― F.R. Leavis, Thursday, 10 February 2005 11:58 (twenty-one years ago)
― NickB (NickB), Thursday, 10 February 2005 12:01 (twenty-one years ago)
― lauren (laurenp), Thursday, 10 February 2005 12:02 (twenty-one years ago)
― Jonathan Z. (Joanthan Z.), Thursday, 10 February 2005 12:04 (twenty-one years ago)
― F.R. Leavis, Thursday, 10 February 2005 12:15 (twenty-one years ago)
― cozen (Cozen), Thursday, 10 February 2005 12:16 (twenty-one years ago)
― lauren (laurenp), Thursday, 10 February 2005 12:18 (twenty-one years ago)
― Baaderonixxx le Jeune (Fabfunk), Thursday, 10 February 2005 12:19 (twenty-one years ago)
― Oh Dadaismus, Poor Dadaismus, Mama's Hung You in the Closet and I'm Feelin' (Dad, Thursday, 10 February 2005 12:20 (twenty-one years ago)
― scott seward (scott seward), Thursday, 10 February 2005 14:40 (twenty-one years ago)
― stockholm cindy's secret childhood (Jody Beth Rosen), Thursday, 10 February 2005 14:45 (twenty-one years ago)
― peter smith (plsmith), Thursday, 10 February 2005 14:56 (twenty-one years ago)
― echoinggrove (echoinggrove), Thursday, 10 February 2005 15:17 (twenty-one years ago)
― briania (briania), Thursday, 10 February 2005 15:25 (twenty-one years ago)
Hey get back here, you scenester you.
― Ned Raggett (Ned), Thursday, 10 February 2005 15:25 (twenty-one years ago)
Some early-70s British Folk has the same haunting, lysergic effect. Try Trees, Stone Angel, the aforementioned Agincourt. Sandy Denny of course, in Fotheringay and Fairport Convention.
― Brooker Buckingham (Brooker B), Thursday, 10 February 2005 15:47 (twenty-one years ago)
Ron Geesin's hazy, slightly oppressive arrangements on Songs for the Gentle Man make it a standout, but even without Geesin, Bridget St. John has a very Perhacs-like feel. her later albums get rockier (and more uneven), but don't miss Thank You For's "Fly High," a dreamy girl-folk gem glistening with John Martyn's Echoplex-ed guitar.
― echoinggrove (echoinggrove), Thursday, 10 February 2005 15:50 (twenty-one years ago)
yes, i've been trying to start a grassroots hipster campaign with her "patterns" album but i don't have the cachet of a darvandra. or doc severinsen. so hey everybody let's pitch in 'n' get cracking...
i'd definitely recommend DLing that karen dalton before rushing out to buy a (by now probably ridiculously expensive) copy - unusual voice, but really dreadfully boring material.
― el sabor de gene (yournullfame), Thursday, 10 February 2005 16:32 (twenty-one years ago)
― cozen (Cozen), Thursday, 10 February 2005 17:16 (twenty-one years ago)
― cozen (Cozen), Thursday, 10 February 2005 17:17 (twenty-one years ago)
― rob mackey (mackey), Thursday, 10 February 2005 20:05 (twenty-one years ago)
― Elvis Telecom (Chris Barrus), Thursday, 10 February 2005 20:09 (twenty-one years ago)
― briania (briania), Thursday, 10 February 2005 21:45 (twenty-one years ago)
― don, Friday, 11 February 2005 04:53 (twenty-one years ago)
― don, Friday, 11 February 2005 04:56 (twenty-one years ago)
http://www.cherryred.co.uk/delay68/discography_01.htmlhttp://www.cherryred.co.uk/delay68/images/sleeve_folk.gif
Track listing:1. Carol Batton - Beeing (Intro)2. Kathy Smith - It's Taking So Long 3. Sarofeen & Smoke - It's Love4. Brigitte Fontaine - Brigitte5. Linda Perhacs - Hey, Who Really Cares? 6. Breakout - Usta Me Ogrzej (Warm Up My Lips)7. Musica Dispersa - Cefalea8. Poppy Family - Shadows On My Wall9. Wendy & Bonnie - By The Sea10. Bonnie Koloc - My Aunt Edna11. Heaven & Earth - Jenny 12. Erica Pomerance - You Used To Think13. Audience - Man On Box14. The Roundtable - Scarborough Fair15. Sidan - Gobiath 16. Sidan - Ar Goll
Okay, so what's good on this thing?
