"The scene: The Starbucks Licensed Stores Awards ceremony, a celebratory/motivational leadership conference, held this evening in the fourth-floor ballroom of the Washington State Convention Center. "Boring stuff, as usual corporate things go," writes our man Cilantro. But things took a turn for the surreal when the emcee announced "something special for you all--Jefferson Starbucks!" after which the hydraulic stage rotated to reveal a pretend band comprised of the upper-management folk the audience had heard speak earlier in the evening. "They were standing in front of a huge American Bandstand-esque 45 single dangling in the air," writes Cilantro. "And they all had on rock 'n' roll Halloween costumes: pink glitter wigs, white fishnet shirts, fake leather pants, as well as big fake instruments--a huge, oversized piñata guitar and keyboards. It was like a living cake decoration." From this most promising of plateaus, Jefferson Starbucks quickly ascended to the heavens, lip-synching their way through a company-specific rewrite of Jefferson Starship's "We Built This City," the 1985 anthem that made fresh headlines last year by topping an international critics' poll of the worst songs ever. But tonight, Starship's crap was Starbucks' gold, as "We Built This City On Rock 'n' Roll" was reborn as "We Built This Starbucks on Heart and Soul!" with lyrics rewritten to celebrate the Starbucks way:
Knee-deep in the mocha/making coffee right So many partners/working late at night We just want to build here--IMDS, does it pass? We call on development to complete the task! Living the way of being, In the Green Apron Book! Don't you remember? We built this Starbucks on heart and soul!
The rewrite even replicated the weird helicopter news report that appears in the middle of the original: "I'm looking out over hundreds of partners on another fantastic leadership conference and I'm seeing a bunch of everyday heroes!" "I couldn't fucking believe it," writes Cilantro. "The rest of the crowd was stunned, too. Eventually, the emcee berated them--'Come on you guys! Dance! This is your band! This is for you!'--and the crowd half-heartedly got up and just stood there." (A moment of silence for the million silent deaths experienced by the audience during the song's merciless four-minute-and-48-second running time.) Best of all, before his departure, Cilantro was given his very own copy of the inexhaustibly mind-blowing song, pressed onto souvenir CDs and distributed with pride by Starbucks stars. Dear Cilantro: Thank you for surviving and sharing. Humanity is forever in your debt. Dear readers: To hear "We Built This Starbucks" in its entirety, go to thestranger.com/specials/starbucks.php."
― mike t-diva (mike t-diva), Friday, 4 March 2005 09:48 (twenty years ago)
― mike t-diva (mike t-diva), Friday, 4 March 2005 09:50 (twenty years ago)
― Gear! (can Jung shill it, Mu?) (Gear!), Friday, 4 March 2005 09:51 (twenty years ago)
― Matt DC (Matt DC), Friday, 4 March 2005 10:37 (twenty years ago)
Sadly this record is no longer even available on the internet...
― Matt DC (Matt DC), Friday, 4 March 2005 10:38 (twenty years ago)
― MindInRewind (Barry Bruner), Friday, 4 March 2005 11:08 (twenty years ago)
― mike t-diva (mike t-diva), Friday, 4 March 2005 11:18 (twenty years ago)
/pedant
Perhaps at next year's conference, Jefferson Starbucks could do some of their earlier incarnation's repertoire: "Don't you want somebody to serve? Don't you need some coffee to pour? You better find some customers now."
― davidsim (davidsim), Friday, 4 March 2005 15:40 (twenty years ago)
― J0hn Darn1elle (J0hn Darn1elle), Friday, 4 March 2005 15:57 (twenty years ago)
― M@tt He1geson (Matt Helgeson), Friday, 4 March 2005 16:03 (twenty years ago)
― Matt DC (Matt DC), Friday, 4 March 2005 16:05 (twenty years ago)
― f--gg (gcannon), Friday, 4 March 2005 16:05 (twenty years ago)
― maria tessa sciarrino (theoreticalgirl), Friday, 4 March 2005 16:34 (twenty years ago)
― Tracer Hand (tracerhand), Friday, 4 March 2005 16:50 (twenty years ago)
― Tracer Hand (tracerhand), Friday, 4 March 2005 16:51 (twenty years ago)
― David Allen (David Allen), Friday, 4 March 2005 17:01 (twenty years ago)
― mike t-diva (mike t-diva), Friday, 4 March 2005 17:05 (twenty years ago)
― Tim Ellison (Tim Ellison), Friday, 4 March 2005 17:06 (twenty years ago)
― Jams Murphy (ystrickler), Friday, 4 March 2005 17:16 (twenty years ago)
― Sven Bastard (blueski), Friday, 4 March 2005 17:28 (twenty years ago)
― davidsim (davidsim), Friday, 4 March 2005 17:28 (twenty years ago)
― righteousmaelstrom, Friday, 4 March 2005 18:02 (twenty years ago)
― J0hn Darn1elle (J0hn Darn1elle), Friday, 4 March 2005 19:25 (twenty years ago)
Can someone tell me what "We just want to build here--IMDS, does it pass?" means?
