*inhale* Music, information, availability and progress *exhale*

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I read a quote recently from Stephen Hawking where he said the state of science is such that only a few people really understand the cutting edge what's going on, the most up to date concepts. There's so much information, that it would be impossible for it to make its way out into the general consciousness. Consequently, when and if someone happens to come up with the theory that explains everything, there may very well be people who just never hear about it, or who never have a chance to understand it because they're already so far behind what's going on in science.

My question: does this happen in music? Is there so much stuff out there, that most of it will never reach the majority of people? And does this matter? Since a scientific theory that explained everything would presumably cover stuff like love, spirituality and aesthetic enjoyment of stuff, is it reasonable to want *everyone* to be in on what's going on now?

Dominique (dleone), Thursday, 2 December 2004 14:46 (twenty-one years ago)

Milton Babbitt to thread (well, kind of)!
http://www.palestrant.com/babbitt.html

dr. philth (some local loser) (josh langhoff), Thursday, 2 December 2004 14:54 (twenty-one years ago)

A question I've often pondered. I'd say this -- add not only music but art, movies, books, TV, plays, whatever, plus the facilitating of further numerous means of general communication, and then before all that the time spent enjoying and living life straight up and all the concomitant commitments one has to do, and it's wonder anybody can keep an eye on the ball anywhere sometimes. That there are folks that do that is impressive but I increasingly think Tom Ewing nailed it with the beachcomber metaphor a few years back -- I don't believe anymore in sweeping statements or summations about the 'state of music' or the like, though there are certainly noble attempts at same.

Also, as I've liked to notice, one reason why there's more music etc. these days is that there are just simply more PEOPLE these days. Whereas all of us individually are still just one person trying to take what we can in, as we can.

Ned Raggett (Ned), Thursday, 2 December 2004 14:57 (twenty-one years ago)

1 thing is w music there's the "if ppl only heard it 1-100 times" whereas w science i think the assumption of incomprehension is widespread, which isn't to deny popsci or to say i prefer my music wo critical filters

we want our science applied?

also: science proved wrong v music reconsidered.......equally dear? xp

bakers (thoia), Thursday, 2 December 2004 15:04 (twenty-one years ago)

The technology of producing and distributing music has, in some senses, become cheaper and more widely available. At the same time, fewer and fewer hands control the most effective means of actually getting more than a small niche to listen to that music (large labels, distributors, store chains, radio, tv, etc.)

So on one hand you have a minority of people with more access to music than ever, with so much music to listen to that they feel overwhelmed, perhaps. Then the vast majority of the country, who don't read music mags or dig through bargain bins or check all music guide or talk about bands all the time with hip friends, might seemingly have less to choose from than they did 20 or 30 years ago.

Hurting (Hurting), Thursday, 2 December 2004 15:06 (twenty-one years ago)

Milton Babbitt in "we should be taking advantage of the fact that we can do stuff that will never have a practical value to most people" non-shocka! ;) Actually, this is almost exactly the attitude of high-level mathematicians from the same time (from places like the Boubarki think-tank) - the idea that math for its own sake was a worthy pursuit. And I'm not so sure I disagree totally - I think there are innovations that arise from this kind of investigation that could never come up otherwise. However, someone has to tell everyone else about it, don't they? And how do they do that without first teaching them the math needed to comprehend the innovation in the first place?

I don't believe anymore in sweeping statements or summations about the 'state of music' or the like, though there are certainly noble attempts at same.

I don't know what I believe now. As much as music is supposed to be a universal language, I'd have a hard time convincing anyone (or myself) that that's true. Science, on the other hand, uses math and other languages that are the same, no matter where you learn them. Even though a physicist and a mathematician might disagree over what's important, both of them can talk about things in the same language (though even that is questionable when either one gets too into the more advanced areas of their field). Is common ground an illusion?

x-post

Dominique (dleone), Thursday, 2 December 2004 15:10 (twenty-one years ago)

I think Hurting's second paragraph, if a touch hyperbolic, does capture a certain sentiment accurately enough -- mind you, though, the basic division because 'dedicated enthusiast' and 'general audience member' is hardly new. It might be less a matter of 'less to choose from' as it is 'less time/inclination to spend on music' -- which given what seems to be a general trend in much music criticism towards a refreshing universality in listening to anything/everything must be a bit frustrating.

Is common ground an illusion?