― NickB (NickB), Friday, 11 February 2005 10:36 (twenty-one years ago)
― mms (mms), Friday, 11 February 2005 11:36 (twenty-one years ago)
Only listened to all of it once, but the stand out tracks IIRC are 3, 4, 5, 8, 9, 11 and 12
― Jeff W, Friday, 11 February 2005 18:22 (twenty-one years ago)
― cozen (Cozen), Friday, 11 February 2005 18:24 (twenty-one years ago)
― dlp9001, Friday, 11 February 2005 18:36 (twenty-one years ago)
― Tito JaXoN (JasonD), Friday, 11 February 2005 18:50 (twenty-one years ago)
― stockholm cindy's secret childhood (Jody Beth Rosen), Friday, 11 February 2005 19:18 (twenty-one years ago)
― don, Friday, 11 February 2005 19:44 (twenty-one years ago)
― echoinggrove (echoinggrove), Friday, 11 February 2005 19:48 (twenty-one years ago)
and i've always been underwhelmed by Pearls Before Swine :(
shit, i didn't realize how much was released on that labelhttp://www.espdisk.com/roster.html
― Tito JaXoN (JasonD), Friday, 11 February 2005 20:01 (twenty-one years ago)
― walter kranz (walterkranz), Friday, 11 February 2005 20:08 (twenty-one years ago)
― walter kranz (walterkranz), Friday, 11 February 2005 20:10 (twenty-one years ago)
― reo, Friday, 11 February 2005 20:13 (twenty-one years ago)
― don, Saturday, 12 February 2005 02:51 (twenty-one years ago)
― dlp9001, Saturday, 12 February 2005 03:46 (twenty-one years ago)
a few other albums that would fit into this folky, light psych category are the first Gal Costa, the first solo Rita Lee (of Os Mutantes) "Build Up", Milton Nascimento & Lo Borges "Clube Da Esquina" and the s/t Arthur Verocai.
― Tito JaXoN (JasonD), Saturday, 12 February 2005 04:15 (twenty-one years ago)
― don, Saturday, 12 February 2005 06:35 (twenty-one years ago)
― Tito JaXoN (JasonD), Saturday, 12 February 2005 06:41 (twenty-one years ago)
― don, Saturday, 12 February 2005 18:26 (twenty-one years ago)
Actually, Bebel Gilberto is the daughter of Joao a different wife after he and Astrud were divorced.
― assseenontv (j22433), Saturday, 12 February 2005 18:52 (twenty-one years ago)
― echoinggrove (echoinggrove), Tuesday, 5 April 2005 03:02 (twenty-one years ago)
― charltonlido (gareth), Wednesday, 7 September 2005 21:26 (twenty years ago)
― noise is shit, Wednesday, 7 September 2005 22:08 (twenty years ago)
http://www.dustygroove.com/images/products/z/zzwayfaringstrangersl_101b.jpg
Various -- Wayfaring Strangers -- Ladies From The Canyon . . . CD . . . $15.99 (Item: 408828)Numero, Early 70s Condition: New Copy View Cart A sweet collection of early 70s female post folk revival material -- independent and long lost recordings from unknowns that used folk and psychedelia as offerings to each singer's idiosyncratic muse -- and another incredible collection of deeply sought rare tunes from the Numero Group! Numero really blows us away with their ability to seek out and lovingly reissue lost recordings -- and package them in beautiful and insightful collections -- and this one is as impressive as anything they've done to date. It features singer songwriters from sleepy midwestern Illinois and Minnesota, to the enlightened, heightened Bay, and points between and beyond -- with songs from records originally pressed in runs of 500 to 5000. The thick booklet includes a page of notes for each artist in the collection, really rich stuff with photos, original single/album art, etc. The music is warm, groovy and sincere as can be, much of it surprisingly timeless! 14 tracks in all: "A Special Path" by Becky Severson, "Cricket" by Collie Ryan, "Sunlight Shadow" by Linda Rich, "Engram" by Caroline Peyton, "And I A Fairytale Lady" by Carla Sciaky, "Window" by Judy Kelly, "Dedication" by Mary Perrin, "Rain" by Marj Snyder, "Wildman" by Ginny Reilly, and a cover of the Stones/Marianne Faithful treasure "Sister Morphine" by Ellen Warshaw.
