I have a site that I write for, but I don't actually own/did not create the site, so I don't know if that would work.
― Chris Malley, Thursday, 18 November 2004 00:36 (twenty-one years ago)
― JaXoN (JasonD), Thursday, 18 November 2004 01:01 (twenty-one years ago)
Oh yah, anyone. Most of them have a place on their Web sites where you can go and just request whatever you want and they'll send it to you.
Also, banks will give you money if you just go in and ask. Even if you don't have an account!
― gypsy mothra (gypsy mothra), Thursday, 18 November 2004 01:52 (twenty-one years ago)
― Pangolino (ricki spaghetti), Thursday, 18 November 2004 01:56 (twenty-one years ago)
― the surface noise (slight return) (electricsound), Thursday, 18 November 2004 01:59 (twenty-one years ago)
I'd suggest that you send letters (not emails) to the appropriate person at the labels of your choice; the more ludicrous your story, the more likely these idiots will be willing to add you to their promo lists. Be warned, though, free music industry product may sound like a cool idea, but wait until you're getting 30+ discs a week in the mail - and 29 of them are pure shit you wouldn't wish on your worst enemy. It can get depressing, that.
― dsd, Thursday, 18 November 2004 02:09 (twenty-one years ago)
― gypsy mothra (gypsy mothra), Thursday, 18 November 2004 02:12 (twenty-one years ago)
― Pangolino (ricki spaghetti), Thursday, 18 November 2004 02:13 (twenty-one years ago)
Does ring a bell. I must've sent out about 200 letters in '90-'91 -- on behalf of a then existing little zine, printed rather irregularly on really crap paper & in an "unheard-of" (for many) corner of the world, in an "unheard-of" (ditto) language. And I think that about two or three dozens of the addressees cared to reply. (Heh, Warner and, if I remember correctly, EMI just sent their catalogues - and nothing further came of that).But getting any response at all was, at that particular time & this particular place, totally great. Those who took notice, whether only once or repeatedly, ranged from 4AD to Derek Bailey, from ECM to Flying Nun, ROIR to Cuneiform, Extreme to CRI and Canadian Music Centre (iirc).Had our zine lasted longer, (some of) the contacts might have coninued...
― t\'\'t (t\'\'t), Thursday, 18 November 2004 02:31 (twenty-one years ago)
― reo, Thursday, 18 November 2004 06:50 (twenty-one years ago)
― Steev (Steev), Thursday, 18 November 2004 07:03 (twenty-one years ago)
― mark grout (mark grout), Thursday, 18 November 2004 09:30 (twenty-one years ago)
― freeboy, Monday, 22 November 2004 07:57 (twenty-one years ago)
― freeboy, Monday, 22 November 2004 08:05 (twenty-one years ago)
As I mumbled on Twitter earlier, has there ever been a formally released track by someone using/sampling those 'This is a promotional copy' bits from press release CDRs?
― Ned Raggett, Sunday, 4 October 2009 19:23 (sixteen years ago)
I just found a promo CD for Bob Mould's Workbook, and it's pretty great - they designed it to look like an actual 'workbook.'
The late '80s/early '90s seems to be a Golden Age for promos, where you'd get these great designs that were sometimes better than the actual album art. (I think one Suzanne Vega promo was the first to get a hologram, which inspired Prince to do one for the regular run of Diamonds and Pearls after Jeff Gold brought it to him, and Elvis Costello's Blood and Chocolate hilariously had a red and gold chocolate bar wrapper on one promo cassette.)
― birdistheword, Thursday, 12 January 2023 20:08 (three years ago)
IIRC Warner/Reprise sent out Duncan Hines cake mixes with Mudhoney's Piece of Cake
― Ned Raggett, Thursday, 12 January 2023 21:38 (three years ago)