I only heard this song last September when I bought a cheap EF 2CD compilation. The song seemed bizarre; I didn't at first know that it had been a big hit. But I have come to think of it as a significant record in the history of pop. Am I right? And does anyone like it?
― the pinefox, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
― mark s, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
Quintessential Ella = The Cole Porter Songbook, a record that makes the perfect gift for someone you don't know well because EVERYONE LIKES IT. (Dissenters?) Also, it sounds great at a party no matter who the partiers are.
Somewhere around here I've got an Ella version of "Air Mail Special" that's the most impressive scat-singing I've ever heard.
― Douglas, Wednesday, 2 January 2002 01:00 (twenty-three years ago) link
Fascinating to hear that EF co-wrote the song.
― the pinefox, Thursday, 3 January 2002 01:00 (twenty-three years ago) link
"When Ella Fitzgerald recorded A-Tisket A-Tasket — adapted by Ella and Al from an old nursery rhyme — she was still only 20. She had been singing with the dynamic Chick Webb Orchestra for three years. It was her first major hit as a recording artist — eventually attaining Gold Disc status… On Webb's untimely death in June 1939 her colleagues were unanimous she should take over leadershp of the band… Two years later, though, came the decision to call it a day… and Ella Fitzgerald went on to become known as America's First Lady of Song… A-Tisket A-Tasket, arranged by Van Alexander, made its Chart debut on June 18, 1938, remaining there for 19 weeks, and peaking at Number One. Collective sales, over the years, amounted to a figure well over two million.
Turning point in pop?: maybe, but in a complex way. Ella's hit pushed Webb's band up from cool hipster jazz-swing muso status to mass trash-pop success: he started to record more songs than instrumentals!! (A major crime, in the eyes of jazz historians anyway...)
Ella's subsequent 50s careers, esp. after her famous Cole Porter collection recording, was (maybe) in secret grown-up proper-art distancing atonement for her youthful silly glam explosion. As was Sinatra's. As was much too much of the swing generation's music (in conceit a heroic resistence to delinqent rock'n'roll rubbish...)
re writer credit: words of ATAT = trad. It's possible she was only included as a "writer" to ensure decent sales royalties went to the key performer. Writers did much better than performers royalties-wise (via SHEET MUSIC sales, mainly). This was a routine little trick, more generous than corrupt. On the other hand, she may have come up with part of the tune.
I think Ella = boring as a jazz-scat goddess, and more fun as a silly swing-pop kylie- type...
― mark s, Thursday, 3 January 2002 01:00 (twenty-three years ago) link
― Billy Dods, Thursday, 3 January 2002 01:00 (twenty-three years ago) link
― Douglas, Thursday, 3 January 2002 01:00 (twenty-three years ago) link
― michael, Friday, 4 January 2002 01:00 (twenty-two years ago) link
― N., Friday, 4 January 2002 01:00 (twenty-two years ago) link
― Tracer Hand, Friday, 4 January 2002 01:00 (twenty-two years ago) link
― Sean, Friday, 4 January 2002 01:00 (twenty-two years ago) link
― the pinefox, Monday, 13 May 2002 00:00 (twenty-two years ago) link
― N., Tuesday, 14 May 2002 00:00 (twenty-two years ago) link
― the moonfox, Tuesday, 14 May 2002 00:00 (twenty-two years ago) link
― Jeff W, Tuesday, 14 May 2002 00:00 (twenty-two years ago) link
― 1 1 2 3 5, Wednesday, 15 May 2002 00:00 (twenty-two years ago) link