― team jaxon (jaxon), Wednesday, 29 March 2006 23:35 (twenty years ago)
― chillaxing damsel on box art (Jody Beth Rosen), Wednesday, 29 March 2006 23:41 (twenty years ago)
woah. that's awesome. i wanna move to oregon. unless i move to rhode island. somewhere where people have an appreciation for life, and living.
― ian, Wednesday, 8 July 2009 17:30 (seventeen years ago)
Great pull M.V.C. - Thought i heard them all. Interesting tidbit i found researching her an her album:
One word of warning about this album: because of the nature of the source recording the sound gets a bit ropey at some points. In 1970, only three copies of the album were pressed and, although not stated in the press release, I’m guessing the master tapes were lost. This reissue was made from one of the three vinyl copies and in a few places the vinyl is worse for wear. Some of the songs have a lot of scratching on them which at times kill the mood. Still, beggars can’t be choosers.
Apparently 1 of those 3 albums was used for the source of the re-issue. Unbelievable when you think about it.
Hi everyone, btw. I'm new here. This is only my 2cd post. Nice to be here. I really appreciate everyone's insights and stuff, I love stuff!
― d-day, Thursday, 9 July 2009 08:25 (seventeen years ago)
i'm quite surprised to read that - i'm pretty fussy about the quality of reissues and i didn't notice any obvious sound quality issues.. tis a pretty nice little record anyway
― c.c. crabcock (electricsound), Thursday, 9 July 2009 08:32 (seventeen years ago)
Yeah, I think it sounds fine - I've certainly heard WAY worse! (and welcome, d-day)...
― Metro Video Centers, Thursday, 9 July 2009 08:52 (seventeen years ago)
"kills the mood" lol audiophiles
the susan christie album doesn't get enough props. it almost seemed like it got a backlash before it got "popular" among the 500 people who bought it. it's quite solid. and the kinda bad trip epic tune rules.
― next stop: NOWHERE, i wanna get off (GOTT PUNCH II HAWKWINDZ), Thursday, 9 July 2009 10:00 (seventeen years ago)
What kind of backlash did it get? That's interesting; it's one of my favorites of its type. (I picked it up after hearing the depressing title track, which is a sort of "carnival leaving town" narrative). The "kinda bad trip epic tune" is this weird 9-minute semi-spoken word/semi-sung called "Yesterday - Where is My Mind?" that's bananas. The rest of it is this really nice folk/country/funk gentle hybrid.
― Metro Video Centers, Thursday, 9 July 2009 10:09 (seventeen years ago)
damn that emmanuelle parrenin reissue is really expensive
― zappi, Thursday, 9 July 2009 11:04 (seventeen years ago)
alright, i'll take back my statement about backlash because i can't seem to google up anything that goes further than mildly disapproving of the lack of funk in the backing band.
― next stop: NOWHERE, i wanna get off (GOTT PUNCH II HAWKWINDZ), Thursday, 9 July 2009 11:32 (seventeen years ago)
worth it though. it actually feels like a really awesome old record you're buying new as opposed to a reissue. heavyweight jacket, beautifully cut vinyl, even the labels are the admired. closest comparison i could think of would be the vanguard vinyl reissues of their robbie basho titles that were available for way too short. and actually, throw him in this thread as well.
― matinee, Thursday, 9 July 2009 14:40 (seventeen years ago)
labels are *to be* admired
― matinee, Thursday, 9 July 2009 14:41 (seventeen years ago)
btw, as a fan of the Wayfaring Strangers -- Ladies From The Canyon cd, I just came across a copy of Becky Severson's album "A Special Path". It's a little scratchy but a very good copy altogether. Outstanding! and highly recommended.
