami Sound Machine, in the mid '80s. But I doubt they were writing negatively about them, either; they just weren't hearing them.)

chuck, Monday, 22 November 2004 20:31 (twenty-one years ago)

Chuck Eddy in not-having-any-time-for-strict-genre-definitions SHOCKAH. seems like every argument with him comes down to this...

Shakey Mo Collier, Monday, 22 November 2004 20:37 (twenty-one years ago)

Er? Why are strict genre definitions important, anyway?

Ned Raggett (Ned), Monday, 22 November 2004 20:38 (twenty-one years ago)

sometimes they're helpful in locating similar-sounding things for a listener. Actually, this is the one thing that really bugs me about Chuck's MO, in that he isn't very helpful - if you asked him for stuff that sounds like A, he'll list you a million things that bear only a tangential relationship to A, but which for most people would fall into categories B, C, D, etc.

but chuck is def NOT ILMism, I don't know what ILMism is anymore...

Shakey Mo Collier, Monday, 22 November 2004 20:42 (twenty-one years ago)

if i asked a knowledgeable friend to recommend a dozen records that sound like SOME COOL BAND, i'd rather he suggest a bunch of records by a bunch of different kinds of people from a bunch of different eras, as opposed to recommending a dozen other records released the same year and played on the same radio stations as SOME COOL BAND.

fact checking cuz (fcc), Monday, 22 November 2004 20:46 (twenty-one years ago)

And why do people always spell "SHOCKAH" in all capital letters? It looks so dorky. But yeah, I tend to think *many* genres should not be rigidly defined. Not just a couple of them. Thank you for noticing, Shakey!;-)

xp

chuck, Monday, 22 November 2004 20:48 (twenty-one years ago)

Strict genre definitions are important because it's a really convienient way to organize your records, to describe your tastes etc etc. I'm not against being flexible with definitions, I played Sex Machine by the Flying Lizards at our first alldisco party(and had to justify it to my co djs!) but there are lines that get crossed. If I'm going to promote a disco party, it's because we want to play disco to people who want to hear and dance to disco. They will not want to hear Let the Music Play, and certainly won't want to hear Celine Dion.

I would LOVE to be in a position that everyone just says "let's go to that party where Dan is DJing because he plays good music" but people want to know the genres.

Dan Selzer (Dan Selzer), Monday, 22 November 2004 20:51 (twenty-one years ago)

>Strict genre definitions are important because it's a really convienient way to organize your records,<

funny - i was just watching *diner* last night (found a VHS copy of 3 bucks while xmas shopping, hadn't seen it for years), and there's that scene where the guy gets mad at his wife for misfiling one of his r&b albums in the rock'n'roll section, and all i could think of was, "well, lots of r&b IS rock'n'roll" (i mean, we're talking 1959 here, folks). the couple times i tried organizing my vinyl by genres, i got totally frustrated, because lots of music if not most of it just plain DOESN'T fit neatly into one genre crate. at least not much music that i LIKE, since i tend to prefer stuff that straddles genres and lands on the cusp (i mean, donna summer was using rock guitars on *Bad Girls* right when the Stones were going disco with "Miss You," right?) In some ways, I'm jealous of the kind of literalists who think music classifications are way tidier and simpler to figure out than I do. But maybe our brains are just wired differently; who knows.

chuck, Monday, 22 November 2004 21:04 (twenty-one years ago)

my ikea record shelf is split into the following cubes:

New Wave Dance 1, New Wave Dance 2, NYC Club Classics, Disco 1
Italo-Disco, Hi-NRG, Freestyle/Electro, Disco 2
Chicago House and Detroit Techno, New York House and UK techno, Hip-Hop, Newish stuff

and the bottom 4 cubes are filled with random crap.

Had all of these been alphabatized, it would take me a ton more time to pull out records. Now I just think about the kinds of stuff I want to play and I know where everything is. All the records that I don't play at dance clubs are alphabatized in a large shelf. The only confusion comes from bands I like to play, when I file them away into the big shelf, I always forget to bring them to parties. Some bands are split up, like New Order's LPs are on the big shelf, but the 12"s of Perfect Kiss, Confusion, Blue Monday etc are on the Ikea Shelf.

Chuck, I consider myself a pretty eclectic DJ, and a fan of many many types of music, but I think genre classifications are a necessary evil, that can sometimes be your friend. Despite all those cubes, every few records I come accross something where I just can't tell where it goes, and certain records are constantly getting moved around between different cubes depending on what I think it is at the moment! Esp between the "NY Club Classics" and the "Freestyle Electro". I keep moving things between those two.

Dan Selzer (Dan Selzer), Monday, 22 November 2004 21:11 (twenty-one years ago)

I like Ikea Shelf as itself a genre name.

imagine Herbert tracks made out of the furniture, or sexy Luomo tracks with lithe Euros intoning the names of the different products, maybe get Bob Blank to do some remixes . . . let's do this!

Drew Daniel (Drew Daniel), Monday, 22 November 2004 21:18 (twenty-one years ago)

I don't like genre groupings either, and don't find much use for them. Generally if someone asks me what a band sounds like I'll use a string of adjectives to describe them. And if someone asks me for bands that sound like something, I'll...try to think of bands that have things in common, that sound similar. No genre categories are necessary for this.

I think what makes me uncomfortable about genre is that I can hear a word like disco or punk or r&b, and I get an abstract idea of a form of music, but I con't define the genres at all, without referring to bands as examples. I suspect genres are phantoms, and close examination only reveals more and more problems. But maybe "Any classification is superior to chaos", I don't know - I think I do alright without one.

Kevin Gilchrist (Mr Fusion), Monday, 22 November 2004 21:33 (twenty-one years ago)

What about the opposite? What about when people aren't describing the band, but the sound? "I like music I can dance to, I like it when it's electronic, and has a sort of early 80s, analog flavor, I like vocoders and spacey sounds" Now that will describe say, both Electro-funk and italo-disco. But one person wants hip-hop and the other wants disco. One person wants Planet Rock and the other wants Spacer Woman. Sure, these songs have similarities and sure, they can mix together well, but it still helps to describe one as Electro-funk, and the other as italo-disco.

Dan Selzer (Dan Selzer), Monday, 22 November 2004 21:41 (twenty-one years ago)

Yeah, I'm sure they can be useful, I just don't really understand them. And if someone asked me for some italo-disco I'm afraid they would be met with a blank look. If someone asks me for a recommendation they'll take whatever record I give them and like it, damn it! I'm sure you'd accept that genre is a clumsy tool at best, though?

Kevin Gilchrist (Mr Fusion), Monday, 22 November 2004 21:49 (twenty-one years ago)

absolutely, like I said, a necessary evil. But often, very useful. It's just a tool.

Dan Selzer (Dan Selzer), Monday, 22 November 2004 21:54 (twenty-one years ago)

Cool - do you think an academic approach to genre, trying to scientifically define the characteristics of each music type, would make it a more precise tool?

Kevin Gilchrist (Mr Fusion), Monday, 22 November 2004 21:59 (twenty-one years ago)

I try not to think too hard about it, just enough that I need. Most of what is discussed here is thinking hard enough. I don't need a thesis, just a way to organize my records.

Dan Selzer (Dan Selzer), Monday, 22 November 2004 22:08 (twenty-one years ago)

My records tend to be organised by when I last listened to them, so not really organised at all. I usually have a rough idea where something is though.

Kevin Gilchrist (Mr Fusion), Monday, 22 November 2004 22:10 (twenty-one years ago)


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