The common ground might not be the music but the experience of listening pleasure (and pain). On that front, we can all communicate, though our examples may differ and in some cases contradict what others say.

Ned Raggett (Ned), Thursday, 2 December 2004 15:12 (twenty-one years ago)

are we talking like w priorities there's a jug to fill to x w dvds or a nightshift? also as in science some ppl making music are aware of other musicians can one cd = 5? xp

sweeping statements are useful as fuck. how bad do innovations need to be comprehended? music, even

bakers (thoia), Thursday, 2 December 2004 15:15 (twenty-one years ago)

Smart people find smarter ways to process information for themselves [e.g del.icio.us, blogs, blog tracking: blo.gs and technorati, messageboards, mailing lists, newswires, online radio etc] - these people are proactive in their information processing

dumb people relay on the mainstream media dictating to them [radio playlists, mainstream music magazines, music television, sales charts.] - these sources delibrately restrict the flow of information - often to retain/ reinforce capitalist power and control agenda over the masses.

the themes of this thread can be related to:

media theory/ cultural studies / communications theory
cognition and learning
social psychology
information needs theory
personal information management

some academic resources:

Media, Communications & Society 1
2004-5
http://joni.soc.surrey.ac.uk/~scs1ph/scnm101/

Media, Communications & Society 2
2004-5
http://joni.soc.surrey.ac.uk/~scs1ph/scnm201/

DJ Martian (djmartian), Thursday, 2 December 2004 15:17 (twenty-one years ago)


haha omg

bakers (thoia), Thursday, 2 December 2004 15:19 (twenty-one years ago)


yes the lucky thing abt blogs is how they don't withhold any info

bakers (thoia), Thursday, 2 December 2004 15:20 (twenty-one years ago)

sweeping statements are useful as fuck. how bad do innovations need to be comprehended? music, even

I think if you believed that the innovation had practical uses for everyone, that you'd want to let them know. I mean, a lot of scientists aren't under the impression that what they do actually has practical use to people, at least right now. But they still do what they do because they're fascinated by it, and sometimes something unusual happens in that environment that opens up doors to a lot of other ideas.

Interestingly, what also happens sometimes is that, say, a biologist will see something unusual in what the math guys are doing, and realize that it has huge implications for his field - yet the math guys won't see it. They'll just see a neat trick they know, but only believe it applies to them and their interests. This is where I get interested. What if this happened in music? What if I suddenly realized I knew why the last Squarepusher record was "important" (to me, but also, in my mind, potentially to other people)?

Obviously, music doesn't have the burden (or luxury) of "proof" that science does - but if the end result, the end fulfillment seemed important enough, wouldn't you want to tell someone about it? And how would you do this to someone who was totally unfamiliar w/electronic music, for example? Obstacles? Consequences? Worth the time?

Dominique (dleone), Thursday, 2 December 2004 15:33 (twenty-one years ago)

What if I suddenly realized I knew why the last Squarepusher record was "important" (to me, but also, in my mind, potentially to other people)?

well if you were madonna or gwen stefani or someone like that, you'd incorporate what you liked about that squarepusher record make a radio-friendly pop record. and that's one very real way that, for example, weird electronic-music concepts get communicated to people who are totally unfamiliar with the originators of them. and the fact that madonna and gwen stefani and others like them -- and i'm huge fans of both -- can get actual hits by doing so suggests that it's very much worth the time.

fact checking cuz (fcc), Thursday, 2 December 2004 15:44 (twenty-one years ago)

...incorporate what you liked about that squarepusher record make a radio-friendly pop record...

replace "make" with "into." oops.

fact checking cuz (fcc), Thursday, 2 December 2004 15:45 (twenty-one years ago)


ok gotcha re getting the vote out to collegues and even better joes who cld invent something or you know metaphorize the science. i was stuck thinking how i couldn't build a tv is all

oh shit i always want to tell ppl about it, haha i want to say the way you tell them is w a tv ad or a theme song. practically.....haha xp

bakers (thoia), Thursday, 2 December 2004 15:46 (twenty-one years ago)


addl question abt comprehension: say lohan bites timecode for a single w a new disney or mtv. what all information wd we like the avg" listener to know abt the song? from sampling, labels and continents to time or theory? whats useful, whats disposable

bakers (thoia), Thursday, 2 December 2004 15:58 (twenty-one years ago)


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