Also, Sly and the Family's Stone entire set at Woodstock has been released in a double cd package with the the studio album Stand. Watching the movie always left me yearning for more as they only shown "I Want to Take You Higher". I can honestly say if i could only have 1 album and 1 album only, it would be "Stand" by Sly and the Family Stone. A bold statement, but the record always takes me to all the places i want to go. Not to be disappointed, the Woodstock set includes the unfucking believable "Sing a Simple Song", 'You Can Make it if You Try", "Everyday People", and "Stand". The fact that you get both cd's is bonus city.
A great day for d-day! Curious, what would be everyone else's 1 and only 1 album? I totally get it if you can't pull just 1.
― d-day, Thursday, 9 July 2009 22:09 (seventeen years ago)
I'm stuck on a lyric. A Special Path.
A special path has been shown.That very special seed has been sown.This path i walk is not ____________.It's walked by the faith of the son of god.
Anyone know?
― d-day, Thursday, 9 July 2009 22:51 (seventeen years ago)
Hello:
Psych-folk singer Linda Perhacs, whose unsung 1970 classic, Parallelograms, was reissued last year, will perform music from the album for the first time ever at Redcat at the beginning of October. Perhacs, who is now a dental hygienist, has been popping up at miscellaneous Dublab events from time to time, wowing a new generation of freaky folkies looking for inspiration. The evening, co-presented by Draw-Pictures, will be part of the Dublab collective's 10th anniversary celebration, which is slated to run from October 1 through October 10 at various venues around town.
― Ned Raggett, Tuesday, 28 July 2009 14:44 (seventeen years ago)
Tickets will be $30 through http://redcat.org when they go on sale.
that will be fascinating, hope it goes well
― vain_bowers, Tuesday, 28 July 2009 14:51 (seventeen years ago)
I would love so much to see that...
Nice to see some love for Emanuelle Parrenin in this thread, Maison Rose is such an amazing record.
― J4mi3 H4rl3y (Snowballing), Tuesday, 28 July 2009 14:55 (seventeen years ago)
been listening to these trails again lately, bloody hell this is an incredible disc. the moog bass is just genius.
― million dollar pig junior (electricsound), Friday, 18 September 2009 10:01 (sixteen years ago)
friend on perhacs at red cat:
doood, if only you had been there! her lovely voice + amazing psychedelic visual projections + inventive choreography + inspired covers by various LA luminaries = mind blown. she even gave a shout out to daft punk who was apparently therein the audience with a 15 person entourage. It was quite an evening.
― fleetwood (max), Friday, 9 October 2009 19:28 (sixteen years ago)
Yeah I was very bummed not to be able to make that, sounded amazing. Hopefully it was recorded for release on DVD or the like.
― Ned Raggett, Friday, 9 October 2009 19:30 (sixteen years ago)
me 2
― cool app (uh oh I'm having a fantasy), Friday, 9 October 2009 19:30 (sixteen years ago)
a year ago, i interviewed Ms. Perhacs for an article in the LA Weekly, which was videotaped by the woman who ultimately put this entire night together, so it was kinda mind-blowing to be back in town and see this convergence of so many talented folks. 'twas a special night, indeed.
― beta blog, Friday, 9 October 2009 22:27 (sixteen years ago)
I like Mary McCaslin but can't find a copy of "Way Out West." Did find LP of "Sunny California" for 50 cents at an estate sale this fall. Caroline Peyton played a sold-out show in Bloomington, Ind. in May 2009 with two other Bar-B-Q Records alumns, Mark Bingham and Bob Lucas. Lucas sat in on "Fishin' Blues" (banjo) and a drummer joined for "White Teeth," and the rest of the show was stuff from "Mock Up" mainly. Did a new song about the Needmore Commune that the crowd of aging hippies appreciated, and during Bingham's set a woman streaked thru the audience. Just like the olden days. Still in great voice.
― ebbjunior, Tuesday, 5 January 2010 21:39 (sixteen years ago)
live Perhacs
https://www.youtube.com/watch?v=YHmOKXq6aJM
― one more winner one less white hipster (electricsound), Monday, 9 August 2010 05:30 (fifteen years ago)
Hmmm, was this mentioned somewhere?
https://www.youtube.com/watch?v=8rFmXzvq6TQ
― dlp9001, Sunday, 31 October 2010 02:28 (fifteen years ago)
great voice
― nostormo, Monday, 18 November 2013 22:36 (twelve years ago)
She's playing London next month.
