― jess, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
― David Raposa, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
― Tom, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
― dleone, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
― bnw, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
― ethan, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
at any rate, this list does make me curious about a few of these records, so it's done its job... the ones on here i've heard, kukl and the radar bros., are both excellent (although the kukl write-up is pretty awful).
― dave k, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
― Gage-o, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
― mark s, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
― hstencil, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
― dan, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
Can't speak for anyone else, but the main thing that annoys me about Pitchfork is when they publish falsehoods. It's not so much the silly errors as much as it is that the errors lead to bad writing and shoddily-formulated opinions.
The actual idea behind the article linked in this thread is fine, and some of the reviews are pretty accurate, but in general Pitchfork has always seemed to me to be a forum for people to spout opinions based on utter nonsense, exemplified by cloudy reportage.
It was kind of sad to see the one Pitchfork writer whose work I enjoyed, Mark Richard-San, go the presumptious knee-jerk route with his Iggy Pop review (more for his comments about the Stooges, not for the review of the album itself, which I couldn't care less about), but I s'pose it had to happen sooner or later.
― Keiko, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
― Kodanshi, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link