What IS this song?!? PLEASE HELP

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Okay I don't have any more time to devote to figuring this out today so maybe you ilxors can help. I think this song is by Magnetic Fields or maybe Airport Girl? It's got this girl singing a really nice catchy (but not poppy) tune where she's kindof asking questions "Are you..." etc. and then after every few lines a guy comes in and sings by himself "Yeah..Oh Yeah.." It's just a great tune and I know I've heard it many times before.

Bimble (bimble), Wednesday, 1 December 2004 20:13 (twenty-one years ago)

Is it "This Corrosion" by Sisters of Mercy?

The Ghost of Dan Perry (Dan Perry), Wednesday, 1 December 2004 20:16 (twenty-one years ago)

It's called "Yeah Oh Yeah," and it's by Magnetic Fields. Disc Three of 69 Love Songs.

nabisco (nabisco), Wednesday, 1 December 2004 20:17 (twenty-one years ago)

Wow that was quick - I haven't even left the house yet. Thanks!

Bimble (bimble), Wednesday, 1 December 2004 20:18 (twenty-one years ago)

It's on a fairly well-known album -- that makes it easy!

I have a soft spot for duets in which there is genuine conflict between the singers, so this kind of satisfies on that level. Incidentally I wound up seeing Mag Fields last year, which was just a terrible idea, insofar as they come off very smarmy and boring these days; worst of all was the way the audience giggled at every rhyme as if they’d never heard 69 Love Songs before, or anyway didn’t think of the material as anything but comedy-band jokery; and so the worst of it was when they played this song, which is kind of gloriously sneering and anguished at points, and everyone just chuckled. The knife bit if a little funny, granted, but the bleating chorus mockery thing strikes me as pretty affecting (as well as formally clever).

nabisco (nabisco), Wednesday, 1 December 2004 20:21 (twenty-one years ago)

well, to be fair to the mag fields' audiences, "yeah oh yeah" sounds like it's meant as a joke, and the one time i saw them do it live both stephin and claudia were playing it for laughs.


fact checking cuz (fcc), Wednesday, 1 December 2004 20:34 (twenty-one years ago)

well, im going on friday. ill do my best to not have the crowd suck.

peter smith (plsmith), Wednesday, 1 December 2004 20:37 (twenty-one years ago)

as for them being smarmy and boring, they were definitely a better live band when they played electric, instead of the acoustic chamber-pop thing they've been doing lately. i wonder if merritt's ear problems force them to be acoustic. (not sure if it's tinnitus or what, but when i saw them in nyc this year he was urging people not to clap because the sound of it is physically painful to him. he looked quite fragile.)

fact checking cuz (fcc), Wednesday, 1 December 2004 20:38 (twenty-one years ago)

(xpost)

Oh, I blame them as much as the audience. The whole thing was like some sort of terrible joke where they know if they just strum ukeleles and act droll then everyone will giggle and love them; the only bit I enjoyed was Merritt mentioning "Hobart Paving" and then, when no one knew what he was talking about, singing a bit of the chorus. Everything else rankled me terribly. It's like he's a dancing bear for the NPR set and nothing more, whereas in my perfect world he'd be surrounded by synths and very bitter.

nabisco (nabisco), Wednesday, 1 December 2004 20:39 (twenty-one years ago)

in my perfect world he'd be surrounded by synths and very bitter

i believe if you go over his house that's exactly what you'll find.

fact checking cuz (fcc), Wednesday, 1 December 2004 20:45 (twenty-one years ago)

Nice! And really, instead of kind of wildly bitching I should explain more carefully: I just feel like there's a level on which he's become this polite droll performer and in the process lost almost all of the emotional intensity in his work, partly because of the material and partly because he seems content to satisfy an audience that seems to want him to be politely droll. I first got into Mag Fields in the same way you get into good prose writing: the freshness of his lyrics actually made the emotional content of his songs much stronger, as opposed to overshadowing it. Cf:

On a ferris wheel / looking out on Coney Island
Under more stars than / there are prostitutes in Thailand

is, to my mind, far more of a romantic line than a "funny" one, insofar as the comparison, while left-field and loopy, is still remarkably apt. (If you want to get super-literary about it there's also the idea of conjuring romance via prostitution.) Similarly the Susan Anway stuff, which can be just wrecking; I cringe to imagine portions of one of his present-day audiences giggling over "it makes me want to kill myself" and other such surprises. I just don't get this from him any more, not nearly as much -- and that, more than the synths or the sound, is why I'm more likely to listen to Holiday or the first 6ths album than anything he's done recently. (There are long stretches of 69 Love Songs, which I do really like, that hit it, and songs that hit other things I find just as engaging; I think it's more the after-effects of that success that have depressed me.)

nabisco (nabisco), Wednesday, 1 December 2004 20:53 (twenty-one years ago)


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