― Addison Doug (Matt #2), Monday, 18 November 2013 23:24 (twelve years ago)
And, it turns out, a new album is out soon:
Linda Perhacs’ 1970 album Parallelograms has enjoyed a special classic status and long-eduring afterlife among music fans; a rediscovered gem that never fades back into obscurity. Perhaps, the American equivalent to Vashti Bunyan’s Just Another Diamond Day. Parallelograms is an uncanny mix of Aquarian folk and ethereal, avant-garde treatments, Parallelograms was created in the heart of hippy country, LA’s Topanga Canyon, by a dental hygienist named Linda Perhacs who was inspired by nature and by the cultural revolution going on around her. In the internet age, though, obscurity can be discreetly transformed into a kind of niche immortality. As the 21st Century began she learned that Parallelograms had become a cult album. A CD reissue on The Wild Places imprint followed in 2003, but Perhacs’ reputation only continued to grow. Devendra Banhart was particularly evangelical, and tempted Perhacs back into a studio in 2007 to provide backing vocals on his reconstruction of the vintage Topanga vibe, Smokey Rolls Down Thunder Canyon. Disparate and unlikely fans revealed themselves: Swedish death metal group Opeth covered “Parallelograms”; Daft Punk placed “If You Were My Man” in their Electroma movie. “I first bought Parallelograms on vinyl when I was in New York on tour,” remembers Ramona Gonzalez of the LA group Nite Jewel. “I carried it under my arm to a crowded party, shut the door to the room that had a turntable, turned it on, and laid on the ground. I probably listened to it a dozen times while tears filled my eyes.” And slowly, Perhacs began making music again. In 2010, she performed live for the very first time, at a tribute show (organised by the internet radio station, Dublab) that connected her to a new generation of LA musicians supernaturally attuned to her vision. Perhacs fell into auspicious and hip young company, tentatively negotiating a return to musical activity with the help of Gonzalez and Julia Holter. Inspiration came, too, from listening to “Francisco”, a Milton Nascimento song that Devendra Banhart had passed on to her, and from watching Inside Björk, a documentary which showed the Icelandic singer escaping from the pressures of performance by sailing up close to a majestic iceberg. Then came an email from Fernando Perdomo. I get a lot of messages but something said, ‘Answer that email right away.’” Perdomo, it transpired, was a skilled musician and producer who’d just moved from Florida into Perhacs’ LA neighbourhood. Along with another dedicated and gifted Perhacs fan, Chris Price, the trio began recording the eclipse song, “River Of God”, and what became the new album’s title track, The Soul Of All Natural Things. It’s a remarkable follow-up album, one that sustains and extends the aesthetic mission of its 43-year-old predecessor. Julia Holter and Ramona Gonzalez contribute, too, on a set of 12 new songs which Mojo has already called “a spectrally hypnotic work of prismatic beauty.” As a consequence The Soul Of All Natural Things, for all its apparent serenity, is also a subtly polemical album, full of exhortations to take a step out of our frantic everyday lives. “We get too far out of balance and we must find a way to get back to our polestar,” Perhacs says. “I felt that people needed to be reminded of that. My music isn’t just recreational, it’s not just entertainment. I have a deeper purpose. My soul is giving itself to the people; I want them to be helped, I want them to be lifted. Lofty aspirations, perhaps, but they typify this new age of Linda Perhacs’ music. “Linda,” says Sufjan Stevens, who is releasing The Soul Of All Natural Things on his Asthmatic Kitty label, “has a prophetic voice that speaks beauty and truth with the kind of confidence and hope that has been lost for decades. “There is nothing more real in music today.” Track Listing:01. The Soul Of All Natural Things02. Children03. River Of God04. Daybreak05. Intensity06. Freely07. Prisms Of Glass08. Immunity09. When Things Are True Again10. Song Of The Planets
In the internet age, though, obscurity can be discreetly transformed into a kind of niche immortality. As the 21st Century began she learned that Parallelograms had become a cult album. A CD reissue on The Wild Places imprint followed in 2003, but Perhacs’ reputation only continued to grow. Devendra Banhart was particularly evangelical, and tempted Perhacs back into a studio in 2007 to provide backing vocals on his reconstruction of the vintage Topanga vibe, Smokey Rolls Down Thunder Canyon.
