― russignon, Saturday, 5 February 2005 09:44 (twenty years ago)
OBSCURITY UBER ALLES
― CHEEP PLONK, Saturday, 5 February 2005 11:42 (twenty years ago)
― roxymuzak (roxymuzak), Saturday, 5 February 2005 13:28 (twenty years ago)
― Ian John50n (orion), Saturday, 5 February 2005 17:20 (twenty years ago)
Upcoming Shows ( view all )Feb 5 2005 7:00P Kilby Court Salt Lake City, UTFeb 6 2005 8:00P Monkey Mania Denver, COFeb 7 2005 8:00P PMS House Albuquerque, NMFeb 8 2005 8:00P Cogdill Rec Center Flagstaff, AZFeb 9 2005 8:00P Ché Café San Diego, CAFeb 10 2005 6:30P Koo's Long Beach, CAFeb 11 2005 8:00P The Smell Los Angeles, CAFeb 12 2005 9:00P Gigantic Bakersfield, CAFeb 13 2005 9:00P Hemlock San Francisco, CA
― gygax! (gygax!), Saturday, 5 February 2005 17:57 (twenty years ago)
― Tim Ellison (Tim Ellison), Saturday, 5 February 2005 17:59 (twenty years ago)
― Ian John50n (orion), Saturday, 5 February 2005 18:03 (twenty years ago)
― Roger Fidelity (Roger Fidelity), Saturday, 5 February 2005 18:40 (twenty years ago)
― Tim Ellison (Tim Ellison), Saturday, 5 February 2005 19:26 (twenty years ago)
― rssgnon, Saturday, 5 February 2005 19:52 (twenty years ago)
Tim - I guess so, but I always felt that with the four sides of Harsh 70s, there was some kind of let-up. You could digest one side at a time. Tradoor, with it's CD format, seems so unending and intimidating, even for a big fan such as myself.
― Roger Fidelity (Roger Fidelity), Saturday, 5 February 2005 19:55 (twenty years ago)
ummm, what exactly do 7YRC sound like? the dead c comparison has me intrigued enough to check 'em out tonight -- are they super noisy/psych or is there more note plucking like deerhoof?
― fauxhemian (fauxhemian), Saturday, 5 February 2005 20:46 (twenty years ago)
― mia is shit, Saturday, 5 February 2005 20:57 (twenty years ago)
those aren't easy to find. my favorite moments are "three years" and "constellation"oh and the majority of Eusa Kills, when they were taking on Royal Trux for the championship of my mind.
― noizem duke (noize duke), Saturday, 5 February 2005 21:11 (twenty years ago)
― Roger Fidelity (Roger Fidelity), Saturday, 5 February 2005 21:30 (twenty years ago)
― noizem duke (noize duke), Saturday, 5 February 2005 22:08 (twenty years ago)
the second half of The White House (i.e. 'bitcher' and 'outside') are really good tracks for introducing the dead c to people who might otherwise be wary. enough structure at the beginning devolving into noise jams.
― Ian John50n (orion), Saturday, 5 February 2005 22:12 (twenty years ago)
― Julio Desouza (jdesouza), Saturday, 5 February 2005 22:55 (twenty years ago)
― keith m (keithmcl), Sunday, 6 February 2005 01:34 (twenty years ago)
― chris andrews (fraew), Sunday, 6 February 2005 01:39 (twenty years ago)
― russignon, Sunday, 6 February 2005 07:04 (twenty years ago)
― rssgnon, Sunday, 6 February 2005 07:24 (twenty years ago)
― etc, Sunday, 6 February 2005 07:25 (twenty years ago)
― chris andrews (fraew), Sunday, 6 February 2005 07:49 (twenty years ago)
― Julio Desouza (jdesouza), Sunday, 6 February 2005 18:11 (twenty years ago)
thanks for reminding me
all and all, i guess ill stick to the dead c, but i dont think its fair to.
― b b, Monday, 7 February 2005 15:32 (twenty years ago)
Sounds like the versions of 'Power' and 'Mighty' of the fan-fucking-tastic Forced Exposure 7", a record that I had a huge knob on for since goddamn forever. 'Peace' was also on there too IIRC. 'Bone' was on a Siltbreeze 7" from the same era, but I haven't heard that one. Also, Julio does a good job of nailing their approach methinks.
― NickB (NickB), Monday, 7 February 2005 15:45 (twenty years ago)