― righteousmaelstrom, Friday, 4 March 2005 19:36 (twenty years ago)
― sundar subramanian (sundar), Friday, 4 March 2005 19:46 (twenty years ago)
― ffirehorse, Friday, 4 March 2005 20:08 (twenty years ago)
― chris andrews (fraew), Friday, 4 March 2005 20:13 (twenty years ago)
SEATTLE, WA. (Edelman/ www.edelman.com/ www.starbucks.com) - Starbucks Coffee Company (Nasdaq:SBUX) today announced the release of two exclusive CDs, both of which were produced by Starbucks Hear Music in collaboration with Joni Mitchell. Joni Mitchell Artist's Choice and Joni Mitchell: Selected Songs are exclusively available at Starbucks Company-operated stores in North America.
Starbucks Hear Music's newest CD releases provide unique insight into Mitchell's singular genius:
Joni Mitchell Artist's Choice consists of eighteen of Mitchell's favorite songs. Featuring song-by-song commentary written by Mitchell, the album provides a revealing glimpse into the artist's personal and aesthetic inspirations, which are as richly diverse as her own musical catalogue. As her celebrated forays into the genre would suggest, jazz (the DeBussy classic "Clare de Lune," Billie Holiday's "Solitude," Miles Davis' "It Never Entered My Mind," and more) figures prominently in Mitchell's selections. Among the album's surprises are Chuck Berry's "Johnny Be Good" and the New Radicals' "You Get What You Give."
― ffirehorse, Friday, 4 March 2005 20:15 (twenty years ago)
Either the PR writer is a buffoon, or s/he thinks way outside the box.
― David R. (popshots75`), Friday, 4 March 2005 20:19 (twenty years ago)
I don't hear a crowd on the one I downloaded. Is the "Server 2" clip different?
― Rick Massimo (Rick Massimo), Friday, 4 March 2005 20:30 (twenty years ago)
― sundar subramanian (sundar), Friday, 4 March 2005 22:26 (twenty years ago)
― Adam Bruneau (oliver8bit), Friday, 4 March 2005 22:35 (twenty years ago)
― Tracer Hand (tracerhand), Friday, 4 March 2005 22:51 (twenty years ago)
the lamer, the better.
― kingfish, Friday, 4 March 2005 22:56 (twenty years ago)
― ffirehorse (firehorse), Friday, 4 March 2005 23:43 (twenty years ago)
― m0stly clean (m0stly clean), Saturday, 5 March 2005 01:32 (twenty years ago)
― m0stly clean (m0stly clean), Saturday, 5 March 2005 02:17 (twenty years ago)
Sir, you wound me.
This is quite...something.
― Ned Raggett (Ned), Saturday, 5 March 2005 03:16 (twenty years ago)
― Tracer Hand (tracerhand), Saturday, 5 March 2005 03:20 (twenty years ago)
― Tracer Hand (tracerhand), Saturday, 5 March 2005 03:29 (twenty years ago)
The pomo of the bridge is fantastic; this would have been a different song in each market, theoretically, as local DJs would record their own call letters over the san francisco stuff. 'this city', that we built on rock and roll, is actually *every* city that steps up to make it their own. we built EVERY city on rock and roll! it's participatory!
Tracer OTM on the timing, the bass and drum lines in the chorus especially.
― derrick (derrick), Saturday, 5 March 2005 09:53 (twenty years ago)
― derrick (derrick), Saturday, 5 March 2005 10:01 (twenty years ago)
― latebloomer: Klicken für Details (latebloomer), Saturday, 5 March 2005 10:02 (twenty years ago)
this is an anti-system song from a band who'd just sold into the system.
(A fall from Grace, so to speak? Sorry...) I can also see how sometimes it might seem like a gross mix of saccharine hooks and blaringly shrill production/voices (+ overplay in the 80s). It's the kind of thing that can be really intrusive in an unwelcome context - in a grocery store, say. I do think it's catchy myself. The loving and detailed Starbucks tribute has honestly made me appreciate it more, along with your comments. I always thought "knee-deep in the hoopla" was a pretty great phrase.
― sundar subramanian (sundar), Saturday, 5 March 2005 11:10 (twenty years ago)
It might be significant, BTW, that they chose to play the video in its entirety while they didn't do the same for any others, including the "best video of '85" (the brilliant "Take On Me"). My housemate and I sat there mocking its tackiness and lamenting Grace Slick's decline but it says something that we didn't turn the TV off until it finished.
― sundar subramanian (sundar), Saturday, 5 March 2005 11:14 (twenty years ago)
A few years ago, I came to the realization that somebody needs to do a Krautrock/S3 version of this song using two drummers, an organ, and at least four guitarists.
― MindInRewind (Barry Bruner), Saturday, 5 March 2005 11:39 (twenty years ago)
― Matt DC (Matt DC), Saturday, 5 March 2005 12:20 (twenty years ago)
― Matt DC (Matt DC), Saturday, 5 March 2005 12:25 (twenty years ago)
― Pashmina (Pashmina), Saturday, 5 March 2005 12:47 (twenty years ago)
― Dare, Saturday, 5 March 2005 12:55 (twenty years ago)