Disparate and unlikely fans revealed themselves: Swedish death metal group Opeth covered “Parallelograms”; Daft Punk placed “If You Were My Man” in their Electroma movie. “I first bought Parallelograms on vinyl when I was in New York on tour,” remembers Ramona Gonzalez of the LA group Nite Jewel. “I carried it under my arm to a crowded party, shut the door to the room that had a turntable, turned it on, and laid on the ground. I probably listened to it a dozen times while tears filled my eyes.”
And slowly, Perhacs began making music again. In 2010, she performed live for the very first time, at a tribute show (organised by the internet radio station, Dublab) that connected her to a new generation of LA musicians supernaturally attuned to her vision.
Perhacs fell into auspicious and hip young company, tentatively negotiating a return to musical activity with the help of Gonzalez and Julia Holter. Inspiration came, too, from listening to “Francisco”, a Milton Nascimento song that Devendra Banhart had passed on to her, and from watching Inside Björk, a documentary which showed the Icelandic singer escaping from the pressures of performance by sailing up close to a majestic iceberg.
Then came an email from Fernando Perdomo. I get a lot of messages but something said, ‘Answer that email right away.’”
Perdomo, it transpired, was a skilled musician and producer who’d just moved from Florida into Perhacs’ LA neighbourhood. Along with another dedicated and gifted Perhacs fan, Chris Price, the trio began recording the eclipse song, “River Of God”, and what became the new album’s title track, The Soul Of All Natural Things. It’s a remarkable follow-up album, one that sustains and extends the aesthetic mission of its 43-year-old predecessor. Julia Holter and Ramona Gonzalez contribute, too, on a set of 12 new songs which Mojo has already called “a spectrally hypnotic work of prismatic beauty.”
As a consequence The Soul Of All Natural Things, for all its apparent serenity, is also a subtly polemical album, full of exhortations to take a step out of our frantic everyday lives. “We get too far out of balance and we must find a way to get back to our polestar,” Perhacs says. “I felt that people needed to be reminded of that. My music isn’t just recreational, it’s not just entertainment. I have a deeper purpose. My soul is giving itself to the people; I want them to be helped, I want them to be lifted.
Lofty aspirations, perhaps, but they typify this new age of Linda Perhacs’ music. “Linda,” says Sufjan Stevens, who is releasing The Soul Of All Natural Things on his Asthmatic Kitty label, “has a prophetic voice that speaks beauty and truth with the kind of confidence and hope that has been lost for decades.
“There is nothing more real in music today.”
Track Listing:01. The Soul Of All Natural Things02. Children03. River Of God04. Daybreak05. Intensity06. Freely07. Prisms Of Glass08. Immunity09. When Things Are True Again10. Song Of The Planets
Plus a video for "Freely"
https://www.youtube.com/watch?v=3n-nWy6fB00
― Ned Raggett, Tuesday, 3 December 2013 15:30 (twelve years ago)
great
― nostormo, Tuesday, 3 December 2013 15:39 (twelve years ago)
https://soundcloud.com/asthmatickitty/linda-perhacs-river-of-god
― Number None, Thursday, 16 January 2014 17:43 (twelve years ago)
And we got full stream:
http://t.co/Bq4msfHPZY
― Ned Raggett, Monday, 24 February 2014 15:29 (twelve years ago)
Enjoying this so far. Her voice still sounds great!
― night boat to mega therion (NickB), Monday, 24 February 2014 17:17 (twelve years ago)
absolutely gorgeous
― Mordy , Monday, 24 February 2014 17:49 (twelve years ago)
ahh i was just thinking about her recently, this timing could not be better
― dyl, Monday, 24 February 2014 18:34 (twelve years ago)
the production and her voice are gorgeous but there is something in the lyrics and songwriting that is so far not clicking with me. i do really like "prisms of glass" and the final track though. maybe i will buy a copy for my hippie brother.
― dyl, Monday, 24 February 2014 23:45 (twelve years ago)
"Prisms of Glass" is really great. Surprised how good this album turned out actually, although I will agree their are some lyrical cliches going on, but that isn't the biggest hurdle to cross. She sounds great and the productions/arrangements are very sympathetic.
― Michael F Gill, Tuesday, 18 March 2014 23:57 (twelve years ago)
There are some stellar tracks - like "Prism of Glass" - but I found it a mixed bag. Very 90s take on new age in places. But the best songs are very good indeed.
― EZ Snappin, Wednesday, 19 March 2014 00:08 (twelve years ago)
anyone seen her play live? she's playing here next week and I'm curious but def wary about stuff that sounds 90s new age
― rob, Wednesday, 19 March 2014 00:52 (twelve years ago)
i feel like the 'new age' thing is v much overstated if one is a fan or parallelograms
― drum machines have no asshole (electricsound), Wednesday, 19 March 2014 00:56 (twelve years ago)
of*
For the most part, my issues with the record have nothing to do with her and more to do with the musical accompaniment. That's what sounds new age and oddly dated.
― EZ Snappin, Wednesday, 19 March 2014 01:12 (twelve years ago)
Linda's been missing for eight months - this is really upsetting and I hope wherever she is, she's safe:
https://www.instagram.com/dubfrosty/p/DbT2e74kl1G/?hl=en
Linda Perhacs our dear friend and legendary singer-songwriter was discharged from a residential care facility approximately eight months ago under the supervision of her legal guardian. Since then, friends and longtime collaborators have been unable to reach her and repeated attempts to contact her guardian have reportedly gone unanswered. Please help us locate Linda to ensure her wellbeing. If you have verified information regarding Linda’s whereabouts or current means of contact, please reach out to:Laurel Stearns Former Manager of Linda PerhacsLSS Mgmt/Primary Wave EMAIL: lstea✧✧✧@primaryw✧✧✧.c✧✧
If you have verified information regarding Linda’s whereabouts or current means of contact, please reach out to:
Laurel Stearns Former Manager of Linda PerhacsLSS Mgmt/Primary Wave EMAIL: lstea✧✧✧@primaryw✧✧✧.c✧✧
― donna rouge, Monday, 27 July 2026 22:00 (one week ago)
Yeah this is not good
― Angine de Postecogloutrine (NickB), Monday, 27 July 2026 22:28 (one week ago)
Not in the least!
― Ned Raggett, Monday, 27 July 2026 22:46 (one week ago)
Is she still based in Topanga? I know she was still there ~10 years ago.
I doubt there's any residential care facilities in the canyon.
― imperial frfr (Steve Shasta), Tuesday, 28 July 2026 00:20 (one week ago)
Slight update on Linda's official IG page, but really nothing more yet :( https://www.instagram.com/p/DbUbseORovN/
― Elvis Telecom, Tuesday, 28 July 2026 07:51 (one week ago)
Odd that they aren't naming who she was discharged into the care of. One of her children? Dude says 'next of kin' has blocked him.
― I? not I! He! He! HIM! (akm), Tuesday, 28 July 2026 14:52 (one week ago)
She was found today and is "safe".
― imperial frfr (Steve Shasta), Thursday, 30 July 2026 00:23 (one week ago)
well that's good news.
what I didn't say above is that, while it's great that other people are looking out for her, I could also see this as a situation where the closest family member is trying to shield her from fans/agents. She's a person after all, and owes nothing to anyone. She is very old and lots of things happen when you are incredibly old. Unless there is compelling reason to think she is a victim of elder abuse, I don't see why this is anyone else's business.
― I? not I! He! He! HIM! (akm), Thursday, 30 July 2026 01:32 (one week ago)
yeah, people who haven't cared for or even been around 80 year olds with dementia are relative babes in the woods.
was thinking that to take someone out of a memory care center sounds probably like a hospice situation, undoubtely painful for everyone involved.
― imperial frfr (Steve Shasta), Thursday, 30 July 2026 02:33 (one week ago)